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StagePass Magazine features theater and the performing arts in the region east of Sacramento California. It features perfromances at Three Stages Perfroming Arts Center, Thunder Valley Casio, and teh Jackson Rancheria. It is published six times a year by El Dorado Musical Theatre (EDMT)
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THE SHOW NO THEATER CAN HOLD
May / June 2013
THE GUIDEComing soonHIStory performs at Three Stages
RICKY NELSON REMEMBEREDA tribute to the original ‘teen idol’
TEN QUESTIONSwith Latin Jazz LegendPete Escovedo
THE GUIDEComing soonHIStory performs at Three Stages
RICKY NELSON REMEMBEREDA tribute to the original ‘teen idol’
TEN QUESTIONSwith Latin Jazz LegendPete Escovedo
IN THIS ISSUE:10 Questions with Latin Jazz Legend Pete Escovedo . . . . . . . . . . . . . . . . . . . 4
Folsom Rhythm and Brews . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
The Show No Theater Can Hold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Ricky Nelson Remembered . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Confessions of a Performing Arts Junkie . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Guide for Local Upcoming Shows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Great entertainment at Three Stages, Thunder Valley Casino Resort, Jackson Rancheria and in your community
STAGEPASS IS PUBLISHED SIX TIMES A YEAR BY EL DORADO MUSICAL THEATRE.
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CONTACT: [email protected]
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CONTACT: RICHARD WILSON AT [email protected]
NO PART OF THIS PUBLICATION MAY BE DUPLICATED IN ANY WAY WITHOUT THE EXPLICIT WRITTEN AUTHORIZATION OF EL DORADO MUSICAL THEATRE.
COPYRIGHT © 2013 EL DORADO MUSICAL THEATRE.
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COVER PHOTO COURTESY DRUM CORPS INTERNATIONAL
Famed percussionist Pete Escovedo is an artist who broke . . .
10QUESTIONS
with Latin Jazz Legend
Pete Escovedo
vibe of it was just beyond what I ever expected. And I said, “You know what? This is it. It looks like percussion is what I’m supposed to do.”
Q. HOW DID YOU FIRST START PLAYING WITH SANTANA? Back in the late ’60s, early ’70s, the Latin rock scene was really big. My brother Coke and I had a band together working in a bunch of clubs
doing some Latin jazz stuff.And the Santana band—they
were just starting out. They were rehearsing in San Francisco in a garage. They would come over to the club where we were playing and listen and hang out, and then we all got to be really good friends.
We just started playing with them and played all night and had fun. Then, when they started touring and making records and doing really well, they called my brother Coke to play with them.
I was working in another band, and he came in one night and said, “Hey, the other percussion player is leaving. Would you want to go play?” And I said, “Yeah.” So he said, “Well, good. We leave tomorrow at 6:00.”
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. . . down the barriers between Smooth Jazz, Salsa, Latin Jazz, and contemporary music. His name has been widely known in the music industry for more than 50 years. Pete is known worldwide for his live performances, session work and solo albums.
He was just a boy when he started listening to big bands in Bay Area ballrooms. The Latin Jazz legend and father of a family of remarkably talented musicians has been in the industry for more than 50 years.
Born in Pittsburg, California, Escovedo grew up in Oakland in a family where music was part of everyday life.
The same year he met his future wife in junior high school, he acquired his first set of bongos made out of coffee cans and tape. He painted them himself.
An artist from the age of 15, he began drawing and painting on whatever materials he could get his hands on. Today, he’s still playing, and still painting.
Q. WHEN YOU WERE VERY YOUNG, YOU LIKED TO SIT ON THE STEPS OF NIGHT CLUBS AND LISTEN TO MUSICIANS PLAY. WHEN DID YOU GET INVOLVED WITH MUSIC?My dad loved music and wanted to be a singer in big bands. So he would always go listen to the big bands play, and naturally, my mom forced him to take us along to make sure he would come back home. So he would go inside the big ballrooms during the daytime. Most ballrooms featured a Sunday-afternoon thing, so kids were able to hang out too.
My dad always invited the
musicians over after their performance, and they would bring their guitars. My mom always kept a piano in the house, so they’d have a jam session, and stay up eating and drinking and having a good time.
Q. WHAT WAS YOUR FIRST MUSICAL INSTRUMENT?I really enjoyed the saxophone. My ambition was to be a jazz saxophone
player, and I used to listen to all the great jazz sax players, so I took up the instrument, but got to a point where I didn’t advance. Instead of getting better, I just never got to the next step. So I thought, “Well, maybe this isn’t for me.”
In the meantime, a friend of mine put a little Latin jazz group together. He was looking for someone to play percussion, and I said, “Hey, I can do that.”
I was dabbling with percussion, but just to join a band, I said, “Well, if I can’t play saxophone”—because he already had a sax player—I said, “at least I’ll be able to be in the band.”
So we did a couple of gigs, and I said, “Man, this is great; the audience, the people clapping.” The whole
Pete Escovedo playing on Live at Stern Grove.
‘‘ I asked, ‘WHERE ARE WE GOING?’ He goes, ‘We’re going to New York. We’re playing at MADISON SQUARE GARDEN
for four nights in a row.’’’
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I asked, “Where are we going?” He goes, “We’re going to New York. We’re playing at Madison Square Garden for four nights in a row.”
So I had to learn all the songs on the plane going over to New York. I listened to all the tapes. Our first gig was at Madison Square Garden.
So Coke and I were in and out of the band for a number of years. Then on one of our tours after we got back home, my brother said, “You know what? We should start our own band again.” So we put together a very large band called Azteca and recorded two albums for CBS. We were signed by Clive Davis. Yeah, it was a great, great orchestra, and those days were very special to us.
Q. I KNOW YOU PERFORMED WITH THE GREAT TITO PUENTE. WHAT WAS THAT LIKE?He’s the king of timbales, and that’s the instrument that Coke played. In those days, I was playing congas and singing, and Coke was playing timbales, but then I started playing more timbales after that.
Tito played at a club called The Macumba in Chinatown in San Francisco, upstairs on Grant Street. He was there for six nights, and we were there every night, got a chance to go backstage and meet him. And instantly, we became friends. He was such a great guy.
We started hanging out and invited him over to my house for dinner and the whole band, and so we just talked music and talked music.
I was 18 when I met Tito, so it’s been a long, long, and wonderful friendship.
His family, our family; we just became really, really close. It was so hard to lose him, but every life has its turning point.
Q. WHAT WAS IT LIKE PERFORMING LIVE WITH TITO ONSTAGE? I’VE GOT TO BELIEVE IT WAS ELECTRIC.Yeah, it was incredible. Every time he came to town and played with his band, he would always ask me up, to sit in; sing a song or play.
The first time we did that was in New York. He was playing at a place called the Corso, kind of like a ballroom club. A few times, he played with our orchestra, and we wrote some music together.
We became so close, he would go see my daughter, Sheila, play. She always called him Uncle Tito, and he watched over her like a good uncle.
Q. WHAT IS IT THAT GIVES LATIN JAZZ A SOUND THAT’S DIFFERENT FROM ANY OTHER MUSIC? HOW WOULD YOU EXPLAIN IT TO SOMEBODY?It’s a really great marriage. You’ve
got the jazz element, and then you have the Latin percussion. Mixing the two together just makes for a great sound. That makes it different because you’re combining both
elements.Whenever the horn players or
piano players play solos within the structure of the music, it’s really a jazz solo. Then when the Latin percussion players hit their solos, it’s really Latin. So you get the rhythm,
‘‘ To be a musician and TO HAVE YOUR KIDS PLAY WITH YOU
IS THE GREATEST BLESSING IN THE WORLD. I couldn’t ask for anything else.’’
and chord changes.
Q. YOU HAVE A WHOLE FAMILY OF PERFORMERS — SHEILA IS PROBABLY THE BEST KNOWN OF THE GROUP. THERE’S A MAGIC CONNECTION THAT HAPPENS WITH MUSICIANS. WHAT’S IT LIKE TO PERFORM WITH THE FAMILY ON STAGE?Well, it’s really the best. To be a musician and to have your kids play with you is the greatest blessing in the world. I couldn’t ask for anything else.
We have great fun and of course, the love is there when we play together. But we’re very competitive with each other, so the competition is there, also.
And because they’re all percussion players—they all play drums and bongos and congas and timbales, and we sort of follow a chart of the music we’re doing—but at the same time, it’s like, “Okay, well, here’s what I could do.”
So they do their thing, and then the next one says, “Oh, is that all you got? Well, let me show you what I got.”
I’ve seen them all play with other bands. I’ve so much enjoyed Sheila playing with Ringo Starr, and with Dave Koz, and she’s been on the road with George Duke and so many other people.
Peter Michael, who’s played with Lionel Richie and who’s a musical
director on TV shows, what he does, I’m always amazed at that.
My other son, Juan, has played with En Vogue, and of course, he went on tour with MC Hammer.
I’m so amazed at what great musicians they are. I just look at them, “Well, they’re my kids. They’re still my kids,” and if I have to pull their coat or slap them on the head, I still will do that.
Q. YOU WERE 18 WHEN YOU MET TITO PUENTE, SO SUPPOSE SOME 17-YEAR-OLD KID COMES UP TO YOU WITH THAT LOOK IN THEIR EYE SAYING THEY WANT TO BE A MUSICIAN. WHAT ADVICE WOULD YOU GIVE THEM ?
The Escovedo Family; Sheila E., Pete, Peter Michael, and Juan are all accomplished Latin jazz musicians and play together often.
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I always tell them to learn whatever instrument they’re going to play and then never stop learning because for me, at the age of 78, I’m still trying to figure out stuff. So it’s like a never-ending story. It’s limitless.
Your best chance of making it in the business is to really learn your craft and really, really try to perfect it as best you can.
And it’s good to have that spiritual value of, “Well, your gift, this gift of music, it was given to you.” You’ve got to keep that spiritual awareness with you. Know that this was given to you as a gift from the Lord above; keep that in mind and let yourself know that people come to hear you play. Respect them and they’ll respect you. Be professional as much as you can and learn your craft, and things will be good.
Q. WHEN YOU WERE ABOUT 15-YEARS-OLD, YOU BEGAN PAINTING AND SKETCHING. WHAT DO YOU LIKE TO DO WITH THAT FORM OF ARTISTIC EXPRESSION?In high school I had a wonderful art class. The woman who really helped me a lot was Mrs. Snead, an older woman. She actually took me to the College of Arts and Crafts in Oakland and got me a scholarship.
She even took me to Croft and Chrysler Advertising and got me a job as an intern. I turned to the music, but I’ve never lost my focus on art.
I’ve been painting, and it’s gone full circle because I’ve had some showings. I’ve been in galleries. I sell my artwork on the Internet.
I’ve been commissioned to do the hotel in Cupertino. I’m almost finished with that—the Cupertino Inn. Its located right where all the Apple offices are.
The hotel gave me a free hand, and said it would be nice to have musical stuff, and that’s what I’ve done. Most of the paintings there are about music. And there are some
landscapes and some modern art.It’s been a wonderful thing for
me. There are so many artists that are not only musicians but are in the artistic world as painters also. There’s Tony Bennett. Miles Davis was a great painter. And Jerry Garcia of the Grateful Dead loved to paint.
Q. YOUR MOST RECENT ALBUM IS LIVE FROM STERN GROVE. WHAT WERE YOU HEADING FOR MUSICALLY? Well, it came up at the last minute because a year ago, the Grammys took out the Latin jazz category. We’d been fighting to get it reinstated. And so once that happened—my daughter, Sheila, was very instrumental in doing that because she’s on the Board of Governors for the Grammys—she said it would be great if she could get a new CD going.
I said, “Well, that’s great, but right now, I’m really not even prepared.” She goes, “Well, why don’t we just do it live?” And I said, “Well, that’s cool. I can do that.”
We had a gig at Stern Grove, and
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I said, “Boy, what better way than to have it at Stern Grove.” It was jam packed with people and was just a great day.
So we recorded the CD live with some guests on it— Dave Koz; Arturo Sandoval; Ray Obiedo. It was a wonderful, wonderful time that we had playing that day, and it worked out great.
There were some mistakes I wished I could have fixed in the studio. But when you play live, it is what it is. You get what’s there.
You can hear Pete Escovedo and his orchestra on Friday, June 21, at 7:30 p.m.
at Three Stages. www.threestages.net
ON SATURDAY JUNE 15, the Palladio at Broadstone will be transformed into the one of the largest blues festivals in the region. The event is free and open to music fans of all ages.
“This is an annual family-friendly event that includes music, food, and beer-tasting, along with special kid and dad zones with additional entertainment,” said Mary Carrera, producer of the event. “It will be a fun day for everyone.”
The festival includes six bands playing on two stages during the day. They include blues men Curtis Salgado, Chris Cain, and David Landon. The second stage features Nashville recording artist, Buck Ford, NorCal favorite, Mumbo Gumbo, and country music band Against The Grain.
The event is also a showcase for more than twenty-five of the best craft breweries in the region. Adults 21 or older can purchase tasting kits and enjoy the wide range of offerings. Each kit include a commemorative glass along with tickets good at all of the brewery tents.
Tasting kits can be ordered at a discount on the website through June 3, or will be available at the event.
The Folsom Rhythm & Brews festival starts at noon in the middle of Palladio at Broadstone on via Serena.
For more information, go to http://www.folsomrhythmandbrews.com
Rhythm and Brews festival comes to Folsom for Father’s Day Weekend.
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WELCOME TO THE WORLD OF DRUM AND BUGLE CORPS. Precision. Excellence. Fire. Passion. Enter a world of color and movement where drums pound, brass instruments blair, and a wall of glorious sound crashes around you.
If you’ve never had the opportunity to witness a drum and bugle corps performance, that’s just a piece of what you’re missing!
In late June, if you live in the Greater Sacramento Region, you’ll have an opportunity to see a show featuring nine competitive groups—including three of the top five drum corps in the world—perform nearby.
A drum and bugle corps (or ‘drum corps’ for short) is a musical marching machine with all of its parts oiled and smoothed working together as one. Powerful music combined with movement and dance creates an unforgettable scene. Let’s admit, it’s rare to meet professional athletes who play music and sports at the same time!
DRUM CORPS VS. MARCHING BANDSWhile at first glance a drum and bugle corps looks like a marching band, there is an important difference. That difference is in the level of precision.
Competitive drum corps are to marching bands as the Olympics are to college sports.
Musical repertoires vary widely and include symphonic, jazz, big band, contemporary, rock, Broadway, and Latin music.
They participate in a summer circuit known as Drum Corps Inter-national (DCI) which ends in a world championship in August each year.
Corps prepare a new 8–12 minute long show each year and refine it throughout the summer tour.
Shows are performed in football stadiums and are judged in various musical and visual categories, or “captions”.
Competitive junior corps spend roughly 8–10 weeks on tour during the summer, practicing and performing full-time. A typical corps will travel over 10,000 miles each year.
The result of all this work and dedication? Thrilling.
MODERN COMPETITIVE DRUM CORPS
Drum and bugle corps began forming across the U.S.A. and Canada after the First World War, normally sponsored by churches and veterans’ associations, but really gained popularity around the 1970s.
A world-class corps today may include up to 150 members working in unison in each performance. The sheer number of players would be enough to excite an audience even if they were standing still. Combining intense music, constant movement, and choreography, performances usually raise goosebumps.
Most corps are independent associations, with directors who organize arrangements, uniforms, choreography, instruction and competition schedules.
Each corps has developed its own traditions and most have their own trademark style expressed through the music they choose, the uniforms they select, and their methods of marching. And, reflecting their military origins, they
demand respect and dedication from their members for the honor of the corps.
THE CORE OF THE CORPSDrum and bugle corps are comprised of performers whose talents range from music to dance and even theatre. Every year, thousands of students compete for spots within the top corps in the country, earning their places through both skill and determination.
Corps are divided into three main groups of performers: the drums, the brass, and the color guard. Everyone learns the music and marching choreography as well as the individual responsibilities of their group.
The drum line provides the pow-er and rhythm that defines military precision and drives each show. They’re typically divided into two sections. A drum line, or ‘battery’, consists of snare players, multi-ten-ors who play sets of 5-6 drums, bass drummers, and sometimes cymbal players.
While the drum line marches, another group of percussionists play instruments such as bells, xylophones, marimbas, and concert drums that normally stay in one place. This is affectionately known as ‘the pit’.
The brass line give voice to the corps’ compositions. They convey the music and the emotion of the show. You’ll hear soaring trumpets, mellophones, euphoniums, and the largest of horns, the contrabass.
These players are constantly on the move during each musical piece. Only brass instruments are blown in
The Concord Blue Devils soloist during performance.
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a drum and bugle corps – woodwinds such as flutes and clarinets lack the power to be heard over the booming of the drums.
The elements of dance, color and motion come from the color guard, a group of about 30 performers. While the color guard is clearly descended from the military traditions of presenting arms and bearing the flag, this group bears only a slight family resemblance to their forebears.
In a single program, these performers will spin flags, rifles, and sabers. They manipulate just about any other objects they can get their hands on while constantly dancing and moving on the field.
The whole corps is led by a small group of drum majors who are the conductors that keep the massive performances all moving in time. It is an incredible feat, considering all the sound and action of 150 performers in constant motion.
NOT JUST MUSICIANS, THEY’RE ATHLETES
All members of the corps train hard, not just with their dance steps and instruments, but to keep up with the constant demand for movement in each of their programs.
A test by an Indiana State Uni-versity PhD found that performers reach and maintain heart rates of up to 200 beats per minute for the du-ration of their programs, which can last up to eight minutes. This is about the same as an Olympic short-distance runner – and that was for a marching drummer!
Corps can train over 10 hours a day to get their programs down perfectly. Members live in close
quarters in training camps and on tour buses, traveling between competitions which lead up to the Drum Corps International champion-ships in August.
In competition, corps are watched from the field and stadium press boxes by up to eight judges to
evaluate their visual and musical performances. The judge’s scores are then blended to achieve a total score for the performance.
Often the difference between first and second place is a fraction of a point.
This really is a high-energy, high-
precision, and highly competitive sport as well as an art form. At the same time, it’s a highly positive platform for personal development. Performers are supported by their peers and led by veteran players as they learn to make sacrifices and work tirelessly to achieve their goals both on and off the field.
NORTHERN CALIFORNIA IS ONE OF THE HOTSPOTS
Two of the most successful drum corps in the world reside in the region. Between them, they have earned 21 championships since Drum Corps International was founded in 1972.
The current champions are the Concord Blue Devils from Concord California. They have dominated the
activity with 15 world titles. Over the years, the Devils have often made use of jazz and Latin music and are known for innovation.
The Santa Clara Vanguard from Santa Clara, California is one of the thirteen founding member corps of Drum Corps International and is a six-time DCI World Champion. They are the only unit to qualify for every DCI World Championship Finals competition since 1972.
Celebrating their 50th Anniversary is a local favorite, the Sacramento Mandarins. They are the only American DCI competitive drum and bugle corps with an Asian heritage. Over the years they have climbed to be in the elite “Top 20” of competitive corps.
PERFORMANCES TO SEEThis June, Northern California
will become the battleground for some of the top drum and bugle corps in the world as the DCI tour makes it’s west coast swing.
Fortunately for audiences, two of these shows are nearby.
On Saturday June 22, the DCI West show will be hosted at Stanford Stadium. The stadium is considered one of the best places to watch a drum corps show. The lineup includes nine competing corps, one of which was last year’s 2nd place winner, the Carolina Crown, making a rare west coast appearance.
The following day, on Sunday June 23, the tour comes to Hornet Stadium at Sacramento State
Sacramento’s own Mandarins in performance. Notice the precise angles within the drum line.
Left to right: The Santa Clara Vanguard are one of the few Founding Members of Drum Corps International. Pit players play a large array of stationary percussion instruments, including the cymbals. The color guard add color and movement to create the spectacle. The horn line must hold incredibly tight formation as they move and play their show.
University with the Moonlight Classic. This is the 34th Moonlight Classic and it is the oldest continuing Drum & Bugle Corps show in the western United States. It features the same line-up of competitors as the night before.
What can you expect from a drum and bugle corps competition? A sheer adrenaline rush.
Corps put absolutely everything they have into their programs, interpreting everything from traditional marches to Latin rhythms to opera, with stunning costumes and choreography to rival the hottest of dance troupes.
Expect to see uniforms flash and brass sparkle as an entire corps moves with the precision of a well-made clock. Expect the hair on the back of your neck to stand on end as the intensity of music played by some of the world’s largest drum corps moves through you.
But most of all, expect to see excellence—the performers expect nothing less of themselves.
Catch one of these performances:DCI West
Stanford Stadium at Stanford UniversitySaturday, June 22, 2013 at Stanford, CA
http://dcitickets.showare.com/ordertickets.asp?p=166
Moonlight Classic Hornet Stadium at Sacramento State University
Sunday, June 23, 2013 in Sacramento, CA http://www.someinc.com/moonlight-classic-
purchase-tickets/
Want to see a sample of a drum and bugle corps show? Click image to see a YouTube clip.
Ricky Nelson Remembered
He is the only artist to have a No. 1 song, No. 1 movie and No. 1 TV show in the same week. Life Magazine coined the phrase ‘Teen Idol’ after him and he is credited with pioneering the country rock sound.
Rock and Roll Hall of Famer Ricky Nelson’s life and music touched millions; his twin sons—multi-platinum recording artists, Matthew and Gunnar Nelson—relive the music and memories in their multi-media event, Ricky Nelson Remembered.
Featuring hit songs like “Hello Mary Lou,” “Poor Little Fool,” “Travelin’ Man,” “I’m Walkin’,” “I Got A Feeling,”
“Teenage Idol,” “Garden Party” and many more.
RNR showcases his life with never-before-seen interviews from artists he influenced, including Paul McCartney and Chris Isaak. Matthew and Gunnar’s musical event is heartfelt and full of laughter.
Ricky Nelson died in a plane crash on his way to perform a New Year’s Eve concert in 1986. His legacy includes 53 hit singles on the Billboard Hot 100 and nineteen other top-ten hits.
He is one of the biggest-selling artists of all time, a Golden Globe winner for his performance along-
side John Wayne in Rio Bravo and in the Rockabilly Hall of Fame.
From Ozzie and Harriet to Ricky to Matthew and Gunnar, the Nelson’s are listed in the Guinness Book of World Records as the only family in history with three successive generations of No. 1 hit makers.
Matthew and Gunnar are also nephews on their mother’s side of NCIS star, Mark Harmon.
Ricky Nelson Remembered plays at
Three Stages on Friday, June 28 at 8:00 pm.
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I still remember the first time. It was decades ago, but I remember it like it was yesterday.
I was sitting in a dimly lit room wondering what was going to hap-pen. Hundreds of people surround-ed me, yet I felt strangely alone.
I was focused, intent on what was about to happen. I kept staring ahead waiting for something to move or the lights to change. Occa-sionally I thought the lights were dimming, but I’d look again only to find it was only my imagination.
Somewhere, instruments were tuning. The sounds of strings and brass collided like traffic noise in a busy city. From the back was the resonant thump of a timpani finding its pitch.
Tap. Tap. Tap. The room fell silent. A moment later, there was a swell of violins, followed by a crescendo of other instruments beginning to play. The lights dimmed. Through the darkness I saw the curtain open.
As the lights came up I saw peo-ple in colorful costumes, singing at the top of their voices. They began to move together creating a blur of sights and sounds. I was oblivious to anything else until the thunderous applause from the audience.
The room was electric. I was
electric. Everything and everyone felt alive. At that moment, none of the day’s worries bothered me in the least. I was elated and happy.
I seek that same thrill every time I go to a performance. I’m pleased to say that I often find it.
Is it strange to say that live per-formances make you feel more alive? There is a magic in a live per-formance that never gets fully cap-tured in a recording.
Music, theater, and dance all enrich our lives in ways that are hard to measure.
Technology, math, and science all become their best when blended with the arts and humanities. I know Steve Jobs would agree with me, as would Shakespeare, Picasso, and Einstein.
They knew that arts inspired the creative forces that move the world forward. And involvement in the arts makes for more interesting people too.
Arts allow a community to de-fines its character and soul. It can define you as well.
Most performing arts groups are in need of support. Ticket sales cov-er only a part of the costs of operat-ing. Without the support of the
community, many groups struggle or finally simply cease to exist.
What can you do to help? It’s actually pretty easy. Get out
and see shows. Don’t just come yourself, but bring a friend along too. Performances are meant to be enjoyed. The more people who see them, the better.
Take a moment to write a posi-tive review about your favorite groups online. If you’re on Facebook, be sure to “like” the performers you are enthusiastic about, and share your enthusiasm with your friends.
You can become a season ticket holder, or make a tax deductible do-nation. I always prefer to support my favorite not-for-profit arts groups in-stead of paying the tax man.
I confess that I am happily addicted to the thrill of live shows. Fortunately, there are many high-quality options right here in our backyard. Join me. Select a show or two that interest you and give yourself a nice evening out. You’ll support the arts, enrich the community, and enhance yourself all at the same time.
Richard WilsonEDITOR – STAGEPASS MAGAZINE
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Three Stages PartnersOne Way Productions presents
THE HIDING PLACEFRI-SAT MAY 31, JUNE 1 2013 7:00 PM
SUN, JUNE 2 2013 2:30 PM • $15
The Hiding Place is an inspiring true story of Holocaust survivor Corrie ten Boom. With the WWII Nazi invasion of Holland, the ten Boom family joins the underground resistance to help save persecuted Jewish families. But when they are arrested and im-prisoned in concentration camps themselves, they’re left with nothing to cling to but their faith.
Audience Age Appropriateness: 12 years and older.
Three Stages Partners
CAKEFRI-SUN, MAY 31-JUN 2 2013
$29-$39; PREMIUM $49
“All these years later, after headlining shows around the world and seeing CAKE’s latest album debut at No. 1, Sacramento still feels like the band’s home sweet home” (Sacramento Bee,
2012). CAKE started out as a local band in the early 90’s with their first radio hit “Rock ‘N’ Roll Lifestyle,” followed by classics such as “The Distance,” “Never There,” “Short Skirt/Long Jacket,” “Sick of You” and many more—seven albums in all, including the #1 “Showroom of Compassion”, which was recorded in their own solar-powered studio in Sacramento. CAKE’s longevity is a result of their seamless ability to incorporate the best of several genres without resorting to shtick. The Times of London praised the band’s concert
UPCOMINGSHOWS
All shows perform at one of three stages at Three Stages Performing Arts Center at Folsom Lake College unless indicated otherwise. Shows at Thunder Valley Casino Resort will have the Thunder Valley symbol (right) to indicate the different venue. Shows at Jackson Rancheria in Jackson will have their symbol (right).
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Great entertainment coming to the region
performances as “generous, witty and thoughtful shows with a rousing flourish”. Three Stages is honored to have the “deadpan brilliance” (The New Yorker magazine) of CAKE in the house for two shows.
Thunder Valley Casino Resort
FRANKIE VALLI AND THE FOUR SEASONS
SAT, JUNE 1 2013
$87.50, $72.50, $59.50, $47.50 AND $39.50
(PLUS TAXES & FEES)
OUTDOOR AMPHITHEATER
Doo-wop and rock for more than half a century — and still sounding phenomenal!
Jackson Rancheria PresentsAN EVENING WITH EASTON CORBIN
SUN, JUNE 2 2013 6:00 PM
TICKETS PRICES: $40
GRAND OAK BALLROOM
ALL TICKETS GENERAL ADMISSION
DREAMCATCHER’S CLUB DISCOUNT AVAILABLE
Billboard Magazine named Easton Corbin the Top New Country Artist of 2010. Corbin, the first country male artist in 17 years to have his first two consecutive singles reach No. 1, cites musical influences George Jones, Merle Haggard, George Strait and Keith Whitley.
Easton’s songs call to mind simpler times when the back porch was where folks gathered to network. Steel guitars and fiddles are as much part of his sound as his baritone drawl.
Three Stages PresentsTHE RIGHTEOUS BROTHERS’
BILL MEDLEYFRI, JUN 7 2013
$39-$55; PREMIUM $65
The Righteous Brothers can rightfully claim to have fathered “blue-eyed soul.” And Bill Medley’s voice—raw and emotional—is a virtual trade-mark in popular music.
A fixture on Top Forty radio (“You’ve Lost That Lovin’ Feelin,” “Unchained Melody,” and more), the Righteous Brothers were inducted into the Rock and Roll Hall of Fame in 2003. “(I’ve Had) The Time of My Life,”
in which Medley joined Jennifer Warnes, won an Oscar, a Golden Globe, Video of The Year, and a Grammy.
In 2007, Rolling Stone said of Medley’s CD Damn Near Righteous that “this gritty singer has delivered his finest solo album and the best thing he’s done since the Sixties, period.”
Thunder Valley Casino Resort
CHEAP TRICK/PAT BENATAR AND NEIL GIRALDO
FRI, JUNE 7 2013
$87.50, $73.50, $59.50, $49.50, AND $39.50
(PLUS TAXES AND FEES)
OUTDOOR AMPHITHEATER
Rock out to the original “Heartbreaker” who’s still giving her best shot with powerful Grammy-winning vocals, as well as the raucous riffs of Cheap Trick, who still “wants you to want them!”
Jackson Rancheria Presents
JACKIE GREENEFRI, JUNE 7 2013 – 7:00 PM
$40, DREAMCATCHER’S CLUB DISCOUNT
AVAILABLE • ALL TICKETS GENERAL ADMISSION
Sacramento’s own Jackie Greene, dubbed by the New York Times as
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an Americana phenom, returns to Jackson Rancheria Casino Resort.
Jackie has a reputation for putting on an energetic live show earning the respect of critics and musicians across the country.
While it is difficult to pigeonhole his music, he is frequently compared to Bob Dylan and The Band. There is a consistent influence of Americana Roots Music that runs through the themes in his large musical catalog.
“Greene finds himself returning to his solo artist roots with his finest work yet,” reports Jambands.com. “In many ways, he stretches beyond himself to collect from history, and add on to the rich American traditions that have rolled past him.”
Thunder Valley Casino Resort
SUPER SUMMERSOUL JAM
SAT, JUNE 8 2013
$74.50, $62.50, $52.50, $44.50, AND $39.50
(PLUS TAXES AND FEES)
LOCATION: OUTDOOR AMPHITHEATER
Super Summer Soul Jam featuring Cameo, The Original Lakeside, Rose Royce and Evelyn Champagne King – what a lineup!
Three Stages Presents
MICHAEL JACKSON
HISTORYFRI-SUN, JUN 14-16 2013
$39-$59; PREMIUM $69
Michael Jackson HIStory is a musical biography that takes fans back to the
Jackson 5 era before continuing on a thrilling journey to the current decade. Hit after hit tells the story of one of the greatest pop icons the world has ever known; in all, HIStory features over twenty songs per-formed live by the world’s top MJ impersonator Kenny Wizz.
Thunder Valley Casino Resort
DOOBIE BROTHERSFRI, JUNE 14 2013
$77.50, $62.50, $49.50, $39.50, AND $29.50
(PLUS TAXES AND FEES)
LOCATION: OUTDOOR AMPHITHEATER
Take to the streets and get to Thunder Valley for this Hall of Fame rock band that began in San Jose, CA!
Three Stages PartnersEl Dorado Musical Theatre’s
HIGH VOLTAGE
BEST OF BROADWAY
TUES JUNE 18, 2013 – 7:00 PM
ADULTS $18.00 • CHILD/STUDENT/SENIOR $15.00
High-energy entertainment? Exception-al singing and dancing? Flat-out fun that will have you on your feet? You’ve just described High Voltage, the premiere performing group from El Dorado Musical Theatre.
Their Best of Broadway show is a showcase of your favorite songs from classic Broadway and the shows of today. It’s great entertainment for your entire family.
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The High Voltage company consists of 20 young performers who are some of the top talent from El Dorado Musical Theatre. Each member is lead material in their own right. When they perform together, the onstage result is magical.
Come see the high-energy, fast-paced review, the Best of Broadway
PETE ESCOVEDOAND HIS ORCHESTRAwith Special Guests CALIENTE ORQUESTA
FRI, JUN 21 2013
$19-$29; PREMIUM $39
Escovedo, along with such seasoned bandleaders as Eddie Palmieri, Poncho Sanchez and Ray Barretto, is today viewed as one of the standard bearers of Latin jazz. “There are so many great young players who are carrying on the tradition,” he says happily. “My job, as I see it, is to keep on doing what Tito, Mongo, Cal, Willie and others would be doing if they were still with us today. At the same time, we need to experiment and expand the genre.”
Pete toured with Santana performing internationally and playing on three Santana albums.
Today, Escovedo leads what is widely considered one of the finest ensembles in Latin jazz, a mix of musicians from both Los Angeles
and the Bay Area. The end result is a joyous concoction of Latin rhythms with elements of jazz, R&B and funk that is hard to resist. Latin jazz fan around the world will rejoice.
Also appearing in this benefit concert, the acclaimed ensemble Caliente.
Thunder Valley Casino Resort
JEFF DUNHAMFRI, JUNE 21 2013
$94.50, $78.50, $62.50, $49.50 AND $39.50
(PLUS TAXES & FEES)
LOCATION: OUTDOOR AMPHITHEATER
American comedian and ventrilo-quist with a suitcase full of lovable characters!
Three Stages PartnersEl Dorado Dance Academy presents
DECADESSAT, JUN 22 2013 – 5:00 PM • $25
El Dorado Dance Academy’s 10th season anniversary show features a variety of dances—from Ballet, Jazz, Tap, and Hiphop to Kathak, Samba, and Folklorico—in an evening-length program featuring dancers of all ages.
Thunder Valley Casino Resort
LYNYRD SKYNYRDSAT, JUNE 22 2013 – 8:00 PM
$97.50, $83.50, $67.50, $54.50 & $44.50
(PLUS TAXES AND FEES)
OUTDOOR AMPHITHEATER
Tom Rigney, the fiery, electrifying violinist/composer, has become one of the premier blues and
roots music violinists in the world. Hailed as one of the Bay Area’s most formidable bands, Flambeau’s roots-
powered sound freely mingles Cajun influences with
New Orleans R&B, jazz, traditional Irish music, and rock. This concert will be recorded and videoed for a
LIVE DVD project. Be sure to get your tickets early – last year’s show
sold out!
Tom Rigney & FlambeauSaturday, July 27, 2013 Doors 7p Show 8p Tickets $20, $30, $35Tickets @ threestages.net | Event @ Three Stages, Folsom Lake College | A portion of proceeds benefits Folsom Lake Community Concert Association
The Live DVD Recording Show
presented bywww.carrera-productions.com
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Beyond the tragedy, the history, the raging guitars and the killer songs, ultimately, Lynyrd Skynyrd is about an indomitable will. About survival of spirit; unbowed, uniquely Ameri-can, stubbornly resolute.
Probably best known for popu-larizing the southern hard-rock genre during the 1970s, the band rose to worldwide recognition on the basis of its driving live perfor-mances and signature tunes “Sweet Home Alabama” and “Free Bird.”
Three Stages Presents
RICKY NELSON REMEMBEREDAND THE FOUR PREPS
FRI, JUN 28 2013
$35-$49; PREMIUM $55 & $59
Ricky Nelson placed 53 songs on the Billboard Hot 100—including, at age 17, the very first #1 song when the chart was created in 1957. He attended Hollywood High School, where the original members of The Four Preps were classmates; Nelson and The Four Preps kicked off a national tour—their first—the very week that Nelson’s picture was on the cover of LIFE magazine. In Ricky Nelson Remembered, Nelson’s twin sons perform their father’s songs (“Hello Mary Lou,” “Garden Party” and more), with The Four Preps (“26 Miles (Santa Catalina)”) opening the evening.
Three Stages PartnersCompañía Mazatlán Bellas ArtesCORAZÓN DE MÉXICO
SAT, JUN 29 2013
$20-$29; PREMIUM $35
CHILDREN $20
The company’s annual lively and passionate rendition of Mexican
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culture, both past and present, featuring 35 dancers, mariachis, and other musicians.
Jackson Rancheria Presents
70’S SOUL JAMFRI JULY 12 2013 – 8:00 PM
$40, $60 AND $80. DREAMCATCHER’S CLUB
DISCOUNT AVAILABLE. • OUTDOOR EVENT
AREA • Must be 21 or older to purchase tickets
or attend the show.
The 70’s Soul Jam is the coming together of soul music legends…the Stylistics, The Intruders, Cuba Gooding & The Main Ingredient, Barbara Lewis and Peaches & Herb. Join us as they perform their most memorable hits and re-live the decade of soul, disco and dance. In the words of Don Cornelius, “we wish you love, peace, and soul!”
Whether you lived through the heyday or soul or discovered the magic of the genre later, you are sure to enjoy the 70s Soul Jam as
they celebrate the magic of soul music, which is often absent from music today. Gather together your friends who also appreciate top soul and head out to the 70s Soul Jam.
Three Stages PartnersEl Dorado Musical Theatre presents
BYE BYE BIRDIEFRI-SUN JUL 12-21 2013 (9 SHOWS)
$14-$20; PREMIUM $28
THURSDAY BARGAIN NIGHT $13.50
FEATURING PERFORMERS AGES 6 – 14.
It’s the late 1950s and teenagers from across the United States are going crazy for the handsome rock star, Conrad Birdie. Meanwhile, his manager, Albert Peterson, is going into debt and has staked his financial future on Conrad’s success. Disaster strikes when Conrad receives a draft notice to join the military. Albert attempts to stage a farewell party for Conrad in which he is to kiss one lucky fan on the Ed Sullivan Show
before he leaves for the army. Kim MacAfee of Sweet Apple, Ohio is the lucky girl chosen, but conflict arises when her boyfriend gets jealous.
This show is rated G. Thunder Valley Casino Resort
UNDER THE SUNFRI, JULY 12 2013
OUTDOOR AMPHITHEATER
$34.50 – $77.50 (PLUS TAXES AND FEES)
Under The Sun, featuring Smash Mouth, Sugar Ray, Gin Blossoms, Vertical Horizon and Fastball—the chemistry of this hard rock lineup is something special!
Thunder Valley Casino Resort
HUEY LEWIS & THE NEWS
SAT, JULY 13 2013
OUTDOOR AMPHITHEATER
$37.50 – $79.50 (PLUS TAXES AND FEES)
They say the heart of rock ‘n roll is the beat – and Huey’s got it!
Jackson Rancheria Presents
YESSAT JULY 13 2013 – 8:00 PM
$40, $60 AND $80
DREAMCATCHER’S CLUB DISCOUNT AVAILABLE
OUTDOOR CONCERT SERIES
YES are currently on a world tour, playing the 3 albums The Yes Album, Close To The Edge, and Going For The One in their entirety. That means 3 plus hours of their greatest music.
As pioneers of progressive rock, YES has achieved worldwide success with a history spanning 45 years and 20 studio albums. The band is known for its expansive songs, esoteric lyrics, elaborate album art and live stage sets.
From topping the charts to epic pieces taking up a side of vinyl, YES is among the longest lasting and the most successful of the 70’s progressive rock groups, proving to be one of the
lasting success stories from that musical genre. YES has retained the same sound, and performed much of the same repertoire that they were doing in 1971, and found themselves being taken seriously a quarter of a century later. Their
audience remains huge because they have always attracted younger listeners drawn to their mix of daunting virtuosity, cosmic (often mystical) lyrics, complex musical textures, and powerful yet delicate lead vocals.
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Thunder Valley Casino ResortLARRY HERNANDEZ
SAT, JULY 20 2013
$77.50, $62.50, $49.50, $39.50 & $29.50
(PLUS TAXES & FEES)
LOCATION: OUTDOOR AMPHITHEATER
Latin singer /songwriter playing Norteño folk corridos.
Jackson Rancheria Presents
TED NUGENTSUN JULY 21 – 8:00 PM
$40, $60 AND $80; DREAMCATCHER’S CLUB
DISCOUNT AVAILABLE
OUTDOOR CONCERT SERIES
Ted Nugent has carved a permanent place in rock & roll history as the ultimate guitar-shredding showman, selling more than 40 million albums, performing more than 6,400 high-octane concerts, and continuing to set attendance records at venues around the globe.
Ted’s no-holds barred career spans five decades of multi-platinum hits. From the ground breaking Amboy Dukes’ hit “Journey to the Center of the Mind,” to classics like “Stranglehold” (ranked in the Top 100 Classic Rock Songs and #1 Guitar Lick), “Cat Scratch Fever,” (32nd Best Hard Rock Song of All Time) Damn Yankees chartbuster “High Enough,” and cult classic “Fred Bear,” one of the most requested song for radio airplay, Ted and his inimitable sound have been featured on VH1’s Behind the Music, A & E’s Biography and more.
For millions of passionate music lovers everywhere, Ted delivers the Ultimate Life Soundtrack. A Ted Nugent show is not just a performance—it’s a fire breathing celebration.
PARTNERS OF THREE STAGESCarrera Productions presents
AN ACOUSTIC EVENING WITHLOS LONELY BOYS with Special Guests
TUES, AUG 13 2013
$30-$39; PREMIUM $49PERFORMANCE ORIGINALLY
SCHEDULED FOR SATURDAY, MARCH 9 HAS BEEN RESCHEDULED FOR
TUESDAY, AUGUST 13 AT 8:00 PM. For questions about this schedule change,
RescheduleDate
please contact the Ticket Office at 916-608-
6888, Monday - Saturday between the hours
of 10:00 am and 6:00 pm or drop us a note at
The Los Lonely Boys tale to date is already stuff legends are made of: Playing behind their father as kids in cantinas and honky-tonks, then moving to Nashville as teens to try to win a record deal.
Their self-titled debut album went double platinum and from that a #1 radio hit “Heaven”, which won a Grammy.
Their new album, Rockpango, is the band’s fourth and finest studio album yet. Continuing to creatively draw from and meld blues, rock from classic to modern, soul, their Latino heritage and even snippets of hip-hop, jazz and more.
The acoustic show will pull from all their finest work and will make this Carrera Production event at Three Stages a night to remember!
A portion of proceeds benefits the Sacramento Blues Society’s Blues in the Schools program.
May 17 & 18, 2013 • 7:30 PMCelebrate the ingenuity of musical America! The program includes John Williams’ music from “Saving Private Ryan,” “Schindler’s List” and “E.T,” selections from Broadway’s “Wicked” and “Chicago,” Copland’s “Four Dance Episodes From Rodeo,” and Barber’s Violin Concerto (Mvt.1).
Plus, Ms. Harms and the symphony will perform the world premiere of Peter B. Allen’s “Prayed in America,” along with other all-American surprises.
Visit www.folsomsymphony.com or call 916-608-6888 for ticket information
Three Stages at Folsom Lake College10 College Parkway, Folsom, CA 95630
Guest artist violinist Dawn Harms
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May 17 & 18, 2013 • 7:30 PMCelebrate the ingenuity of musical America! The program includes John Williams’ music from “Saving Private Ryan,” “Schindler’s List” and “E.T,” selections from Broadway’s “Wicked” and “Chicago,” Copland’s “Four Dance Episodes From Rodeo,” and Barber’s Violin Concerto (Mvt.1).
Plus, Ms. Harms and the symphony will perform the world premiere of Peter B. Allen’s “Prayed in America,” along with other all-American surprises.
Visit www.folsomsymphony.com or call 916-608-6888 for ticket information
Three Stages at Folsom Lake College10 College Parkway, Folsom, CA 95630
Guest artist violinist Dawn Harms
