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Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

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Page 1: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Splash Screen

Page 2: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Chapter Menu

Chapter Introduction

Section 1: Sensation

Section 2: The Senses

Section 3: Perception

Page 3: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Chapter Preview 1

Chapter Objectives · Section 1

Sensation

Understand that sensations occur anytime a stimulus activates a receptor and that perceptions allow humans to react to their environment.

Page 4: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Chapter Preview 2

Chapter Objectives · Section 2

The Senses

Describe how the sense organs are the receptors of sensations.

Page 5: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Chapter Preview 3

Chapter Objectives · Section 3

Perception

Define perception as the way we interpret sensations and organize them into meaningful experiences.

Page 6: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Chapter Preview-End

Page 7: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1-Main Idea

Main Idea

Sensations occur anytime a stimulus activates a receptor. Perceptions allow humans to react to their environment.

Page 8: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1-Key Terms

Vocabulary

• sensation

• perception

• psychophysics

• absolute threshold

• difference threshold

• Weber’s law

• signal-detection theory

Page 9: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1-Objectives

Objectives

• Describe the field of study known as psychophysics.

• Define and discuss threshold, Weber’s law, and signal detection.

Page 10: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 1-Polling Question

A B

C

D

0% 0%0%0%

How many different stimulus are there?

A. two

B. three

C. four

D. five

Page 11: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

What is Sensation?

• Any aspect of or change in the environment to which an organism responds is called a stimulus.

• A stimulus can be measured in many physical ways, including its size, duration, intensity, or wavelength.

• A sensation occurs anytime a stimulus activates one of your receptors.

Page 12: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

What is Sensation? (cont.)

• A sensation can be combined with other sensations and your past experience to yield a perception.

• Psychophysics—the study of the relationship between sensory experiences and the physical stimuli that causes them.

Fraser’s Spiral

Page 13: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 1

A B

C

D

0% 0%0%0%

What are some examples of a perception?

A. color corresponds to the wavelength of the light

B. brightness corresponds to the intensity

C. Both A & B

D. None of the above

Page 14: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

Threshold

• Psychologists conduct experiments to determine the absolute threshold.

Gustav Theodor Fechner

The Human Senses

Page 15: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

Threshold (cont.)

• The absolute threshold for the five senses is as follows:

– Vision—seeing a candle flame 30 miles away on a clear night.

– Hearing—hearing a watch ticking 20 feet away.

– Taste—tasting 1 teaspoon of sugar dissolved in 2 gallons of water.

– Smell—smelling 1 drop of perfume in a 3-room house.

– Touch—feeling a bee’s wing falling a distance of 1 centimeter onto your cheek.

Page 16: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 1

A B

C

D

0% 0%0%0%

What is our vestibular sense?

A. Spatial movement

B. Gravitational pull

C. Movement and position of body parts

D. None of the above

Page 17: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

Sensory Differences and Ratios

• The difference threshold is the smallest change in a physical stimulus that can be detected between two stimuli half the time.

• The just noticeable difference (JND) refers to the smallest increase or decrease in the intensity of a stimulus that a person is able to detect half the time.

Page 18: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

Sensory Differences and Ratios (cont.)

• A particular sensory experience depends more on the changes in the stimulus than on the absolute size or amount.

• Weber’s law: the larger or stronger a stimulus, the larger the change required for a person to notice that anything has happened to it.

Page 19: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 1

A B

C

D

0% 0%0%0%

How would you rate your sense of smell?

A. I smell the slightest odors

B. I can smell most odors

C. I smell only very strong odors

D. Not even a skunk would bother me

Page 20: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

Sensory Adaptation

• Our senses have an ability to adapt, or adjust themselves, to a constant level of stimulation.

• They get used to a new level and respond only to deviations from it.

The Disappearing Circle

Page 21: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 1

A B

C

D

0% 0%0%0%

What is the purpose of sensory adaptation?

A. notice differences in sensations

B. react to the challenges of different stimuli

C. react to the challenges of changing stimuli

D. All of the above

Page 22: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

Signal-Detection Theory

• The single-detection theory is the study of people’s tendencies to make correct judgments in detecting the presence of stimuli.

• Detection thresholds involve recognizing some stimulus against a background of competing stimuli.

Page 23: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

Signal-Detection Theory (cont.)

• The concept of absolute threshold: the stimulus (a signal) must be detected in the presence of competing stimuli, which can interfere with detection of the signal.

Page 24: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1

• Psychologists have identified two different types of processing stimuli:

– Preattentive process

– Attentive process

Signal-Detection Theory (cont.)

The Stroop Effect

Page 25: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 1

A B

C

D

0% 0%0%0%

What are some reasons that “we notice some things automatically in spite of distracting information”?

A. Preattentive process

B. The Stroop Effect

C. Attentive process

D. None of the above

Page 26: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 1-End

Page 27: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2-Main Idea

Main Idea

The sense organs—the eyes, ears, tongue, nose, skin, and others—are the receptors of sensations.

Page 28: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2-Key Terms

Vocabulary

• pupil

• lens

• retina

• optic nerve

• binocular fusion

• retinal disparity

• auditory nerve

• vestibular system

• olfactory nerve

• kinesthesis

Page 29: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2-Objectives

Objectives

• Describe the nature and functioning of the sense organs.

• Identify the skin and body senses and explain how they work.

Page 30: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 2-Polling Question

A B

C

D

0% 0%0%0%

What are some internal senses?

A. vestibular

B. skin

C. kinesthetic

D. touch

Page 31: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

Vision

• How does vision occur?

– Light enters the eye through the pupil and reaches the lens, which focuses light on the retina.

– The retina contains tow types of light-sensitive receptor cells, or photoreceptors: rods and cones.

The Human Eye

Page 32: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

Vision (cont.)

– Rods: sensitive to much lower levels of light and are the basis for night vision.

– Cones: work best in the daylight and are sensitive to color.

– These cells are responsible for changing light energy into neuronal impulses.

– Impulses travel along the optic nerve to the brain, where they are routed to the occipital lobe.

Page 33: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

• Visible light is composed of waves of different length and frequency (observable with a prism).

• A prism transmits light while other objects absorb and reflect light.

• When some or all of a person’s cones do not function properly, he or she is said to be color deficient.

Vision (cont.)

The Electromagnetic Spectrum

Testing for Color Deficiency

Page 34: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

• Binocular fusion—the process of combining the images received from the two eyes into a single, fused image.

Vision (cont.)

• There is a difference between the images on the retinas, called retinal disparity.

Page 35: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

• Nearsightedness—having an eyeball that is too long, which causes problems seeing objects that are distant.

• Farsightedness—having an eyeball that is too short, which causes problems seeing up close.

Vision (cont.)

A Changing Flag

Page 36: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 2

A B

C

D

0% 0%0%0%

If you have good night vision, you could be described as having _____.

A. sensitive cones

B. sensitive rods

C. binocular fusion

D. farsightedness

Page 37: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

Hearing

• Hearing is caused by sound waves that pass through various bones until they reach the inner ear, which contains tiny hairlike cells that move back and forth.

• These hair cells change sound vibrations into neuronal signals that travel through the auditory nerve to the brain.

Decibel Levels

Page 38: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

Hearing (cont.)

• The auditory nerve carries impulses from the inner ear to the brain, resulting in the perception of sound.

– Sound pressure energy is measured in decibels.

– Pitch depends on sound-wave frequency.

The Human Ear

Page 39: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

• Two types of deafness:

– Conduction deafness

– Sensorineural deafness

Hearing (cont.)

Page 40: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

Section 2

A B C

0% 0%0%

Which of the following is more likely to be caused by exposure to loud music?

A. Conduction deafness

B. Sensorineural deafness

C. Neither

Page 41: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

Balance

• The body’s sense of balance is regulated by the vestibular system inside the inner ear.

Page 42: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 2

A B C D

0% 0%0%0%

What happens when the vestibular sense is overstimulated?

A. spinning

B. dizziness

C. motion sickness

D. all of the above

Page 43: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

Smell and Taste

• Smell and taste are referred to as the chemical senses because their receptors are sensitive to chemical molecules.

• In order to smell, the appropriate gaseous molecules must come into contact with the smell receptors in your nose.

• These receptors send messages about smells through the olfactory nerve to the brain.

Page 44: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

Smell and Taste (cont.)

• Olfactory nerve—the nerve that carries smell impulses from the nose to the brain.

• In order to taste, appropriate liquid chemicals must stimulate receptors in the taste buds on your tongue.

• Taste information is relayed to the brain, along with data about the texture and temperature of the substance in your mouth.

Page 45: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

Smell and Taste (cont.)

• Four primary sensory experiences—sour, salty, bitter, and sweet—make up taste.

• Smell plays a large role in taste.

• The combining of taste, smell, and tactile sensations is known as flavor.

The Human Tongue

Page 46: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 2

A B C D

0% 0%0%0%

Which of the four primary sensory experiences are you most sensitive to?

A. Sour

B. Salty

C. Bitter

D. Sweet

Page 47: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

The Skin Senses

• Receptors in the skin are responsible for sensing pressure, warmth, cold, and pain.

Page 48: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

The Skin Senses (cont.)

• There are two types of pain sensations:

– The sharp, localized pain you may feel immediately after an injury.

– The dull, generalized pain you may feel later.

Page 49: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

• Gate control theory of pain: we can lessen some pains by shifting our attention away from the pain impulses.

• This limits the number of impulses that can be transmitted, and can dull the pain.

The Skin Senses (cont.)

Page 50: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

Section 2

A B

0%0%

Which of the following are you more sensitive to?

A. Warmth

B. Cold

Page 51: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2

The Body Senses

• Kinesthesis cooperates with the vestibular and visual senses to maintain posture and balance.

• The sensation of kinesthesis comes from receptors in and near the muscles, tendons, and joints that send messages to the brain upon movement.

Page 52: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 2

A B C D

0% 0%0%0%

What are the reasons why kinesthesis must cooperate with the vestibular and visual senses?

A. maintain posture

B. maintain movement

C. maintain balance

D. All of the above

Page 53: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 2-End

Page 54: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3-Main Idea

Main Idea

The way we interpret sensations and organize them into meaningful experiences is called perception.

Page 55: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3-Key Terms

Vocabulary

• Gestault

• subliminal messages

• motion parallax

• constancy

• illusions

• extrasensory perception (ESP)

Page 56: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3-Objectives

Objectives

• Outline the principles involved in perception.

• Describe how we learn to perceive and what illusions are.

Page 57: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 3-Polling Question

A B C D

0% 0%0%0%

Which of the following phone numbers are you more likely to remember?

A. 555-723-9927

B. 555748975

C. 5 5 5 8 84 98 74

D. 55-5879-5178

Page 58: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Principles of Perceptual Organization

• The brain makes sense of the world by creating whole structures out of bits and pieces of information in the environment.

• Gestalt

Page 59: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Principles of Perceptual Organization (cont.)

• Principles used in organizing patterns include:

– Proximity

– Continuity

– Similarity

– Simplicity

– ClosureGestalt Principles

Page 60: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 3

A B C D

0% 0%0%0%

What principle would you primarily use to organize incomplete information?

A. Proximity

B. Similarity

C. Closure

D. Simplicity

Page 61: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Figure-Ground Perception

• Figure-ground perception is the ability to discriminate properly between a figure and its background.

• It is applicable to both sight and hearing.

What Is It?

Page 62: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 3

A B C D

0% 0%0%0%

Without figure-ground perception, it would be especially difficult to do which of the following?

A. Play baseball

B. Read quietly

C. Sleep

D. Listen to a speaker with headphones.

Page 63: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Perceptual Inference

• Perceptual inference—filling in the gaps based on past experiences with our senses.

Page 64: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

Section 3

A B C

0% 0%0%

What is the most important factor in how we make perceptual inferences?

A. The level of stimuli

B. The amount of different stimuli

C. Experience

Page 65: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Learning to Perceive

• An active involvement in one’s environment is important for accurate perception.

• We must learn to perceive.

• This learning process is influenced by our needs, beliefs, and expectations.

• Perceptual set—the idea that we see what we want to see.

Pop-Out Features

Page 66: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Learning to Perceive (cont.)

• Subliminal messages

• Subliminal perception—the ability to notice stimuli that affect only the unconscious mind.

The Necker Cube

Page 67: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 3

A B C D

0% 0%0%0%

Do you agree that we tend to twist the truth in order to make it fit into our belief system?

A. Very much so

B. Somewhat

C. Not very much

D. Not at all

Page 68: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Depth Perception

• Depth perception is the ability to recognize distances and three-dimensionality.

• Monocular depth cue—a cue that can be used with a single eye to perceive distance and depth.

Page 69: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Depth Perception (cont.)

• Monocular depth clues include:

– Relative height

– Interposition

– Light and shadows

– Texture-density gradient

– Motion parallax

– Linear perspective

Page 70: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Depth Perception (cont.)

• Binocular depth cue—a cue that depends upon the existence or movement of both eyes.

Page 71: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Depth Perception (cont.)

• Binocular depth cues include:

– Convergence

– Retinal disparity

Page 72: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

Section 3

A B

0%0%

When you ride in a car, you would expect nearby scenery to appear to move in what direction in relation to you?

A. With your directionof travel

B. Opposite your direction of travel

Page 73: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Constancy

• Constancy is the tendency to perceive certain objects in the same way regardless of changing angle, distance, or lighting.

• Size constancy , color constancy, and brightness constancy are three examples.

Shape Constancy

Page 74: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

Section 3

A B

0%0%

Do you agree that size consistency plays a major role in football?

A. Yes

B. No

Page 75: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Illusions

• Illusions are incorrect perceptions that are created when perceptual cues are distorted.

Lines of Different Lengths?

Page 76: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 3

A B C D

0% 0%0%0%

Why do trains sometimes appear farther away than they actually are?

A. Perception compensation

B. Perceptual consistencies

C. Müller-Lyer illusion

D. None of the above

Page 77: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3

Extrasensory Perception

• Extrasensory perception (ESP) includes the following four types:

– Clairvoyance

– Telepathy

– Psychokinesis

– Precognition

Page 78: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

A. A

B. B

C. C

D. D

Section 3

A B C D

0% 0%0%0%

Do you believe in the existence of ESP?

A. Very much so

B. Somewhat

C. Not very much so

D. Not at all

Page 79: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Section 3-End

Page 80: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Figure 1

Fraser’s SpiralFraser’s spiral illustrates the difference between sensation and perception. Our perception of this figure is that of a spiral, but it is actually an illusion. Trace a circle carefully. Your finger will always come back to its starting point.

Page 81: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Figure 2

The Human SensesThis chart lists the fundamental features that make up the human sensory system.

Page 82: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Figure 3

The Disappearing CircleSensation depends on change and contrast in the environment. Hold your hand over one eye and stare at the dot in the middle of the circle on the right. You should have no trouble maintaining the image of the circle. If you do the same with the circle on the left, however, the image will fade. The gradual change from light to dark does not provide enough contrast to keep the visual receptors in your eye firing at a steady rate. The circle reappears only if you close and reopen your eye or you shift your gaze to the X.

Page 83: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Figure 4

The Stroop EffectTry to name the colors of the boxes in a as fast as you can. Then try to read the words in b as fast as you can. Finally, try to name the colors of the words in b as fast as you can. You probably proceeded more slowly when naming the colors in b.

Page 84: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Figure 5

The Human EyeThis cross section of the human eye shows the passage of light. Note that the retina receives an inverted image.

Page 85: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Figure 6

The Electromagnetic SpectrumLight is the visible portion of the electromagnetic spectrum. When the wavelengths in white light are separated, the visual effect is an array of colors because different wavelengths are seen as different colors.

Page 86: Splash Screen. Chapter Menu Chapter Introduction Section 1: SensationSensation Section 2:The SensesThe Senses Section 3: PerceptionPerception

Figure 7

A Changing FlagStare steadily at the lowest right-hand star for about 45 seconds. Then stare at the blank space to the left. You should see a negative afterimage of this figure. This occurs because the receptors for green, black, and yellow become fatigued or neuronal firing rates shift, allowing the complementary colors of each to predominate when you stare at the white paper.

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Figure 8

Decibel LevelsThe loudness of a second (its amplitude) is measured in decibels. Each increase of 10 decibels makes a sound 10 times louder. A normal conversation at 3 feet measures about 60 decibels, which is 10,000 times louder than a whisper of 20 decibels. Sound becomes painful at 130 decibels.

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Figure 9

The Human EarThe earflap funnels sound waves down the ear canal to the eardrum. The bones of the middle ear pick up the vibrations and transmit them to the inner ear.

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Figure 10

The Human TongueWhen you chew, chemicals of the food mix with saliva and run down into trenches in your tongue. Once there, taste buds react to chemicals dissolved in saliva.

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Figure 11

Gestalt PrinciplesHumans see patterns and groupings in their environment rather than disorganized arrays of bits and pieces.

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Figure 12

What Is It?What did you see the first time you looked at this illustration—a vase or two profiles? People invariably organize their experience into figure and ground.

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Figure 13

Pop-Out FeaturesReality is a jumble of sensations and details. The letter P probably pops out to you. The Qs may also pop out, but not as much as the P. You may not have noticed the O, though.

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Figure 14

The Necker CubeThe Necker cube is an ambiguous figure. You can will yourself to see it as if you were looking down on it, with corner X closest to you, or as if you were looking up at it, with corner Y closest to you.

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Figure 15

Shape ConstancyWe perceive the opening door as being rectangular in shape, although our view of the shape of it changes as it opens.

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Figure 16

Lines of Different Lengths?The Müller-Lyer illusion (a) and the Ponzo illusion (b) are depicted here. The lines between the arrowheads in (a) are exactly the same length, as are the heavy black lines in (b). Some psychologists believe that the reason the lines in (a) seem of different lengths is because they are interpreted as offering different cues to their distance from the viewer. The lines in (b) may appear to be different in length because the brain interprets this diagram as though it is from a scene such as that in (c).

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Figure 17

Testing for Color DeficiencyCan you see numerals in the dot patterns that make up this figure? Those with normal vision will see a number, while those with red-green deficiency will see only random patches of color.

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Profile

Gustav Theodor Fechner1801–1887

“Imagine that you look at the sky through a tinted glass and

pick out a cloud that is just noticeable different from the

sky background. Now you use a much darker glass; the cloud does not vanish but is still just

barely visible—because although the absolute levels of

intensity are much lower through the darker glass, the ratio of intensities between

cloud and sky has not changed.”

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Concept Trans Menu

Chapter Concepts Transparencies

Effect of Light Source on Depth Perception

Shape Constancy

Depth Perception: Texture Density and Interposition

Select a transparency to view.

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Concept Trans 1

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Concept Trans 2

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Concept Trans 3

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DFS Trans 1

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DFS Trans 2

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DFS Trans 3

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Vocab1

sensation: what occurs when a stimulus activates a receptor

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Vocab2

perception: the organization of sensory information into meaningful experiences

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Vocab3

psychophysics: the study of the relationships between sensory experiences and the physical stimuli that cause them

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Vocab4

absolute threshold: the weakest amount of a stimulus that a person can detect half the time

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Vocab5

difference threshold: the smallest change in a physical stimulus that can be detected half the time

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Vocab6

Weber’s law: the principle that for any change (Δs) in a stimulus to be detected, a constant proportion of that stimulus (s) must be added or subtracted

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Vocab7

signal-detection theory: the study of people’s tendencies to make correct judgments in detecting the presence of stimuli

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Vocab8

pupil: the opening in the iris that regulates the amount of light entering the eye

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Vocab9

lens: a flexible, elastic, transparent structure in the eye that changes its shape to focus light on the retina

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Vocab10

retina: the innermost coating of the back of the eye, containing the light-sensitive receptor cells

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Vocab11

optic nerve: the nerve that carries impulses from the retina to the brain

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Vocab12

binocular fusion: the process of combining the images received from the two eyes into a single, fused image

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Vocab13

retinal disparity: the differences between the images stimulating each eye

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Vocab14

auditory nerve: the nerve that carries impulses from the inner ear to the brain, resulting in the perception of sound

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Vocab15

vestibular system: three semicircular canals that provide the sense of balance, located in the inner ear and connected to the brain by a nerve

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Vocab16

olfactory nerve: the nerve that carries smell impulses from the nose to the brain

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Vocab17

kinesthesis: the sense of movement and body position

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Vocab18

Gestalt: the experience that comes from organizing bits and pieces of information into meaningful wholes

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Vocab19

subliminal messages: brief auditory or visual messages that are presented below the absolute threshold

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Vocab20

motion parallax: the apparent movement of stationary objects relative to one another that occurs when the observer changes position

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Vocab21

constancy: the tendency to perceive certain objects in the same way regardless of changing angle, distance, or lighting

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Vocab22

illusions: perceptions that misrepresent physical stimuli

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Vocab23

extrasensory perception (ESP): an ability to gain information by some means other than the ordinary senses

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