[I]~w~w~w~w~w~[1]~[I]~[2]~[ill[!][ill~[!][TI][]~~~

[1]~[§][TI][TIJ@§]~~[!2J~~[±!J~~

La Bamba Mexique 4

Hava Nagila Israel 6

Amazing Grace . . . . . . . . Ecosse. . . . . . . . . . . . . . . . . . . . . . . . . . 7

Les deux guitares Manouche. . . . . . . . . . . . . . . . . . . . . . . 8

Marche hongroise Hongrie 10

Greensleeves Ecosse 12

Barcarolle Italie 13

Le Beau Danube bleu Autriche 14

Les Yeux noirs . . . . . . . . . Russie 16

Swanee River Canada 18

Aura Lee Angleterre 19

Melodie andine Perou 20

Kumbaya Afrique 21

Camaval de Venise . . . . . Italie 22

Le Fakir. . . . . . . . . . . . . . M. Maugain / F. Deschamps 24

The au jasrnin M. Maugain / J. Richard 25

Dans la baie d' Along. . . . M. Maugain / A. Lassagne 26

Zen. . . . . . . . . . . . . . . . . . Manu Maugain 28

Australopitheque . . . . . . . Manu Maugain 29

Plaine, ma plaine. . . . . . . Tzigane 30

La Raspa Mexique 32

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pour tous pays.

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7 7 m m m m m

4 5 4 4 3 5 2

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m m m m m m 7 7 m - m m

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5 4 ' 4 43~1 2

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@ a I'octave

Marche J = 2005 ---------- ---------

• ---- ---< f 3 MiM M M M M M.i9- 9- 9- 9-________ 9- 9-________

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@ Valse viennoise J = 1604

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= nifFadim Rem<SiD?)7 7

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LES YEUX NOIRS

@Allegro

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7 7 7 ~ ~ mI 7 7 7

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®(lancer la plage ]4)

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V I 1 3 I 4 3 1 3 I 3 2 30 0===-- nif 2

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M M M M 7ill ill ill ill ill

PMi7 Lam Sim

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x x

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Slow moderato J = 72JJ. - ------.. - -,.......

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9

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13

MELODIE ANDINE

§Cumbia J =162

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*~

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4 ~ I

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Do Do Mi7 Lam

M M M M M M M M M M M 7.. .. ~ ~ .. .. ~ m m

• • • ..36 1 2 3 2 1 II. *112. 3 3 2 Fin1"":'\

pLam Do Lam Lam :\li; Lam Lam Do Lam Lam Do Lam

_1 _1 _1.- m .- .- ;n

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al'octave ~~

Abacua } = 240

KUMBAYA

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Do Do Sol Sol Do Do2r;~~~oM

Do Dor;~~MM M M M M M M M 2r; r; ~ M M M M M M M M M3 •• ,. M

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CARNA VAL DE VENISE

@ Valse J = 160"l.u. 4 3 2 3 1 2 3 2 1 1 'j I I

• •~

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2

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M M 7 7 m m 7 7 m m 7 7

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LEFAKIRMusique de Manu MAUGAIN

& Frederic DESCHAMPS@J = 156

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ill ill ill ill ~ ill ill l-..3.•. "*! 5 '----"3 2 ...

4 2 3 2>- >-

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4 12 3 2 3 12 5 4 4 3 3 2 2 1 12 12 4 3 32 12 4 32 123 ===-Lam Si7 Rem Mi7

ill ill1

ill l l 7 l ill ill ;L•.. -4

...4 2 5 2 #T #~ q"it I '7 12

3 •.>-3 x

13~

2 2 2 43 2 1 3 2 3

1 2 3 1 2 I 2 3 11ifLam Lam Si7 Lam Si M Fa#7 Si MM Lam

ill ill 7 ill 7 ill ill

..- 4 2 2 4 2 4 >->- 5

195 4 5 4 3 3 I 13 3 4 4 2 3 4 4 3>- >- >- 2 3 3 2 2

2 1 3

f --==== ===- --==== :::::=- 11ifSi M Lam Rem Mi7 Rem Mi77 RemM ill 7 ill ill ill Mi7 7 7 7

4 22

25 5 4 5 2 1 I 5 3 14 4 2 3 4 1 4 32 3 2 I 3 2 1 2 3 3 1 3 4 >- 4 3

--- ----- >--==== =====- -==== :::::=-Rem Mi7 7 Rem Mi7 Rem Mi7

ill ill 7 ill ill 7 7 7 ill ill ill ill

4 >- >-4 4

31 4 3 4 %2 1 2 Fin4 5 2 2 3 1 3 42 3 1 2 3 1 I

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THE AU JASMIN@ a l'octave

J = 142

Musique de Manu MAUGAIN& Jerome RICHARD

Mimm

Mimm m Lam

m mMim

m m

33 *lJ, >- >- >- >- >- >- >- >- >- >- >- >- >- >- >- A

• ~ "--\1irn Sol

MLam m Si Si \1irn'm >- >-

>- >- >- >- >- >- >- • •....- - - - - - ... - -

~ DANS LA BAlE D'ALONG(evocation asiatique) Musique de Manu MAUGAIN

& Armand LASSAGNE§ J= 100legato - ~- I I I

, 0 " L. J ~ 3 4 3 L. " "-2 211!fDo FaM M M M

M.. .. ,... I#- M M M

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10 20 0 L. I / P ro

--- ro 2 3 4 5 4 3 4 5mf 2 2 2Rem Mim Lam

~ : ill ill ill ill. .. r 2 4 +tGJ ~5 -&~-6I-0 3 -3

~ I

I') I I I I 5 ~ I 4 5 '4 3 4 ' 5 I44 5 4 3 4 3 I 2 2 2 2 4 5 4 3 4

( 2 2 2 2 2 2

Fa Rem :: :: :: Mim Lam FaM M M ill ill ill ill ill M M M

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ill ill ill ill M M M M 2-(L -(Lm m

ill ill ill ill M M M

I +t'-" -e- I I

27

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4 ~ - I - 2· 2-j, 1:: 1-e ~~ 2 3

2 mfDo La Sol =

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I

4 - , 2 - 3 ~c; • -6-, ,#

5 5 5 4 3 I

4 ~. 3 I I ~ I

< Lam Fa Rem Mimill ill M M M ~ ~ ~ ill ill ill

, 2 - ~ 3 -.J ... I I I

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4 4 52 2

Fa Rem ill illill ill M M M

2 -4 4

,

4 ....-- I ~~ T~:--"... ,-ft-- -:I~< Fa ppp

~ M morendo

4 5 D# q~ @Q)

28133 H.L.

28 ~~

pLam

m

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11ifLam

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4 3 2Lammmmmm

5 3 2Mim

m m m m m m m

MimLa

Mimr:::am m m m m m m m m m m m

-- .•.---

AUSTRALOPITHEQUE(fantaisie australienne)

poco 2 2 3 2 3 ? 1 - Rl'~A A L~

, r r >,-,,' . >- \...:.> >

f VRe Mim Re Mim nif Re Mim< Lam La La Lam La La La LaLam

m m m m , m m m m m m , , m m m m m m , , m m

I I I I I I I I I I I I I I I I

7 42 3

>~ >'-' "'-..:. > > > > 1 > > > > >>

Lam Re Lam Re Mim LamLa La Lam m m m m m m m m m m m m m m

4 312 3>;.",1 >

2 ~'" 2 3 4 3 2 3 2 4 4 1 3

~~. ,-. -e- 2~

==Re Mim p subito Re Mim Lam Re MimLa La Lam La La La La

m m m m m m m m m m m m m m

-e- l-e- -e-

= ====-Lam Re Mim Lam Re Mim

La La La Lam m m m m m m m m m m m m m m m

3 2 4 5 4 3 ~~fL~i - 2 I 3 2 r I ,.,~~.

'-', ~ •. ------ ,. ~-7_______ •.~-~ P'---J!' 3 4 5 4 4 3 2 3 4 I 2 4 3 2-Re Mim Re M1Ill Re Mim

La La Lam La La Lam La La

"m m m m m m , , m m m m m m

", m m

I I I I I I

*morendo P'~, ~ ra m/' -----

, -I I '../ ~../4 7 - - - - - - - -3 4 3 3

~ U~t..LLi'-i--'-e-nif subito pp subito

> >< = = =Lam Re Mim Lam Re Mim Lam

La La La Lam ~ ~ ~ 'f ,( m ill m ill m ill 1.' 'f m m

PLAINE, MA PLAINE(traditionnel tzigane)§ a I'octave

Ballade ..I = lOO') ------------~ ------------ ------------ ---------

4)Rem Lam Rem Lam

ill ill ill ill ill ill ill ill ill ill ill ill ill ill...•. 1 1 ..•. 1 I ... ... ..•. 1

1..•. 1 I ...

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F

4 4 3 2 4 1 2 3 4 1 2Rem Lam Rem Lam Solm

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anuCHA-CHAS BOLEROS

ET TANGOSpour accordeon27686 H.L.

MARCHES, PASO-DOBLESET POLKAS

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EXERCICES TECHNIQUESGAMMES ET ARPEGES

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