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Sound is a pressure wave
Figure by MIT OCW. After figure 11.1 in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001. ISBN: 0683305964.
Speed of sound-1000 ft/sec
- 770 mi/hr
Figure by MIT OCW. After figure 11.3 in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001.ISBN: 0683305964.
The middle ear
Figure by MIT OCW. After figure 11.5 in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001.ISBN: 0683305964.
Impedance matching
• Fluid in cochlea has higher impedancethan air : reflection could be a problem.
• Pressure at the cochlea is amplifiedrelative to pressure at the eardrum
• Force = pressure x area
• Work = force x distance
The cochlea is a Fourieranalyzer
• Input– Pressure
• Output– Auditory nerve fibers– Each fibers is selective for sounds of a
characteristic frequency
Pure tones
Figure by MIT OCW. After figure 11.2 in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001.ISBN: 0683305964.
Frequency tuning
analogous to visual receptive field ,with frequency playing the role of spaceFigure by MIT OCW. After figure 11.19 in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001.ISBN: 0683305964.
Fourier analysis and synthesis
• Any signal can be written as a sum of sinewaves.
• Any sound is a combination of pure tones.
Power spectrum
• Graph of power versus frequency.
Spectrogram
• Power spectrum as a function of time.
• Power versus frequency and time.
Critical bands through masking
• Detection of pure tone depends on bandwidth of masking noise only if it is narrower than a critical value
• The critical value corresonds roughly to the width of frequency tuning of auditory nerve fibers
Three scale of the cochlea
Figure by MIT OCW. After figure 11.7 in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001.ISBN: 0683305964.
Basilar membrane
Images removed due to copyright reasons. Please see figure 11.8 in: Bear, Mark F., Barry W.Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.:Lippincott Williams & Wilkins, 2001. ISBN: 0683305964.
Structural gradient
• Base is 100 times stiffer than apex.
• Frequency and amplitude of a traveling wave vary along the basilar membrane.
Figure by MIT OCW. After figure 11.9 in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001.ISBN: 0683305964.
Place code for frequency
Figure by MIT OCW. After figure 11.10 in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001.ISBN: 0683305964.
Hair cells and stereocilia
Images removed due to copyright reasons. Please see figures 11.11 a and b in: Bear, Mark F.,Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore,Md.: Lippincott Williams & Wilkins, 2001. ISBN: 0683305964.
The organ of Corti
• Inner hair cells– Single row of 3500– Tip end below tectorial
membrance• Outer hair cells
– Three rows of 5000– Tip attached to tectorial
membrance• Synapse onto spiral ga
nglion cells.
Figure by MIT OCW. After figure 12.11in: Bear, Mark F., Barry W. Connors, and Michael A. Paradiso. Neuroscience: Exploring the Brain. 2nd ed. Baltimore, Md.: Lippincott Williams & Wilkins, 2001.ISBN: 0683305964.