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Sound for Film - Early Major Events. RECAP: 3 Challengers to Sound for Film Cost Amplification Synchronization By the early 1900’s the synchronization

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Page 1: Sound for Film - Early Major Events. RECAP: 3 Challengers to Sound for Film Cost Amplification Synchronization By the early 1900’s the synchronization
Page 2: Sound for Film - Early Major Events. RECAP: 3 Challengers to Sound for Film Cost Amplification Synchronization By the early 1900’s the synchronization
Page 3: Sound for Film - Early Major Events. RECAP: 3 Challengers to Sound for Film Cost Amplification Synchronization By the early 1900’s the synchronization
Page 4: Sound for Film - Early Major Events. RECAP: 3 Challengers to Sound for Film Cost Amplification Synchronization By the early 1900’s the synchronization
Page 5: Sound for Film - Early Major Events. RECAP: 3 Challengers to Sound for Film Cost Amplification Synchronization By the early 1900’s the synchronization
Page 6: Sound for Film - Early Major Events. RECAP: 3 Challengers to Sound for Film Cost Amplification Synchronization By the early 1900’s the synchronization
Page 7: Sound for Film - Early Major Events. RECAP: 3 Challengers to Sound for Film Cost Amplification Synchronization By the early 1900’s the synchronization

Sound for Film - Early Major Events.

RECAP:

3 Challengers to Sound for Film

•Cost•Amplification•Synchronization

By the early 1900’s the synchronization issue, far from over, had at least been accomplished. But we still need to resolve the volume of playbackin the theatre and reduce the cost of implementation.

1904 - Daniel Higham practiced his invention of the mechanical friction amplifier. Known as the Higham-A-Phone reproducer. His design utilized a rosin wheel and friction shoe with a tensile link to the reproducing diaphragm resulting in very loud mechanical amplification. Columbia immediately snapped up Higham's design in 1904. Columbia used this amplifier in their top-of-the-line Twentieth Century Graphophone that was produced from 1905 till 1908.

1908 - In America, E.E. Norton invented the Cameraphone, and with James A. Whitman and attorney Francis Fitch founded the Cameraphone Company. They began leasing equipment to exhibitors.

Cameraphone's Norton, because of his Columbia connection, was intimately knowledgeable with this design and naturally applied it to motion picture sound

reproduction. AMPLIFICATION problem resolvedSuccess was still closer, but 1 problem still existed

1. Cost

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Sound for Film - Early Major Events

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1911-1919 - Western Electric develops along with Lee DeForest a method or recording and reproducing sound electronically on disc. Western Electric Buought the rights to the use of the Audio for amplifying the phonographic sound.

1921 - DeForest improves the method of recording sound on film and patents a new invention he calls the phonofilm.

1926 - Warner Bros. contracts with the AT&T method of sound with film and releases its first sound with film

pictures using a system dubbed the Vitaphone.

1926 - Don Juan, released in 1926 was the first film to include music on an amplified sound- track.

1927 -The Jazz Singer featuring Al Jolson is released by Warner Bros. Not an immediate hit in New York, but it gained long-lasting fame when it moved into America's heartland. It was rebooked in 1928 in New York and grossed $100,000 a week.

1927 -Fox Film Corporation works with a new AT&T development - sound on film. Fox uses this system to produce newsreels which would play prior to feature films at theatres.The first big publicity coups was the flight of Charles Lindbergh across the Atlantic. Also memorable was the capturing of the explosion of the Hindenburg. These newsreel shorts became known as the Movietone News.

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Sound for Film - Early Major Events

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Mass Production and Lower cost implementations resolved the last problem. Sound for Film was now cost effective and making film companies more money than ever!

May 1928 - the major film companies (Paramount, Loews/MGM, First National and United Artists) sign with AT&T to produce pictures with sound on film despite the introduction of a competing format developed by RCA.

End of 1920s - only a few theatres in America's largest cities continued to maintain a house orchestra and organist. 1928 -- Warner Bros. releases The Singing Fool -- again starring Al Jolson. Tickets for the first night were $11.00. "Sonny Boy" and "There's a Rainbow 'Round My Shoulder" from the film became the first million selling record of the

"talkie" era. The Singing Fool cost $200,000 to produce but drew an unprecedented $5,000,000.