>usually works extremely close with director and choreographer in order to have a better understanding of the production and to compare ideas with other people of significant roles >auditory creator- sound designers may even compose due to this normally being a previous job. >evoke emotion, create and reflect the mood, underscore action >source music and sound, physically go out and find it themselves >editing music, being able to manipulate sound >to be able to tell the difference and implement diegetic and non-diegetic sounds >to be able to work out the location, where sound equipment should be placed in order to for the audience to receive the right effect for example; radio microphones, ambient microphones, orchestra microphones (what areas of backstage need them) >take the script and analyse it to the best of there ability, and to extract what's required >who needs what when? Act 1, scene 2

Web definition: “Sound design is the process of specifying, acquiring, manipulating or generating audio elements. It is employed in a variety of disciplines including filmmaking, television production, theatre, sound recording and reproduction, live performance, sound art, post-production, and video game...”