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SUM Eighteen / Sixteen Summing Module API 500 compliant User Manual Release 1.2.6 January 2014

Sonum SUM 8 / 16 - User Manual

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Page 1: Sonum SUM 8 / 16 - User Manual

SUMEighteen / Sixteen

Summing ModuleAPI 500 compliant

User ManualRelease 1.2.6 January 2014

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Introduction and main features Page 2

How to rack-mount the SUM Page 3

Manufacturers rack Page 4

Front Panel Description of the SUM EIGHT Page 5

Front Panel Description of the SUM SIXTEEN Page 6

Main Controls Pages 7, 8

Studio Calibration Pages 9, 10

Glossary Pages 11, 12

Front and Back Panel Connectors Pages 13, 14

Connectivity Pages 15, 16, 17

Technicalspecifications Page18

Maintenance Page 19

Warranty Page 20

Certifications Page21

Copyright Page 22

INDEX

Wewantedtobethefirst inItalytocreateahigh-end,linesummingmodulethatwouldsetanewstandard in the professional audio market. The Sonum Sum is built using top quality discrete componentsandisthefirstunitofthiskindtobeavailablefortheAPI500seriesrack.

Availableinan8-channelanda16-channelversion,theSumincorporatesourextremeattentionto

detail,elegantdesignanddeliversultimatesoundquality. Our Mission is to create innovative products, characterized by their advanced technology and

wonderful design. Why the name Sonum©? Sonum is a Latin term and it simply means SOUND. It can also be translated

withTone,Voice,Accent,Sonority,MusicalCharacter.Whatbetternametosummarizethecoreofour creation and its country of origin?

The technology we implemented makes SUM a product which is destined to professional use. It

setsitselfapartfromcompetitionforitsincrediblylownoisefloor,itshighgain,itsunbelievablyfasttransientresponse,three-dimensionaltyandneutralsound.

INTRODUCTION AND FEATURES

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HOW TO RACK-MOUNT THE SUM EIGHT/SIXTEEN INTO THE RACK

1) Remove the SUM from its packaging

2) Turn off the rack and disconnect it from the mains

3) Remove the screws from the rack (two or four depending on which version of the SUM you

are using - see red circles on Pic. 1)

4) Touch the rack to eliminate electrostatic charges. They may damage the SUM

5) InserttheSUMintotherackmakingsureitperfectlyfitsthesocket(markedinyellowon

Pic. 1)

6) Drive the screws back in place (do not use too much force)

7) Properly connect the audio input and output of the slot. Reconnect your audio cables in

case you have removed them.

8) Plug the rack back into the mains.

9) Set the volume to 0 (anti-clockwise)

10) Turn on the rack

*Please note:

We used an API-500 B6 Lunchbox (main picture below) as an example for describing the mountingprocedure.However,accordingtoAPIʼs“VPRAlliance”standardizationprogramguidelines.

Picture 1

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MANUFACTURERS RACK At the date of release of this manual the following products are also compatible with the 500 series: A-DESIGN ® •500HR-2slotpowered1Urack** http://www.adesignsaudio.com

API ® •500-6B-6slotlunchbox http://www.apiaudio.com •500VPR-10slot3Urack

ATLAS PRO AUDIO ®•REVOLVER-2slotdesktop http://www.atlasproaudio.com

BAE ® •DLB-2slotdesktop http://www.brentaverill.com •6Modulerack-6slot3Urack •11modulerack-11slot3Urack •6ModuleLunchbox-6slotLunchbox

CHAMELEON LABS ®•CPS-501-1slotpowered1/2rack** http://www.chameleonlabs.com

EMPIRICAL LABS ® •EL-500-2slotpowered1Urack** http://www.empiricallabs.com

PURPLE AUDIO ® •SweetTenRack-10slot3Urack http://www.purpleaudio.com

RADIAL ® •TheCube-3slotdesktop http://www.radialeng.com •Powerstriprack-3slot1Urack**

•Workhorse-8slot3Urackwith8x2summing •WR-8Workhorse-8slot-3Urack

SMPROAUDIO ® •JUICERACK-1slot1/2rack** http://www.smproaudio.com •JUICERACK-3slot1Urack** •JUICERACK-8slot3Urack •JUICEBLOCK-3slotdesktop

TONELUX ® •V4ROADSTER-4slotdesktop http://www.tonelux.com

TUBE-TECH® •RM2-2slotdesktop http://www.tube-tech.com •RM8-8slot-3Urack

Note** The SUM SIXTEEN cannot be used with these models.

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VolumeKnob

Headphone Output (TRS)

Channels 1/8 DB-25 Input (+4dB)

Channels 1/2 Button Switch (Mono/Stereo)

Channels 3/4 Button Switch (Mono/Stereo)

Channels 5/6 Button Switch (Mono/Stereo)

Channels 7/8 Button Switch (Mono/Stereo)

Screw holes for rack-mounting the module

Screw holes for rack-mounting the module

SUM EIGHT - FRONT PANEL

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Picture 2

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SUM SIXTEEN - FRONT PANEL

VolumeKnob Stereo ReferencesScale

Headphone Output (TRS)

Channels 1/8 DB-25 Input (+4dB)

Channels 9/16DB-25 Input

(+4dB)

Channels 9/10Button Switch (Mono/Stereo)

Channels 13/14Button Switch (Mono/Stereo)

Channels 15/16Button Switch (Mono/Stereo)

Channels 11/12Button Switch (Mono/Stereo)

Channels 1/2 Button Switch (Mono/Stereo)

Channels 5/6 Button Switch (Mono/Stereo)

Channels 7/8 Button Switch (Mono/Stereo)

Channels 3/4Button Switch (Mono/Stereo)

Screw holes for rack-mounting the module

Screw holes for rack-mounting the module

©

Picture3

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1) VOLUME The volume adjustment is made as follows:

The non-stepped rotary knob provides accurate gain increments of 1dB.

The gain range scale goes from -21dB to +9dB, when operating in mono mode.

For stereo channels, the reference gain range scale is -18 / +12dB (3dB more). For visual reference, both scales are represented on the front panel of the Sum Sixteen.

The gain control acts on both the main output and the headphone output.

MAIN CONTROLS

-18

0 dB

9-9

6-6

-12

3-3

-15 -21 -18

0 dB

9-9

6-6

-12

3-3

-15 -21

ROTATION VOLUME MAXIMUM

Clockwise Increase

ROTATION VOLUME MAXIMUM

Anti-clockwise Decrease

REFERENCESCALE

MONO STEREO MODE(+3 dB)

9 9 126 6 93 3 6

0 dB 0 dB 3-3 -3 0 dB-6 -6 -3-9 -9 -6-12 -12 -9-15 -15 -12-18 -18 -15-21 -21 -18

- 18

0 dB

9- 9

6- 6

- 12

3- 3

- 15 - 21 - 18

0 dB

9

- 9

6

- 6

- 12

3

- 3

- 15

12+ 3 dB

(mono) (stereo)

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STATUS SWITCH BUTTON MODE SYMBOL

OFF Stereo

ON Mono

2) MONO / STEREO BUTTON SWITCHES The SUM operates in mono or stereo, depending on the switch buttons status. (Pic. 4 and Pic. 5)

The eight audio channels available on the DB25 connector can be used in stereo mode (signals panned hard left or hard right) or in mono mode (signals panned center).

In thefirstcase,channelsarestereo-linked ingroupsof two(1-2),(3-4),(5-6),(7-8)and thespatialinformation of the original sound source is retained as well as its automation parameters.

In the second case, each channel is used independently for mono sources. This is generally very useful when dealing with those signals that are usually panned center in the mix like snare, kick, bass, lead vocals etc.

MAIN CONTROLS

Picture 5Picture 4

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STUDIO CALIBRATION

1) STUDIO CALIBRATION

TogetthebestoutofyourSUM,aligningtheD/Aconvertersthatoutputthesignalstobeprocessedisaprocedureworthconsidering.Althoughthisisnotobligatory,itcanleadtofarbetterresultsastherelativelevelsbetweentracksismorehomogeneous.

AnACVoltmeterandadigitaloscillator,normallyavailable inmodernDAW’s, isall is required toperform such an operation.

OncethepluginisopenedintheDAW,itshouldbesettogeneratea1Khzsinewaveat-14dBFSand

routedtoeachoutputoftheD/A.Themeasuredoutputpoweroneachchannelshouldbe:

1)Professionalsystems(balancedXLR/DB25):1,23VoltsAC(correspondingto+4dBu);measuredbetweenpins2and3.Incaseitdoesn’tmatch,adjustitusingthededicatedtrim.

2)Semi-professionalsystems(unbalancedRCAconnectors):0,32Volts(correspondingto-10dBV

or-7,78dBu),measuredbetweenthesignalpinandthegroundring.Donotworryifyourdevicedoesnotfeatureatrimadjustmentcontroloneachchannel,itisimportantthatmeasurementsbehomogeneousandfallwithingthesamerange(veryfewmillivoltsofmargincanbeaccepted).

3)Hi-Fi systems (unbalanced RCA connectors): 0,245 Volts (-10dBu), measured between thesignal pinandthegroundring.Again,arangeofveryfewmillivoltscanbeaccepted,butresultsshould be homogeneous.

Thesevaluessetthemaximumoperatingleveloftheconvertersto+18dBuandpreventsignalsfromclipping or distorting.

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STUDIO CALIBRATION - REFERENCE CHART

REFERENCE CHART Volts, dBu, dBV

Volts dBu dBV 16 bit 24 bit

6,152840047 +18 +15,7815 16 24

3,083724882 +12 +9,7815 15 23

1,545523543 +6 +3,7815 14 22

1,227652988 +4 +1,7815 13+ 21+

1 +2,2184 0 13+ 21+

0,774596669 0 -2,2184 13 21

0,388217962 -6 -8,2184 12 20

0,316227766 -7,7815 -10 11+ 19+

0,244948974 -10 -12,2184 11+ 19+

0,194569886 -12 -14,2184 11 19

0,097515943 -18 -20,2184 10 18

0,048873746 -24 -26,2184 9 17

0,024494897 -30 -32,2184 8 16

0,012276530 -36 -38,2184 7 15

0,006152840 -42 -44,2184 6 14

0,003083725 -48 -50,2184 5 13

0,001545524 -54 -56,2184 4 12

0,000774597 -60 -62,2184 3 11

0,000388218 -66 -68,2184 2 10

0,000194570 -72 -74,2184 1 9

0,000097516 -78 -80,2184 8

0,000138236 -84 -86,2184 7

0,000024495 -90 -92,2184 6

0,000012277 -96 -98,2184 5

0,000006153 -102 -104,2184 4

0,000003084 -108 -110,2184 3

0,000001546 -114 -116,2184 2

0,000000773 -120 -122,2184 1

0,0000003865 -126 -128,2184

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GLOSSARYdB• AdecibelisatenthofaBelandowesitsnametoAlexanderGrahamBell.Itindicatestheratioofa

physicalquantityrelativetoaspecifiedorimpliedreferencelevel.Aratioindecibelsistentimesthelogarithm to base 10 of the ratio of two power quantities.

dBV • Levelrelativeto1voltRMS,regardlessofimpedance

0dBV=1V

dBu • levelrelativeto0,775voltsRMS(u=unloaded)

dBm • powerrelativeto1milliWatt.Inprofessionalaudio,it isalevelrelativeto0.775VoltsRMSwith600

Ohms impedence.

dBFS• (FS=fullscale):itreferstolevelsinthedigitaldomain,where0dBFSisthemaximumlevelpossible

before signals start to clip. All levels other than 0dBFS are negative (ex. -12dBFS). In a 16-bit audio environment, the lowest level

possible is -96dBFS (0000 0000 0000 0001). The dynamic range changes according to bit-depth resolution: 16-bit audio has 96 dB of dynamic range 20-bit audio has 120dB of dynamic range 24-bit audio goes down to 144dB. ThereisnostandardizedwaytocomparelevelsexpressedindBFS(digitalmeasurement)withones

expressed in dBu (analog tension - RMS). Differentreferencevalueshavebeendefinedovertheyears:

Typology dBFS VU dBu dBV Volts

CalibrazioneeuropeaedelRegnoUnitoperPost&Film

-18 0 +4 1.781512501 1.2270

BBCspec: -18 -4 0 -2.218487499 0.7745

AmericaneAustralianPost: -20 0 +4 1.781512501 1.2270

USA installation 0 +24 21.781512501 12.2765

Orchestral -18 0 +4 1.781512501 1.2270

Rock and / or Radio -16 0 +4 1.781512501 1.2270

Rock and / or Radio -12 0 +4 1.781512501 1.2270

AVIDDigi002 -14 0 -4 1.781512501 0.4887

Japan,Franceandothercountry 0 0 +22 19.781512501 9.7515

Germany ARD and Studio of PPM -10 +6 3.781512501 1.5455

Germany ARD and Studio of PPM -9 +6 3.781512501 1.5455

Germany ARD and Studio of PPM 0 +16 13.781512501 4.8873

Picture 6

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Typology dBFS VU dBu dBV Volts

Germany ARD and Studio of PPM 0 +15 12.781512501 4.3558

BelgiumVRT 0 +15 12.781512501 4.3558

EBUR68-2000-The European Broadcasting Union

0 +18 15.781512501 6.1528

EBUR68-2000-The European Broadcasting Union

0 +15 12.781512501 4.3558

inthetypeEBUisnotnecessarytousethefirst9dBofavailablerange

dB SPL • Soundpressurelevel

VU• (volumeunit):originallycalledVI(volumeindicator),isusedtomeasuretheperceivedloudnessofan

audiosignal.Ithasarelativelyslowresponseanditisoptimizedtomeasure(onadBscale)thelevelof audio sources during transmission and recording. It is not used to measure peaks (like a PPM) but RMS (average). It was developed by the Bell Labs, CBS and NBC and it was implemented in 1939.

ItsspecificationsaredefinedbyANSI(VolumeMeasurementsofElectricalSpeechandProgramWa-ves C16.5-1942 -IEC 60.268-17).

0VUcorrespondstoalevelof+4dBu.AVUmeterisdrivenfromafull-waveaveragingcircuitdefined

toreach99%full-scaledeflectionin300msandovershootsnotlessthan1%andnotmorethan1.5%.SinceaVUmeterisoptimisedforperceivedloudness,asalreadystated,itisnotagoodindicatorofpeak (transient) performance.

PPM• (PeakProgramMeter): OriginallydevelopedinEurope,itintegratestheinformationprovidedbyaVUmeter.Itisverycommon

tofindbothmetersinmodernstudiosandisveryusefulwhenrecordingdigitalaudioasitletstheuserkeep the peaks below 0dBFS, avoiding unpleasant distortion.

There are two different IEC standards for PPM’s (60268-10 for analog and 60268-18 for digital). A standard PPM has a 5ms integration time, so that only peaks wide enough to be audible are displa-

yed.

GLOSSARY

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FRONT AND BACK PANEL CONNECTORS The frontpanel features theTascamstandardDB25connector (for8 line level,balanced

signals)andaheadphoneoutput.(Pic.7)

ThepinoutoftheDB25connectormeetsthestandardTascamasshownonpage13:(Pic.5)

Picture7

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FRONT AND BACK PANEL CONNECTORS. Theoutputconnectionsareprovidedbythehostingrackandaregenerallylocatedonthe

rear panel.

Forthepurposeofourexplanation,weareusinganAPILunchbox500-B6(seePic.8).

The500seriesrackprovidesasingleinputandasingleoutputforeachslot.

The SUM needs two separate outputs (one for the Left channel and one for the Right channel),thereforeaXLR/XLRM/Madapterisrequiredtoturnaninputconnectorintoanoutput connector (Pic. 9)

CHANNEL CONNECTOR

LEFT INPUT (WITH XLR/XLR M/M ADAPTER)RIGHT OUTPUT

The SUM SIXTEEN takes two slots of space. In this case the right slot connectors are not used whereas the left slot connectors are.

Picture 9

Picture8

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CONNECTIONS OUTLINES

Female XLR(Rear view)

Connector TRS

Connector TS

Male XLR(Rear view)

1 1

1

1

2 2

2

2

3 3

3

Signal XLR Connector TRS ConnectorChassis Ground (cable shield) Pin 1 Sleeve

Audio 0° (Positive polarity (aka HOT) Pin 2 TipAudio 180° (Negative polarity (aka COLD) Pin 3 Ring

CABLEInordertogetthebestoutofmicrophones,outboardgear,speakersorpreamplifiers,qualitycablesshould be used.

• Manufacturers like Mogami, Canare or Belden build cables of outstanding quality.(shielded, noise-free, star quad cables.)

• Cable connectors must be reliable and maintain their funcionality over long periods of time. Manufac-turers like Neutrik or Switchcraft are renowned for their products.

• Cables should not exceed a certain lenght and should not be damaged.

Ourstudiotestsevidencedthatchoosingtherightinstrumentcableshasamajorimpactonthefinalsound.CompanieslikeKlotzorElixiroffergoodproducts.

CABLE TYPEThe Sonum SUM is a professional product. It accepts/outputs balanced (+4dBu standard) signals.(Internationalstudiolevel:LevelindB=+4dBu;VoltageRMS=1.228V;Voltagepeak-to-peak=3.47V).

To connect the SUM you will need DB25 to XLR (or TRS) cables. (Pic. 10)

Attention: When connecting an balanced output to a subsequent audio device with an unbalanced input, the negative signal lead (from Pin 3) must be wired to shield (Sleeve) at the TS connector

Picture 10

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CONNECTIONS OUTLINES

CARD EDGE CONNECTIONSIf you are using a custom card rack, or a card rack not manufactured by API®, please verify the following power supply terminations:

PIN Edge Pinout Connector1 CHASSISGROUND2 +OUTPUT3 NC4 - OUTPUT5 AUDIOCOMMON6 NC7 NC8 - INPUT9 NC

10 +INPUT11 NC12 +16VDC13 POWERCOMMON14 - 16VDC15 +48VDC

Withthemodulecorrectlypositioned,pinnumber1isthefirststartingfromthetop

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CONNECTIONS OUTLINESDB-25 CONNECTORTheSUMutilizesoneortwoDB-25professionalconnectors(oftenreferredtoasTascam®DA-88oDTRS), depending on the model. (Pic. 11)

Attention:DigitaldevicesthatutilizeAES3connections(knownasAES/EBU)arenotcompatiblewiththeSUM. Multipin digital and analog cables are not interchangeable.

CHANNEL NUMBER DB25PINOUTTASCAM/AVIDSUM

EIGHT Audio 0° POSITIVEPOLARITY

(HOT)H

Audio 180° NEGATIVEPOLARITY

(COLD)C

GROUND

GSUM

SIXTEENSUM

SIXTEEN1 9 24 12 25

2 10 10 23 11

3 11 21 9 224 12 7 20 85 13 18 6 196 14 4 17 57 15 15 3 168 16 1 14 2

Pin 13 is not connected.

12345678910111213

141516171819202122232425

G H H H H H H H HG G G G G G GC

CH1 CH2 CH3 CH4 CH5 CH6 CH7 CH8

C C C C C C C

12345678910111213

141516171819202122232425

G H H H H H H H HG G G G G G GC

CH9 CH10 CH11 CH12 CH13 CH14 CH15 CH16

C C C C C C C

SUMSIXTEENDB25Connectorside

SUMEIGHTDB25Connectorside

Picture 11

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TECHNICAL SPECIFICATIONS

TechnicalspecificationsSUMModel SUM EIGHT SUM SIXTEENCircuit Original Project

Compatibilità Series 500 1 Slot Series 500 2 Slot

Absorption Power supply +16VDC@170mA(NoLoad) -16VDC@170mA(NoLoad)

+16VDC@270mA(NoLoad) -16VDC@270mA(NoLoad)

Connectors Front Panel In/Out 1 x DB25 standard Tascam (In)1 x Headphone TRS (Out)

2 x DB25 standard Tascam (In)1 x Headphone TRS (Out)

Connectors Rear Panel Out1 x Comb 15 Positions cardedge

standard EDAC 156 X .156 - 306-015-520-102

2 x Comb 15 Positions cardedge standard EDAC

156 X .156 - 306-015-520-102Headphone out High-fidelityheadphoneamplifierwithover120dBofdynamicrange

Impedence Headphone Level 10 OhmMax Line Input gain Max Line Input gain + 47 dB

Input impedence

Line input impedence differential 20.000 Ohm (10kohm;eachleg@1kHz)

Max Output Level MaxOutputLevel+28dBu(Load=10kohm;@1kHz)Output impedence Outputimpedence100Ohm(50ohm;eachleg@1kHz)

Weight 0,380Kg 0,640KgMeasures L x H x D 38 x 138 x 175 mm L x H x D 76 x 138 x 175 mm

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CLEANING THE FRONT PANELDelicatelycleanthefrontpanelusingamicro-fiberdampclothandglassdetergent.Donotuseabra-sive detergents for this purpose.

CLEANING THE REAR CONNECTORNormally, you don’t need to clean the back connector for it is gold plated and guarantees the best quality over a long period of time. Soperformthisoperationonlywhentheconnectorisreallydirtorifithasoxidized.Inordertoproperlycleanityoumustremovetheunitfromtherackfirst.(seepage3)Gently pull the SUM out of its slot and clean it using isopropyl alcohol. Makesureyoudonottouchtheconnectorandthecontactswithyourfingers.Let dry and re-mount the module into the rack.

MAINTENANCE

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*** PLEASE NOTE ***• SonumSUMproductwarrantyisregulatedbytheItalianlawinforceandthelegalrightsitgivesyou

may vary from country to country, state to state and province to province, according to the local juri-sdiction. Total warranty period is 12 months from the original date of purchase. This warranty covers the SUM against factory and workmanship defects, present since the date of purchase and they must benotifiedtoSonum©assoonaspossible

• ThiswarrantyDOESNOTcover damage causedby: improper installation,wronguseof theunit,badmaintenanceaswellascarelessconservation, repairsperformedbyunauthorizedpersonnel,transportation, corrosion and whenever the serial number is lost, removed, changed or unreadable. The present warranty does not cover factory defects occurred after the warranty expiration date and ifthesedefectswhereabsentatthemomenttheunitwaspurchasedordeliveredtothefinaluser.

Inadditiontowhat listedabove,Sonum©cannotbeheldresponsibleforanydamagecausedbyincidents and natural calamities such as snow, rain, thunder and similar. Periodic check-ups and fun-ctional controls are not covered unless necessary when a component needs complete restoring and reconditioning within the warranty period. Damage due to overvoltage, caused by other electronic devices or manual alteration of the product are not covered. We can not be held responsible for any unnotifiedchangesinemployedmaterialsordesignmodificationsdifferentfromwhatspecifiedinads,catalogs or on the internet. Ultimately, this warranty does not cover excessive repair and technical assistance costs.

• Wheneverthelistedconditionsarerespected,Sonum©willrepairtheproductfreeofchargeandwillsend it freight prepaid back to the retail seller. All products covered by our warranty must be sent to Sonum©freightprepaidandinclusiveofallfiscaldocumentation.Incasetheproductissenttousafter the warranty has expired the buyer will bear all costs (administration, shipping, technical assi-stance). Please always contact us via email prior to sending the unit so we can evaluate all possible costs in advance.

WARRANTY

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Declaration of Conformity

Sonum© declares the SUM Eight and SIxteen Summing module to be in material conformity with the fol-lowing EC directives and related standards:

• 2006/95/ECLowVoltageDirective• 2004/108/EC EMC Directive

The technical documentation is available in our center.

CertificateofCompliance

Sonum© declares the SUM Eight and SIxteen Summing module are RoHS compliant and meet the requi-rementsandspecifiedlimitsofrestrictedsubstancesaccording2002/95/ECdirective.

RAEE

Sonum© SUM Eight and Sixteen is marked with the WEEE symbol to comply with the European Union’s Waste Electrical & Electronic Equipment (WEEE- European Union’s Waste Electrical & Electronic Equipment) Directive 2002/96/EC.

The symbol indicates that this product should not be treated as household waste. It must be disposed and recycled separately as electronic waste. Please assist to keep our environment clean

Abovedeclarationsarevoidbymodificationofthedevicewithoutapproval,orunauthorizedservicing.

01/01/2014,Firenze

Sonum© Marraghini Miriano

CERTIFICATIONS

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©

Manufactured by Sonum©VialeL.Ariosto492/F

50019SestoFiorentinoFirenze-Italia

http://www.Sonum.itemail [email protected]

All content, including pictures and photos, is copyright protected.Any full or partial reproduction of thismanual(analogordigital)isstrictlyprohibitedwithoutSonum©ʼswrittenpermission.

Withthegoalofconstantlyimprovingourproducts,wereservetherighttomaketechnicalandfunctionalchanges without notice. Sonum © operates in full respect of the law in force.

Theinformationcontainedinthismanualwasreviewedandcontrolledpriortopublication.YouagreetoholdSonum©harmlessagainstanyloss,liabilityordamageduetodirectorindirectomissionsand/orerrors.

Alltrademarks,productnamesandcompanynamesappearinginthismanual(A-DESIGN© ,API© ,ATLASPROAUDIO© ,AVID©,BAE© ,BELDEN©,CANARE©,CHAMELEONLABS ©,ELIXIR©,EMPIRICALLABS©,KLOTZ©,SWITCHCRAFT©,MOGAMI©,NEUTRIK©,PURPLEAUDIO© ,RADIAL©,SMPROAUDIO©,SWITCHCRAFT©,TASCAM©,TONELUX© ,TUBE-TECH©) e i rispettivimodelli(500HR,500-6BLUNCHBOX,500VPR,L200PS,REVOLVER,DLB,6MODULERACK,11 MODULE RACK, 6 MODULE LUNCHBOX, CPS-501, EL-500, SWEET TEN RACK, THE CUBE,POWERSTRIP, WORKHORSE, WR-8 WORKHORSE, V4 ROADSTER, RM2, RM8, JUICERACK 1,JUICERACK3,JUICERACK8,JUICEBLOCK3)areexclusivepropertyoftheirrespectiveownersandthereforecopyrightprotected.