SCHIRMER'S LIBRARYOF MUSICAL CLASSICS

A. Dan n h auser

Solfege des Solfeges

Translated by

J. H. CORNELL

IN THREE BOOKS

-*- Book I — Library Vol. 1«8»

Book II — Library Vol. 1890

Book III - Library Vol. 1191

G. SCHIRMER, Inc.Distributed by

HAL'LEONARD'ICORRORATION7777 W. BLUEMOUND RD. P.O.BOX 13819 MILWAUKEE, Wl 53213

Copyright, 1891, by G. Schirmer, Inc

Pifcrt*« la ib* (J. $. A.

Preparatory Exercises.

For the Intonations.

These exercises are made in order to familiarise the pupil with the in -

tonations, and for sparing him the necessity of solving two difficulties at

a time; the duration of the values and the accuracy of the sounds; hence,

he will have to practise them exclusively while he is learning the first

chapters of principles.

When the pupil shall seize the intonations easily, he will have to prac-

tise in beating two, three and four to the measure, counting the beats

instead of naming the notes, or of solfeggiating them. For this exercise,

he should observe the greatest equality in the duration of each beat.Ci)

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(l) It would even be very important to make use of the Metronome for this work.which ought to

be done at different degrees of slowness and of quickness.The first labor, made with care, will give great ease to all that shall follow; it belongs,

however, to teachers or to mothers of families beginning with young children in this so es-

sential part of the art, to guide them, according to their youthful intelligence,

(a) Each exercise should be made as many times as indicated. It would be well that the teacher

should execute it alone the first time, letting the pupil repeat it immediately.

GO Let the pupil hold each note as long as his breath will allow him, without fatigue, and let

him rest for a measure, in silence.at all the rests indicated.

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Lessonsfor the different note-values and the different kinds of measure.

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24 Two sixteenths to one beat.

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30 Exercise for the study of three sharps-. Fa, Do and Sol.

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36 Scale of the tone La, minor mode.

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Lessons in the major mode of Fa.

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48Scale of the tone Si, minor mode.

Parallel of Re, major mode.

Lento (J -.60)

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Of the Fa-Clef (Bass -Clef.)

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ZEE331 -»-

Example of the compass of the (Fa-Clef) for the Piano.

Notes in the Sol-clefcorresponding tothose in the Fa.

u o '.'

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Cati'e the notes to be named.and let them afterwards be solfeppiated if it be thon^lit

necessary; in which case lot the time be counted by beating two to the measure.

v/r ini(io,n ,

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will sound it an Octave above the notation.

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