Upload
others
View
5
Download
0
Embed Size (px)
Citation preview
94 Spring 2013 • Volume 29 • Number 1
Abstract
Computer design software will become the main communication technology
between dentists and ceramists and a useful tool for showing patients the
possibilities for enhancing their smiles. Despite the modern age of smile
design, which enables the use of technology to create and design an ideal
smile, ceramists involved with the fabrication process still rely on sound
concepts and principles of facial and dentofacial esthetics. By understanding
the elements of esthetics and learning how to incorporate technology
applications into clinical dentistry, clinicians can predictably plan smile
design cases and communicate anticipated results to patients and ceramists
alike. This article, the first in a two-part series, introduces elements of smile
design and reviews some timeless concepts. It discusses new, step-by-step
techniques for incorporating digital technology into the smile design process
that can be accomplished in approximately three to four minutes. The second
article will address tooth anatomy, morphology, and the various laboratory
applications for digital design.
Key Words: esthetic dentistry, smile design, digital technology
Smile AnalysisThe Photoshop® Smile Design Technique: Part I
Edward A. McLaren, DDSLee Culp, CDT, AAACD
e d m c l a r e n . c o m
w w w . f a c e b o o k . c o m / e d w a r d . m c l a r e n
1.Full face cheeks retracted 1:8 or at f16 or 22 (for DIP) iso 4002.Full face smiling 1:8 at f16 or 22 iso 400 3.Full face lips relaxed 1:8 at f16 or 22 or iso 224.optional : profileALL IDEAL BUT OPTIONAL5.cheeks retracted optional 1:2 at f32 (f22 ok)6.Lower 1/3 smiling 1:2 at f32 (f22 ok)7.Contrastor 1:1 at f32 (f22 ok)
P h o t o s h o p S m i l e D e s i g n I m a g e s
1 . C h e e k s r e t r a c t e d f u l l f a c e
3 . L i p s R e l a x e d f u l l f a c e
2 . N o r m a l S m i l e f u l l f a c e
f 2 2 ( f 1 6 )
a p p r o x : 1 : 5 t o 8 m a g
S h o o t i n g P o s i t i o n
S t a r t T r e a t m e n t P l a n n i n g F r o m
M a x i l l a r y C e n t r a l I n c i s a l E d g e
1. WHERE IN THE FACE TO PLACE THE MAXILLARY INCISAL EDGES ?
2. WHAT IS THE PROPER TOOTH DISPLAY STATICALLY AND DYNAMICALLY?
5. CAN I DO IT WITH RESTORATIVE DENTISTRY ALONE? (do the root position, soft tissue, and bone support the desired tooth shape and position
4. WHAT IS THE PROPER INTER AND INTRA TOOTH RELATIONSHIPS ?
3. WHAT IS THE PROPER GINGIVAL DISPLAY AND FORM STATICALLY AND DYNAMICALLY?
RULE OF 42.2the 4 MAXIMUM OF 4MM OF
MAXILLARY CENTRAL DISPLAY WHEN LIPS AT REST (MIN 2MM)
the 2 MAXIMUM OF 2MM OF GINGIVAL DISPLAY DURING NORMAL SMILE
the .2 2 mm or less from lower lip during smiling
Smile Design Session 3:
• facial esthetics
• measuring faces in Photoshop and Keynote
• setting incisal and gingival lines
• i n t e r - t o o t h p r o p o r t i o n s
• i n t r a - t o o t h p r o p o r t i o n s
T O O T H P R O P O R T I O N S ( I N T R A A N D I N T E R - T O O T H R E L A T I O N S H I P S )h o w d o e s f a c e f o r m e f f e c t o u r c h o i c e f o r t o o t h f o r m a n d s i z e ?
L A T E R A L 1 . 0 M M T O M A X I M U M 2 M M S H O R T E R T H A N T H E C E N T R A L
9.5MM
C A N I N E 1 0 T O 1 1 M M B U T S L I G H T L Y S H O R T E R T H A N T H E C E N T R A L
10.5 MM
1 1 MM
ASPECT RATIO75% to 80% ideal
70% to 75% 80% to 85%acceptable
LENGTH10.5 to 12 mm
71%
ASPECT RATIO75% to 80% ideal
70% to 75% 80% to 85%acceptable
LENGTH10.5 to 12 mm
75%
ASPECT RATIO75% to 80% ideal
70% to 75% 80% to 85%acceptable
LENGTH10.5 to 12 mm
80%
3/4 to 4/5 2/3 1 1 65% 75 to 80%
60 to 70% 70 to 90%
rule : can ine and all teeth d istal has to be perce ived to occupy less v isual
space
rule: you can move the contact area restoratively up to the root of the adjacent tooth
2.5 mm display at rest
2 0 0 4
3 mm gingival display
3 mm incisal edge to lower lip
2.5/ 3/.3
RULE OF 42.2
6.7 mm1 to 1 aspect ratio
CENTRAL
VIDEO : open image i n PSD
V IDEO : s elect ing , mask ing ,
and l iqu i fy tool
VIDEO: Digital Bleaching
u s ing the DODGE tool
4 . D E N T O-G I N G I V A L E S T H E T I C S
MIDLINE BALANCE
1. You only move midline to establish esthetic inter and intra-tooth proportions
2. midline should be vertical when the head is in the postural rest position: NEVER ANGLE AWAY FROM MIDLINE
Quick Photoshop Smile Design
i m p o r t i n g t e e t h f r o m l i b r a r y
q u i c k P h o t o s h o p S M I L E D E S I G N : i m p o r t i n g t e e t h f r o m l i b r a r y
Open ideaLLy fuLL resolution Pre-Op fuLL face image
with image open in Photoshop> click command (control PC) J this will duplicate the background layer which is image of full face
Quick P SD
open image of teeth you like
q u i c k P h o t o s h o p S M I L E D E S I G N : i m p o r t i n g t e e t h f r o m l i b r a r y
using the move tool drag the image of the teeth on top of the full face
q u i c k P h o t o s h o p S M I L E D E S I G N : i m p o r t i n g t e e t h f r o m l i b r a r y
use Free Transform to size image initially: >shift/option (alt pc) to scale proportionally and from the center
q u i c k P h o t o s h o p S M I L E D E S I G N : i m p o r t i n g t e e t h f r o m l i b r a r y
drag the layer of the teeth underneath the duplicate layer of the face image
q u i c k P h o t o s h o p S M I L E D E S I G N : i m p o r t i n g t e e t h f r o m l i b r a r y
zoom in on the teeth
Quick P SD
activate the polygon lasso tool
Quick P S D
select the space between (teeth)the lips-make sure layer on top of face is activated: important to included 1 to 2 pixels of lips
Quick P S D
select> modify> smooth> 2 to 4 pixels- this smooths the edge of the selection
Quick P S D
click the delete key with the full face layer activated and whatever was selected disappears
Quick P S D
zoom out to view full face
Quick P S D
activate the free transform functionedit > free transform or command (control pc) T
Quick P S D
grab one corner- hold down the shift and option (alt pc) key and scale up or down the teeth to fit the face
Quick P S D
use up/ down or left / right arrows to make slight movements to image. You can also use the move tool
Quick P S D
if a rotation is necessary place the cursor next to corner until the curved double arrow appears: move mouse left or right to rotate
Quick P S D
zoom out> command (control pc) - to view full image
Quick P S D
in layers palette: change opacity of layer to about 60% to “see through” to the existing teeth: can give an idea of other necessary interdisciplinary treatment
Quick P S D
zoom in to show patient: command (control pc) +
Quick P S D
To make adjustments to the teeth layer go to image> Adjustments and choose adjustment
it is common to adjust the brightness:
Quick P S D
adjust brightness as necessary by using the sliding adjustment
Quick P S D
Quick P S D viewing position of new teeth relative to position of existing teeth
zoom in> turn off visibility of top layer of face> make layer of teeth about 65% opaque
VIDEO : us ing l i brary t eeth
Redesigning With
Individual Library Teeth Or Tracings
o p e n i m a g e a n d i m a g e w i t h l i b r a r y t e e t h a n d t r a c i n g s
Photoshop SMILE DESIGN
c a n u s e l i b r a r y o f s a v e d t r a c i n g s o r t e e t h
d r a g i n t r a c i n g f r o m f i l e : s i z e w i t h f r e e t r a n s f o r m
Photoshop SMILE DESIGN
c a n u s e l i b r a r y o f s a v e d t r a c i n g s o r t e e t h
“ d r a g ” i n i m a g e o f t o o t h : u s e f r e e t r a n s f o r m a s n e c e s s a r y t o f i t d e s i g n
Photoshop SMILE DESIGN
i f n e c e s s a r y u s e “ w a r p ” t o o l
Photoshop SMILE DESIGN
h a l f m o u t h f i n i s h e d
Photoshop SMILE DESIGN
w h o l e m o u t h f i n i s h e d
Photoshop SMILE DESIGN
4th generation
all-bond 3
Creat ing Custom
Tooth Gr ids , Teeth , and Measur ing
TEETH/GRID/LINES
o p e n i mage o f r e t ra c t ed v i ew o f t e e t h y o u l i k e a nd a p p ea r s t o h a v e g o o d e s t h e t i c p r o p o r t i o n s
act ivate the po lygon lasso too l : trace the desired tooth
set a point by clicking on edge of central (usually at papilla tip)- trace the outline of the central- set points every few pixels- close the loop by double clicking at the starting point
creat a new b lank layer for each traceing
h igh l ight b lank layer in layers palette
go to Edit menu then c l ick on Stroke
for width 2 to 3 p ixe ls, co lor b lack, l ocat ion center- then c l ick OK
central tracing on its own layer
to see the tracing c l ick on the “eye” of other layers to make them inv is ib le
c l ick eyes back on-- then h igh l ight layer of teeth- se lect ion wi l l st i l l be act ive--Cl ick Command (Contro l PC) J to set tooth on its own layer
to see the teeth c l ick on the “eye” of other layers to make them inv is ib le
trace the lateral
create a new b lank layer- then with layer h igh l ighted-- Edit menu then “Stroke” 2 to 3 p ixe ls with b lack co lor
v isual iz ing tracing
then h igh l ight image layer : and c l ick on Command J to put lateral tooth on its own layer
visual iz ing tooth
naming layers
completed f i le with teeth, tracings, l ines
click on eye of background layer to make invisible: command J to duplicate layer
you can alter the aspect ratio from say 80% W/L to 75% W/L using the free transform tool. FIRST MAKE COPY OF LAYER : COMMAND J then save name and save both versions
Digital Measurements
high l i ght the ru l er t o o l
put the cursor on the most ap ica l pos it ion of the central inc isor and ho ld down the sh ift key and re lease when at the inc isa l edge
note: the “H” value- in this case 205 pixels
put the cursor on the widest pos it ion of the central inc isor and ho ld down the sh ift key and re lease when at the contact mesia l ly
note: the “W” value- in this case 164 pixels
divide the “W” by the “H” to get the aspect ratio in this case it is 80.5%
measure the width of the lateral
inc isornote: the “W” value in this case 108 pixels
divide the “W” value of the lateral by the “W” value of the central : th is gives the optical v isual percentage of lateral to central : in this case 65%
I w o u l d n a m e t h i s i m a g e 8 0 / 6 5 / 8 2 80 for the 80% W/L central65 for the 65% lateral to central82 for the 82% canine to lateral
To create a d ig i ta l equ iva lent of 1-mm d iv ide the actua l t o oth l ength (e .g 1 1 mm) by the measured he ight i n p ixe ls e.g. 205 divided by 11 is 18.6
in this image 18.6 pixels represents 1 mm (at least on the 4 incisors)
119
8.5 mmF i r s t m e a s u r e t h e t o o t h
e s t a b l i s h d i g i t a l l e n g t h s
Act i vate the r u l e r t o o l t o measure the d i g i ta l l ength
e s t a b l i s h d i g i t a l l e n g t h s
P SD
c l ick at the apex of tooth #8 -- ho ld down sh ift key and drag down to inc isa l edge and stop
note the H (height) in this case it is 172 pixels. you can divide the 172 by the exact measured height to get how many pixels equal 1-mm
P SD
for example h is tooth was 8.5 mm. d iv ide 172 by 8.5-- which g ives 20.2 p ixe ls (round to 20) in th is image represents 1-mm
P SD
if it is determined the length to be added at the incisal edge is 2.5 mm - the dig ital equivalent of 2.5 mm is 50 pixels : so the new dig ital length would be 222 pixels.
P SD
using Photoshop Grid
P SD
turning on Grid
P SD
you can make marks on transparent layer
P SD
then you can drag new tooth in and s ize tooth
with free transform adjust opacity of layer to see through as necessary
P SD
w h o l e m o u t h f i n i s h e d
Photoshop SMILE DESIGN
Alternative ly you cou ld use a ru ler and adjust s ize of ru ler to known measurement on tooth
o p e n i m a g e o f r u l e r
“ C H R I S T I A N C O A C H M A N ”
P h o t o s h o p S M I L E D E S I G N
o p e n i m a g e o f t e e t h d r a g i m a g e o f r u l e r o n t o p o f t e e t h
Alternative ly you cou ld use a ru ler and adjust s ize of ru ler to known measurement on tooth
P h o t o s h o p S M I L E D E S I G N
A D J U S T T H E S I Z E O R T H E R U L E R T O A K N O W N D I M E N S I O N
B Y U S I N G F R E E T R A N S F O R M
P h o t o s h o p S M I L E D E S I G N
e . g . A d j u s t t h e R u l e t o 8 . 5 m m b y l e n g t h e n i n g o r s h o r t e n i n g r u l e r a g a i n s t t h e C e n t r a l
P h o t o s h o p S M I L E D E S I G N
e d m c l a r e n . c o m w w w . f a c e b o o k . c o m / e d w a r d . m c l a r e n
This DVD will cover: Photography and necessary images for Photoshop Smile Design Setting up Photoshop interface on your computer Opening images into and using Camera Raw How to make selections and how to use a mask How to create and work with layers How to use the Liquefy filter to do simple smile alterations How to do digital bleaching How to use the various transform functions in Photoshop to create custom shapes How to make and use “Library” teeth to do a Quick Photoshop smile design How to fix Rotations in images, objects, and layers How to align and size incorrectly composed images How to measure in Photoshop and create a digital to analog (real world) conversion How to create “grids” to measure tooth proportions How to create “grids” the shade of real teeth and use in a smile design How to use all these digital tools to create a “Full PSD” smile design How to present to the Patient using Photoshop Also included with DVD are templates of teeth, and tracings you can immediately use
English | Johan Figueira, DDS Spanish Versionfor more dvds, visit our website: www.edmclaren.com
“DUAL LAYER DVD”
Over 4
hours of
high impact c
ontent.
Edward A. McLaren, DDS, MDCDr. McLaren is a Prosthodontist, Professor of clinical dentistry, and director of Post Graduate Esthetic Dentistry at the UCLA school of Dentistry. He is the director of the UCLA Center for Esthetic Dentistry, a full time didactic and clinical program for graduate dentists. He is also the founder and direc-tor of the UCLA/LACC Master Dental Ceramist program. The post-graduate program is a full time master ceramist program for dental technicians fea-turing extensive experience with the newest esthetic restorative systems. Dr. McLaren maintains a private practice limited to prosthodontics and esthetic dentistry in which he does all of his own ceramics.
Johan Figueira, DDSDr. Johan Figueira graduated from School of Dentistry at the Central University of Venezuela in 2009. In 2010 Dr. Johan received acceptance into the Esthetic Restorative Program at the U.C.L.A. Center for Esthetic Dentistry where he continues his studies under leadership of preeminent Prosthodontic and Master Ceramicist, Dr. Edward McLaren. Dr. Johan graduated in “Advanced Esthetic Dentistry” / Center for Esthetic Dentistry in 2013. Dr. Figueira is a member of the American Academy of Cosmetic Dentistry. Currently, Dr. Johan is faculty at “Center for Esthetic Dentistry” at UCLA. He presents numerous lectures & hands-on clinics internationally.
w w w . e d m c l a r e n . c o m
Text