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To make the shape more accurate, we will need to curve the lines. Click on the

"Convert Point" Tool (the button). This will allow us to make Bezier curves at eachpoint. Your object should have roughly the same shape as the second screen shot.

When you are satisfied with the shape (feel free to experiment with the linecurvature), we will need to color the 'A' shape. To open the color sets, go to"Windows" > "Browser" and click on the "Shaders" tab. Since this part of thecommunicator is a silver color, click on "Silver" (in the category, "Metals") and click the "Apply"button (in the lower-left side of the "Browser" window). Close the "Browser" window. Note: due to thecurrent lighting, you won't see the silver shading until later.

We are now done designing the face of the 'A' part of the communicator, but we will need to give itsome depth. Go to "View" > "Preset Positions" > "Reference" to see the object. Adjust the depth bydragging the purple line on either the right-hand wall or the ground. To make sure the line is straight,hold down the "Shift" key while dragging the line. (For this tutorial, I have made the purple line 2 grid-squares in length, but you can adjust it to suit your taste.)

And when you are satisfied with both the shape and depth of the object, click the "Done" button (inthe lower-left side of the window). You will now be back at the "Perspective" Window. The object willprobably be off-centered. To make things easier we will center it in the window: go to "Arrange" >"Send To Origin".

Optional: at any time, you could save this object as a Ray Dream Studio file.Second, we will create the oval part of the communicator. As before, click on the

"Free Form" Tool and drag it to the Perspective window.In the Name box, let's call this object "Oval".Go to "View" > "Preset Position" > "Drawing Plan" to create the object.

Click on the "Draw Rectangle" Tool (the button) and hold down the mouse to

access the "shape" mini-menu. Select the "Draw Oval" Tool (the button).Draw an oval similar to the one shown in the screen shot to the right.We will now need to color the oval shape. Again, open the color sets: go to "Windows" > "Browser"

and click on the "Shaders" tab. Since this part of the communicator is a gold color, click on "Polished

Gold" (in the category, "Metals") and click the "Apply" button (in the lower-left side of the "Browser"window). Note: due to the column size, you may only see the word "Polished..."- this is the correctcolor. Close the "Browser" window. Again, due to the current lighting, you won't see the shading untillater.

We are now done designing the face of the oval part of the communicator, but we will need to give itsome depth. Go to "View" > "Preset Positions" > "Reference" to see the object. Adjust the depth bydragging the purple line on either the right-hand wall or the ground. (For this tutorial, I have made thepurple line 1 grid-squares in length, but you can adjust it to suit your taste.)

As with the previous object, when you are satisfied with both the shape and depth of the object, clickthe "Done" button (in the lower-left side of the window). You will now be back at the "Perspective"Window. The object will probably be off-centered also. To make things easier we will center it in the

window: go to "Arrange" > "Send To Origin". The two objects should now be looking very close to thefinal communicator.

To further refine the final shape, we will need to adjust the placement of the oval object. Go to"View" > "Preset Position" > "Front". For the best view, zoom in to a "8:1" viewpoint: click on theratio at the bottom-left of the window so the mini-menu is displayed and select "8:1".

Select the oval shape by clicking on it (it may already be selected). To move it, dragit anywhere on the screen. To resize it, drag the 4 corners. Move and resize the oval tosuit your taste, or make it look like the screen shot to the right. Remember, if you drag ittoo far (or just don't like its position, you can always select "Send to Origin" again).

To align the objects easily, follow these steps:

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To show the "Alignment" window, go to "Arrange" > "Align Objects".Click on the "A" object and then click on the Oval object.In the Alignment window, click on the "Axis" pull-down menu and select "Y".

Click the "Align" button and then click on the "Box Min" button. This aligns theobjects on the Y-axis, on their back edges.

Now, click on "Axis" pull-down menu again and select "Z". Click the "Align"button and then click on the "Box Min" button. This aligns the objects on the Z-

axis on their bottom edges.

To be safe, go ahead and save these objects as a Ray Dream Studio file.With both objects selected, we will group them into one: go to "Arrange" > "Group". (You will see a

big, black "bounding box" instead of two, colored "bounding boxes".)We can now export this grouped object into a file format that can be read by Poser: go to "File" >

"Export". In the Export dialog box, select "WaveFront (.obj)" as the file type. Click the "Options"button and be sure to check the option for "Export Texture Maps" (this will allow you to later edit thedifferent colors). Choose where you want to save the file, type in a name, and click the "OK" button.For this tutorial, let's change where we save the obj file: go to your Poser folder, then Runtime, then

Geometries, then JHoagland. (You can use any folder under the "Geometries" folder, but rememberwhere you save the file.) Save the file with the name "communicator.obj".Optional: If you like, you can now close Ray Dream Studio.

2) Second, import the ".obj" file into Poser.

Start Poser.Load your favorite character (male or female, it doesn't matter). For this tutorial, Sheri will be

showing off the communicator.We will now bring the communicator into the scene: go to "File" > "Import" > "Wavefront OBJ".

Locate the file we just saved and click the "OK" button.

You should now see the "Prop Import Options" box. All of these options should be just fine, exceptfor one: "Percent of standard figure size: 100.00". Whenever you import a 3D object into Poser, youneed to experiment with this setting until you find the best size for the imported object. Sometimes youcan get lucky and the object will have been created at to import at the correct scale using "100.00%".For this tutorial, you can adjust the scale to suit your taste, but I believe 2% works the best. (This scalingis due to the fact that most 3-D applications use a scale that is much larger than Poser's scale.)

The communicator object will appear on the floor (and may not be easily seen). Don't panic- theParameter Dials will reflect this new object.

Now comes the second "hard part"- since this is a "clothing prop", you need to move the object to itsproper position relative to the body. The absolute best method for moving the object is to adjust the

xTran, yTran, and zTran settings until it is in place. (Note: to make it easier to position, when thecommunicator is approximately where you want it, switch to the "Face Camera" but zoom-out so youcan see the shoulders and chest). For the communicator, the proper location would be on the upper-leftside of the chest. Feel free to experiment with your own settings, but for this tutorial, I used thefollowing settings:

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Note: Since Sheri's chest angles inward, I set the xRotate to -38 degrees.

You have probably noticed that the colors are just not quite right. The silver color may look "flat"and the gold color looks too yellow. To fix this, simply go to "Render" > "Materials".

In the "Materials" box, you will see that all of the "communicator" object's materials are listed in theright-hand pull-down box. Set the "Emblem" colors to silver (there are plenty of metallic-type patternsavailable on the Internet). Set the "Oval" colors to gold.

With the communicator in place and the colors all set, your character should look like the screen shotat the top of this page.

3) Next, let's make the object into a "smart prop" so we don't have to go through the import process

again. Turning an object into a "smart prop" will also cause it to "stick" to the body part whenever youpose your character.

Set the prop's parent: Go to "Object" > "Change Parent". Select "Chest" and click the "OK" button.Don't check the "Inherit bends of parent" option.

Save it back to the Library: Open the "Libraries" Palette and click "Props".Select a Prop Library, click the "Add to Library" button, and give this new prop a name (like

"Communicator"). Poser will ask you if you want to save it as a "smart prop"- click "Yes". You shouldnow see the "preview" thumbnail picture.

That's it- you're done! The communicator can now be used on any other Poser figure. Though keep in mindthat the prop is designed for use on the Poser 4 Female- you may need to adjust its location when using it onother characters.

Optional (but recommended): continue to part 2 and learn Remove Geometry Information From the pp2File.

Note: Star Trek: The Next Generation is a trademark of Paramount Pictures Corporation. (But we allknew that, didn't we?)

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