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  • SKIN TWO l 49

    GERARD MUSY

    Grard MusyThe master of fetish photo style talks to Roxanne Dorrington

    www.fetishlustre.com www.gerardmusy.com

  • 50 l SKIN TWO

    Its Durrants Hotel in the

    West End on a chilly London

    day and Im talking to the

    famous fashion and fetish

    photographer Grard Musy

    about a career thats taken

    him from Switzerland to

    Los Angeles, New York and

    Paris...

    GERARD MUSY

  • SKIN TWO l 51

    GERARD MUSY

    It was absolutely natural. I started taking photos at the age of 14. I did an MA in History of Art and I specialised in photography. His thesis was on Robert Frank, the Swiss photographer. After his MA, Musy left Geneva and made a career in New York. Grard has a passion for fetish photography and was a regular guest at fetish clubs before he started taking photos there. The seventies were more difficult for fetish stuff but there was a golden age in the nineties in New York, Amsterdam and London. People were gentle, open-minded; now people are too stressed. In the nineties, people were so enthusiastic. As soon as you walked into a club there was warmth. Grard was taking pictures at the first Skin Two Rubber Ball in 1992. He recalls when Skin Two magazine started up It used to be a black and white thin magazine. In the eighties, it was hard to find pictures like that.Grards fashion images have appeared in magazines including Vogue Hommes, Vanity Fair, Harpers Bazaar and Glamour. However he has taken on less fashion work recently, to focus on art photography. He muses that its quite a challenge to be original with fashion now. Grard has also worked for Emporio Armani and Paco Rabanne amongst other major fashion labels. With all these big names under his belt, I wondered if he had worked with many celebrities. He has photographed Penelope Cruz and Naomi Campbell but this isnt a big deal for him. I dont give a damn about names; its more important to have chemistry than the names. We flick through his fabulous black and white photography book called Lustre, which has a hand made soft latex cover.

    The photos were taken between 1983 and just a few months before the book was published. I tried to do something original a whole display, together with an original music score. The DVD is a new way of presenting photographs. There are only a thousand copies of the book, so it is a collectors item and is best enjoyed with a big screen and good speakers, to get the whole emotion and atmosphere. Within the front flap is an original print, signed by Grard. At the back of the book is the DVD, which contains a slideshow of a hundred and fifty images, with the original musical score. Lustre is mainly sold online and you can see clips of the exhibitions on www.FetishLustre.com.The text is by William A. Ewing, who takes the letters of the title Lustre and develops the different ways of understanding and interpreting the visuals, using carefully scattered quotes. All of the photos in Lustre are candid snapshots, trying to take the energy, sex energy from real life situations. The main two parts in Lustre are in my place, with girls, or at night clubs, but the energy is the important thing. Never posed, always natural. Grard tells me that a lot of fetish photographers are not fetishists at all, but he certainly is and his photos open a door to his own explorations.After Lustre came the very different project called Leaves. Inspired by Grards love of walking, Leaves has 100 pictures, some taken in Switzerland, some in Kew Gardens, but mostly in the south of Spain and Italy. Leaves will be in exactly the same format, with a DVD and book. It was launched at an exhibition in Paris.

    Lustre was exhibited like this; the gallery doesnt mind about the subject matter, how its photographed is the most important thing. Leaves is also black and white but it is natural, light, a paradise, a strong contrast to Lustre. A third theme Grard is working on is Lontano/Lejano, which means far away in Italian and Spanish. This is about his many travels through the two countries. The first picture was taken in 1976 and the last a few months ago. The fourth theme is Lamees which is about the glittering age of nightlife in the eighties.The fifth theme, however, is a return to familiar ground Beyond Lustre will have around fifty very explicit sex fetish photographs impossible to be published in an ordinary book. (Rest assured that Skin Two will be keeping you fully informed about this!)Wonderfully, despite his real-life, honest erotic photography, Grards website currently features a collection called Kaleidoscope. It is a series of eye-popping neon-coloured balloons, toys, flags, festival snapshots and designs. Is the master of black and white fetish photography going the way of surrealist photographer David LaChapelle, to give us candy-tinged, posed S&M? Grard laughs and shakes his head they are just for fun he says.