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Great books for singers and guiatar accompanimets
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Pref ace
All fifty arrangements of jazz standards in this book are written in a single line "fake book" or "lead sheet" format. However, they are not just the standard renditions of the songs. All are custom arrangements, designed especially for singers, with introductions, logical suggestions for repeated sections, and simple but stylish song endings.
The chords below the lines are the traditional harmonies. The chords above the line are more advanced, alternate harmonies. A musician using these arrangements may use just one set of these chord changes, or a mixture of them within a song.
Most women singers will find the chosen keys to be quite comfortable, rarely going especially high, and generally rarely going below the G below middle C. However, there are a few necessary exceptions on this low end, where the low F is used. This range, generally of G below middle C up to about the B or 8-flat above middle C, is where a majority of women singers are comfortable most of the time in jazz repertoire. There are certainly exceptions, voices naturally lower than this range, and those with a higher range. Those singers will perhaps need to consider further transpositions in some cases. Many accompanying musicians can transpose a step up or down while reading the chords.
There are occasional style and performance suggestions in the arrangements, and rehearsal letters to indicate the beginning of an important phrase. There are plenty of jazz standards that do not have a verse, but for those that do, we included it.
These fifty classic songs are a perfect basis for any singer'.s work, whether it is as a devoted amateur or a seasoned pro. They are truly songs for a lifetime.
6 All or Nothing at All 9 Alright, Okay, You Win
1 2 Autumn in New York 1 4 Black Coffee 20 Body and Soul 22 But Beautiful 24 Come Rain or Come Shine 26 Day by Day 28 Do Nothin' Till You Hear from Me 30 Do You Know What It Means to Miss New Orleans 32 Don't Get Around Much Anymore 1 7 Ev'ry Time We Say Goodbye 34 Fever 37 Fine and Mellow 40 Fly Me to the Moon 46 The Frim Fram Sauce 48 Gee Baby, Ain't I Good to You 50 Good Morning Heartache 43 Hello, Young Lovers 52 Honeysuckle Rose 58 I Could Write a Book 55 I Get Along Without You Very Well 60 I Got It Bad and That Ain't Good 62 I'm Beginning to See the Light 64 I've Got My Love to Keep Me Warm 66 It Might as Well Be Spring 68 Just One More Chance 74 The Late Late Show 76 Lost Mind 78 Lush Life 71 Manhattan 82 My Funny Valentine 88 My One and Only Love 90 My Romance 92 My Ship 94 Nature Boy 96 The Nearness of You 85 A Nightingale Sang in Berkeley Square 98 'Round Midnight
101 Route 66 104 Skylark 11 O Solitude 1 07 Speak Low 11 2 Spring Can Really Hang You Up the Most 116 This Can't Be Love 11 8 What'.s New? 120 When Sunny Gets Blue 126 Where or When 122 You Took Advantage of Me 124 You've Changed
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Copyright© 1939 by MCA Music Publishing, A Division of Universal Studios. Inc. Copyright renewed: extended term of Copyright deriving from Jack Lawrence and Arthur Altman assigned and effective June 20. 1995 to Range Road Music Inc.
lnternational Copyright Secured All Rights Reserved Used by Permission
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Copyright© 1955 by Cherio Corporation Copyright Renewed
All Rights Administered by Melody Lane Publications, Inc. International Copyright Secured All Rights Reserved
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Copyright© 1934 by Kay Duke Music Copyright Renewed
All Rights Administered by SMG Songs, inc. International Copyright Secured All Rights Reserved
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Copyright© 1948 (Renewed) Webster Music Co. and Sondot Music Corporation International Copyright Secured All Rights Reserved
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Copyright© 1944 by Chappell & Co. Copyright Renewed, Assigned to John F. Wharton, Trustee of the Cole Porter Musical and Literary Property Trusts
Chappell & Co. owner of publication and allied rights throughout the world lntemational Copyright Secured All Rights Reserved
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Copyright© 1930 Warner Bros. Inc. Copyright renewed; extended term of Copyright deriving from Edward Heyman assigned and effective January 1, 1987 to Range Road Music Inc. and Quartet Music, Inc.
Extended term of Copyright deriving from John Green, Robert Sour and Frank Eyton assigned to Warner Bros. Inc. and Oruropetal Music International Copyright Secured All Rights Reserved
Used by Permission
21
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I J -----------at all.
Copyright© 1947 by Burke & Van Heusen Inc .. a division of Bourne Co. and Dorsey Bros. Music, A Division of Music Sales Corporation (ASCAP) Copyright Renewed
International Copyright Secured All Rights Reserved
23
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tear - ful or it's gay. it's a prob - !em or it's play: It's a
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J ~J I J. ,a I (#lJ J J. I ,l. J p I ------------heart - ache eith - er way. but beaut - i - ful! And I'm
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i
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that would be but beaut - i - ful. That would be but beaut - i - ful. Yes,
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24
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I'm gon-na love you like no- bod-y's loved you, come rain or come shine. __ _
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I guess when you met me it was just one of those things.
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$ ~~ J j iJ I pJ ,) F J l~f J j J j IJ ;J 3 :J. but don't ev - er bet me cause rm gon- na be true if you let me.
Copyright© 1946 (Renewed) by Chappell & Co. and S.A. Music Co. International Copyright Secured All Rights Reserved
25
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rm with you al-ways. rm with you rain_ or shine
26
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J J :J I J J J. JI J. J Day by day I'm fall - ing more in love with you. and
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---------- -------------day by day my love seems to grow. There
,J I ,J. J is - n 't an - y end to my de - vo tion: __ _ ifs
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deep - er. dear. by far than an - y 0 cean. I find that
Copyright© 1945 (Renewed 1972, 1973) by Famous Music Corporation and Hanover Music Corp. International Copyright Secured All Rights Reserved
27
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$ ~~~~~ J. lJ lu J J J IJ J J. l I J J. ----day by day you're mak - ing all my dreams come true. So
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we go through the years. day by day. As
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28
Donoth-in'till youhearfrom me.
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$ ~~~ e I r J J ,a j J J J IJ J J J J ----said. why peo - ple tear the seam of an - y - one's dream ___ _
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is o - ver my head._ Do noth - in' till you hear from
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Copyright© 1943 (Renewed 1972) by Famous Music Corporation and Harrison Music Corp. in the U.S.A. Rights for the world outside the U.S.A. Controlled by EM! Robbins Catalog Inc. (Publishing) and Warner Bros. Publications Inc. (Print)
International Copyright Secured All Rights ReseNed
29
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part_ the words in my heart_ re - veal how I feel_ a-bout you._ Some kiss may cloud my mem-o-
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and you nev-er will._
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hear it from me, __ _ and you nev - er will. _____ _
30
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know what it means_ to miss New Or-leans_ and miss it each night_ and day?
iS
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know rm not wrong,_ this feel-in's get-tin' strong-er the long - er I stay_ a-way._ Miss the
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moss-cov-ered vines,_ the tall sug-ar pines_ where mock-in' birds used_ to sing and
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I J. J I J. JIJ ~J J J ~JJ ;I J ~J J j~J~f1 the la - zy Mis- sis - sip-pi a bur - ry-in · in - to Spring._ The I'd like to see_
Copyright© 1946 Edwin H. Morris & Company and Louis Alter Music Publications, New York Copyright Renewed and Assigned to Scarsdale Music Corporation, New York and Louis Alter Music Publications, New York
All Rights outside the United States Controlled by Edwin H. Morris & Company, A Division of MPL Communications, Inc. International Copyright Secured All Rights Reserved
Used by Permission
31
Sh E,~~~M ~MFM9
moon - light on the bay - ou __ a ere - ole tune_ that fills the air:
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I
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dream_ a-bout mag - nol - ias in June_ and soon rm wish-in' that I_ was there._ Do you
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J J J. l 1 J J J J J. l 1 J J ~ J J oJ I J know what it means_ to miss New Or-leans_ when that's where you left_ your heart? And
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$' J µ J j J JI J ~J 2 J1J JI j J JO B f I J 'J J ~ there's one thing more:_ I miss the one I care for more than I miss_ New Or - leans. (Do you)
more than I miss_ New Or ...
(.si~A~)
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leans! miss
32
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Missed the Sat - ur - day
dance. heard they crowd - ed the floor. could-n't bear it with-out_
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club. got as far as the door. they"d have ask"d me a - bout_
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I-you._ don"t get a - round much an - y more.
Copyright (c) 1942 (Renewed 1969) by Famous Music Corporation and Harrison Music Corp. in the U.S.A. Rights for the world outside the U.S.A. Controlled by EMI Robbins Catalog Inc. (Publishing) and Warner Bros. Publications Inc. (Print)
International Copyright Secured All Rights Reserved
~9
! j
(Well)
I
33
;J I J. J J ¥ J I
Dar - ling I guess_ my mind's_ more at ease._ But
nev - er the less_ why stir up mem - o - ries? Been in - vit- ed on
dates. might have gone but what for? Aw - f'lly dif ferent with- out_
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lf' _J. l J -you._ don't get a - round much an - y more. (Missed the Sat- ur - day)_
you,_ don't get a-round much an-y more. oh no. so-aw-f'lly dif-ferent with-out_
c1s {Je£A~)
I J 'j '
] r - J l J -you,_ don't get a - round much an - y more!
34
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- I J. j J. Nev - er know how much I love you. Sun_ lights_ up the day- time,
nev - er know how much_ I care. moon_ lights_ up_ the night
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$ J. j J. j J J I J J '! Jg J I J. ] J. j JJ J I J. J g J J JI When you put your arms a - round me, I get a I lighL up when you call my name. and you
fev - er that's so hard_ to bear. You give me fev- er know I'm gon- na treat_ you nght.
-
Fev - er
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in the morn - ing.
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fev - er all though_ the
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Ev - 'ry-bod - y's got the fev - er. that is some - thing
Copyright© 1956 by Fort Knox Music Inc. and Trio Music Company, Inc. Copyright Renewed
International Copyright Secured All Rights Reserved Used by Permission
I J l -tight ..
AM9 AM
I J ¥ -night.
lg g J you all know.
35
AM
$1 J. 44 J I 1 J. J d J I J. j J. j 'lJ g I g * -Fev - er is - n 't such . a new thing, fev - er start - ed long_ a - go.
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@
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36
J --Cap - tain Smith and Poe - a - hon-tas had_ a ver - y mad_ af - fair,_ Now you've !is - tened to my stor-y, here's_ the point that!_ have made:_
--when her Dad-dy tried to kill him, she said "'Dad-dy-o_ don't. you dare."_ He gives me fev-er, Chickswerebornto giveyou fev-er be it fah-ren-heitorcen - ti-grade._ They give youfev-er
- l l ~J. J l J. I J. J J. J J~ J J I J ¥ -with his kiss - es, fev - er when he holds_ me tight._ when you kiss them, fev - er if you live_ you learn._
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1;111J r ., _ I ~J. J J. j l j J_lW J J J U j g_t J. ¥ - jtl Fev-er I'm his Miss-us, Oh Dad - dy won't you treaL him right"-Fev-er, till you siz - zle what_ a love - ly way_ to burn._
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>-........___., - ~ ., what a love - ly way_ to burn._ >
37
~\NE ANO ME\.\.0'1J
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that rve_ ev - er seen.
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Copyright© 1940 by Edward B. Marks Music Company Copyright Renewed
lntemaf1onal Copyright SecurOO All Rights Reserved Used by Permission
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38
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high_ pants,_ stripes_ are_ real - ly_ yel - low. But when he
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D I -starts in to love me, he's so fine and mel-low._ Love will
¥ I- '! j ll make you drink and garn - ble. make you stay out all night l~ Love will
make you drink and gam-ble. make you stay out all_ night l~ Love will
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make you do things_ that you know is wrong._ But if you
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$~ J j J J J ! I¥ ~J " J J J J I J - I- 'f J ~JI treat me right. ba - by. I'll stay_ home ev - 'ry day. If you
39
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~7
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40
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!
to say a sim ple thing.
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ing. for you I have writ - ten
TAO - ©Copyright 1954 (Renewed) Hampshire House Publishing Corp., New York, NY International Copyright Secured
All Rights Reserved Including Public Performance For Profit Used by Permission
a song.
e,h(bs) 07~~"'4
1¢~J J J I; J J I to be sure that you'll
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J know
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trans - late as I go a - long: ___ _
J I J " J j J I J. l J J I J. Fly me to the moon. and let me sing a - mong the stars;
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t¢ ~ I J J J. I J J - 1 1w. JJ J I J let me see what Spring is like on Ju - pi - ter and Mars.
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41
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all I wor - ship and a - dore. In
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43
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WILUAMSON MUSIC owner of publication and allied rights throughout the world International Copyright Secured All Rights ReseNed
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$* J J J I J J J I J J I J J J .. know how it feels to have wings on your heels. and to
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tr' j J I J. l J I J. )! J IJ J cry young lov ers what - ev er you do. don't
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Copyright © 1946 (Renewed) by Music Sales Corporation (ASCAP) International Copyright Secured All Rights Reserved
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girl she real - ly got to eat._ and a girl_ should eat right._
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and break - fast in bed.
Copyright© 1929 (Renewed 1957, 1985) Michael H. Goldsen, Inc. and Aazaf Music Co. All Rights on behalf of Aazaf Music Co. Administered by The Songwriters Guild of America
lnternatioi'iat Copyright Secured All Rights Reseived
49
09 07
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'took a cad - ii - Jae car.
your car to be serviced when an' ev - ry - thing,_
your en - gine went dead._
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you! you! They
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got me pay-in' tax - es for what I gave to you,_ gee
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,,.. ,,..-gee - good to you!
50
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1¢1 @.i Good morn - ing heart- ache, you old_ gloom - y sight.
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Stop haunt - ing me now.
Copyright© 1945 Sony/ATV Tunes LLC and Linda bet Music Copyright Renewed
All Rights on behalf of Sony/ATV Tunes LLC Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
51
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one who knew me when.
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52
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Copyright© 1929 by Chappell & Co. and Razaf Music Co. in the United States Copyright Renewed
All Rights for Razaf Music Co. Administered by The Songwriters Guild Of America international Copyright Secured All Rights Reserved
~H ~J.S
IJ j i J J ... me, I don't blame them,
I
53
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When you're pass-ing by flow-ers droop and sigh. and I know the rea-son why. you're much sweet-er.
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$ (<001e "'"'" i,n J I! F J j J J I ~J j J ,J J J j -Don't buy sug ar. you just_ have to touch my cup._
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54
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lj'~ j I lj ' ,J J J J IJ J J J 77 ------------asked me I could write a book a - bout the
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Copyright© 1940 (Renewed) by Chappell & Co. Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart
International Copyright Secured All Rights Reserved
59
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lj1 J j IJ J r l J I ~,J j I J J J world dis cov - ers as my book ends. how to
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make two lov - ers of friends. (If they)
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make two lov - ers of friends.
60
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-------------got it bad and that ain't good! got it bad and that ain't good!
Copyright© 1941 (Renewed 1968) by Famous Music Corporation and Webster Music Co. in the U.S.A. Rights for the world outside the U.S.A. Controlled by EMI Robbins Catalog Inc. (Publishing) and Warner Bros. Publications Inc. (Print)
International Copyright Secured All Rights Reserved
But Tho
61
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$ j j ' IJ I j j ' I J. J J j J J J J when the week - end's 0 - ver and Mon - day rolls a roun I folks with good in ten - tions tell me to save my tears rm
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$ J j j f1' ij j J I j J. J I J end up like I start out just cry - in' my heart out. glad rm mad a bout him I can't live with out him.
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$,g ~ j I J J J I~ j J J g J r r Pf He don't love me like I love him no - bod - y could Lord a bove me make him love me the way he should
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62
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4~ J; J J J I l J Jl J. ~I J; J J J l~l J J J. J - ~-nev- er cared much for moon - lit skies._ I nev - er wink back at fire - flies._ but
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I J g t__J. #J I J J g J J I ,J pJ t__J. J I af - ter glow,_ or can-dle-light on the mis - tle - toe,_ but
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, "W ... ~w J lpJ LJ Used to ram - ble thru the park,_
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J if ~W ~_,~ w J I J ~J ~LJ shad - ow box - ing in the dark._
Copyright© 1944 (Renewed 1971) by Famous Music Corporation in the U.S.A. International Copyright Secured All Rights Reserved
63
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$ • J ~ J J I e J Li J J I pJ J J V iJ;J. • f} Then you came and c~ed a spark._ that's a four a - !arm fire_ now._ I
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4J J J IJ lg J J J J J J J. ,=; J J -nev - er made love by Ian - tern shine._ I nev - er saw rain - bows
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see the light! (Ba -da-ba-da bob - a - do - wah!)_
64
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o - ver - coat,_ off with
©Copyright 1936, 1937 by Irving Berlin ©Arrangement Copyright 1948 by Irving Berlin
Copyright Renewed International Copyright Secured All Rights Reserved
~9 ~ 7i9
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my glove._
65
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rve got my love to keep me warm. ____ _
66
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rest-less as a wil-low in a wind-storm. rm as jump - y as a pup - pet on a string. I'd
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say that l had spring - fe - ver, but l know it is - n 't Spring. l am
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$ j @ J g J J J J I J g g g1 J. j J. J l J J. JI hJ. J I star- ry eyed and vague - ly dis - con - tent- ed, like a night - in- gale with- out a song to sing. Oh.
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Copyright© 1945 by WILLIAMSON MUSIC Copyright Renewed
International Copyright Secured All Rights Reserved
19 A 7~1
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meet. I'm as
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bus - y as a spi - der spin - ning day-dreams. I'm as gid - dy as aba-byon a swing. I
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rose - bud. or a rob - in on the
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II Spring.
68
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I've paid for it
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with hours_ of lone - li -
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hide. I'd bur - y
Copyright© 1931 (Renewed 1958) by Famous Music Corporation International Copyright Secured All Rights Aesetved
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each night I say a lit - tle
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69
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J J j j Pj I J J. to prove it's you a - lone I care for,
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just one more chance._
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Just one more night,_ to taste the kiss - es that en - chant me.
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• J J J j J 3 ~J I I; ~J j 1' J J. -......__ I'd want no oth - ers if you'd grant me just one more chance._
J J J J I J ,l. I've learned the mean - ing of re - pen - tance~ now you're the ju - ry at my trial.
70
C.#0 t)M7 09 ~7 A~w ~7
Jr J J J J J J J I J J. IJJJJd:JiJ JJJI I know that I should serve my sen-tence: still I'm hop-ing all the while you'll give me
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one more chance.
