Shot List for Hate This Part

8/3/2019 Shot List for Hate This Part

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Shot list for “Hate This Part Right Here”

Shots coloured in blue are the shots whereby the scene is coloured black and white.

Shots that are coloured in red are the shots whereby the scene is incolour.

Shot 1: Birds eye view/aerial shot of London at night. With a close up of singer’s eye’s faded out in the same shot.

Shot 2: Birds eye view/aerial shot of London at night. With extreme close upof singer’s lips and nose faded out in the same shot.

Shot 3: Birds eye view/aerial shot of London at night. With close up of

singer’s faded out in the same shot.

Shot 4: Bird’s eye view/aerial shot of London at night. Extreme close up of singer’s eyes and nose faded out in the background of the same shot.

Shot 5: Bird’s eye view/aerial shot of London at night. Close up of the wheelson the side of a car is it drives down a road.

Shot 6: Mid shot of singer and her boyfriend sitting in the back of the car.

Shot 7: Mid shot of singer from the side as she looks out of her window.

Shot 8: Close up of singer slightly from the side bending over, holding her head in her hands.

Shot 9: Long shot of singer and her boyfriend. Female protagonist beginslean back into her seat as she starts to sing staring out of her window.

Shot 10: Close up of female’s boyfriend as he stares out of the window and looks away from his girlfriend.

Shot 11: Mid shot as singer reaches her arm out towards her boyfriend.

Shot 12: Close up as singer reaches her hand out to grab her boyfriend’shand but he moves his hand away from hers.

Shot 13: Close up of singer as she sings into the camera.

Shot 14: Long shot of singer and her boyfriend, singer still singing as shestares in the direction of her boyfriend.

Shot 15: Close up of singer singing, camera pans as singer turns and leanstowards the car window.



Shot 16: Extreme close up of door handle of the car, as singer grabs hold of it.

Shot 17: Mid shot inside of the car illustrating singer stepping outside of thecar leaving her boyfriend behind.

Shot 18: Mid shot of the outside of the car, showing singer step out of the car closing the door behind her.

Shot 19: Close up of singer’s hand as she slams the car door shut.

Shot 20: Mid shot of singer from the side of her body singing as the cameratracks her walking.

Shot 21: Close up of singer from the front as we track her singing into thecamera.

Shot 22: Tracking and mid shot of singer as she sings down the street.Camera then circles the singer as she walks into the dance scene with her fellow back up dancers.

Shot 23: Long shot of the singer and her dancers.

Shot 24: Mid shot of the singer and her dancers.


Shot 26: Mid shot of the singer and her dancer’s legs.

Shot 27: Tracking shot/mid shot of singer singing down the street.


Shot 29: Close up of singer as she dances.


Shot 31: Tracking shot/mid shot of the singer from behind as she stridesdown the street.


Shot 33: Close up of the singer dancing.

Montage Editing occurs between the line “where the end starts” and thefirst line of the chorus, “I can’t take it any longer.” The two scenes whichwill be edited very fast paced and flick between black and white and colour before permanently changing to colour, will consist of a close up of thesinger singing into the camera and a tracking shot of the singer as she walksinto the choreographed dance scene.




Shot 35: Extreme Close up of the singers face as she sings into the camera.


Shot 37: Mid shot to close up of the singer singing.

Shot 38: Long shot of singer and her dancers.

Shot 39: Extreme Close up of singer singing into the camera.

Shot 40: Long shot of the singer’s boyfriend sitting outside of the singer’sbedroom door in a hallway.

Shot 41: Close up of the boyfriend as he holds his phone to his ear talking

into it.

Shot 42: Extreme Close up of the singer singing outside at night.

Shot 43: Long shot of the singer’s boyfriend sitting outside of the singer’sbedroom door.

Shot 44: Close up of the singer’s phone ringing on her bed.

Shot 45: Mid shot, side shot of the singer staring away from the camerasinging as she bows her head over her legs.

Shot 46: Close up of singer as she raises her head and continues to sing.

Shot 47: Close up of a clock, originally speeding up but now slowing down.

Shot 48: Close up of singer singing into the camera.

Shot 49: Mid shot of singer’s boyfriend sitting outside her bedroom door,wiping his hand over his face looking saddened.

Shot 50: Long shot of singer walking down the street singing.

Shot 51: Mid shot of singer rising up from the bed walking towards thewindow with her hands brushing through her hair.

Shot 52: Mid shot of singer walking down the road as she turns her head backwards looking behind her as she continues to sing.

Shot 53: Close up of the singer and her dancers.


Shot 55: Close up of the singer.







Shot 60: Mid shot tracking the singer and her dancers.

Shot 61: Long shot to mid shot, camera tracking backwards as singer and her dancers perform.

Shot 62: Close up of singer’s body.



Shot 65: Mid shot of the singer and her dancers

Shot 66: Long shot of the singer and her dancers

Shot 67: Close up of the singer.

Shot 68: Mid shot to close up of singer and her dancers as camera tracksforward.

Shot 69: Long shot and low angle shot of the couple standing and facing each other in front of the fountain.

Shot 70: Close up of female singing, standing in front of her boyfriend at thefountain, shot taken from the side of the singers face.

Shot 71: Mid shot of the couple standing and facing each other in front of thefountain as the girlfriend sings.

Shot 72: Close up of the singer’s boyfriend, shot taken from the side of hisface.

Shot 73: Mid shot, slightly low angle shot of the couple standing apart fromeach other shouting and pointing hands at one another.

Shot 74: Close up, side shot depicting the girlfriend singing to her boyfriend.

Shot 75: Camera circles the couple as a mid-shot focusing on theconversation taking place between the couple as the boyfriend attempts to

hug his girlfriend.



Shot 76: Mid shot of the singer raising her arms away from her boyfriend attempting to push him away.

Shot 77: Close up the singer singing, shot taken from side of her face. Alongside a close up of the singer’s boyfriend looking down at the floor. (Wire

frame shot)

Shot 78: Close up of the couple’s legs as the female attempts to step back from her boyfriend as the boyfriend follows her.

Shot 79: Long shot of the singer pushing her boyfriend into the fountain.

Shot 80: Mid shot as the boyfriend steps back into the fountain pulling hisgirlfriend in with them.

Shot 81: Close up of the boyfriend’s hands grasping his girlfriends and pulling

her towards him in the fountain angrily.

Shot 82: Long shot as the singer pulls her arm backwards away from her boyfriend.

Shot 83: Mid shot of the couple as the singer raises her arms in the air looking annoyed and turns away from him, walking away.

Shot 84: Close up of the singers and her dancers.

Shot 85: Long shot to mid shot (camera tracking forward) of the singers and her dancers.

Shot 86: Mid shot of the singer walking away from her boyfriend in the night looking upset and staring down towards the ground.

Shot 87: POV (point of view shot) – from the boyfriend staring at his girlfriend as she walks away from him.

Shot 88: Close up of the singers and her dancers.


Shot 90: Extreme close up of the singer as she dances alongside her dancers.

Shot 91: Close up of the singer continuing to walk away from her boyfriend singing.


Shot 93: Mid shot from the side of the singer’s boyfriend as he raises his

arms to his head looking annoyed and upset.



Shot 94: Close up of the singer’s boyfriend shaking his head, looking upset. Shot 95: Extreme Close up of the singer and her dancers.



Shot 98: Close up to mid shot of the singer and her dancers as the cameratracks backwards.

Shot 99: Mid shot, low angle of the singer and her dancers.


Shot 101: Extreme close up of the singer, singing straight into the camera.

Shot 102: Low angle mid shot of the singer and her dancers.










Shot 112: Mid shot of the singer being tracked walking down the street fromthe front.


Shot 114: Extreme close up of the singer, singing staring straight into thecamera.

Shot 115: Mid shot of the singer continuing to walk, stopping briefly and glancing back in the direction that her boyfriend was.

Shot 116: Close up of the singer as she turns her head around to glancebackwards.



Shot 117: Mid shot of the singer’s boyfriend walking away from the fountain.

Shot 118: Close up of the singer, singing, with her dancers standing behind her in the background of the shot.

Shot 119: Long shot of the singer’s boyfriend walking away and out of shot of the camera.

Shot 120: Long shot tracking the singer as she walks singing.

Shot 121: Mid shot tracking the singer as she walks singing.

Shot 122: Extreme close up of the singer as she sings the final line of thesong.

Shot 123: Mid shot of the singer staring towards the camera and turning away from it, in front of the fountains.

Shot 124: Mid shot tracking the singer from behind walking away into thedarkness and out of sight.

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Shot List for Hate This Part