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Shot List Names: Project: Shot Number Shot Type/Movement (e.g. Close up) Shot Description 1 Establishing shot. To show the house Chelsea moves into. 2 Still mid shot. Shows jack’s slob nature. 3 Over the shoulder shot. To see the props that connotes the slob gestus. 4 Tracking long shot. To show Jack jump down in panic of Chelsea’s return. 5 Point of view shot/tilt. To show Chelsea looking down on Jack and his cover up of slob nature. 6 Tracking master shot. To show the sporty one on a job. 7 Mid shot to long shot. To show Tony’s vain nature. 8 Close up. Show Barry and his chavy persona. 9 Long shots. Showing Barry’s pursuit of the female. 10 Master shot then freeze frame. Shows the pervious and androcentric beliefs to present himself as an antagonist to the gynocentric protagonist. 11 12 13 14

Shot List

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Page 1: Shot List

Shot List

Names: Project:

Shot Number

Shot Type/Movement (e.g. Close up) Shot Description

1 Establishing shot. To show the house Chelsea moves into.

2 Still mid shot. Shows jack’s slob nature.

3 Over the shoulder shot. To see the props that connotes the slob gestus.

4 Tracking long shot. To show Jack jump down in panic of Chelsea’s return.

5 Point of view shot/tilt. To show Chelsea looking down on Jack and his cover up of slob nature.

6 Tracking master shot. To show the sporty one on a job.

7 Mid shot to long shot. To show Tony’s vain nature.

8 Close up. Show Barry and his chavy persona.

9 Long shots. Showing Barry’s pursuit of the female.

10 Master shot then freeze frame. Shows the pervious and androcentric beliefs to present himself as an antagonist to the gynocentric protagonist.

11

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14