SHERRIE AUDITION PACKET - BLUE LIGHT PLAYERS - … · (sung a capella) I WANNA ROCK?! ... Maybe you’d like to hang out in the men’s bathroom ... For whatever it’s worth. Street

SHERRIE AUDITION PACKET

BLUE LIGHT PLAYERS

!"#$%#&'()#*+,#*-+-# # */#

HERTZ/ MAYOR/ FRANZ WE (WE’LL) BUILT (RID) THIS CITY!!

ENSEMBLE TOO MUCH TIME ON MY HANDS

HERTZ/ MAYOR/ FRANZ ON (OF) ROCK AND ROLL!!

LONNY/ DREW/ DENNIS/ FRANZ/ HERTZ/ MAYOR/ GROUPIES

(whispered) TOO MUCH TIME ON MY HANDS TOO MUCH TIME ON MY HANDS TOO MUCH TIME--

HERTZ Shall I call zee bulldozers?

DENNIS Remember when you tea bagged that baby llama?

STACEE JAXX/ MAYOR I’ll do it.

The MAYOR and HERTZ shake hands. LIGHTS OUT.

Scene 4 INT. “Dupree’s Bourbon Room.” Day.

DREW is playing his guitar. He doesn’t notice SHERRIE with a newspaper enter behind him.

DREW GOT A GIRL WITH LEGS SO LONG WRAPPED AROUND ME, IN THE BACK... OF HER DADDY’S STATION WAGON AND SHE’S GOT A KILLER RACK.

Stupid. DREW (cont’d)

AND SHE’S REACHIN’ FOR MY SACK.

God, that sucks.

!"#$%#&'()#*+,#*-+-# # *0#

SHERRIE Reachin’ for your sack, huh?

DREW (startled) Oh, hey! No, that’s just, ah, rock stuff... metaphors. It’s complicated.

SHERRIE (shrug) Nice hook though. Reminds me of Judas Priest’s “Eat Me Alive.” (sings) “...Squealing in passion as the rod of steel injects.”

DREW I love you.

SHERRIE What?

DREW Nothing. What are you doing?

SHERRIE picks up her newspaper.

SHERRIE Dramalogue said they’re having an open call for some movie... “Encino Hot Tub Police.” Figured I’d go down and try out. Not sure what (reads) “suggested fellatio” is but sounds like I better work on an accent.

DREW (Aside) I could probably help you with that. (to her) Wow, right off the bus and hittin’ auditions. Pretty cool.

SHERRIE Well, I ain’t gonna make it sitting on my butt, right? SHERRIE sits and starts applying make-up

DREW Guess that’s true

SHERRIE So where you from, Drew?

DREW Detroit... (raises his right hand and points to his palm) Michigan.

SHERRIE

So, you come out here to be a rockstar, Wolfgang?

!"#$%#&'()#*+,#*-+-# # *1#

DREW Oh, I don’t know. I guess.

SHERRIE Guess? There’s no “guess.” You want something? (putting lipstick on him) You wanna be one of those multi-platinum Gods? You gotta just take it.

DREW (smacking his lips) Okay.

SHERRIE Okay, what?

DREW Sure, yes I’d like—

SHERRIE “Like” nothing. Forceful. Right now. What’s bustin’ out of your heart, Drew? What do you want?

DREW I... (frustrated) I don’t know. I guess I want...

SHERRIE Come on! Don’t think. First thing that comes out of your mouth!

DREW Well...

SHERRIE Say it, Wolfgang!!

DREW (sung a capella) I WANNA ROCK?!

Suddenly, the world around DREW becomes a metal video.

“I WANNA ROCK”

ENSEMBLE ROCK!

DREW

I WANNA ROCK!

!"#$%#&'()#*+,#*-+-# # /2#

SHERRIE ENSEMBLE AND I RIDE OHHH

STACEY JAXX/ LONNY/ ENSEMBLE

DEAD OR ALIVE

STACEE JAXX I STILL DRIVE

SHERRIE/ ENSEMBLE

HE STILL DRIVES

STACEE JAXX/ SHERRIE/ LONNY/ ENS. DEAD OR ALIVE DEAD OR ALIVE DEAD OR ALIVE DEAD OR ALIVE DEAD OR ALLLIIIIIIVVVVEEE! ENSEMBLE AHHHHH

STACEE JAXX

Hey.

SHERRIE Hey.

STACEE JAXX This place is kinda noisy. Maybe you’d like to hang out in the men’s bathroom where we can talk about our dreams and feelings and shit.

SHERRIE I think you’re amazing.

STACEE JAXX That’s so beautiful. STACEE heads down stairs and SHERRIE follows.

Just then, DREW appears with a four pack of Bartles & Jaymes…

DREW

Hey, Sherrie! Listen, can I talk to you a sec?

SHERRIE (looking only at STACEE) Of course, Stacee.

!"#$%#&'()#*+,#*-+-# # /3#

DREW Drew. Hey man, big fan.

STACEE JAXX And I’m a big fan of you. That is a fantastic denim vest!

DREW Thanks. (to SHERRIE) Listen, there was some stuff I really wanted to say the other night that I just didn’t get a chance to and--

STACEE JAXX Hey, I’m gonna call you Jean Vest!

SHERRIE Drew, I’m sorry. You mind if we talk about this another time? You understand, right? (gestures toward STACEE; sotto) Friend to friend?

STACEE JAXX (puts up hand) High five, Jean Vest!

DREW reluctantly “high fives” STACEE. STACEE grabs the carton of coolers from DREW.

STACEE JAXX (cont’d) Thanks for the coolers!

DREW watches STACEE leave with SHERRIE. LONNY approaches.

SHERRIE

(as she leaves) I’ll tell him about your music.

LONNY Man, that sucks. (pause) Anyway. (tossing DREW a bag of garbage) Be careful. Somebody barfed in that. Scene 9 INT. Bathroom. “Dupree’s Bourbon Room”. Night.

Once alone...

STACEE JAXX So... You looking forward to the show?

!"#$%#&'()#*+,#*-+-# # /4#

SHERRIE God yes! The way you sing. The way you move. The way you...

STACEE JAXX Sparkle?

SHERRIE Sure.

STACEE JAXX (chuckle) God, I’m so nervous. It’s like you see right through me.

SHERRIE I do?

STACEE JAXX It’s crazy, right? I mean, could you even love an above average guy like me, livin’ life full throttle, not carin’ if I live or die?

SHERRIE moves in to kiss STACEE.

STACEE JAXX (cont’d) NOOOOOO!!!!

STACEE retreats into a bathroom stall.

STACEE JAXX (cont’d) We can’t! STACEE closes the door. SHERRIE approaches.

SHERRIE Why not?

STACEE JAXX Because I’m dangerous to even my own heart when I love this hard, Rachel.

SHERRIE It’s Sherrie.

STACEE JAXX Damn it! I got so much goin’ on up here. I just don’t want us to hurt each other.

SHERRIE We won’t.

!"#$%#&'()#*+,#*-+-# # 23#

JA'KEITH This isn’t just any boy band. This is “Street Boyz” with a “Z!,” and you’re it’s lead singer, Joshy J!

DREW (resigned) Yeah, Joshy J. Well, what about Wolfgang Von Colt?

JA'KEITH Too ethnic. Now we got a Tiger Beat shoot at four, then at six we’re at the label to go over concepts for your nationwide Mall Tour!!

DREW Mall tour? But Ja’Keith, I, y’know...

I WANNA ROCK?

JA'KEITH (scoff) You were out there! You saw! The rock didn’t work so... You’re a Street Boy now!

DREW’s heart sinks.

DREW Um, Ja’Keith, I, ah, forgot something back at my apartment so... I’m gonna leave, ‘kay?

DREW starts to exit.

JA'KEITH Don’t forget, Tiger Beat at four!!

DREW How could I forget.

DREW is miserable, and begins to walk out... onto... Scene 17 EXT. Sunset strip. Day.

Outside The Venus Club, SHERRIE is with a sleazy PRODUCER.

PRODUCER

Showed some great moves in there.

SHERRIE Thanks.

!"#$%#&'()#*+,#*-+-# # 24#

PRODUCER Yeah, well... I produce over at Orion Pictures.

The PRODUCER gives her his card.

PRODUCER (cont’d) (pointing to a number) That’s my beach house. I gotta say, I see in you a real Molly Ringwald quality.

SHERRIE You got that from a “two for one” lapdance?

PRODUCER I’m really good at my job. (re: card) Think about it.

As the PRODUCER slowly crosses away, DREW mopes down The Strip, reading a Tiger Beat magazine...

DREW

(sad) I WANNA ROCK

PRODUCER (passing DREW) Let it go.

SHERRIE and DREW bump passing each other.

SHERRIE Jesus! Why don’t you --

Looking up, SHERRIE sees who it is. DREW is equally surprised.

SHERRIE (cont’d)

Drew? Oh my God, I... How are you?

DREW Sherrie. I’m fine. And you?

SHERRIE Good... Great, actually.

DREW Oh yeah? So the acting? That going well?

!"#$%#&'()#*+,#*-+-# # 3-#

SHERRIE Yeah. I was actually just meeting with a pretty big producer at, ah, Orion Pictures. Think it could really lead to... something.

DREW That’s great. Well, you take care, Sherrie.

DREW begins to walk away.

SHERRIE Wait. What about you? Your music?

DREW Um... I got a new band. Street Boyz... with a Z. Gonna be huge. Got a Tiger Beat shoot and everything.

SHERRIE Tiger Beat? That’s... a departure from rock, isn’t it?

DREW (snarky) Yeah well, I guess sometimes people change their minds about things, people they like, wine coolers...

SHERRIE Hold on, you’re mad at me?!

DREW I think I’m entitled.

SHERRIE If you remember you’re the one who turned your back on me the minute I was fired! Buddy, it look me a long time to get over--

DREW Turned my back on you?! Time out! What about when you... (can’t say it) with Stacee Jaxx!

SHERRIE You said we were just “friends!” Y’know, “just drinkin’ wine coolers?!”

DREW I never said that!

Suddenly, LONNY appears.

!"#$%#&'()#*+,#*-+-# # 3+#

LONNY Yeah, actually you did.

Realizing this is a private moment, LONNY slips back off.

LONNY (cont’d) Sorry.

SHERRIE Dammit, I was crazy about you.

DREW You were?

SHERRIE Goodbye, Drew.

SHERRIE begins to walk away.

DREW Sherrie...?

DREW reaches into his pocket and hands SHERRIE a cassette.

DREW (cont’d)

Maybe give it a listen. It’s about you.

SHERRIE I’m scared...

DREW No, it’s good stuff.

DREW begins to exit.

SHERRIE (feeling honest) I’m a stripper. (embarrassed) Exotic dancer. (then) Stripper. Venus club.

DREW My manager dressed me like this and that’s the first demo tape anyone’s taken off my hands.

SHERRIE wants to say more.

!"#$%#&'()#*+,#*-+-# # 3*#

DREW (cont’d) I better go.

SHERRIE Drew. For whatever it’s worth. Street Boyz or whatever. I thought you made a really hot rocker.

The two separate. Once alone...

SHERRIE (cont’d) (to herself) God, you are so stupid.

DREW (to himself) Why did you say “friends!?”

SHERRIE (re: tape) He wrote me a song?

DREW (to himself) She was crazy about me? “HIGH ENOUGH”

SHERRIE I DON’T WANNA HEAR ABOUT IT ANYMORE IT’S A SHAME I’VE GOT TO LIVE WITHOUT YOU ANYMORE

DREW

THERE’S A FIRE IN MY HEART A POUNDING IN MY BRAIN IT’S DRIVING ME CRAZY

DREW/ SHERRIE

WE DON’T NEED TO TALK ABOUT IT ANYMORE YESTERDAY’S JUST A MEMORY CAN WE CLOSE THE DOOR

SHERRIE

I JUST MADE ONE MISTAKE

DREW I DIDN’T KNOW WHAT TO SAY

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SHERRIE: (to herself) "God, you are so stupid."DREW: (to himself) "Why did you say 'friends!?' "

[q = 82]1 !U

3œ(Gtr 2 - Acoustic)

Pœ œ .˙

UwwwU (Gtr 1 - Clean elec. w/trem)

SHERRIE: (re: tape) "He wrote me a song?"DREW: (to himself) "She was crazy about me?"(go on)

2 ÓU Ó3œ œ œ œ

Uœœ œ œœ œ

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jœ œSHERRIE:

œ œ œ œ œ œ œ œ œ œI don't wan na hear a bout it

œœœ(Gtr 2 - Rhythm)

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œœœ œ œœœ œ œœœ œœœ œœ œ œœœ œ˙ œ œ œ œ

E/G#˙ œ œ œ œ

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jœ œ œ œ œ œ œ œ œ œ œ œshame I've got to live with out you

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœ œ˙ .œ œ œ

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6 Œ œ œ œ œ jœ ‰ ‰ œDREW:

œan y more. There's a

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œœœœ œ œœœœ œ œœœ œœœ œœ œ œœœ œww

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FireFly Music Service (917) 523-1495331 W57th Street #541 NYC 10019

SherrieDrewEnsemble

PIANO / VOCAL

High Enough

[c. 3/10]

#14

Cue: SHERRIE: "Drew. For whatever it's worth. Street Boyz or whatever. I thought you made a really hot rocker."(SHERRIE and DREW part...)

Music & Lyrics by Jack Blades, Ted Nugent,

and Tommy R. ShawArrangement by Ethan Popp

H-5988/802

Arrangement by Ethan Popp

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7 jœ œ œ œ œ œ jœ œ œ jœ ‰ ‰ . rœfi re in my heart, a

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ.˙ .œ œ

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8 jœ œ œ œ œ œ jœ œ .œ œ jœ œ œ œ œpound ing in my brain, it's driv ing me

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ˙ .œ œ .œ œE

.˙ .œ œ

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9 œ œ œ œ œ Œcra zy.

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œSHERRIE:

œ œ œ œ œ œ œ œ œ œ œWe don't need to talk a bout it

œDREW: œ œ œ œ œ œ œ œ œ œ œWe don't need to talk a bout it

wwœœœ œ œœœ œ œœœ œœœ œœ œ œœœ œwAw

12 Œ œ œ jœ œ jœ ‰ Œan y more.

Œ œ œ jœ œ Jœ ‰ Œan y more.

œœœ œ œœœ œ œœœ œœœ œœ œ œœœ œ˙ .œ œ œ

E/G#˙ .œ œ œ

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FireFly Music Service (917) 523-1495

-2-P/V #14. “High Enough” [c. 3/10]

331 W57th Street #541 NYC 10019

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13jœ œ œ œ œ œ œ œ œ œ œ ‰Yes ter day's just a mem o ry.

jœ œ œ œ œ œ œ œ œ œ œ ‰Yes ter day's just a mem o ry.

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœ œww

F#m7(add4)

14 ‰ œ œ .œ œ œ .œ ‰ jœCan we close the door? I

‰ œ œ .œ œ œ .œ ŒCan we close the door?

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœœ œ..˙̇ œ œ

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15

œ œ œ œ œ œ Œjust made one mis take,

Ó Œ ‰ . rœI

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Esus

16 Ó ‰ œ œ œ œwhen you called me

œ œ œ œ œ œ œ œ œ œ œdid n't know what to say, when you called me

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ..˙̇ œ œ

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17 .œ jœ ˙ba by..œ Jœ ˙ba by.

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18 .˙ Œ.˙ Œ

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-3-P/V #14. “High Enough” [c. 3/10]

331 W57th Street #541 NYC 10019

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‰ jœ jœ .œ œ .œ ‰Don't say good night.

‰ Jœ jœ .œ œ .œ ‰Don't say good night.

œœœœœfœœœœœ œœ œœœœ œœ œ

œœ œ œ..œœ

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20 ‰ œ œ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

‰ œ œ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

...œœœjœœ œœœ œœœ œ

..œœjœœ œœ œ œ

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21 jœ ‰ jœ .œ œ œ œ ‰ œ œ œoh oo whoa, all the way.

Jœ ‰ jœ .œ œ œ œ ‰ œ œ œoh oo whoa, all the way.

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-4-P/V #14. “High Enough” [c. 3/10]

331 W57th Street #541 NYC 10019

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23

Œ œSHERRIE:

œ œ œ œ œCan you take me high

Œ œDREW: œ œ œ œ œCan you take me high

Œ œœWOMEN: (off-stage) œœ œœ œœ œœ œœ

Can you take me high

Œ œœMEN: (off-stage) œœ œœ œœ œœ œœCan you take me high

œœœ œœœ œ œœœ œœœ..œœ

jœœ œœ œœD A

24 .œ œ œ œ œ œ œ Œe nough.œ œ œ œ œ Œe nough?

..œœ œœ œœ œœ œœ Œe nough?..œœ œœ œœ œœ œœ Œe nough?

...œœœ jœ œœ œ œœœ œ

..œœjœœ ..œœ œœ œœ

Bm

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25 ‰ jœ œ œ œ œ œ œto fly me o ver

Ó Œ jœ œ œFly me

œœœœ œœœ œ œœœ œœœœ..œœ

jœœ ..œœ œœ œœEm Em9

26 Œ jœ .œ œ .œ ‰yes ter day?

œ œ œ jœ .œ œ .œ ‰o ver yes ter day?

œœœ œœœ œ œœœ œ œ œ œ œ œ..œœ

jœœ ..œœjœœ

G A

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-5-P/V #14. “High Enough” [c. 3/10]

331 W57th Street #541 NYC 10019

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27 Œ œ œ œ œ œ œCan you take me high

Œ œ œ œ œ œ œCan you take me high

Œ œœ œœ œœ œœ œœ œœCan you take me high

Œ œœ œœ œœ œœ œœ œœCan you take me high

...œœœ jœ œœœ œ œœœœ

..œœjœœ œœ œœ

D A2/C#

28 .œ œ œ œ œ œ œ Œe nough?.œ œ œ œ œ Œe nough?

..œœ œœ œœ œœ œœ Œe nough?..œœ œœ œœ œœ œœ Œe nough?

˙̇̇̇ œœœœ œ œœœ œ..œœ

jœœ ..œœ œœ œœBm

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29 ‰ Jœ œ œ œ œ œ .œ jœ ‰It's nev ver o ver.

!

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....œœœœ jœ œœ œœ

..œœjœœ œœ œœ

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30 œ œ œ œ œ œ œ .œWhoa oh oh oh...

œ œ œ œ œ œ ‰ JœWhoa oh oh I'm

Ó Œ ‰ JœDREW: (alt. melody)

I'm

˙̇˙˙ ˙̇̇˙˙œœ œ œ ˙̇

G2 A2

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-6-P/V #14. “High Enough” [c. 3/10]

331 W57th Street #541 NYC 10019

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Anixter Rice Music Service 212-265-3101630 Ninth Ave, NYC 10036

PIANO/CONDUCTOR

Harden My Heart/Shadows of the Night

[c. 3/10]

#10

Orchestration: Ethan Popp

A3793/802

SherrieJusticeWomenMen

Cue: [Segue from #9 "Come On Feel The Noize /We're Not Gonna Take It ~ Reprise"]

(Crash of thunder.)

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œ .œ œ .œ œ‰ .r

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in' in the rain, I swear

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