Shakespeare Exam Notes

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    CONNECTIONS

    THE GREAT CHAIN OF BEING-----BONDS

    King Lear: connection between family, realm (society), mind and nature

    Macbeth: between society, mind and nature

    Doctor Faustus: between society and

    One of the most important concepts during the classical period was of the Great Chain of Being. Its major

    premise was that every existing thing in the universe had its place in a divinely planned hierarchical order,

    which was pictured as a chain vertically extended. An object's place depended on the relative proportion of

    spiritand matterit contained--the less spiritand the more matter, the lower down it stood. Besides universal

    orderliness, there was universal interdependence. The doctrine held that different segments of the chain

    reflected other segments. Thus if one bond was broken, or someone stepped beyond their place, it would

    reverberate throughout. When things were properly ordered, reason ruled the emotions, just as a king ruled his

    subjects, the parent ruled the child, and the sun governed the planets. But when disorder was present in one

    realm, it was correspondingly reflected in other realms.

    Shakespeares plays reveal that he subscribed to this school of thought whenever there was disorder in one

    realm in his plays it would be reflected in other. For example inKing Leardisorder in his family (child ruling

    parent) leads to disorder in his realm (subject ruling king) as well as disorder in his mind (the loss of reason)

    leads to disorder in nature (the raging storm). Also in Macbeth after Duncans murder there is a terrible storm

    outside and slowly Macbeth has emotional problems ans starts to hallucinate. Thus problem in the realm

    reflected in nature and then reflected within ones mind. Marlowe on the other hand likes to look at this more

    ambiguously and go against norms. His characters often step beyond their designated place in the Great Chain

    of Being and the repurcussions arent obvious as in the case ofDr. Faustus. Dr. Faustus steps out of his place in

    the Great Chain of Being when he eases to have normal human power and acquires extra ones through black

    magic and a pact with Lucifer.

    -The pattern of fate in Macbeth shows that before Macbeth succumbs to the temptation of power, he is at theheight of his nobility. From the moment he decides to murder Duncan, Macbeths path goes downward, his life

    becomes horror filled and he is filled with self-hatred.

    -Unlike Macbeth Faustus path tragic career is more parodixical. He gains much power and even as he becomesa little more petty and arrogant he enjoys his power without the pain Macbeth faces. However he has to pay a

    great price for this priviledge to step out of his place in the Great Chain of Being, he has to give up his sole.

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    VIRTUOUS WOMEN ACCUSED

    OthelloDesdemona / Othello

    The Winters TaleHermione / Leontes

    Much Ado About NothingHero / Claudio

    Theme of the persecuted and resurrected heroine.

    Shakespeare is often touted as a man who portrays strong-willed, literate women, and some have even

    speculated if Shakespeare was actually perhaps a woman. Though Shakespeare may portray strong virtuous

    women, he does not paint a just society. In three of Shakepseares plays, Othello, The Winters Tale, andMuch

    Ado About Nothing, honorable women are unjustly accused of gross infidelity and suffer the consequences.

    Desdemona, Hermione and Hero suffer punishments for crimes they did not commit and though their pasts

    are blameless, their words are not believed. Through this persecution these heroins die, either literarily or

    figuratively, and their good name is restored only after outside forces reveal their virtue. Desdemona,

    Hermione and Hero cannot serve as witness in their own defence because the slandered person is bereft of his

    character and so has no recourse. Thus these women were not able to defend their own honour though they

    attempted to valiantly, not through any lack in themselves but through the prejudice of their society. Thus

    agency is taken away from them and they are forcefully pasified by the play since they cannot clear their own

    good name but must let the story enfold for it to come out. And only through death and a resurrection of a

    new person can they leave the slander behind.

    These plays reveal to us not how a generous nature, such as Othelo or Claudio, can be led by the nose as asses

    are into believing slanderous things about virtuous women but the nature of jealousy. It is pure jealousy in the

    cases of all three men, Leontes, Othelo and Claudio, that leads them to be blinded to the true nature of their

    loved one and make them believe the worse. It is jealousy which blinds reason and makes irrational

    conclusions plausible.

    Desdemona: dies completely and is resurrected in memory only and reputation when good name restored

    Hermione: apparently dies and is truly resurrected when her statue comes to life when good name restored

    Hero: never actually dies but pretends to and is then resurrected once her good name is restored

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    RICHES AND THE ACQUISITION OF RICHES REVEALS GREED

    The Jew of Malta

    The Merchant of Venice

    VolponeRiches and acquisition of riches in The Jew of Malta, The Merchant of Venice and Volpone is used to reveal sin.

    through dishonest means often hide a, he cheerfully profits from those who seek to profit from him

    -they all earn money through dishonest means

    -they are greedy and prize money sometimes even above family connections

    - The end of the play sees them learn a lesson and either lose their wealth or life

    DISGUST

    Disgust is a powerful human emotion which has possibly evolved in human beings to protect them. People tend

    to be disgusted by feces, urine, blood, pus and so on and the sense of disgust will protect them against diseases.

    Similarly disgust of theft, tyranny or incest will keep society healthy and in order. Disgust also reflect moral

    taboos.

    Hamlet

    Troilus and Cressida

    Measure for Measure

    Compare and contrast the ways in which and the ends to which the medium of tragic

    farce is put in Troilus and Cressida, Hamlet, or The White Devil.

    SOMETHING ELSE

    A Midsummers Nights Dream

    Henry 4, Part 1

    The White Devil

    The Duke of Brachiano and Isabella