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Shakespeare Mr. Byars Freshman English

Shakespeare

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Shakespeare. Mr. Byars Freshman English. Introduction. Welcome to the class Be prepared to think critically Class discussion is highly encouraged. Block Objective. - PowerPoint PPT Presentation

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Page 1: Shakespeare

Shakespeare

Mr. Byars

Freshman English

Page 2: Shakespeare

Introduction

• Welcome to the class• Be prepared to think critically• Class discussion is highly encouraged

Page 3: Shakespeare

Block Objective

• The study of Shakespeare is intended to prepare you for advancement to higher levels of learning and understanding about the great works of literature. You will gain a better understanding of the Shakespearean era and his plays and be able to apply this knowledge to the modern theater.

Page 4: Shakespeare

Block Overview

• Section I – Introduction and Orientation• Section II – Shakespeare’s Life• Section III –Shakespeare’s Theater• Section IV – Romeo and Juliet• Section V – Shakespeare’s Technique

Page 5: Shakespeare

Section I

Introduction and Orientation

Page 6: Shakespeare

Section II

Shakespeare’s Life

Page 7: Shakespeare

Growing Up

• How do we know anything about Shakespeare?

• When and where was he born?• Did Shakespeare’s upbringing affect his

life’s outcome?• How did Shakespeare’s school compare to

your school?

Page 8: Shakespeare

Shakespeare’s Life Growing Up

• Birth

Page 9: Shakespeare

Fathers History

Page 10: Shakespeare

Stratford-upon-Avon

Page 11: Shakespeare

School Life

Page 12: Shakespeare

Influence from Markets and Festivals

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Marriage

Page 14: Shakespeare

The Missing Years

Page 15: Shakespeare

Shakespeare’s Theatrical Career

• What prompted Shakespeare to become a playwright?

• Why are his plays considered to be works of art?

• What do we know about his plays and sonnets?

• What do we know about the Globe Theater?

Page 16: Shakespeare

Shakespeare Arrives in London

Page 17: Shakespeare

Life in London and the Theater

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Venus and Adonis

Page 19: Shakespeare

Shakespeare Becomes Established

• Four Periods– Period One– Period Two– Period Three– Period Four

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First PeriodHenry VI

Page 21: Shakespeare

Richard III

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Titus Andronicus

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The Comedy of Errors

Page 24: Shakespeare

The Taming of the Shrew

Page 25: Shakespeare

The Two Gentlemen of Verona

Page 26: Shakespeare

Love’s Labour’s Lost

Page 27: Shakespeare

Second PeriodRichard II

Page 28: Shakespeare

Henry IV

Page 29: Shakespeare

Henry V

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A Midsummer Nights Dream

Page 31: Shakespeare

The Merchant of Venice

Page 32: Shakespeare

Much Ado About Nothing

Page 33: Shakespeare

As You Like It

Page 34: Shakespeare

Twelfth Night

Page 35: Shakespeare

The Merry Wives of Windsor

Page 36: Shakespeare

Romeo and Juliet

Page 37: Shakespeare

Julius Caesar

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Financially Well Off

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Globe Theater

Page 40: Shakespeare

Octagonal Shaped Outer Wall

Page 41: Shakespeare

Roofless Inner Pit and The Stage

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Three Galleries

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The Creative YearsThe Third Period

Page 44: Shakespeare

Hamlet

Page 45: Shakespeare

Othello

Page 46: Shakespeare

King Lear

Page 47: Shakespeare

Anthony and Cleopatra

Page 48: Shakespeare

Macbeth

Page 49: Shakespeare

Troilus and Cressida

Page 50: Shakespeare

Coriolanus

Page 51: Shakespeare

Timon of Athens

Page 52: Shakespeare

All’s Well That End’s Well

Page 53: Shakespeare

Measure for Measure

Page 54: Shakespeare

The Fourth PeriodCymbeline

Page 55: Shakespeare

The Winter’s Tale

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The Tempest

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Henry VIII

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The Two Noble Kinsmen

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The Retirement Years

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Shakespeare’s Will and Death

Page 61: Shakespeare

Growing Up

• How do we know anything about Shakespeare?

• When and where was he born?• Did Shakespeare’s upbringing affect his

life’s outcome?• How did Shakespeare’s school compare to

your school?

Page 62: Shakespeare

Shakespeare’s Theatrical Career

• What prompted Shakespeare to become a playwright?

• Why are his plays considered to be works of art?

• What do we know about his plays and sonnets?

• What do we know about the Globe Theater?

Page 63: Shakespeare

Section III

Shakespeare’s Theater

Page 64: Shakespeare

Elizabethan Theater

• Three theater troupes• Proscenium stage• Censorship and plague• Design of the theater and stage• Use of props• Use of theatrical juxtaposition

Page 65: Shakespeare

Comparison/Contrast Exercise

Page 66: Shakespeare

Section IV

Romeo and Juliet

Page 67: Shakespeare

Romeo and Juliet

• Reading the play• Discussion of the actions of the characters• Identifying the character traits• Comparing classic and modern versions• Rewriting the outcome• Designing a theater setting for the play

Page 68: Shakespeare

Section V

Shakespeare’s Technique

Page 69: Shakespeare

Shakespeare’s Technique

• Significance of blank verse, rhyme, and prose

• Use of heavy dialogue and limited action• Use of men and women