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1 St. Louis: KUNKEL BROTHERS MUSIC CO., Publishers ©I©7G©©MG'0TD'©IGlG©'©©lG© ©'©GG©/G GG G G ©G OG GGG.G QG G RAND CONCERT PIECES FOR THE 0 © © © C :^ © Q r ©. ©. (KUNKEL'S left hand) B Y CHARLES KUNKEL !,©. c - ©. L.' Sextette from Donizetti’s “Lucia di Lammerrnoor 2. Quartette from Verdi’s “Rigoletto,’’ paraphrase <ie Concert. $V/ Miserere from Verdi’s “II Trovatore” paraphrase <ie Cpncirt 4. Home, Sweet Home, Bishop) Morceau de Concert The Banjo ( Caprice Ktliiopian) Morceau de Concert Old Black Joe (Foster ) Morceau de Concert, Old Folks at Home (Foster) Morceau de Concert 50 .50 1.50 1.50 S © ©

Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

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Page 1: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

1St. Louis: KUNKEL BROTHERS MUSIC CO., Publishers

©I©7G©©MG'0TD'©IGlG©'©©lG© ©'©GG©/G;GG G G ©G O G GGG.G QG G

RAND CONCERT PIECESFOR THE

0

©

© ©C :^ ©

. Q

r ©.

©.(KUNKEL'S left hand)

B Y

CHARLES KUNKEL !,©.c -

:

©.

L.' Sextette from Donizetti’s “Lucia di Lammerrnoor

2. Quartette from Verdi’s “Rigoletto,’’ paraphrase <ie Concert.

$V/ Miserere from Verdi’s “II Trovatore” paraphrase <ie Cpncirt

4. Home, Sweet Home, ( Bishop) Morceau de Concert

The Banjo ( Caprice Ktliiopian) Morceau de Concert

Old Black Joe (Foster ) Morceau de Concert,

Old Folks at Home (Foster) Morceau de Concert

50.50

1.50

1.50

S ©©

Page 2: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

AUTHOR'S PREFACE.

It has been the endeavor of the composer to avoid the serious faults gener-

ally found in compositions written for the left hand alone.

Such pieces have always savored more or less of charlatanism, because they

have been written with the sole aim of dazzling through a display of finger

dexterity. Musical value and intrinsic merit have been sacrificed—for ordinary,

showy, cheap effects:

Seeing the opportunities which left-hand compositions offer as a study to

emphasize the melody-notes, when melody and accompaniment are played by the

same hand, and the incalculable value they are as pedal studies

,

the author entered

upon this field of writing.

Since incorrect pedaling is so much more conspicuous in left-hand pieces; in

fact, since here comparatively minor defects become glaring faults, these tran-

scriptions will necessarily awaken and stimulate an interest in effective pedaling.

This vital point in the artistic rendition of piano music has been sadly neglected,

even by many prominent musicians.

The present series of transcriptions of the great masterpieces. Miserere from

Verdi’s “T1 Trovatore.’’ Quartette from Verdi’s “Rigoletto,” Sextette from Doni-

zetti’s “Lucia di Lammermoor,” etc., has been written with the view of combining

real music value with great possibilities of technical development.

Hence it is to be hoped that they will receive a warm welcome, and become

a desirable addition to the standard concert repertoire.

Page 3: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

To my dear friendErnest R.Kroeger.

SEXTETTE.FROM DONIZETTIS’ LUCIA DI LAMMERMOOR.

Grand Concert Paraphrase,for the

LEFT HAND ALONE.

Prelude.by

CHARLES KUNKEL.A Capriccio (* Capricious )

Moderato 0 92. (Moderate speed

)

Meno mossoi'iVwwjerj

J— 60

To insure a refined and scholarly rendition of the piece the artistic use of the pedal as indicated is imperative

Edition Kutikel. Copyright 1911 by Kunkel Brothers Music Co. 2070- 9

Page 4: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

SEXTETTE.

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5

Page 6: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

6tre corde

( release soft pedal

)

leggiero (lightly, swiftly)

Edition Kunkel. 2076 - 9

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7

Page 8: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

8

mollo cresc. accelerando (hasten the time) cresc.

A //0 A

Edition Kunkel.* sa. sa. # 5a.

•807S - 9 # 5a.* 5a. ^>.w-5a;;jyjj

f

Page 9: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone
Page 10: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

10a tempoA

Volante (^‘^2=-^^)

24 o l 2 4 3 «3 2 ° * * 2

con duolo molto rit.

una corda

r\

'l

Page 11: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

AllargandorGrowing slower)

Pomposo ( Majestic. dignified

)

TVT7J— 60 .

Grandioso.^/n a lofty manner)

Pomposo. * R>«A

2 If

o'Sa.

Con anima. f Animated.

)

s

Con tutta la forza ( With full power

)

Page 12: Sextette from Donizetti's Lucia di Lammermoor : grand ... · AUTHOR'SPREFACE. Ithasbeen theendeavorofcomposertoavoidtheseriousfaultsgener- allyfoundincompositionswrittenforthelefthandalone

Kunkeus Eclectic

Graded Course of Studies— FOR THE

PIANO.

IN TEN GRADES.GRADE I

GRADE II

GRADE III

GRADE IV

GRADE V

GRADE VI

GRADE VII

GRADE VIII

GRADE IX

GRADE X

Each Grade, - One Dollar.

KUNKEUS ECLECTIC GRADED COURSE OF STUDIESMAY BE USED IN CONNECTION WITH

KUNKEL’S ROYAL PIANO METHOD.

Special Notice to Piano Teachers and Students.

It is with sincere pleasure that we call the at-|

trillion of all earnest and ambitious teachers and

students, to the best Graded Course of Studies for

the piano ever published—namely-—

"KUNKEL’SECLECTIC GRADED COURSE OF STUDIESfor the Piano” in Ten Grades. After an unsatis-

factory experience with the good, had and indiffer-

ent "Courses” in the market, it is with a feeling

of intense satisfaction that the teacher looks over

“Kunkers Eclectic Graded Course of Studies” and

acknowledges that here at last is a work which

meets every expectation.

Every study in this "Graded Course” is spe-

cially annotated, thus greatly aiding the teacher in

his arduous task and facilitating the progress of

the pupil.

"Kunkcl’s Eclectic Graded Course of Studies'*

for the piano is published in ten grades, at one dol-

lar per grade.

The "Course” embraces everything necessary

to make a first-class pianist. It is a Graded Courseof Studies which will lead the student from the verybeginning to the summit of the art of piano playing.

When a pupil has completed "Kunkcl's Eclectic

Graded Course of Studies” the true knowledge of

piano playing which he will have gained will serve

him as a "Grand Diploma” which will be ever at

his disposal—a Dioloma of which he will haveevery reason to be proud.

St. Louis : —KUNKEL BROTHERS — Publishers.