Seven Little Ways to Live Art

8/12/2019 Seven Little Ways to Live Art

http://slidepdf.com/reader/full/seven-little-ways-to-live-art 1/65

by emily p. freemanauthor of A Million Little Ways & creator of the blog, Chatting at the Sky



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In ucti о



Way One:Be Where You Are



Way One

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Jim E i Wherever you are, be all there.



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Way One



To live likean artist means

to be fully yourself in the presence

of others, no matter where you are,how you feel,

or what’s

gone wrong.



Way One

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Art P ect



Way Two:Use What You Have



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Way Two



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Way Two



Much of the beauty that arises in artcomes from the struggle an artist wageswith his limited medium.

Henri Mati e



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Way Two



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Way Two



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!-)*+= 1$& 5"*3 +-1 "*'& 3- .*6& *438

Art P

ect

Way Two



Way Thr :Practice Courage



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Way Thr



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Way Thr



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Way Thr



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Way Thr



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Art P ect

Way Thr



Way F r:Cultivate Generosity



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4&012*4 /&-/2&8

Way F r



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*() $- )- +-18

9-1 .-'& 3-5*4) +-14 ,-N5-46&4

5#3" 7-40#'&(&$$= (-3 ;&,*1$& $"&*$6&) 7-4 #3 ;13 ;&,*1$& $"& ;&*4$ 3"&

#.*0& -7 H-) *() $- )- +-18

9-1 .-'& 3-5*4) +-14 ,"#2)4&( 5#3"

/*3#&(,&= (-3 ;&,*1$& #3:$ &*$+ ;13;&,*1$& 3"&+ ;&*4 3"& #.*0& -7 H-)

*() $- )- +-18

Way F r



!"&4& .*+ ;& 7&*4 #( 3"#$ .-'&.&(3= 7&*4 3"*3 +-1 5#22 0#'& ;13 (-3

4&,&#'& 5"*3 +-1 2-(0 7-4 #( 4&314(8

!"& Q-; -7 3"& *43#$3 #$ 3- ,4&*3&= 3- "-(&$32+ -77&4 5"*3 $"& "*$ 5#3"-13

)&.*()#(0 * 4&314( -( "&4 #('&$3.&(38

!-)*+= 3"&4& #$ (- "-*4)#(08

!-)*+= 3"&4& #$ (- .*(#/12*3#-(8

!-)*+= 3"&4& #$ -(2+ *43 X 3"& 6#() +-1 .*6& 5#3" +-14 5-4)$ *() +-14

,"-#,&$8 !"& 6#() -7 5-46 +-1 )- *() 3"& 3+/& -7 *33#31)& +-1 ;4#(08

B22 -7 3"#$ ,*44#&$ +-14 -5( 1(#O1& $#0(*314&= 1(*;2& 3- ;& 4&/&*3&) ;+

*(+-(& &2$&8

Way F r



Our gifts are not from God to us,

but from God through us to the world. Janice Elsheimer



?(& 5*+ 3- /4*,3#,& 0&(&4-$#3+ #$ 3- .-'& 5"&( #3:$ "*4)= 3- 7-40#'&

5"&( #3 "143$= *() 3- -77&4 &'&( 3"-10" +-1 .*+ (-3 4&,&#'& *(+3"#(0 #(

4&314(8

C13 3"&4& #$ *(-3"&4 5*+ 3- ;& 0&(&4-1$= *() 3"#$ #$ -(& 3"*3 .*+ ;&

&*$#&4 3- -'&42--68

>"*3 *;-13 3"-$& 5-4)$ -(2+ +-1 ,*( -77&4= 3"-$& #)&*$ 3"*3 .*6& +-1

,-.& *2#'&= 3"& )&$#4&$ +-1 "*'& 31,6&) *5*+ 7-4 2*3&4P

>"*3 *;-13 +-14 )&$#4& 3- "-$3 /&-/2&= +-14 2-'& -7 5-4)$= +-14

2-(0#(0 7-4 $3-4+= 3"*3 /2*,& #( +-14 $-12 -(2+ .1$#, ,*( 3-1,"P

>"*3 *;-13 +-14 O1#46+ $6#22 5#3" 7*;4#,= 3"*3 ,*.&4* 3"*3 $#3$ )1$3+ #(

3"& 2*1()4+ 4--.= 3"& 0*4)&( +-1 2-(0 3- 3&() #( 3"& $/4#(0P

>"*3 *;-13 +-14 /*$$#-( 7-4 ;1$#(&$$= +-14 "*()$ 3"*3 #3," 3- $3*43

$-.&3"#(0 (&5= +-14 $-12 3"*3 7&&2$ * /122 3- 2&*) *() $"*/& $-.&3"#(0P

Way F r



>"*3 #7 ;&#(0 0&(&4-1$ "*$ $-.&3"#(0 3- )- 5#3" /*+#(0 *33&(3#-( 3- 5"*3

.*6&$ +-1 ,-.& *2#'& *() 3"&( .-'#(0 3-5*4)$ #3P >"*3 #7 +-14 &K/2-4*3#-( -7

3"&$& /*$$#-($ 5*$(:3 $&2A#$" ;13 /$!"#&@

F&4"*/$ 3"& .-$3 0&(&4-1$ 0#73 +-1 ,-12) -77&4 -3"&4$ #$ 3- ;&,-.& 3"& /&4$-(

+-1 .-$3 )&&/2+ *4& N *() 3"&$& $&,4&3 2-(0#(0$ /2*+ *( #./-43*(3 /*438

Way F r

A P



E-5 5-12) +-14 2#7& 2--6 )#77&4&(3 3-)*+ #7 +-1 -77&4&) +-14$&27 *() +-145-46 #( 3"& /4&$&(,& -7 -3"&4$ 5#3"-13 *(+ $34#(0$ *33*,"&)P

>"*3 .#0"3 G"4#$3 2--6 2#6& ,-.#(0 -13 -7 +-1= 3"4-10" 3"& A#23&4 -7 +-14

1(#O1& /&4$-(*2#3+P

>4#3& )-5( A#'& 5-4)$ 3"*3 ;&$3 4&/4&$&(3 +-14 -5( 1(#O1& -77&4#(08 ^&&/3"&. ,2-$& *() 4&*) 3"&. -73&(8

F4*+ 7-4 3"& 7*#3" 3- ;&2#&'& 3"&+ *4& 341& -7 +-18

!-)*+= ;&0#( 3- ;&2#&'& +-1 "*'& $-.&3"#(0 3- -77&48 !"&( A#() -(& $.*22

5*+ 3- -77&4 #38

Art P ect

Way F r



Way Five:Release Outcomes



!"&4& #$ *25*+$ 4#$6 5"&( 5& .-'&

3-5*4)$ -3"&4$ X 3"& 4#$6 #$ 3"*3

3"&+ 5-(:3 .-'& ;*,6 3-5*4)$ 1$8

B() $- -77&4#(0 +-14$&27 0&(&4-1$2+

7&&2$ ,-1(3&4N#(31#3#'&= *() #( *

5*+ #3 #$8

!"&4& *4& (- 01*4*(3&&$ "&4&8

Way Five



C13 01*4*(3&&$ -(2+ ,-.& 5#3" -132#(& 2#'#(08 B() 3"#$ 2#7& #$(:3 *(

-132#(&= 3"#$ 2#7& #$ * .*$3&4/#&,& X 7122 ,-2-4= 5*'+ 2#(&$=

1(/4&)#,3*;2& 5&*3"&4= (- I\ZF 4&O1#4&)8

9-1 Q1$3 $"-5 1/ *$ +-1 *4& 5#3" 5"*3 +-1 "*'& 3- -77&48

!-)*+= #3 .#0"3 (-3 ;& .1,"8 C13 +-1 "*'& * ,"-#,&= +-1 6(-58 9-1

,*( ,-.& 5#3" )4&*) *() )-1;38 ?4 +-1 ,*( ,-.& 5#3" "-/&8

L-3 * "-/& 3"*3 *22 5& ;& 5&22 -4 3"*3 +-14 5-46 5#22 "*'& 3"&

)&$#4&) -13,-.&8

E-/& 3"*3 +-1 5#22 ;& -6*+ &'&( #7 &'&4+3"#(0 +-1 3-1," ,41.;2&$3-)*+8

E-/& #( * ;#00&4 /#,314& 3"*( 3"& -(& +-1 ,*( $&&8

Way Five



Never tire of doing even the smallest things for Him, because He

isn’t impressed so much with the dimensions of our work as with

the love in which it is done.Br her Lawrence



>"&( +-1 -77&4 +-14 5-46 3- H-)=

+-1 -77&4 #3 *22 X ;-3" 3"& 5-46 #3$&27

*() 3"& #./*,3 -7 3"*3 5-46 #( 3"&

5-42)8

J#6& 3"& ;-+ 5#3" 3"& 2-*'&$ *()

A#$"&$ X +-1 )-(:3 0&3 3- $*+ "-5

.*(+ 21(,"&$ #3 +#&2)$8 <7 +-1 )#)=

+-14 01&$$ 5-12) ;& 3-- $.*22*(+5*+= ;*$&) -( 2-0#, *()

&K/&4#&(,&8

9-14 4&$-14,&$ *4& 2#.#3&)8 H-):$ *4&

@#'#(&8

?77&4 +-14 $.*22 5-46 3- H-) #( 3"&

/4&$&(,& -7 -3"&4$ *() 4&2&*$& 3"&

-13,-.&$ #(3- "#$ ,*/*;2& "*()$8

Way Five



Art P

ect

Way Five

!"#$ .#0"3 ;& 3"& "*4)&$3 -(& -7 *228

<( /4&'#-1$ *43 /4-Q&,3$= +-1:'& *($5&4&) 3"& 7-22-5#(0 O1&$3#-($V

N >"*3 #$ .-$3 341& *;-13 +-1 3-)*+P

N >"*3 *4& +-14 2#.#3*3#-($PN >"&4& *4& +-1 "&$#3*3#(0P

N >"*3 *4& _ 5-4)$ 3"*3 .-$3 4&/4&$&(3 +-14 -5( 1(#O1& -77&4#(0P

]#() * O1#&3 /2*,& 3- *($5&4 3"&$& O1&$3#-($ *0*#( 3-)*+8

<7 /-$$#;2&= $3*3& +-14 *($5&4$ -13 2-1)= 3"#$ 3#.& 5#3" +-14 "*()$ /"+$#,*22+-/&( -( +-14 2*/8

!-)*+= $"-5 1/ *$ +-1 *4& 5#3" 5"*3 +-1 "*'& 3- -77&4= 4&2&*$#(0 &'&4+

-13,-.& #( 3"& /4&$&(,& -7 G"4#$38



Way Six:Rehearse Wonder



Way Six

< $/&(3 $-.& 3#.& -( H--02& .*/$ 2--6#(0 1/ 3"& )#$3*(,& 74-. "-.&

3- * ,#3+ 5& 5-12) ;& '#$#3#(0 $--(8 C13 <:. * 2#332& ;#3 -;$&$$&) 5#3"

.*/$ $- < $3*43&) 3- $&*4," 7-4 #.*0&$ -7 -3"&4 #(3&4&$3#(0 )&$3#(*3#-($

*() 2*().*46$8



L*'+ /#&48

!"& \3*31& -7 J#;&43+8

W38 Y'&4&$38

>#3" 3"& $*3&22#3& *() $34&&3 '#&5= +-1 ,*( 3*6& * '#431*2 3-14 -7 (&*42+ *(+

,#'#2#[&) /2*,& #( 3"& 5-42)8

< $/&(3 5*+ 3-- 2-(0 ;&#(0 ,14#-1$ 5#3" 3"& .*/= 5"#," .*+ ;& 5"+= *$ < 7&22

*$2&&/ 3"*3 (#0"3= < 5*$ Q-23&) *5*6& 5#3" 3"#$ -))= )4&*.N2#6& 3"-10"3V ?#

4.6# -, $ ;.;$,%.! 0$44A@

Way Six



\-.&3#.&$ < 7&&2 $- $.*43 5#3" .+ /2*($ *() .+ *0&()*$8 < "-2) -( 3- .+

041)0&$ *() .+ )&7&($&$ *() "*'& '*2#) 4&*$-($ 5"+ .+ 5*+ #$ 3"& 4#0"3

5*+8

C13 3"&( < 4&.&.;&4 H-) /13 1$ *22 -( * 0#0*(3#, ;*22 $1$/&()&) #( 3"&

.#))2& -7 )*46(&$$8

E& $&(3 #3 34*'&2#(0 3"4-10" $/*,& *3 $#K3+N$&'&( 3"-1$*() .#2&$ /&4 "-148

B4-1() * .*$$#'& 0$44 -> B."#8

!"&(= "& $&3 #3 $/#((#(08

E-2) -( 3- +-14 "*3= 6#)$8

>"+ )#)(:3 "& Q1$3 .*6& 3"& 2*() A2*3P >"+ * ;*22P >"+ * $/#((#(0 ;*22P

>"+ * $/#((#(0= .-'#(0 ;*22 3"*3 34*'&2$ 3"4-10" $/*,&P

537 /<$!#@A Way Six



\1))&(2+ *22 -7 .+ Z&4+

<./-43*(3 F2*($ *() .+ C2*,6* ( ) > " # 3 & ^ ( - 5 # ( 0 - 7

Y ' & 4 + 3 " # ( 0 7 & & 2 $ $ . * 2 2 =

*44-0*(3= *() #(,-($&O1&(3#*28

< ,*((-3 $3-/ 3"#$ 5-42) 74-.

$/#((#(0= *() < ,*(:3 .*6& #3

$3*43 &#3"&48

\&& 3"& 5-()&4 -7 +-14 2#7& -(

3"#$ $/#((#(0 ;*22 34*'&2#(0

3"4-10" $/*,&8 9-14 /*43 #$$.*22= ;13 #3 #$ 7-8" <$"%' \3#22=

+-1 *4& (-3 #( ,-(34-28 J&3 3"#$

;& * 4&2#&7 4*3"&4 3"*( *

741$34*3#-(8

Way Six



Y'&4+ .&*2= 5*26= $,&(&= *()

,-('&4$*3#-( #$ 2*,&) 5#3" 5-()&48

C13 3"&+ *4& *2$- 3"4&*)&) 3"#,6

5#3" /-3&(3#*2 7-4 $*,4#A#,&8

Y.;4*,#(0 5-()&4 #$ (-3 &*$+8

>& 5*(3 3- .*6& *43 ;13 2#7& ,*(

2--6 $- *432&$$8

( &-,)% 3$6# %.*# >-" ?-,&#"9 5&

$*+= ( 3$6# %- !3#!1 *7 #*$.4'

Y.;4*,#(0 5-()&4 #$ 7-4 3"&

A#0"3&4$8

Way Six



>-()&4 $2-5$ +-1 )-5( 3- 4&.&.;&4 5"*3 +-1:4& .*)& 7-4V

!- ;& "1.*(8!- ;& $.*228

!- 4&A2&,3 3"& 02-4+ -7 H-)8

Way Six



Art P

ect !-)*+= +-14 *43 /4-Q&,3 #$ $#./2& 3- &K/2*#( +&3 /-3&(3#*22+ )#7A#,123 3-

/4*,3#,&8

]-4 * $&3 /&4#-) -7 3#.& 3-)*+= )-(:3 ,"&,6 -(& ;-K -4 .*6& -(& 2#$38 <7

+-1 ,*( )- 3"#$ 7-4 * 5"-2& )*+= &'&( ;&33&48

!"#(6 -7 -(& *,3#'#3+ +-1 &(Q-+ ;13 ,-($#)&4 * 5*$3& -7 3#.&8 !"&( )- #3

-( /14/-$&8

!-)*+= 4&"&*4$& 5-()&48

Way Six



Way Seven:Let Things Grow



!"&+ 4*( -13 3- 3"& 74-(3 +*4)=

*//2& $&&)$ #( "*()= "-/& 04-5#(0

2*40& #( 3"&#4 "&*43$8

< 5*3,"&) 74-. 3"& 5#()-5 *$ 3"&+

)4-//&) 3"-$& $&&)$ 74-. 3"&#4

*73&4 $,"--2 $(*,6 #(3- 3"& $.*22

"-2& #( 3"& 74-(3 +*4)8

>"&( 3"&+ ,-'&4&) 3"& "-2& 3"&4&

5*$ (-3"#(0 2&73 3- )- ;13 5*#38 B()

3"*3 #$ 5"*3 3"&+ )#)8

!"&+ $3--) *() 5*3,"&)= '#$#-($ -7

* 3*22 *//2& 34&& $/4-13#(0 1/ ;+

;4&*67*$38

Way Seven



!"&+ $3--) '#0#2 3- 3"*3 2#332&

.-1() #( 3"& 04-1()= 5#22#(0 #3 3-

;4&*3"&8

C#"# ./ ?3#"# ?# <-8"#& -8" 3-<#

$,& 3#"# ./ ?3#"# ?#)44 ?$.% >-" .% %-

;"-?'

\-.&3#.&$ 5& )#0= 5& /2*(3= *()

5& 5*3&48 C13 5& (&'&4 $&& 3"&

04-53"8

<($3&*) -7 *,3#-(= -14 *43 ;&,-.&$

* )#$,#/2#(& -7 5*#3#(08

!"#$ 5*#3#(0 ,*( "1438

Way Seven



Our vocation is an asset to prayer because our work becomes

prayer. It is prayer in action. The artist, the novelist, the

surgeon, the plumber, the secretary, the lawyer, thehomemaker, the farmer, the teacher—all are praying by

offering their work up to God.

Richard F ter



Way Seven

F*43 -7 2#'#(0 2#7& *$ *( *43#$3 .&*($ .-'#(0 3- 3"& 4"+3". -7 3"& \/#4#3 -7 H-)8

B() $-.&3#.&$ 3"*3 4"+3". 2--6$ * 2-3 2#6& $3*()#(0 $3#228

B$ +-1 ,-($#)&4 5"*3 #3 5#22 2--6 2#6& 7-4 +-1 $/&,#A#,*22+ 3- .*6& *() 2#'& -13

+-14 *43= 6(-5 3"*3 2#'#(0 +-14 2#7& #( G"4#$3 *$ * 7122+ *2#'& #.*0& ;&*4&45-(:3 *25*+$ /4-)1,& 3"& 4&$123$ +-1 2-(0 7-48

C13 3"&4& #$ 74&&)-. #( .*6#(0 *43 *(+5*+= 4&0*4)2&$$ -7 $*2*4+= *,,-2*)&$=

*33&(3#-(= /4-04&$$= $1,,&$$= -4 *(+ -3"&4 -13,-.& +-1 .#0"3 5*(38

Way Seven



@- +-1 "*'& 2-73+ #)&*$ -7 5"*3 3"#$ *43N.*6#(0 5#22 4&O1#4&P

W*+;& +-1 3&() 3- ;& *( *22N-4N(-3"#(0 /&4$-(= 3"#(6#(0 3"*3 #7 +-1

)-(:3 "*'& 3#.& 3- A#(#$" $-.&3"#(0 -4 3- )- #3 /&47&,32+= 3"&( #3 #$(:3

5-43" )-#(08

C13 $.*22 .-'&.&(3$ ,-1(38

\"-5#(0 1/ $,*4&) ,-1(3$8

B).#33#(0 +-14 O1&$3#-($ ,-1(3$8>*#3#(0 5#3" "-/& ,-1(3$8

J#332& -77&4#(0$ ,-1(38

J#$3&(#(0 #( 3"& $#2&(,& ,-1(3$8

]#()#(0 ,-14*0& #( 3"& .#)$3 -7 7&*4 ,-1(3$8

W&*$14*;2& 4&$123$ )-(:3 *25*+$ )&3&4.#(& 3"& $1,,&$$ -7 $-.&3"#(08

B() $- +-1 )*4& 3- $"-5 1/ 3-)*+= -77&4#(0 5"*3&'&4 +-1 "*'& *$ +-14

4#0"3N(-5 *,3 -7 5-4$"#/8

Way Seven

A t P t



Art P ect

Way Seven

<( +-14 7&*4= +-14 O1&$3#-($= *() +-14 2-(0#(0 7-4 &K/&,3&) -13,-.&$=.*6#(0 *43 3-)*+ .*+ $#./2+ .&*( 3"#$V

@&,#)& 3- $#3 5#3" +-14 O1&$3#-($ 4*3"&4 3"*( A#0"3 7-4 *($5&4$8

>"&( *(K#&3+ *;-13 3"& 71314& $(&*6$ #(3- 3"& ;*,6 )--4 -7 +-14 .#()= )-(:37*22 #(3- 7&*4 ;13 2&*( #( 3- "-/&8

<7 #3 "&2/$= /"+$#,*22+ 2&*( ;*,6 5"&( 3"& 7&*4$ ,-.& 3- .#()8 L- -(& "*$ 3-

6(-5 5"+8

!-)*+= 2&*( ;*,6 #(3- 3"& /4&$&(,& -7 G"4#$3= 341$3#(0 "#. 5#3" &'&4+-13,-.&8



<7 +-1 4&*) -(& 5*+ /&4 )*+= 3"&( #3:$ ;&&( * 5&&6 (-5 $#(,& +-1 $3*43&)8

< "-/& +-1:4& ;&0#((#(0 3- $&& +-14 2#7& 2&$$ 2#6& * 2#$3 *() .-4& 2#6& * 2+4#,8

< "-/& +-1:4& ;&,-.#(0 .-4& *5*4& -7 "-5 -4)#(*4+ .-.&(3$ *4& /*,6&)

5#3" *43#$3#, /-3&(3#*28

< "-/& +-1 *4& $2-5&4 3- ;&041)0& +-14 2#.#3*3#-($ *() .-4& 2#6&2+ 3- 1$&

3"&. *$ -//-431(#3#&$ 3- .*6& *438

< "-/& +-1 *4& ;&,-.#(0 .-4& 7122+ +-14$&27 #( 3"& /4&$&(,& -7 -3"&4$= 7-4 3"&(&A#3 *() H-):$ 02-4+8

final th ghts



Art. We

will make

f th d



further reading

<7 +-1 5-12) 2#6& 3- 7143"&4 &K/2-4& 5"*3 #3 .#0"3

.&*( 7-4 +-1 3- .*6& *43 5#3" +-14 5-46 *()

+-14 2#7&= /#,6 1/ * ,-/+ -7 ! #$%%$&' ($))%* +,-./

D,!-6#" %3# 2"% E-8 5#"# F$&# %- G.6# 5"&4& <

-77&4 $/&,#A#, /4*,3#,&$ 3- "&2/ +-1 1(,-'&4 *()4&2&*$& +-14 1(#O1& *43 #(3- 3"& 5-42)8

9-1 .*+ *2$- 5*(3 3- 4&*) * $&4#&$ < )#) -( .+

;2-0 ,*22&) W*)& 7-4 !"#$V `a @*+$ -7 J#'#(0 B438

b t th th

http://www.chattingatthesky.com/artful-living/




http://www.chattingatthesky.com/a-million-little-ways/






ab t the auth <:'& ;&&( 54#3#(0 -(2#(& *3 G"*33#(0 *3 3"& \6+ 7-4&#0"3 +&*4$8 < "*'& 54#33&( 3"4&& ;--6$ #(,21)#(0 2

F.44.-, G.%%4# 5$7/'

W+ "1$;*() M-"( *() < "*'& 3"4&& ,"#2)4&( *() 2#'&

#( L-43" G*4-2#(* N "-.& -7 3"& !*4"&&2$ *() 3"&

A#4$3 A2#0"3 *() '#(&0*4N;*$&) ;*4;&O1&8

<:. )&&/2+ ,14#-1$ *;-13 3"& .+$3&4+ -7 G"4#$3= 3"&

04*,&712(&$$ -7 3"& &'&4+)*+= *() 3"& $*,4&)(&$$ -7

-14 #((&4 2#'&$8 <:. *2$- &.-3#-(*22+ *22&40#, 3-

$.*22 3*268

E*'& * O1&$3#-( -4 5*(3 3- ,-((&,3P 9-1 ,*( A#() .& -( .+ ;2-0= G"*33#(0 *3 3"&

\6+= !5#33&4= <($3*04*. -4 &.*#2V &.#2+b,"*33#(0*33"&$6+8,-.8

Sh r

mailto:[email protected]

mailto:[email protected]

http://www.instagram.com/emilypfreeman

http://www.instagram.com/emilypfreeman

http://twitter.com/emilypfreeman

http://twitter.com/emilypfreeman

http://www.chattingatthesky.com/




http://www.chattingatthesky.com/the-books/

http://www.chattingatthesky.com/the-books/



]&&2 74&& 3- /4#(3 -4 7-45*4) 3"#$ 74&& ,-./*(#-( 01#)& #( #3$ &(3#4&3+ 3-$"*4& 5#3" *(+-(& +-1 5*(3= ;13 /2&*$& )-(:3 ,"*(0& #3 -4 ,"*40& 7-4 #38

E&4&:$ 3- 2#'#(0 *43 #( * .#22#-( 2#332& 5*+$8

This guide is courtesy of Emily P Freeman

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Seven Little Ways to Live Art