September 6 to Voice Clarinet String Quartetattachment.pdf · Voice Clarinet String Quartet September 6 to September 21, 2012. The 61st ARD International Music Competition 2012 in

61st ARD International Music Competition Munich 2012

Internationaler Musikwettbewerb der ARDBayerischer RundfunkRundfunkplatz 1 80335 MünchenDeutschlandTel. ++49 89 5900-2471Fax ++49 89 5900-3573E-Mail [email protected] Vo

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tSeptember 6 to September 21, 2012

The 61st ARD International Music Competition 2012 in Munich is open for the following categories:

ClarinetVoiceString Quartet

The invitation to participate in this competition is extended to young musicians, who are ready to launch an international career.

The competition is open to musicians of all nations for clarinet born between 1983 and 1995, for voice born between 1980 and 1992 and for string quartet born between 1983 and 1995 (average age maximum 29 years: one member may be older).

The competition will be conducted during the period from September 6 to 21, 2012 (including the prize winners’ concerts).

The auditions are open to the public.

Deadline for registration: March 31, 2012

The 61st ARD International Music Competition in Munich – 2012 – is presented by the Association of Public Broadcasting Corporations in the Federal Republic of Germany (ARD).

Bayerischer Rundfunk Munich

Hessischer Rundfunk Frankfurt /Main

Mitteldeutscher Rundfunk Leipzig

Norddeutscher Rundfunk Hamburg

Radio Bremen

Rundfunk Berlin-Brandenburg

Saarländischer Rundfunk Saarbrücken

Südwestrundfunk Stuttgart

Westdeutscher Rundfunk Cologne

Deutsche Welle Cologne

Deutschlandradio Cologne/Berlin

Member of the World Federation of International Music Competitions, Geneva

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2General Conditions Organizers

Contents 1 Title 2 General Conditions | Organizers 3 Prizes 4 Special Prizes 6 Concert Invitations 7 Further Concert Engagements 8 Conditions of Participation 9 Conduct of the Competition 10 Presence | Accommodation 11 Prize Winners

Repertoire and Jury 12 Clarinet 13 Voice 18 String Quartet

20 Schedule 21 Honorary Committee | Patrons 22 Main Committee | Directors 23 Upcoming Competitions

Clarinet First Prize c 10,000 Second Prize c 7,500 Third Prize c 5,000

Voice (Female) First Prize c 10,000 Second Prize c 7,500 Third Prize c 5,000

Voice (Male) First Prize c 10,000 Second Prize c 7,500 Third Prize c 5,000

String Quartet First Prize c 24,000 Second Prize c 18,000 Third Prize c 12,000

The prize winners will be determined by the jury.

3Prizes

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AliceRosnerPrizeThe Alice Rosner Foundation awards the Alice Rosner Prize in the amount of c 1,000 for the best interpretation of a 20th century work.

OsnabrückMusicPrizeThe Osnabrück Music Prize, made possible by the Werner Egerland Foundation, in the amount of c 7,500 is awarded to a finalist in the categories clarinet or voice. It is linked to a concert with the Osnabrück Symphony in January/February 2013.

SpecialPrize“Primalamusica”The Prize in the amount of c 5,000 will be awarded by Ms Krista Pfleiderer to a prize winner or finalist in the category clarinet or voice. It is linked to three concerts with orchestra.

BuschBrothersPrizeThe Busch Brothers Circle awards the Busch Brothers Prize in the amount of c 3,000 – in collaboration with the South Westphalian Philharmonic – to an outstanding finalist in the category clarinet. It is linked to a concert appearance at the Busch Brothers Circle and potential subsequent concerts with the South Westphalian Phil-harmonic.

ifpMusicPrizeThe special prize from ifp Cologne in the amount of c 3,000 is awarded for outstanding achievement in the category voice.

AudiencePrizesAudience prizes totaling c 6,000 made possible by the Theodor Rogler Foundation will be awarded in the final round as follows:– Clarinet in the amount of c 1,500– Voice Female in the amount of c 1,500– Voice Male in the amount of c 1,500– String Quartet in the amount of c 1,500

SpecialPrizesfortheBestInterpretationofaCommissionedCompositionSpecial prizes totaling c 3,000 for the best interpre tation of the individual commissioned compositions, made possible by the Alice Rosner Foundation, will be awarded in the category:– Clarinet for the composition by Jonathan Harvey

in the amount of c 1,000– Voice for the composition by Manfred Trojahn

in the amount of c 1,000– String Quartet for the composition by Erkki-Sven Tüür

in the amount of c 1,000 SpecialPrizefromtheMunichChamberOrchestraThe Special Prize from the Munich Chamber Orchestra totaling c 1,000 will be awarded by the members of the Munich Chamber Orchestra for an outstanding interpretation by a semi-finalist in the category clarinet.

SpecialBR-KLASSIKPrizeThe BR-KLASSIK program division of Bayerischer Rund-funk will be presenting the Special BR-KLASSIK Prize in the amount of c 1,000 for an outstanding performance.

SpecialPrizeU21The Special Prize U21 totalling c 2,000, underwritten by the Dr. Marianne Kunkel Fund will be awarded by the BR-KLASSIK young people’s program “U21 – Your Program. Your Music” for an outstanding performance by a participant under the age of 21.

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Special PrizesSpecialPrizefromFreundeJungerMusikerMünchene.V.Freunde Junger Musiker München e.V. will award a Special Prize for an outstanding performance by a young soloist in the category clarinet, who at least reached the semi-final.

The prize in amount of c 2,500 is linked to a chamber concert in Munich. Further engagements can be announced from other Associations of the Freunde Junger Musiker in Berlin, Bremen, Frankfurt/Main, Kassel, Köln, Bonn, Mainz, Wiesbaden, Meerbusch and Düssel-dorf.

SpecialPrizefromNeuePhilharmonieWestfalenNeue Philharmonie Westfalen will award a Special Prize in the amount of c 6,000 to a finalist in the category clarinet. The prize is linked to four concerts with the Neue Philharmonie Westfalen in the season 2013/2014.

SpecialPrizePalazzettoBruZaneThe Special Prize in the amount of c 4,000 will be award-ed by the Foundation Bru Zane for the best interpretation of a work of the French romanticism. It is linked to an invitation for a recital in the Palazzetto Bru Zane in Venice.

JeunessesMusicalesDeutschlandSponsorshipAwardThe prize consists of a full-tuition scholarship for a string quartet to participate in the “Jeunesses Musicales Inter-national Chamber Music Campus” with the Vogler Quar-tett at Weikersheim Castle from September 4 to 15, 2013.

SpecialPrizefromSchwarzwaldMusikfestivalThe Schwarzwald Musikfestival will present a Special Prize in the amount of c 3,000 to an outstanding finalist in the category string quartet. It is linked to a concert in the series “Junge Elite” in collaboration with the Hotel Bareiss, in the Christuskirche zu Mitteltal between April and September 2013.

SpecialPrizefromWalterandCharlotteHamelFoundationThe Walter and Charlotte Hamel Foundation will award two Special Prizes, each in the amount of c 2,500 for an outstanding achievement of a female and male singer, who at least reached the semi-final.

SpecialPrizefromFreundedesNationaltheatersFreunde des Nationaltheaters will award a Special Prize in the amount of c 2,000 for an outstanding achievement in the category voice/opera.

BärenreiterUrtextPrizesSheet music vouchers with a value of c 1,000.

SpecialPrizefromOehmsClassicsThe OehmsClassics label invites a prize winner or finalist to record a CD.




Prize winners may be invited to give concerts or make recordings.

BroadcastAppearancePrize winners will receive invitations from ARD broad-casters to perform concerts or make recordings under the usual radio conditions.

Prizewinnersmaybeinvitedassoloists:– by the Symphonieorchester des Bayerischen Rundfunks– by the Frankfurt Radio Symphony Orchestra– by the MDR Symphony Orchestra– by the Deutschen Radio Philharmonie Saarbrücken

Kaiserslautern– by the Radio Symphony Orchestra Stuttgart of the

Südwestrundfunk

6Concert Invitations

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Possible concert engagements may be offered by the following institutions:

Auditorium du LouvreBraunschweig Classix FestivalBurghofspiele im Rheingau

SommerCamerata AndechsCentral European Music Festival

ŽilinaChor des Bayerischen RundfunksCollegium Musicum BaselDavos FestivalEuregio Musikfestival

music and artsFestival Classic OberfinningFestival der Nationen,

Bad WörishofenFestival EuroArt PrahaFestival Musical Olympus

St. PetersburgFestspiele Mecklenburg-

VorpommernFestspiele Orff in AndechsFolkwang -Kammerorchester Essen Frankfurter Museums -GesellschaftFreunde der Musik LandshutGebrüder- Busch -KreisHapag- Lloyd KreuzfahrtenHeidelberger FrühlingHofer SymphonikerInselfestival HombroichInselKonzerte – Kammermusik

auf HerrenchiemseeInternationale Iffeldorfer

Meisterkonzerte Internationale Stiftung Mozarteum

Salzburg

Internationales Musikfestival Ceský Krumlov

Junges Podium AltripJuventudes musicales de EspañaKaisersaalkonzerte Frankfurt/MainKammerkonzerte im Deutschen

Elfenbeinmuseum ErbachKirchberg- Forum HessenKissinger SommerKlavierfestival RuhrKonzerte auf Henkellsfeld,

WiesbadenKonzertgesellschaft WuppertalKonzerthaus BerlinKulturdienst WeimarKulturverein Zorneding-BaldhamKunstfreunde BensheimKurpfälzisches KammerorchesterLandesbank Saar, SaarbrückenLeitheimer SchlosskonzerteLiesborner Museumskonzerte Lions International Club

Schwäbisch GmündLudwigsburger SchlossfestspieleMeisterkonzerte im

Alten Bahnhof KettwigMeister von morgen, HerdeckeMosel MusikfestivalMozart- Gesellschaft DortmundMünchener KammerorchesterMünchner Konzertdirektion

HörtnagelMünchner RundfunkorchesterMünchner SymphonikerMusik und Sprache, Hessenbrück-

enmühleMusikverein Bamberg Nordwestdeutsche Philharmonie

HerfordOsnabrücker SymphonieorchesterPhilharmonie Merck, DarmstadtPhilharmonie Südwestfalen

Philharmonisches Orchester Freiburg

Rathauskonzerte Vaterstetten Rheingau Musik FestivalSchleswig -Holstein Musik FestivalSchlosstheater FuldaSchwarzwald Musikfestival Schweizer MusikfestwochenSchwetzinger SWR FestspieleSerenade Timmendorfer StrandSüdwestdeutsches Kammer-

orchester PforzheimStiftung Mozarteum SalzburgSymphonieorchester

»Wilde Gungl« MünchenTheaterforum – Klassikforum

GautingTicino Musica, LocarnoTonicale Musik & Event MünchenTonhalle DüsseldorfWeilburger SchlosskonzerteWeingartner Musiktage

Junger KünstlerWetzlarer KulturgemeinschaftWiener KonzerthausWinners & Masters München,

Kulturkreis Gasteig Württembergisches Kammer-

orchester HeilbronnWürttembergische Philharmonie

ReutlingenZeughauskonzerte, Neuss

Concert managers, concert agen-cies and representatives of the music industry will be invited to the final rounds and the prize winners’ concerts.

Further Concert Engagements 7

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8RegistrationDeadlineThe registration deadline for applications: March 31, 2012The documentation must arrive in Munich between March 15 and March 31, 2012 (date stamp does not apply). Please send by post mail to:Internationaler Musikwettbewerb der ARDc/o Bayerischer RundfunkRundfunkplatz 1D-80335 MünchenGermany

ApplicationThe following documentation should be enclosed:– application form (Download from February 2012:

www.ard-musikwettbewerb.de)– for the pre-selection, a personally recorded CD:

the CD may not be edited, may not be processed and may not be older than one year (the works required for the pre-selection can be found in the repertoire condi-tions). Cuts, editing or other technological manipulation of pitches or lengths of held notes within the sections performed are not permitted.

– a declaration by the recording studio/engineer on the recording of the CD – cf. application form

– two recommendations from prominent musical personalities

– in the case of students, the approval of the teacher– an artistic curriculum vitæ– a portrait photograph of the applicant, which will

appear in the competition program, black& white or color (also in TIF format, minimum 300 dpi, can be sent digitally)

Important for shipping: Do not declare the recording with any value, due to a large sum of customs charges thereby incurred!

AdmissionOnce the selection has been made, the decision of the pre-selection jury, made up of members of the compe-tition jury along with the artistic director, on admission to the competition will be released by June 15, 2012 at the latest. Its decisions are final and incontestable. No expla-nations will be provided.

The chosen competitors will receive written notifica-tion of their selection. Competitors from abroad can, if necessary, use this confirmation to apply for an entry visa.

RecognitionofConditionsWith the application for the competition the participant acknowledges acceptance of the participation and competition conditions as well as the decision of the pre-selection jury and the competition jury as binding. There is no right of appeal.

Participation is only possible in one of the competition categories.

Applications that do not meet the requirements of the competition can be rejected. Submitted documents and sound recordings cannot be returned.

ParticipationFeeFollowing receipt of the admission confirmation, the participation fee of c 100 for soloists and c 180 for string quartets must be transferred “free of bank charges for the recipient” at the latest by July 31, 2012. Should the competitor be prevented from attending, or should he or she cancel his or her participation, this participation fee cannot be refunded.

Subject to alterations!In cases of doubt, the German text applies.

The text of this invitation is available in the Internet in German, English and French, the invitation can be downloaded with repertoire and application form (from February 2012): www.ard-musikwettbewerb.de.

8Conditions of Participation

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JuryThe jury will be selected from among personalities with international reputations without regard to ethnic, ideological, political or linguistic considerations.

The decisions of the jury cannot be contested.

StudentsofaJuryMemberIf there is a student of a jury member among the par-ticipants, this jury member may not take part in the appraisal of this competitor.

Jury members are not allowed to teach their students during the competition itself, otherwise the student, the jury member, or both may be disqualified. To this end, a student is defined as someone who studied with a jury member for a lengthy and continuous period, and such study was completed less than three years before the beginning of the competition. Participation in master classes is not affected.

CompetitionRoundsFour competition rounds are obligatory in all categories.

The semi-final for clarinet will be accompanied by the Munich Chamber Orchestra without conductor. The semi-final for voice will be accompanied by the Münchner Rundfunkorchester with conductor. A maximum of six instrumentalists and six string quartets will be admitted to the semi-finals. In category voice a maximum of six female and six male singers will be admitted to the semi-final.

The final round will be accompanied by the Sympho-nieorchester des Bayerischen Rundfunks for the catego-ries clarinet and voice.

A maximum of four semi-finalists will be admitted to the final round in each category.

FirstAuditionDateAll participants will receive notification of the scheduled date and time of their first audition – along with the admission to the competition – in writing.

CompetitionProgramThe following repertoire lists and the conditions therein contained are binding for the competition program.

The competition program submitted by the com-petitors is binding. Subsequent alterations are not per-mitted.

No works in the competition program may be repeated except on the express wish of the jury. The sequence of performance is at the participant’s discretion. If possible, original text editions should be performed.

Participants will not be allowed to perform their own compositions.

In certain cases, the jury may allow only selections of individual works to be performed in the first two compe-tition rounds, or may select works from the submitted repertoire.

PianoAccompanistsOfficial piano accompanists are available at no charge to the competitors in categories clarinet and voice.

Each competitor will receive at least two rehearsals with the accompanist.

Participants may bring along their personal accompa-nist at their own expense.

9Conduct of the Competition

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PresenceoftheParticipantattheCompetitionEach participant has to register personally at the central competition office one day before the first audition and present his or her passport, ID card or officially recognized birth certificate, and should not leave Munich as long as he or she is an active participant in the competition with-out the express approval of the competition manage-ment (prize winners may first depart after September 21, 2012).

Each participant accepts the obligation to remain free of all professional obligations or concerts throughout the duration of the competition.

AccommodationduringtheCompetitionFor the duration of the first round, reasonably priced hotels will be recommended to the participants.

All competitors who reach the second round will be provided by the competition management with the cost of accommodation and meals from this point for the duration of their further participation in the audition process. This does not apply to piano accompanists or other companions.

All competitors who reach the semi-final will be guests of the competition until the prize winners’ concerts.

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10Presence Accommodation




AwardsCeremonyThe awards ceremony will take place after the prize winners’ concert on September 21.

Competitors will be expected to receive their awards in person.

PrizeWinners’ConcertAt the prize winners’ concerts, chamber music works and works for soloists with orchestral accompaniment will be performed. The decision regarding the program and at which concert specific participants will appear will be made by the competition management in conjunction with the jury and the music department of Bayerischer Rundfunk.

Prize winners will receive no fee for their participation in the prize winners’ concerts.

MediaExploitationThe Competition, including the prize winners’ concerts, will be recorded by Bayerischer Rundfunk. These record-ings can be used for broadcasting (radio or television, including on-line) in full and/or in selections, live or at a later time, and also provided for individual access inde-pendent of the type of receiver and also be made publicly available. Other broadcasters in Germany and abroad can make use of these recordings simultaneously or at a later time. Further use of our broadcasts and availabilities regardless of time and place (in full, in part or in selec-tions) are possible.

The administration of the Competition reserves the right to use the recordings of the Competition rounds and prize winners’ concerts for the production of a CD and/or a DVD to serve as publicity for the prize winners and documentation of the Competition. The administration of the Competition further reserves the right to release or have released, and/or distribute or have distributed, itself or through third parties, commercially or non-commer-cially, any and all material from the Competition in audio or audio-visual form, on analogue or digital sound/image/sound-image data carriers including platforms, regardless of format or process. The declaration of agree-ment required from the prize winners is regarded as given with the application to the ARD International Music Competition, the same applies to the transfer of rights in accordance with the aforementioned stipulations. The prize winners have no claim to additional compensation of any kind.

11Prize Winners

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Pre-selectionwithRecording

a) Carl Maria von Weber, Concertino

b) Claude Debussy, Première Rhapsodie

FirstRound

1. one of the following works: Luciano Berio, Sequenza IXPierre Boulez, DomainesMarius Constant, For ClarinetFranco Donatoni, ClairJörg Widmann, Fantasie

2. one of the following works: Leonard Bernstein, SonataJean Françaix, Thema con VariationiBohuslav Martinu, SonatineDarius Milhaud, Sonatine

3. one of the following works: Carl Maria von Weber, Concerto No. 1 in F minor op. 73Carl Maria von Weber, Concerto No. 2 in E-flat major op. 74Louis Spohr, Concerto No. 1 in C minor op. 26Louis Spohr, Concerto No. 4 in E minor WoO 20Bernhard Henrik Crusell, Concerto in F minor op. 5

SecondRound

4. commissioned composition by Jonathan HarveyComposition commissioned for the 2012 ARD International Music Com-petition. The sheet music will be supplied along with the admission to the competition. The commissioned composition may be played with the sheet music but not publicly performed prior to the competition.

5. one of the following works: Johannes Brahms, Sonata in F minor op. 120 No. 1Johannes Brahms, Sonata in E-flat major op. 120 No. 2Max Reger, Sonata in A-flat major op. 49 No. 1Max Reger, Sonata in F-sharp minor op. 49 No. 2Robert Schumann, Fantasy Pieces for Clarinet and Piano op. 73Louis Théodore Gouvy, Sonata for Clarinet and Piano*

6. one of the following works: Gioacchino Rossini, Introduction, Theme and VariationsDonato Lovreglio, Fantasia da Concerto su motivi de “La Traviata” di G. VerdiLuigi Bassi / Alamiro Giampieri, Fantasia di Concerto “Rigoletto” di G. Verdi

Semi-finalwiththeMunichChamberOrchestra(withoutconductor)

7. one of the following concertos: Wolfgang Amadeus Mozart, Concerto in A major KV 622Carl Stamitz, Concerto in F major (Edition Schott)Carl Stamitz, Concerto in E-flat major (Darmstädter Konzert) (Edition Hoffmeister)

FinalwiththeSymphonieorchesterdesBayerischenRundfunks

8. one of the following concertos: Paul Hindemith, ConcertoCarl Nielsen, ConcertoJean Françaix, Concerto Sandor Veress, Concerto

The works from No. 3, 6 and 7 are to be performed from memory.

* The best interpretation of one of the works marked will be awarded the special prize Palazzetto Bru Zane.

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JuryClarinetMilan Turkovic Chairperson AustriaFranklin Cohen USAEric Hoeprich NetherlandsKarl Leister GermanyPaul Meyer FranceSabine Meyer GermanyJohn Bruce Yeh USA




PreliminaryRemarksThe repertoire to be presented at the 2012 ARD Inter-national Music Competition in the voice category must cover the baroque, classical, romantic and 20th century periods. Each participant must sing in at least three European languages in the course of the Competition.

The order of performance in all rounds may be determined by the participant.

In the first round, the participant may determine the first work to be performed from the repertoire submitted therefor.

With the exception of oratorios and the commissioned work, everything must be performed from memory.

Participants are obligated to sing in the original lan-guages. Art songs may be transposed. This necessarily has to be stated when the program is submitted.

The participants must decide between the two following groups: either focus on concert or focus on opera.

As of the semi-final with orchestral accompaniment, the repertoire must be selected from the repertoire list stipulated by the Competition. Arias with cabalettas or “B-sections” must be performed in full (e.g. Anna Bolena “Piangete voi?” with the cabaletta “Coppia iniqua”).

All in all, preparations should be made in accordance with the following stipulations:

Focus on operaAt least 14 arias, at least six of which must be taken from the repertoire list stipulated by the Competition and at least six art songs.

Focus on concertAt least ten arias, at least three of which must be taken from the repertoire list stipulated by the Competition and at least ten art songs.

Pre-selectionwithrecording

Two arias or one aria and an art song of the partici-Two arias or one aria and an art song of the partici-pant’s choice.

Both works may be repeated in the Competition.

Firstround(withpianoaccompaniment)

Three pieces to be freely chosen. They must contain one aria or one song by W. A. Mozart and an operatic or oratorio aria from the romantic era.

One of these arias must be performed at first. It may be selected by the competitor himself.

The jury may subsequently require and determine a second one of these three works selected by the com-petitor.

Secondround(withpianoaccompaniment)

Two works the jury will select from the repertoire list submitted by the competitor.

In addition, the competitor is to sing one operatic aria, one art song or one oratorio aria to be freely chosen.

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Semi-finalwiththeMünchnerRundfunkorchester(withorchestralaccompanimentintheoperaticcategory,orchestralandpianoaccompanimentintheconcertcategory)

Commissioned composition by Manfred TrojahnComposition commissioned for the 2012 ARD International Music Com-petition. The sheet music will be supplied along with the admission to the competition. The commissioned composition may be played with the sheet music but not publicly performed prior to the competition.

And additionally

Focus on opera Three operatic arias to be freely selected by the competitor from the repertoire list stipulated by the Competition, one of them by W. A. Mozart. (One aria from a previous round may be repeated.)

Focus on concert One operatic aria or oratorio aria with orchestral accompaniment to be freely selected by the competitor from the repertoire list from the Competition.

Two art songs with piano accompaniment, one of them by F. Schubert and one from the late romantic era or the 20th century.

FinalwiththeSymphonieorchesterdesBayerischenRundfunks(withorchestralaccompanimentintheoperaticcategoryandorchestralandpianoaccom-panimentintheconcertcategory)

Focus on opera Four arias, one of which already had been sung inthe semi-finals, to be freely selected by the competitor from the repertoire list stipulated by the Competition.

Focus on concert Two operatic or oratorio arias, one of which already had been sung in the semi-final, to be freely selected by the competitor from the repertoire list stipulated by the Competition.

Three art songs, from three different periods. (One song from a previous round may be repeated.)

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JuryVoiceBrigitte Fassbaender Chairperson GermanyJuliane Banse GermanyKonrad Jarnot Great BritainTom Krause FinlandPal Moe NorwayCristoph Prégardien GermanyEdith Wiens Canada




OratorioariasThe oratorio arias are to be freely

selected from the following works:J. S. Bach, Matthäus-Passion

Johannes-Passion B. Britten, War Requiem

(Bariton/Tenor)M. Duruflé, RequiemG. Fauré, Requiem (Sopran)G. F. Händel, MessiasJ. Haydn, Die SchöpfungF. Mendelssohn Bartholdy, Elias C. Orff, Carmina buranaR. Schumann, Das Paradies und

die Peri

SopranoL. v. Beethoven Fidelio Abscheulicher!

Wo eilst du hin? (Leonore)V. Bellini I Puritani O rendetemi la

speme – Qui la voce – Vien diletto (Elvira)

A. Berg Lulu Wenn sich die Menschen um meinetwillen (Lulu)

L. Bernstein Candide Glitter and be gay (Cunegonde)

G. Bizet Carmen C’est des contre-bandiers – Je dis que rien (Micaëla)

B. Britten The Turn of the Screw How beautiful it is (Governess)

G. Donizetti Don Pasquale Quel guardo il cavaliere (Norina)

Lucia di Lammermoor Regnava nel silenzio (Lucia)

A. Dvorák Rusalka Mesícku na nebi hlubokém (Rusalka)

Ch. W. Gluck Alceste Divinités du Styx (Alceste)

Ch. Gounod Faust O Dieu! Que de bijoux – Ah! Je ris de me voir (Mar-guerite) Philémon et Baucis Enfin, il a perdu ma trace – O riante nature (Baucis)*

G. F. Händel Alcina Tornami a vagheggiar (Morgana)

Giulio Cesare Piangerò la sorte mia (Cleopatra)

R. Leoncavallo Pagliacci Qual fiamma avea nel guardo! – Strido-no lassù (Nedda)

W. A. Mozart Così fan tutte Temerari – Come scoglio immoto resta (Fiordiligi)

Don Giovanni In quali eccessi – Mi tradì quell’alma ingrata (Donna Elvira)

Die Entführung aus dem Serail Durch Zärtlichkeit (Blondchen)

Idomeneo Estinto è Idomeneo – Tutte nel cor vi sento (Elettra)

Le Nozze di Figaro E Susanna non vien – Dove sono i bei momenti (Contessa); Giunse alfin il momento – Deh vieni, non tardar (Susanna)

Zaïde Ruhe sanft (Zaïde) Die Zauberflöte Ach, ich fühl’s

(Pamina); O zittre nicht – Zum Leiden (Königin der Nacht)

Konzertarie KV 583 Vado, ma dove? – Oh Dei

O. Nicolai Die lustigen Weiber von Windsor Nun eilt herbei (Frau Fluth)

J. Offenbach Les contes d’Hoffmann Les oiseaux dans la charmille (Olympia)

G. Puccini La Bohème Si, mi chiamano Mimi (Mimi)

Suor Angelica Senza mamma (Suor Angelica)

Turandot Signore, ascolta (Liù); Tu, che di gel sei cinta (Liù)

H. Purcell Dido and Aeneas Thy hand Belinda – When I am laid in earth (Dido)

G. Rossini Il Barbiere di Siviglia Una voce poco fa (F-Dur) (Rosina)

G. Spontini La Vestale Toi que j’implore – Impitoyables dieux (Julia)*

R. Strauss Der Rosenkavalier Die Zeit, die ist ein sonderbar Ding (Marschallin)

G. Verdi La Forza del Destino Pace, pace, mio Dio (Leonora)

Rigoletto Caro nome (Gilda) R. Wagner Tannhäuser Dich, teure

Halle (Elisabeth)C. M. v. Weber Der Freischütz Wie

nahte mir der Schlummer – Leise, leise (Agathe); Einst träumte – Trübe Augen (Ännchen)

Mezzo-sopranoandcontraltoG. Bizet Carmen Seguidilla (Près des

remparts) (Carmen)B. Britten The Rape of Lucretia Give

him this orchid (Lucretia)Ch. W. Gluck Alceste Divinités du Styx

(Alceste) Orfeo ed Euridice Che farò senza

Euridice (Orfeo) G. F. Händel Rinaldo Or la tromba

(Rinaldo) Alcina Verdi prati (Ruggiero)

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15Voice: Reperoire list for semi-final and final





V. Joncières Dimitri O nature, toi si douce (Marpha)*

J. Massenet Werther Werther, Werther (Charlotte);

Va! Laisse couler mes larmes (Charlotte)

A. Mermet Roland à Roncevaux Prête à te fuir – Le soir pensive, au pied des Pyrénées (Alde)*

G. Meyerbeer Les Huguenots Nobles seigneurs, salut (Urbain)

W. A. Mozart La Clemenza di Tito Parto, parto (Sesto); Deh, per questo istante solo (Sesto)

Così fan tutte Ah scostati – Smanie implacabili (Dorabella)

Lucio Silla Il tenero momento (Cecilio)

H. Purcell Dido and Aeneas Thy hand Belinda – When I am laid in earth (Dido)

G. Rossini Cenerentola Nacqui all’affanno (Angelina)

Tancredi Oh, patria – Di tanti palpiti (Tancredi)

C. Saint-Saëns Samson et Dalila Amour, viens aider ma faiblesse (Dalila)

R. Strauss Ariadne Seien wir wieder gut (Komponist)

Der Rosenkavalier Wie du warst! Wie du bist! (Octavian)

G. Verdi Don Carlos O don fatale (Eboli)

W. Walton Troilus and Cressida Slowly it all comes back (Cressida)

CountertenorCh. W. Gluck Orfeo ed Euridice

Che farò, senza Euridice? (Orfeo)G. F. Händel Ariodante Dopo notte

(Ariodante) Rinaldo Cara sposa (Rinaldo); Venti,

turbine (Rinaldo) Theodora Sweet rose and lily (Didy-

mus)W. A. Mozart La Clemenza di Tito

Parto, parto (Sesto) Mitridate Re di Ponto Venga pur,

minacci e frema (Farnace)G. Rossini Tancredi Oh, patria –

di tanti palpiti (Tancredi)J. Strauss Die Fledermaus Ich lade

gern mir Gäste ein (Orlofsky)

TenorG. Bizet Carmen La fleur que tu

(Don José) B. Britten Billy Budd I am an old man

(Captain Vere) Peter Grimes Now the Great Bear

(Peter Grimes) G. Donizetti L’elisir d’amore Una furti-

va lagrima (Nemorino) La Favorita Spirto gentil (Fernando) La fille du régiment Ah! Mes amis –

Pour mon âme (Tonio)Chr. W. Gluck Iphigénie en Tauride

Unis dès la plus tendre enfance (Pylade)

Ch. Gounod Faust Salut, demeure chaste et pure (Faust)

G. F. Händel Alcina È un folle, un vile affetto (Oronte)

Theodora Descend, kind pity (Septimius)

V. Joncières Dimitri Si Dieu, Marpha, qui nous compte les heures (Dimitri)*

J. Massenet Manon Ah! Fuyez (Des Grieux)

A. Ponchielli La Gioconda Cielo e mar (Enzo)

G. Puccini La Bohème Che gelida manina (Rodolfo)

Manon Lescaut Donna non vidi mai (Des Grieux)

W. A. Mozart Così fan tutte Un’ aura amorosa (Ferrando)

Don Giovanni Dalla sua pace (Don Ottavio); Il mio tesoro (Don Ottavio)

Die Entführung aus dem Serail Konstanze, dich wieder (Belmonte); Ich baue ganz (Belmonte)

Idomeneo Fuor del mar (Idomeneo) Die Zauberflöte Dies Bildnis ist

(Tamino)R. Strauss Capriccio Kein andres,

das mir so (Flamand) Der Rosenkavalier Di rigori armato

(Sänger)P. I. Tschaikowsky Eugen Onegin

Kuda kuda (Lenski)G. Verdi Luisa Miller Quando le sere

(Rodolfo) Macbeth O figli, figli miei –

Ah, la paterna mano (Macduff) Rigoletto Ella mi fu rapita –

Parmi veder le lagrime (Duca) La Traviata Lunge da lei – De’ miei

bollenti spiriti (Alfredo) R. Wagner Die Walküre Winterstürme

(Siegmund)C. M. v. Weber Der Freischütz

Nein, länger trag ich nicht – Durch die Wälder (Max)

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BaritoneandbassL. v. Beethoven Fidelio Hat man nicht

auch Gold (Rocco)V. Bellini I Puritani Ah per sempre io

ti perdei (Riccardo) La Sonnambula Vi ravviso, o luoghi

ameni (Rodolfo)G. Bizet Carmen Votre toast (Escamil-

lo)A. Borodin Fürst Igor Ni sna, ni

otdikha (Igor)B. Britten Billy Budd Handsome

indeed – O beauty, handsomeness (Claggart); Look! Through the port (Billy Budd)

F. David La Perle du Brésil Jusqu’à ce jour, sans désir (Salvador)*

C. Debussy Pelléas et Mélisande Maintenant que le père (Arkel); On dirait que ta voix (Pelléas)

Chr. W. Gluck Iphigénie en Tauride Dieux qui me poursuivez (Oreste)

Ch. Gounod Faust Avant de quitter ces lieux (Valentin); Vous qui faites l’endormie (Méphistophélès)

G. F. Händel Acis and Galatea O rud-dier than the cherry (Polypheme)

Orlando Sorge infausta (Zoroastro) Rinaldo Sibilar gli angui d’Aletto

(Argante)E. Korngold Die tote Stadt Mein

Sehnen, mein Wähnen (Fritz)

A. Lortzing Der Wildschütz Heiterkeit und Fröhlichkeit (Graf von Eber-bach)

W. A. Mozart Così fan tutte Rivolgete a lui lo sguardo (Guglielmo)

Don Giovanni Madamina (Leporello)

Figaro Se vuol ballare (Figaro); Hai già vinta la causa – Vedrò mentr’io sospiro (Conte); Tutto è disposto – Aprite un po’ quegl’occhi (Figaro)

Die Zauberflöte In diesen heilgen Hallen (Sarastro)

M. Mussorgsky Boris Godunow Kak vo górode bylo vo Kazàni (Varlaam)

G. Puccini La Bohème Vecchia zimarra (Colline)

G. Rossini La Cenerentola Come un’ape ne’ giorni (Dandini)

Il Barbiere di Siviglia La calunnia (Basilio); Largo al factotum (Figaro)

A. Sacchini Renaud ou la Suite d’Armide Rappelé dans son camp (Hidraot)*

R. Strauss Ariadne auf Naxos Lieben, Hassen, Hoffen, Zagen (Harlekin)

I. Strawinsky The Rake’s Progress Fair lady, gracious gentlemen (Nick Shadow)

A. Thomas Hamlet O vin, dissipe (Hamlet)

P. I. Tschaikowsky Eugen Onegin Lyubi vse vozrasti pokorni (Gremin) Pique Dame Ja vas ljublju (Jeletzki)

G. Verdi Don Carlos Ella giammai m’amò (Filippo); Son io, mio Carlo – Per me giunto – O Carlo, ascolta – Io morrò (Rodrigo)

Falstaff È sogno? O realtà? (Ford) Simon Boccanegra A te l’estremo

(Fiesco) Il Trovatore Il balen/per me ora

fatale (Conte di Luna) I Vespri Siciliani O tu Palermo

(G. da Procida)R. Wagner Tannhäuser O, du mein

holder Abendstern (Wolfram)


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PreselectionwithRecording

a) The first and the slow movement from a quartet by Joseph Haydn or Wolfgang Amadeus Mozart, which may be repeated in the competition program.

b) Hugo Wolff, Italian Serenade in G major

FirstRound(40minutes)

1. Ludwig van Beethoven, a quartet from op. 18or Joseph Haydn, a work from op. 33, 50, 64 (except for No. 1 and No. 3), 74, or 76 (except for No. 3)

2. one of the following quartets:Alban Berg, Lyrische SuiteBertold Goldschmidt, No. 1, No. 2 or No. 3 Pavel Haas, No. 1 or No. 3Paul Hindemith, op. 16 or op. 22Leoš JanáčekGideon KleinHans KrasaArnold Schönberg, No. 3 op. 30 Erwin SchulhoffIgor Strawinsky, Three pieces and ConcertinoViktor UllmannAlexander Zemlinsky, No. 2 op. 15

SecondRound(50minutes)

3. one of the following quartets:Johannes BrahmsAntonín Dvorák, op. 105 or op. 106 Felix Mendelssohn Bartholdy, op. 12, op. 13, op. 44 or op. 80George Onslow, op. 50*Robert Schumann

4. one of the following quartets:Luciano Berio, NotturnoPierre Boulez, Livre pour Quatuor (1948/49)John Cage, String QuartetElliot Carter, No. 2, No. 4 or No. 5Franco Donatoni, La souris sans sourireHenri Dutilleux, Ainsi la nuitHans Werner Henze, No. 5György Kurtág, Officium breveHelmut Lachenmann, No. 3György Ligeti, No. 1 or No. 2Conlon Nancarrow, No. 1Wolfgang Rihm, No. 4 or No. 9 Iannis Xenakis, Tetras

Semi-final

5. Wolfgang Amadeus Mozart, one of the quartets KV 387, KV 421, KV 428, KV 458, KV 464, KV 465, KV 499, KV 575, KV 589 or KV 590

6. commissioned composition by Erkki-Sven TüürComposition commissioned for the 2012 ARD International Music Com-petition. The sheet music will be supplied along with the admission to the competition. The commissioned composition may be played with the sheet music but not publicly performed prior to the competition.

7. one of the following quartets:Franz Schubert, Quartettsatz (Movement for String Quartet) in C minor D 703 orAnton Webern, Five movements

18String Quartet

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19String QuartetFinal

8. one of the following quartets:Ludwig van Beethoven, op. 59, op. 127, op. 130, op. 131 or op. 132 orFranz Schubert, in A minor D 804, in D major D 810 or in G major D 887

9. one of the 6 quartets by Béla Bartók:No. 1 (1908)No. 2 (1915 – 17)No. 3 (1927)No. 4 (1928)No. 5 (1934)No. 6 (1939)


JuryStringQuartetMarkus Hinterhäuser Chairperson AustriaVladimír Bukač Czech RepublicRuth Killius GermanyHeime Müller GermanyRaphaël Merlin FranceOyvor Volle NorwayN.N.




ClarinetThursday, September 6: 1st round beginsSunday, September 9: 2nd round beginsWednesday, September 12: semi-final Friday, September 14: final

VoiceFriday, September 7: 1st round beginsMonday, September 10: 2nd round beginsFriday, September 14: semi-final Sunday, September 16: final

StringQuartetFriday, September 7: 1st round beginsMonday, September 10: 2nd round beginsThursday, September 13: semi-finalSaturday, September 15: final

PrizeWinners’ConcertsConcert with the Münchner RundfunkorchesterWednesday, September 19, 8:00 P. M.

Concert with the Munich Chamber OrchestraThursday, September 20, 8:00 P. M.

Concert with the Symphonieorchester des Bayerischen RundfunksFriday, September 21, 8:00 P. M.

20Schedule 2012

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Sir Colin DavisConductor

Thomas GoppelPresident of the Bavarian Music Council

Hans Werner Henze Composer

Wolfgang HeubischBavarian State Minister of Science, Research and Culture

Mariss JansonsChief Conductor of the Symphonieorchester des Bayerischen Rundfunks

Martin Maria KrügerPresident of the German Music Council

Zubin MehtaConductor

Kent NaganoGeneral Music Director of the Bavarian State Opera

Peter Ruzicka Head of the Biennale Music Theater Festival, Munich

Albert ScharfFormer Director General of Bayerischer Rundfunk

Christian UdeLord Mayor of of the State Capital of Munich

Winrich HoppArtistic Director of “musica viva” at Bayerischer Rundfunk

TheGeneralDirectorsoftheARD

Ulrich WilhelmBayerischer Rundfunk

Helmut ReitzeHessischer Rundfunk

Udo ReiterMitteldeutscher Rundfunk

Lutz MarmorNorddeutscher Rundfunk

Jan MetzgerRadio Bremen

Dagmar ReimRundfunk Berlin-Brandenburg

Thomas KleistSaarländischer Rundfunk

Peter BoudgoustSüdwestrundfunk

Monika PielWestdeutscher Rundfunk

Erik BettermannDeutsche Welle

Willi SteulDeutschlandradio

21Honorary Committee Patrons

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Ulrich Wilhelm, ChairmanDirector General of Bayerischer Rundfunk, Munich

Dorothea EnderleHead of the Music Division, Südwestrundfunk, Baden-Baden

Brigitte FassbaenderDirector General of the Tiroler Landestheaters Innsbruck

Siegfried MauserPresident of the Academy of Music and Theatre, Munich

Christoph PoppenConductor

Detlef RentschProgram Director of the Mitteldeutscher Rundfunk Cultural Division, Leipzig

Werner WittersheimHead of the Music Program Group, Westdeutscher Rundfunk, Cologne

ArtisticDirectoroftheCompetitionAxel Linstädt

DeputyArtisticDirectorOswald Beaujean

AdministrativeDirectorElisabeth Kozik

AssistantAmelie Krause

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22Main Committee Directors




2013CompetitionViolin – Viola – Bassoon – Piano trio

2014CompetitionPiano – Violoncello – Percussion – Wind Quintet

2015CompetitionVoice – Flute – Trombone – Piano Duo

Informationen:Internationaler Musikwettbewerb der ARDc/o Bayerischer RundfunkRundfunkplatz 180335 MünchenDeutschlandTelefon ++49 89 5900-2471Fax ++49 89 [email protected]

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23Upcoming Competitions

Impressum

RedaktionElisabeth Kozik

Gestaltung und SatzGorbach, Büro für Gestaltung, Utting

Redaktionsschluss23. September 2011

für das grafische Erscheinungsbild des Internationalen Musikwettbewerbs der ARD München

Subject to alterations! In cases of doubt, the German text applies.

The text of this invitation is available in the Internet in German, English and French, the invitation can be downloaded with repertoire and application form (from February 2012: www.ard-musikwettbewerb.de.




Documents

September 6 to Voice Clarinet String Quartetattachment.pdf · Voice Clarinet String Quartet September 6 to September 21, 2012. The 61st ARD International Music Competition 2012 in