Presents

Theatre on San Pedro Square29 N. San Pedro Sreet • Downtown San Jose

September 21 – October 14, 2012

Welcome / Director’s Note from Cathy Spielberger Cassetta, Executive Director

Theatre is more than a show. Tabard.

Welcome to our 12th Season!!!! This year we are celebrating the impact that certain people—Elvis Presley, Francis Biddle, Big Band leaders, song writers, arrangers, orchestras, Tony Bennett, Alonzo Fields, Mickey

Rooney and Judy Garland—have had on our lives through our theme of TRUE Lives: Stories & Songs of Real People. I’m sure you’ve heard of all of them except maybe Francis Biddle and Alonzo Fields—reason enough for you to join us as we take a glimpse into these two lives and experience their profound stories through Trying and Looking Over the President’s Shoulder, respectively. Closer to home, we are dedicating this season to three men who provided the true foundation and encouragement to their daughters to pursue their creative passions and talents. Without them, we truly would not be the women of theatre we are today:• Fred Spielberger—my father and Chris’ father-in-law, who passed away May 16th. Fred was Tabard’s first donor, who also donated the use of his garage for Tabard storage for 11 years, known to us as Fred’s Fine Storage. • Tom Higgins—father and father-in-law to our resident lighting designers Danny Jennifer Higgins Dunn and Beric Dunn, who passed away May 26th. • Bob Turner—father of Diana Turner, Tabard resident stage manager, who passed away June 26th. Without Fred, Tom and Bob, Tabard would not exist. Truly. So hats off to these fine fellows. We miss them more than words can express. Another loss in the Tabard family this summer was John Palmer’s brother, Gary. Two of our favorite actors also suffered the recent loss of a parent. We also lost Tabard’s first subscriber, Chiq Lockhart, a strong Tabard advocate and donor since 2001; and Joan Dahl, a relatively new subscriber. So this year, as we celebrate TRUE Lives: Stories and Songs of Real People, we celebrate and remember those who are no longer with us but who made a tremendous and lasting impact on us, making our lives far richer for having had them with us. The nonprofit for this show is Arts Angels, a program developed by Tabard and Nineteen Jazz Ensemble to provide arts mentors in local schools. Read more about Arts Angels later in this program. For now, put on your blue suede shoes and get ready to rock-and-roll with Elvis Has Left the Building.

To say Elvis is a “personality” might just be the understatement of the century. Although, obviously a real person, even years after his passing, Elvis (and ev-eryone who came into contact with him) somehow still seems larger-than-life.

Impossibly so. His life reads like a movie script. Or, a play, even. The writers and the Tabard creative team took the larger-than-life approach very much to heart when creating what you are about to see. One three-day period in the life of Elvis and his manager, Colonel Parker (also a real life person and personality in his own right), blown up into a giant ball of “what if it happened like this?” And, who’s to say it didn’t happen EXACTLY like this? I mean, why not, right? Truth or fiction, or more likely a bit of both, we hope you enjoy the show as much as we have putting it together and performing it for you.

from Susannah Greenwood, Director

Presents

Theatre for All Ages. Tabard.

the tabarD theatre compaNy

by

Virginia Cate and Duke Ernsberger

First produced in 2011 at The Barter Theatre, Abingdon, Virginia

Rights to songs granted through American Society of Composers, Authors and Publishers (ASCAP)

Producer Cathy Spielberger Cassetta Director Susannah Greenwood Vocal Director Irene Trapp Choreographer Doreen O’Malley Technical Director Joe Cassetta Assistant Technical Director John Palmer Stage Manager Valerie Gordon Assistant Stage Manager/Sound Marissa Martin Set Designer/Scenic Artist Migi Oey Lighting Designer Beric Dunn Set Construction Cast, Staff, Graham Haro/ CASE Design & Remodeling Set & Lighting Assistant Chris Kobyluk Costume Designer Marilyn Watts Costume Assistant/Dresser Carinne Kolbe Audience Services Lynne Rice, Betsy Shoup, Marilyn Watts Production Graphic Artist Henry Ruddle Production Photographers Edmond Kwong,

Lawrence Whitcomb

proDuctioN staff

Be a part of it. Tabard.

Supported, in part, by a Cultural Affairs grant from the City of San Jose and a Regional Arts Fund Grant from Arts Council SIlicon Valley.

Tabard offers its sincere and grateful appreciation and thanks to… Alternative Office Solutions, Cami Creations, Jim Christofferson,

Joe Oliverio/Oliverio Productions, RuthE Stein, WVLO and all our season subscribers, donors, sponsors and community partners who helped make

this season possible.

Nineteen Jazz Ensemble and The Tabard Theatre Company are partnering in an innovative “Arts Angels” program for local schools that places arts mentors in classrooms for an hour a week over 8 months. Your fully tax-deductible donation can impact the artistic lives of 30–40 kids in a meaningful way over the school year. Be an “Arts Angel” and help send arts mentors “winging” their way to our schools!

To make a donation to “Arts Angels,” go to www.tabardtheatre.org

A portion of Tabard’s concession proceeds from this production

will be donated to

There will be a 15-minute intermission.

Joseph O’LoughlinChristine WaitWill PerezRon Packard Ana Williams (3pm: 9/29, 10/6, 10/13)

Sarah Vogel

f

SETTINGThe Memphis office of Colonel Tom Parker and a Las Vegas nightclub,

the weekend of December 18–20, 1970

f

(in order of appearance)

Colonel ParkerTrudy

RoscoeCandy

Jill Tanner

elvis has left the builDiNg

CAST

Time well spent. Tabard.

meet the artists

Joseph O’Loughlin (Colonel Parker) makes his Tabard debut. He has appeared as the Judge in Gogol’s The Government Inspector (BBSC) and the Burglar in Shaw’s Heartbreak House (AE). Besides numerous staged readings of Shakespeare, Beaumont, Marlowe and Johnson plays for Subterranean Shakespeare, he has performed in the chorus for Festival, Livermore, and Opera San José opera companies and has written an award-wimming short play, The Psychic.

Ron Packard (Candy) returns to Tabard after his roles in It’s a Wonderful Life, See How They Run, A Taffeta Wedding and A Taffeta Christmas. He also enjoyed sharing the stage with his wife and three children in SBMT’s production of The Music Man. His favorite roles include Bobby Child in Crazy for You, Elliot Garfield in The Goodbye Girl, and Bud Frump in How to Succeed in Business Without Really Trying (for which he received a Dean Goodman Choice Award).

Will Perez (Roscoe) returns after making his Tabard debut last season in Bandstand Beat. By day he is a Lasik technician in his hometown of San Jose. Favorite roles/shows include Victor (Smokey Joe’s Café), Frankie (Forever Plaid), and The Del Tones (Breaking Up Is Hard to Do), all for BBSC; The Producers (SBMT); Young Joe Hardy (Damn Yankees!, WVLO); and World Goes Round (Pear Avenue Theater). He thanks his family and friends for their support.

Sarah Vogel (Jill Tanner) returns to Tabard following her energetic performances in Follies Concert Version, Bandstand Beat and The Tin Pan Alley Rag. She also served as Dance Captain for Bandstand Beat and The Tin Pan Alley Rag. She received her bachelor’s degree in drama from San Francisco State University, where she was a member of the Brown Bag Theatre Company. When not dancing, Sarah loves watching SciFi television.

Christine Wait (Trudy) returns after making her Tabard debut in It’s a Wonderful Life. A familiar performer in the ’80s and ’90s, Christy appeared in 12 productions with SJCLO, including Jenny Lind (Barnum), Faye Templeton (George M), and Glinda/Aunt Em (The Wizard of Oz), earning her 7 Ginny Awards. She also performed for SDG, SCU, and SJS, and appeared as Rona in 25th Putnam County Spelling Bee (WVLO). Christy is a retired special education teacher.

Ana Williams (Candy) is thrilled to debut with Tabard in a tribute to one of her favorite performers, The King! Her other memorable performances have been as Sara Jane Moore in Assassins (ATC), Mother Burnside in Mame (WVLO), and Miss Jones in How to Succeed in Business Without Really Trying (Pioneer High’s alumni troupe, The Glue Factory). She hopes you will support Tabard’s very worthwhile cause, Arts Angels, and that you Enjoy The Show!!

meet the artists

Virginia Cate & Duke Ernsberger (Playwrights) are a mother/son writing duo whose credits include Losing Patients; Dracula Bites; Don’t Cry for Me, Margaret Mitchell; Sherlock Holmes and the Christmas Goose and, of course, Elvis Has Left the Building. Cate comes up with half the dialogue and the general concepts of their plays, while Ernsberger supplies the rest of the dialogue and—because he is an actor—the stage directions. He has appeared in more than 15 movies and indie films, including King Kong Lives, two of Jim Varney’s Ernest series, and the upcoming Killbilly Farm.

Cathy Spielberger Cassetta (Producer/Props) is a theatre/television veteran and entrepreneur who created/produced/co-hosted the weekly TV program Theatre This Week in the 1990s before founding Tabard in 2001. For Tabard she has directed Scapin, Dames at Sea, The Gifts of the Magi, The Dog Sitters, Sabrina Fair, A Taffeta Wedding, Stompin’ at the Savoy, Bandstand Beat (also created and wrote), It’s a Wonderful Life and Crossing Delancey. TRUE: She was born and raised in Mexico City.

Joe Cassetta (Technical Director) has been significantly involved with Tabard since the beginning, including building a theatre inside Opera San José’s 10,000-square-foot rehearsal hall for Stop Time! and guiding the tech team for all shows. An engineering manager at IBM by day, Joe was acknowledged last year by President Obama and IBM for his volunteer work with Tabard. TRUE: If he hadn’t been an engineer, he would have been an English teacher.

Beric Dunn (Lighting Designer) Having been with Tabard since the first show and at all 8 venues, Beric continues to enjoy the creative opportunities of designing light-ing for Tabard shows. TRUE: Beric was born in Kenya.

Valerie Gordon (Stage Manager) starred at age six in a community theatre produc-tion of One Eye, Two Eyes, Three Eyes. Since then, she’s had experience as performer, director, set and lighting designer. Valerie is proudest of directing How to Succeed in Business. After a long hiatus raising a family and establishing a career, she’s excited to be back working with the great team on Elvis Has Left the Building. TRUE: She lives in a 115-year-old house.

Susannah Greenwood (Director) has directed, acted, taught, written (Pandemo-nium) and even bartended for Tabard. Favorite directing gigs include The Lion, The Witch and the Wardrobe (Tabard), Bug and Bill of (W)Rights (RTE) and Wrong Turn at Lungfish (NTC). Onstage, she was most recently seen as Josie in Moon for the Misbegotten (PAT). Susannah holds a B.S. in both English and Drama from Kenyon College in Ohio. TRUE: She has TWO 3-legged cats.

Chris Kobyluk (Set/Lighting Assistant) returns to Tabard, having worked behind the scenes on last season’s The Tin Pan Alley Rag. TRUE: Her favorite pastime is fighting with foam swords (P.S.: She’s a Psych major.)

Carinne Kolbe (Costume Assistant/Dresser) returns to Tabard after The Tin Pan Alley Rag. Carinne graduated from University of Rhode Island with a B.S. in Textiles, Merchandising and Design and a B.A. in Art. In Rhode Island she worked as a pat-tern drafter/designer at Philip Sawyer Designs. She was recently a lead instructor of cartooning, painting and fashion design at Galileo learning summer camp. TRUE: She was born in South Africa.

Actors Ensenble, Berkeley Actors Theatre Center American Musical Theater San Jose Bus Barn Stage Company Northside Theatre Company

The Pear Avenue Theatre Renegade Theatre Experiment San Jose Civic Light Opera Saratoga Drama Group/South Bay Musical Theatre West Valley Light Opera

Theatre company acronyms:

SDG/SBMT

WVLO

PAT RTE

SJCLOAE

ATC AMTSJ

BBSC NTC

meet the artists

Marissa Martin (Assistant Stage Manager/Sound) recently returned to California after 5 years in Michigan. While there, she worked as a theatre technician for the Midland Center for the Arts, assisting with sets, props, costumes, lights, sound, and stage management. She is excited to return to working with the California theatre community and taking part in every show of Tabard’s 2012–2013 season. TRUE: Some of her work was highjacked by WikiLeaks.

Migi Oey (Set Designer/Scenic Artist) has worked on the technical team for Bandstand Beat, Annie Jr., The Story of My Life, It’s a Wonderful Life, Crossing Delancey and The Tin Pan Alley Rag. Her knowledge of the performing arts stems from photographing musicians to working with local theatres, schools and corporate events. As a traditional artist she is skilled at drawing, painting large-scaled murals and faux finishes, photography, floral design, textiles, and graphics. TRUE: In the 1980s she represented the United States as an aerobic instructor in Japan.

Dorene O’Malley (Choreographer) returns to Tabard following It’s a Wonderful Life, Ridin’ Right Through That Rainbow and Bandstand Beat. Dorene has spent many years choreographing and directing musical theatre in Europe and North Aftrica; her latest position was as a director with the English-speaking theatre in Bern, Switzerland. She looks forward to further Tabard productions. TRUE: She has lived and worked in 11 countries.

John Palmer (Assistant Technical Director) has been one of Tabard’s “Three Musketeers” since the first season. He is Tabard’s Radar O’Reilly, our go-to guy for so many things. The former theatre technician for West Valley College’s theatre, he is ideally suited to be Tabard’s TOSPS facilities manager and technical director. An active member of the singing group Stoctet, his personal joy is singing. TRUE: At one point in his life, he was an Elvis impersonator.

Irene Trapp (Vocal Director) returns to Tabard after starring in It’s a Wonderful Life, The Gifts of the Magi and Follies Concert Version. A studio musician, voice-over artist, film actor, director, teacher and an original Great America Singer, Irene also directed The Last Night of Ballyhoo for Tabard. A career highlight was playing Lady Thiang in AMTSJ’s The King and I with Debbie Boone. TRUE: As a violist, she has played in orchestras for Smokey Robinson, Kenny G, Dionne Warwick, John Denver and Led Zeppelin.

Marilyn Watts (Costume Designer) has been Tabard’s Resident Costume Designer since the company’s second season. Marilyn is also Tabard’s box office manager, has her own catering company, and is costumer for many other theatre companies. What brings an even bigger smile to her is anything related to I Love Lucy. TRUE: Marilyn used to date Arnold Schwarzenegger’s bodyguard back in Arnold’s Conan days.

The Pear Avenue Theatre Renegade Theatre Experiment San Jose Civic Light Opera Saratoga Drama Group/South Bay Musical Theatre West Valley Light Opera

frieNDs of tabarD

Experience the magic. Tabard.

Subscribe Now to Our 2012-2013 Season

TRUE Lives: Stories & Songs of Real People

29 N. San Pedro StreetDowntown San Jose

Performances at:

TICKETS:800-838-3006

tabardtheatre.org

SEPT. 21–OCT. 14 NOV. 2–18 NOV. 30–DEC. 16

FEB. 8–24, 2013 APRIL 12–MAY 5

PLUS!Limited Engagement

JAN. 18–27

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Let the good times roll. Tabard.

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Partnering Through Business Sponsorships

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WILLOW GLEN

Experience infinite possibilities. Tabard.

frieNDs of tabarD2012–2013 Season

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an advised fund of Silicon Valley Community Foundation

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Thank you for joining our Journey. We apologize for any omissions due to

our print deadline.

Be engaged. Tabard.

the tabarD theatre compaNy

Executive Director Cathy Spielberger Cassetta Finance Director John DiLoreto Associate Artistic Directors Doug Baird, Susannah Greenwood, Diane Milo Technical Director Joe Cassetta TOSPS Facilities Manager John Palmer Marketing & Communications Director Chris Spielberger Director of Engagement Irene Trapp TOSPS Guest Company and Non-profit Liaison Jeanie Burgess Education & Outreach Director Jennifer Packard Business Sponsorships & Strategies Ed Sengstack Silicon Valley Arts Coalition Representative Marissa Martin Resident Scenic Artist Migi Oey Resident Lighting Designer Beric Dunn Chief Audio Engineer John DiLoreto Resident Costume Designer Marilyn Watts Resident Stage Manager Diana K. Turner Box Office Manager Marilyn Watts TOSPS Concessions Manager Lynne Rice TOSPS Resident Mixologist Josh Salans Web Master Betty Gott Tabard Logo Don Barnes (cellarideas.com) TOSPS Logo Mike English Tabard Website Gott Design? (gottdesign.net) Tabard Buttons Harley Goes

Sherry Bevis, Joanne Johnson Felt, Harley & Esther Goes, Betty Newton,

Suzanne Rostamizadeh, Bob & Winnie Schlossareck, Barbara & Ed Soohoo, Jack & Sally Stallard, Bob & Anne Welker

TABARD AUDIENCE ADVISORY PANEL (TAAP)

Members Kathy J. Bullock, Cathy Spielberger Cassetta, Katie Hassett, Jonathan Jackel, Terry Riley

President Joe Cassetta Vice President Rich Hemmerling Treasurer Arlene Keane

BOARD OF DIRECTORS

Board Secretary Jessica Golden

Ed Correia, Jim Kabel, Butch Kruse, Jason Minsky

ADVISORY BOARD

‘tab’ard: \’tab- erd also -ärd\ n: • An ancient London inn featured in Chaucer’s

Canterbury Tales, from which pilgrims began their journey to Canterbury Cathedral and at which the innkeeper offered a free meal to the best storyteller

• A tunic worn by a knight over his armor and emblazoned with his sovereign’s arms

• The name appropriated by numerous contemporary collegiate literary fraternities

• A dynamic and imaginative theatre company in Silicon Valley, CA

Administrative Office: 5663 Chambertin Drive San Jose, CA 95118

408-979-0231

cathy@tabardtheatre.org www.tabardtheatre.org

A 501 (c) (3) public benefit corporation

Executive Director: Cathy Spielberger Cassetta

e

Inspiration and Imagination found here. Tabard.