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The Legislative Assembly of British Columbia self-directed guide book english

Self-directed guide book, English€¦ · legislative assembly 2 executive summary the birdcages Construction of the fi rst legislative buildings on this site, known as the “Birdcages”,

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Page 1: Self-directed guide book, English€¦ · legislative assembly 2 executive summary the birdcages Construction of the fi rst legislative buildings on this site, known as the “Birdcages”,

The Legislative Assembly of British Columbia

self-directed

guide book

english

Page 2: Self-directed guide book, English€¦ · legislative assembly 2 executive summary the birdcages Construction of the fi rst legislative buildings on this site, known as the “Birdcages”,

legislative assembly 2 executive summary

the birdcages

Construction of the fi rst legislative buildings on this site, known as the “Birdcages”, began in 1859 and was completed in 1864. These buildings were described in the press of the time as “a mixed style of architecture, the latest fashion for Chinese pagoda, Swiss-cottage and Italian-villa fancy birdcages”.

By the early 1890s they were no longer large enough to serve the growing population’s needs, so in 1892 an architectural contest was held to select a design for new Parliament Buildings.

Of 65 sets of drawings submitted by competitors from across North America, those of 25-year old architect, Francis Mawson Rattenbury, were selected. This project was his fi rst major commission, and following its successful completion, he went on to design several more landmark structures in British Columbia, including the Empress Hotel, the CPR Marine Terminal (now housing the Royal London Wax Museum), and the Vancouver courthouse (which is now the Vancouver Art Gallery).

elcome to the British Columbia Parliament Buildings. In this booklet you will fi nd an overview that describes the architectural and historical signifi cance of these working buildings which are

home to the Legislative Assembly of British Columbia. The information is laid out to assist you in a self-guided tour of the building.

We hope that you will enjoy your visit.

W

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building design

The style of the Parliament Buildings has been described as “free classical,” renaissance and Romanesque. However, Rattenbury did not adhere to a strict revival of a specifi c historical architectural style. He designed the building to feature, wherever possible, the raw materials of the Province. The grey Haddington Island andesite on all facades of the building, the Nelson Island granite used in the foundation and front stairs, the

now-oxidized copper domes, and the assortment of hardwoods paneling the interior rooms display the abundant natural resources of British Columbia. Slate from Jervis Inlet originally tiled the roof, although during the restoration it was replaced with Pittsburgh slate.

Construction on the new Parliament Buildings began in 1893 and was completed by the end of 1897. The Parliament Buildings were offi cially opened on February 10, 1898. Various additions were made to the buildings between 1913 and 1920, starting with the construction of the new Legislative Library. The cost of all of the construction was just over $2 million, whereas today the replacement cost of the building is estimated at over $500 million.

After 70 years without regular improvements or renovations, the Parliament Buildings had deteriorated noticeably. With leaking roofs, rotting foundation timbers and an antiquated electrical system, the building was showing its age. In 1972, the government committed to an extensive restoration and renovation of the buildings. The renovations, which were supported by two different governments and supervised by architect Alan Hodgson, would take more than ten years and over $80 million to complete.

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the lower rotunda

The lower rotunda was intended to be the central access point for all government services of the day. A citizen could go from here directly to any government department.

In the centre of the room on the fl oor is a hand-laid Italian mosaic. Looking upward, the dome stretches to a height of 30.5 metres (100 feet). Rattenbury chose to use an octagonal renaissance-style dome, which distinguishes the Parliament Buildings from the many circular neo-classical domes used on American state and federal capitol buildings. On top of the dome is a two-meter tall statue of Captain George Vancouver. The statue is made of beaten copper and plated with 14 carat gold.

British Columbia Coat of ArmsAdopted in 1987, the British Columbia Coat of Arms contains elements both of our colonial past and natural splendour. The crowned lion standing on the crown represents Her Majesty Queen Elizabeth II’s Royal Crest. On the shield, the blue stripes represent the Pacifi c Ocean while the white stripes represent the snow-capped Rocky Mountains. The setting sun indicates we are Canada’s western-most province. On the left, the wapiti stag (or elk) represents the former Colony of Vancouver Island

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while the big horned mountain sheep on the right represents the former mainland Colony of British Columbia. The motto at the bottom is written in Latin— “splendor sine occasu”—that essentially means “Beauty without Diminishment “or “Beauty Without End.” Located around both the lion’s neck and the bottom of the coat of arms is a dogwood garland—B.C.’s provincial fl ower since 1956.

MuralsCreated by George Southwell, the four murals within the lower rotunda are rare examples of 1930s mural paintings. The fi rst mural, depicts the meeting of Captains Vancouver and Quadra and the Nuu-chah-nulth nation at Nootka Sound in 1794. The second, shows the Hudson’s Bay Company’s James Douglas landing his ship at Clover Point in 1843. The third mural, illustrates the construction of Fort Victoria in 1843. Finally, the fourth mural portrays Chief Justice Sir Matthew Baillie Begbie holding court in Clinton during the height of the Cariboo gold rush in the early 1860s.

reception hall

Today, the Reception Hall is occasionally used for special functions and receptions, but forty years ago it was still offi ce-space for the former Department of Lands and Forests. At that time the space was partitioned into cubicles and had peach-coloured walls and red battleship linoleum on the fl oor. During the restoration, the ceiling of this room was discovered and restored to its original Early French Renaissance style. When the linoleum was lifted, restorers recovered the original parquet of local Douglas fi r.

PortraitThe portrait of Her Majesty Queen Elizabeth II, Queen of Canada and His Royal Highness The Prince Philip, Duke of Edinburgh was taken in 1984 at Buckingham Palace by Yuosuf Karsh, the famous Canadian photographer. Canada is a parliamentary democracy and a constitutional democracy. As Queen of Canada, The Queen is our nation’s head of state. She is represented in Canada by the Governor General and in each of the provinces, by the Lieutenant Governor.

Since the Statute of Westminster of 1931, Canada has been a fully sovereign state; however, Canada remains a member of the Commonwealth, which is a voluntary association of 53 countries, representing approximately 1.8 billion people, or 30% of the world’s population. Her Majesty The Queen is Head of the Commonwealth.

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Stained Glass

Golden Jubilee WindowThe Golden Jubilee Window was a gift from the Government of British Columbia to Her Majesty Queen Elizabeth II to commemorate her Golden Jubilee in 2002. It was crafted by two Victoria artisans, Edward Schaefer and Thomas Mercer. At the topmost portion you will notice Her Majesty’s Canadian Royal Standard. This is the Queen’s own Personal Canadian fl ag and is fl own only when Her Majesty is in Canada. You can also see various symbols of B.C., including our provincial bird, the Steller’s Jay, and our provincial stone, jade, which is indicated by the green inserts at the bottom.

Her Majesty Queen Elizabeth II unveiled this window while standing here on October 6, 2002.

Queen Victoria’s Diamond Jubilee WindowThis window was commissioned for Her Majesty Queen Victoria’s Diamond Jubilee, the sixtieth year of her reign, in 1897.

On the left side is the date of the 18-year-old Queen Victoria’s accession to the throne (1837), and to the right is the date of her Diamond Jubilee (1897). The letters “V” and “R” stand for the Latin “Victoria Regina”, or Queen Victoria.

The Diamond Jubilee Window was originally located on the second fl oor behind the Legislative Chamber. In 1912, due to the construction of the

new Legislative Library, it was dismantled and placed in the cellar for safe-keeping. The window was then forgotten, and so it remained in the basement for the next 62 years when it was unearthed during the restoration in 1974.

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At the topmost portion of the window, you will notice British Columbia’s original Coat of Arms. The government adopted this Coat of Arms by Order-in-Council in 1895. It contains many of the same symbols as the one used today, however, British offi cials were unable to accept this design. It was considered inappropriate to have the British fl ag on the shield in an inferior position to the setting sun, as it contradicted the popular expression of the day that “the sun never sets on the British Empire.” The use of the Royal Crest was another problem. Although the designer considered it an expression of loyalty to the Crown, it infringed the Sovereign’s exclusive right to the symbol. The fl owers in the original are the emblems of the United Kingdom: the purple thistle of Scotland, the green shamrock of Ireland, the pink Tudor Rose of England, and fi nally, the yellow daffodil of Wales.

Stair WindowsAs you climb the stairs to the Memorial Rotunda, you will notice a set of stained glass windows, displaying quotations from 17th and 18th English writers and thinkers (including Francis Bacon and Samuel Johnson), which are here, presumably, to inspire legislators and spectators as they approach the Chamber.

the memorial rotunda

The Memorial Rotunda gained its name because it is the site of several war memorials dedicated to those from British Columbia who gave their lives for Canada. The Books of Remembrance in the corner of the room list the names of British Columbia civil servants who served as soldiers and who died during the First and Second World Wars.

In the centre of the Memorial Rotunda is an open circle surrounded by a ring of dark Tennessee marble. The walls are lined with two colours of Tennessee marble and decorated with 23 carat gold leaf, which was applied during the restoration. The terrazzo fl oor is constructed from tiny segments of marble and granite that were imported from Italy.

Looking up into the dome of the Memorial Rotunda are four paintings, which were painted by the same artist as the murals in the Lower Rotunda. These paintings represent the primary economic activities of the young province: forestry, fi shing, agriculture and mining.

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FlagsThe fl ags above are also of a commemorative nature. We have the White Ensign, the fl ag of Britain’s Royal Navy since 1864. This was used by the Canadian Navy from 1911 until 1965, when the red and white maple leaf fl ag became our country’s new fl ag. Next, we have the Provincial Flag, adopted in 1960, which is based on our coat of arms.

Finally, we can see the The King’s Colour, which was presented to the veterans of the 67th Battalion (Western Scots) Canadian Expeditionary Force. It is placed here to represent the participation of soldiers from our province at the WWI battle for Vimy Ridge. It was presented on August 21, 1922 by Governor General Lord Byng and originally hung in the Provincial Library.

ceremonial entrance

The Ceremonial Entrance provides access to the Memorial Rotunda and leads directly into the Chamber – the physical and symbolic heart of these buildings. As it is the Ceremonial Entrance, it is only used for the most special of occasions. It is generally used only once per year, in February, when the Lieutenant Governor enters the building to open a new session of parliament. Her Majesty, The Queen, last came through here in March of 1983, although she visited the buildings in the fall of 2002 for her Golden Jubilee. Beyond The Queen, and her Representatives to Canada, the only other person who would be permitted to use this entrance, would be a visiting Head of State.

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legislative chamber

The Legislative Chamber measures 12 by 18 metres (40 by 60 feet). The walls are panelled with brown Italian marble and decorated with 22 columns of green, white and purple Italian marble. The ceiling is trimmed with gold leaf and hosts four domed stained-glass skylights. An intriguing feature of the Chamber is the plaster faces which can be seen looking down from above each of the columns. Some sources suggest that these are the faces of famous philosophers, whose wisdom Rattenbury hoped would infl uence the politicians. However, they are more likely to be anonymous representatives of the people keeping an eye on the legislators. The large wrought-iron lamps are replicas of those hung in the Chamber in 1898.

Inside the Chamber, MLAs come to meet, debate and express the views of their constituents while participating in the legislative process of making laws, approving proposed government expenditures and scrutinizing government activity.

All laws must fi rst pass through three “readings” and an in-depth study at committee stage. Once complete, the Lieutenant Governor will come to the Chamber to give the new act Royal Assent (the Queen’s offi cial approval), and what started as a bill is now a law of the Province of British Columbia.

Members’ DesksThe House is divided into two double rows of desks on either side of the fl oor. Traditionally, the government sits to the Speaker’s right, and the opposition sits to the Speaker’s left. In most parliaments, including this one, the rows are spaced two

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sword-lengths apart. Historically this was to ensure that no harm could be infl icted upon a member during a heated debate in the House. Of course, these being modern times, weapons are no longer permitted in the House, but the two sword-length spacing tradition continues.

The membership of the House has increased steadily since this building was constructed, and the Chamber must now accommodate a much larger number of Members of the Legislative Assembly than it did originally. In B.C.’s fi rst parliament, back in 1872, there were 25 MLAs. Today, there are 79 MLAs elected from across British Columbia to serve in the Legislative Assembly.

Speaker’s ChairAt the far end of the Chamber is the Speaker’s Chair. The Speaker is an MLA elected to preside over debates and make sure the House follows established rules of behaviour and procedure. The Speaker is elected by a secret ballot by all Members of the Legislative Assembly. Once elected, the Speaker must behave in a non-partisan manner and is responsible for ensuring that all MLAs, no matter what party they belong to, are treated fairly and impartially.

Clerks’ TableThe table in front of the Speaker’s chair is the Clerks’ Table. The Clerk of the House and his assistants sit here, ready to advise the Speaker and the MLAs on parliamentary procedure.

Public GalleryThe public galleries, the seats on either side of the House that overlook the Chamber, are open to all members of the public when the Legislative Assembly is in session.

Press GalleryThe gallery above the Speaker’s Chair is reserved for members of the media who are assigned to cover news stories about the Legislative Assembly and the provincial government.

The MaceCenturies ago, the Mace was the personal weapon of the Sergeant-at-Arms and also his badge of offi ce and authority, displaying the royal insignia to people who could not read. In modern times, the Mace has become the symbol of the authority of the House itself, and it must be present on the Clerks’ Table for the Legislative Assembly to conduct its business. Its presence signifi es that the House is in full session, with the monarch’s full knowledge and consent. It also represents the authority of the Speaker. Since British Columbia became a province in 1871, there have been three

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Maces used in the Legislative Assembly. The present Mace came into use in 1954 and is much bigger and more ornate than the two previous Maces. Our current Mace was entirely handmade by Victoria silversmiths, Jefferies & Co. It is made of native British Columbia silver, is plated with 24-carat gold, and weighs approximately 11 pounds. The design is traditional – a long shaft topped by a deep bowl surmounted by a representation of St. Edward’s crown and the royal cipher (or symbol). The bowl bears the coats of arms of Canada and British Columbia and four embossed scenes depicting the province’s forestry, fi shing, agriculture, and mining industries.

The Sergeant-at-Arms is responsible for the care and custody of the currently used Mace, and carries it to lead the Speaker’s Procession at the opening and closing of each day’s sittings of the House. By tradition, the Sergeant-At-Arms sits beside the Bar of the House in the Chamber. His functions include ceremonies of Parliament, the preservation of order and enforcing orders from the Speaker.

conclusion

This concludes your tour of the Parliament Buildings. Thank you for visiting us today and we hope that you will enjoy your stay in Victoria. Should you have any further questions, or wish a guided tour, please contact the Legislative Tour Offi ce counter, located at the main entrance of the building. Additional information may also be found on the Legislative Assembly’s website, at http://www.leg.bc.ca.

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The Legislative Assembly of British Columbia

Legislative Assembly of British ColumbiaParliament Buildings

Victoria, BC V8V 1 X4

Tel: 250-387-3046www.leg.bc.ca