Selected Works: A. Barth

a u d r e y b a r t h2 0 0 8 - 2 0 1 5

3 0 5 . 8 1 5 . 7 3 4 1

a u d r e y . e . b a r t h @ g m a i l . c o m

P O R T F O L I O

audrey barth

H O N O R SAIA Henry Adams CertificateMagna Cum LaudePresident’s Honor Roll | Provost’s Honor Roll | Dean’s ListUniversity Scholarship | Foote Fellow Scholars Program | National Merit Scholar | Gen. Honors AssociationSchool of Architecture Student Council elected President for two consecutive years, as liaison between student body and facultyUSGBC Students of UMelected co-PresidentAIA StudentsProject Sunshine (national philanthropic organization) elected VP of Graphic Design and Marketingover 250 hours of volunteer time through Habitat for Humanity and Miami Children’s Hospital

A U D R E Y B A R T H

1030 Jefferson Ave, Apt OneMiami Beach, Florida

33139

[email protected]

issuu.com/barthaudrey

E D U C A T I O NUniversity of Miami, Coral Gables, FLBachelor of Architecture, May 2013Bachelor of Fine Arts, Studio Art, May 2013gpa 3.945 // 4.0magna cum laude

study abroad, Rome Italy; fall 2012courses included Advanced Visual Analysis, Architecture and Urbanism of Ancient to Modern Rome, Design Studio: Morphology and Typology, Architectural Principles of Harmony, Figure Drawing, & Italian Language

open city studio, St. Petersburg, Russia, and Scandinavia; summer 2011

Notre Dame High School, Chattanooga, TN; May 2008

D E S I G N E X P E R I E N C EKobi Karp Architecture and Interior Design, Miami, FLDesigner, August 2013 to present

work with clients on space planning and conceptual design for commercial and residential projects ranging from historical to luxuryprepare drawings for zoning to permitting to construction document phasesadapt plans and design intent according to issues that arise during constructionregular site visits to check progress, field conditions, and to manage the work of contractor or consultantsreview shop drawings, construction details, and specifications for code compliance and design

Bart Reines Construction, Miami, FLAssistant Project Manager, January to August 2013

collaborated with project manager and superintendents to manage daily administration and coordination of high-end residential constructioninterpreted interior design drawings to create full set of construction documents, including architectural finishes and detailsmet with developers and engineers to review construction details and ensure specifications were in orderdeveloped cost estimates and schedules for assigned projects

Brillhart Architecture, Miami, FLIntern Architect, 2011 to 2012

created renderings and 3d models for client, publication, competition, and fabricationcreated new graphics for office, web, and presentation useprepared and installed gallery exhibitions and publicationscoordinated on design process with other design professionals and engineers, phasesincluding construction, design development, and presentationcompleted documentation of existing structures for submission to clientperformed job site analysis including measurements, photographs, and site surveysbuilt, designed, and managed website to track construction on residential case study

Anthropologie, Miami, FLVisual Display Designer, 2010 to 2012

coordinated with Visual Manager to create all visual displays and merchandisingdelivered an atmosphere and aesthetic to the store based on specified stories or moodsconstructed semi-permanent installations and store layouts

Marc Fornes + TheVeryMany, Miami, FLFreelance Installation Collaborator, fall 2011

assisted with assembly of a highly complex, digitally fabricated pavilion for Art Basel Miamidirected coworkers in assembly through managing and interpreting the Rhino 3d modelorganized and prepared shipments of the fabricated-components for assembly

Artech Design Group, Chattanooga, TNIntern Architect, summer 2009

completed construction documents for interior renovations to existing structuresaccompanied project architects on job site inspections and general surveyscompleted site plans, diagrams, and material boards for presentation

E X H I B I T I O N S2015, Wynwood DinerUntitled Mural, 20’ x 12’

acrylic on stucco

2013, Coral Gables Museum“The Unexpected Italy”

2013, Jorge M Perez GalleryArchitectural Student Exhibition

2013, Lowe Art MuseumAnnual Juried Student Exhibition

2012, Alliance Francaise of Miami“Nantes-Miami: Urban Mutations”

2011, Art Basel Miami“Labrys Frisae”

S K I L L SAutodesk

AutoCAD, Revit, Mayabasic 3ds Max and Rhino

Adobe CreativeSuite Photoshop, InDesign, Illustrator

Google Products Sketchup, Earth

ArcGISMicrosoft Office

Works, Word, Excel, Powerpoint

audrey barth

R E C O R D O F W O R K

K O B I K A R P A R C H I T E C T U R E * ( K K A I D )

2013::2015The Surf ClubOcean Wave

Miami River CommissionGibly Residence

2000 South Ocean Boulevard6466 North Bay Road Residence2374 North Bay Road Residence

45 Buena VistaIsles of Dreams

Dania Beach DevelopmentReserves at Afalaya

Holtz ResidenceAqua Vista

New World Tower

B R I L L H A R T A R C H I T E C T U R E *

2011::2012Sebag Residence

Lemon Yellow OfficeBrillhart Residence*Key Biscayne House

Jaffer MedicalResidential Case Study 1Residential Case Study 2

eVolo Skyscraper CompetitionOn the Waterfront: Miami’s Fifteen Mile Promenade

S E L E C T A C A D E M I C / I N D E P E N D E N T

2015, MatterBetter Typhoon Submarine2012, Hines ULI Urban Design Competition

2011, Atlantic Mutations2011, Labrys Frisae

2009, ACSA/AISC Steel Student Competition

T A B L E O F C O N T E N T S

B U I L T W O R K

K O B I K A R P A R C H I T E C T U R E * ( K K A I D )

The Surf Club+

B R I L L H A R T A R C H I T E C T U R E *

Sebag ResidenceBrillhart Residence*

P R O P O S A L S

K K A I D

Miami River Commission+Gibly Residence

B R I L L H A R T A R C H I T E C T U R E

Residential Case Study 1Residential Case Study 2 eVolo Skyscraper Competition

A C A D E M I C / I N D E P E N D E N T

Atlantic MutationsMatterBetter Typhoon Submarine

A R T W O R K / O B J E C T S

Fish OilWrapped in Plastic

Labrys Frisae

Wynwood Diner

*AIA Award-Winning Architect/Project+LEED Rated

6 audrey barth

T H E S U R F C L U BFour Seasons Hotel and Private ResidencesKKAID in collaboration with Richard Meier & Partners and Joseph Dirand Architectureowner: Fort PartnersSurfside, FL under construction9-acre oceanfront site;two residential towers with units from 1400 to 8000 sq ft, one hotel tower, and over 40 historical cabanas

7built work

aerial view of west facade from Biscayne Bay;residential towers and historic building

8 audrey barth

LANDSCAPE SITE PLAN

NN

view of west facade from Collins Avenue;residential towers and historic building

site plann.t.s. (typical)

9built work

A collaboration with celebrated architect Richard Meier & Partners, The Surf Club is a complex composed of three new buildings to expand and revitalize a historic site. The 9-acre property on the Atlantic Ocean in Surfside was founded in 1930 by Harvey Firestone as a members-only club, and was frequented by such figures as Winston

Churchill. The project now incorporates a Four Seasons Hotel rising above the historic facade, flanked by luxury private residences in the towers to the north and south. Through Richard Meier’s characteristic use of architectural proportions and alignment, the new vertical towers strike a balance with the existing courtyard typology of

the historic building.

The condominium units have been designed with transparency, elemental materials, and a sensitivity to the natural light and idyllic views. Intensive detailing has gone into every aspect of the turn-key delivery, from a customized Permasteelisa curtainwall, to ensuring the delivery of a level five finish

by Coastal Construction, to working directly with Boffi Italia to refine customized kitchen typologies.

responsibilities:coordination with design architects, engineering consultants, and construction team in order to maintain design intent

direct collaboration with unit buyers to create custom residences suited to their layout needsshop drawing review for code compliance, design intent, and constructability

regular site visits to verify field conditions and address impending issues

*all renderings by others

view of east facade from beach;residential towers, central hotel tower, and historic building

view of west facade from Collins Avenue;residential towers and historic building

10 audrey barth

view of typical master bathroom finishes and details

06450-001 Rev0

sample of extensive vanity shop drawing review

sample of slab penetration shop drawing coordination with contractor and consultants

11built work

view of typical kitchen type 1 (of 34)

sample of extensive kitchen shop drawing review

view of typical east-facing balcony

12 audrey barth

ALL DRAWINGS AND WRITTEN MATERIAL APPEARING HEREINCONSTITUTE THE ORIGINAL AND UNPUBLISHED WORK OF KOBI

KARP AIA, AND MAY NOT BE DUPLICATED, USED, OR DISCLOSEDWITHOUT THE EXPRESS WRITTEN CONSENT OF KOBI KARPARCHITECTURE & INTERIOR DESIGN, INC. AIA. (c) ________

DATE:

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REVISIONS / SUBMISSIONS

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GENERAL NOTES

KEYNOTES

SYMBOL LEGENDFLOOR PLAN LEGEND

REINFORCED CONCRETE WALL

8" C.M.U. WALL

GALVANIZED STEEL PARTITION

WALL TYPE

KEY NOTE

1

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SYMBOL LEGEND

ANNOTATIONS CHANGED: WALL TAGS, DOOR TAGS AND DIMENSIONS

Balcony

Balcony

Foyer

Master Bathroom

Bedroom 3Bedroom 2

Great Room

Storage

MasterBedroom

Staff

PwdrRm

Her Closet His Closet

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CEILING LEGENDSUSPENDED GRID CEILING TILES (TYP.)

GYPSUM CEILING SYSTEM

STUCCO ON LATH, PLY & MTL. STUDS

NO HATCH = EXPOSED CONC. SLAB PAINTED/SEALED

WOOD CEILING

DECORATIVE GLASS CEILING

WALL MOUNTED LIGHT FIXTURE

CEILING MOUNTED LIGHT FIXTURE RECESSED IN SLAB

DOWNLIGHT RECESSED IN DROPPED CEILING

WALLWASHER LIGHT RECESSED IN DROPPED CEILING

VAPOR PROOF DOWNLIGHT RECESSED IN DROPPED CEILING

LINEAR LIGHT (INDIRECT LED STRIP LIGHT)

VAPOR PROOF LINEAR LIGHT (INDIRECT LED STRIP LIGHT)

DIRECTIONAL LIGHT RECESSED IN DROPPED CEILING

VP

1X4 FLUORESCENT LIGHT FIXTURE

1X4 EMERGENCY FLUORESCENT LIGHT FIXTURE



JUNCTION BOX

12" SURFACE MOUNTED LED CEILING LIGHT(FOR GARAGE AND MECHANICAL ROOMS)

6" DIAMETER SURFACE MOUNTED LED CEILING LIGHT(FOR GARAGE AND MECHANICAL ROOMS)

J

NOTES:

1. FOR DETAILS AND DIMENSIONS SEE INTERIOR DESIGNDRAWINGS.

2. LOCATE ALL CEILING MOUNTED DEVICES IN ACOUSTICALGRID CEILINGS CENTERED ON TILE U.O.N.

LIGHTING LEGEND

FLOOR BOX

GENERAL NOTES

KEYNOTES

SYMBOL LEGENDFLOOR PLAN LEGEND

REINFORCED CONCRETE WALL

8" C.M.U. WALL

GALVANIZED STEEL PARTITION

WALL TYPE

KEY NOTE

1

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SYMBOL LEGEND



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GYPSUM CEILING SYSTEM

STUCCO ON LATH, PLY & MTL. STUDS

NO HATCH = EXPOSED CONC. SLAB PAINTED/SEALED

WOOD CEILING

DECORATIVE GLASS CEILING

WALL MOUNTED LIGHT FIXTURE

CEILING MOUNTED LIGHT FIXTURE RECESSED IN SLAB

DOWNLIGHT RECESSED IN DROPPED CEILING

WALLWASHER LIGHT RECESSED IN DROPPED CEILING

VAPOR PROOF DOWNLIGHT RECESSED IN DROPPED CEILING

LINEAR LIGHT (INDIRECT LED STRIP LIGHT)

VAPOR PROOF LINEAR LIGHT (INDIRECT LED STRIP LIGHT)

DIRECTIONAL LIGHT RECESSED IN DROPPED CEILING

VP





JUNCTION BOX

12" SURFACE MOUNTED LED CEILING LIGHT(FOR GARAGE AND MECHANICAL ROOMS)

6" DIAMETER SURFACE MOUNTED LED CEILING LIGHT(FOR GARAGE AND MECHANICAL ROOMS)

J

NOTES:

1. FOR DETAILS AND DIMENSIONS SEE INTERIOR DESIGNDRAWINGS.

2. LOCATE ALL CEILING MOUNTED DEVICES IN ACOUSTICALGRID CEILINGS CENTERED ON TILE U.O.N.

LIGHTING LEGEND

FLOOR BOX

ENLARGED UNIT PLAN - UNIT 5G (Unit 521 - 5th Floor)1

typical interior rendering

view of northeast Level 12 balcony

sample custom unit layouts, coordinated in detail with buyers

13built work

view of east facade from Atlantic Ocean

14 audrey barth

S E B A G R E S I D E N C Esingle-family residenceBrillhart ArchitectureMiami Beach, FL under construction5900 SF

*original rendering and modeling by Audrey Barth; adjustments by Andrew Aquart

15built work

This private residence, located on Dilido Island, fronts Biscayne Bay. Fully embracing the notion of an aquatic landscape, we conceptually brought the Bay all the way into the interior. We designed a courtyard scheme with a 60’ long reflecting pool that occupied the full breadth and span of the courtyard, giving the owners the

sense that they were floating entirely in the bay. Landscape continued to be emphasized through the design development phase, as we further explored materiality and form in order to create a relationship between vernacular and modern architecture.

responsibilities:direct involvement in concept design in collaboration with Jacob Brillhart, AIA

digital modeling, rendering, and diagramming for client presentation and website publicationdesign development

view of interior elevation

16 audrey barth

view from reflecting pool

longitudinal sectionn.t.s. (typical)

17built work

view from interior corridor

transverse section through office

transverse section through reflecting poolfirst floor plan

second floor plan

18 audrey barth

construction photos

exploded axonometric

water and green space diagram

bedroom and green space diagram

19built work

20 audrey barth

B R I L L H A R T H O U S Esingle-family residenceBrillhart ArchitectureMiami, FL built1500 SF

The design for this architect’s house references the seemingly forgotten American Vernacular, and more specifically, the Dog Trot, which for well over a century, has been a dominant image representing Florida Cracker architecture. The small, simple, and practical building is both modest and rich in cultural meaning. It achieves the goals of efficiency sought after in earlier case study experiments.

The flat roof allows for concealment of solar panels and extensive gutters and drains necessary for a rainwater harvesting system. Native landscaping was proposed in order to help prevent soil erosion, filter out excess sediment, nutrients, and pollutants from storm-water runoff, improve air quality, as well as provide additional shade along the street. Subsequently, the large windows along the front and back of the house were designed to maximize the experience of living within the landscape.

By integrating all of these elements, poetic form and new folk architecture come together to collectively convey a contemporary and pragmatic building language that resuscitates the Ancient, celebrates the Modern, and foresees an architecture without big style.

21built work

A W A R D SAIA Miami Honor Award, 2014

Wood Design Award, Wood Design & Building Magazine, 2014Best Single Family House, Architects’ Newspaper, 2014

Featured in Dwell, March 2015Feat. in Cultured Magazine, Feb 2015

Feat. in New York Times, Dec 2014

structural diagrams

22 audrey barth

concept siteplan

skeletal axonometric


responsibilities:design development, construction documents, and construction administrationall diagramming, modeling, and rendering, for client use and future publicationfrequent site visits to oversee initial construction

23built work

24 audrey barth

photo of built elevation

construction photos

25built work

photo of interior

photo of front porch / indoor-outdoor relationship

concept section detailed interior section

26 audrey barth

aerial view from southeast

*all renderings by others

27proposals

M I A M I R I V E R C O M M I S S I O NSpecial Area Plan

KKAIDin collaboration with Kimley Horn

owner: Chetrit Group LLCMiami, FL

status: schematic design phase10.08-acre site along Miami River;

four 60-story mixed use towers with more than 1600 residential units;

700 feet of public riverwalk, and marina

A major renovation to the downtown riverfront, the Miami River project is a five-phase proposal. The project has won approval of the city

commission as a Special Area Plan, which speaks to a master plan to allow greater flexibility for public and private improvements on the over 10-acre site. The nature of the project as a Special Area Plan also allows for more specialized streetscaping and infrastructure within the project. In order to adhere to the Miami River Greenway policies, the plan calls

for a public Riverwalk Promenade that will extend east to connect to the existing riverwalk. Each of the four proposed towers as well as the

Riverwalk Promenade will be a separate construction phase.

Additionally, the plan calls for retail and office uses, a riverfront restaurant, dedicated green space in conjunction with the riverwalk, a small marina, and parking garages. This river-front proposal intends to

further Miami’s transition into a truly urban, pedestrian-friendly city; a metamorphosis that has already begun with the development of

Museum Park and the growth of downtown areas.

responsibilities:zoning diagrams analyses for Special Area Plan submittals

preparation of and revision to major presentations for approval

28 audrey barth

MIAMI RIVER8.26.20148.26.2014

MASTER PLAN + PROPOSED GREENWAY RENDERING 3.13.1

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ARCHITECTUREINTERIOR DESIGN

PLANNINGAIA ASID NCARB

2915 Biscayne Boulevard Suite 200

Miami, Florida 33137 O: 305.573.1818F: 305.573.3766

WWW.KOBIKARP.COM

MIA

MIR

IVER

SPEC

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3 Feb 26, 2015

D-35

REVISIONSSEPTEMBER 11, 2014

1 Dec. 19, 2014 2 Jan. 28, 2015

site development

master plan and proposed greenwayn.t.s. (typical)

riverwalk elevation

open area and civic space

light and view corridors

transit diagrams

29proposals

3D RENDERINGS - VIEW FROM MIAMI RIVER

CG

MIA

MI R

IVER

LLC

ARCHITECTUREINTERIOR DESIGN

PLANNINGAIA ASID NCARB

2915 Biscayne Boulevard Suite 200

Miami, Florida 33137 O: 305.573.1818F: 305.573.3766

WWW.KOBIKARP.COM

MIA

MIR

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3 Feb 26, 2015

D-21

REVISIONSSEPTEMBER 11, 2014

1 Dec. 19, 2014 2 Jan. 28, 2015

view from miami river, northwest

30 audrey barth

G I B L Y R E S I D E N C Ehigh-end single family residenceKKAIDMiami Beach, FL status: construction document phase

This single-famly residence is a simplified version of the modern mansions for which North Bay Road is known. It maintains the footprint and architectural sensibility of the existing colonial structure, yet brings an updated aesthetic to suit the family’s taste.

responsibilities:site documentation, pre-liminary design and zoning packagepanoramic compositions of existing and proposed, diagrams for zoning approvalpresentation to Design Review Board

view of front facade

*renderings by others

31proposals



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first floor plann.t.s. (typical)

second floor plan

exploded axonometric for zoning approval

view of rear facade

32 audrey barth

T H E C A S E S T U D Yhouse one : urban orchard

Brillhart ArchitectureMiami, FL

projecta typical 50’ x 120’ lot

Taking inspiration from the post-WWII Case Study Houses sponsored by Arts & Architecture magazine, this design specifically originates from studying old architectural models that care about good form but are also good for something. Each design decision was organized around four central questions that challenge the culture for building big: what is necessary; how can we minimize our impact on the earth; how do we respect the context of the neighborhood; and what can we really build? It attempts to maximize efficiency, space, and energy; it relies on vernacular building materials; and perhaps most of all, it utilizes and celebrates the breezes and the balmy, tropical climate.

floorplan


33proposals

view from rear yard

34 audrey barth

elevation view

longitudinal section

transverse section

detail rendering

concept diagram


35proposals

THE URBAN ORCHARD

A major component to the project was the urban orchard, which engages owners to actively participate in the production, use and exchange of food. These simple acts evoke different senses of identity – that of maker, neighbor, and environmental citizen.

The planting of fruit- and nut-producing trees helps to:Reduce greenhouse gas emissions; Provide shade and canopy cover; Aid in stormwater retention; And bring back the lush vegetation of much of Miami’s stripped, concrete streetscapes.

study model

36 audrey barth

interior view of courtyard

37proposals

T H E C A S E S T U D Yhouse two : courtyard typology

Brillhart ArchitectureMiami, FL

project a typical 50’ x 120’ lot

longitudinal section

transverse section


aerial view of front facade

38 audrey barth

39proposals

view from rear yard

40 audrey barth

Established in 2006, the eVolo Skyscraper Competition has become one of the most prestigious awards for innovative high-rise architecture. The contest recognizes outstanding ideas that redefine skyscraper design through the implementation of new technologies and spatial organizations. Studies on globalization, flexibility, adaptability, and the digital revolution are some of the multi-layered elements of the competition. It is an investigation of the public and private space, as well as the role of the individual and the collective in the creation of dynamic and adaptive vertical communities.

eVolo is the world’s leading independent architecture journal focused on technological advances, sustainability, and innovative design for the 21st Century.

G H O S T S C R A P E ReVolo Skyscraper Competition, 2012Brillhart Architecturesited in Manhattan, NYC

published in a showcase of top submittals

41proposals

42 audrey barth

43proposals

44 audrey barth

45proposals

As a collaboration with the Ecole Nationale Supérieure d’Architecture (ENSA) of Nantes, this urban design project was intended to work as a generator of ideas for the City of Nantes. The

proposal takes on the redevelopment of an industrial district in Nantes, France, along the north side of the Loire river. Formerly known as the “Venice of the West,” Nantes became the largest

trade port in France in the 18th century, which led to heavy industrialization in the 19th century. The city now actively seeks to revitalize those aging areas and become one of the greenest cities

in Europe.

The City of Nantes selected a number of historically significant buildings intended for preservation. Our proposal was developed around these existing buildings,

along with several key design elements:

I. A central plaza to serve as a public venue for aspects of culture such as art installations, performances, and farmer’s markets.

II. Resuscitation of a historic canal to form a high-density island, which includes a shipyard re-purposed as artists’ lofts.

III. A tiered boardwalk for walking, bicycling,and pic-nicking along the south-facing bank as a response to the natural slope of the site toward the river.

A T L A N T I C M U T A T I O N Surban design studio, 2011

in collaboration with Laura Poncelet and Gabriel WilliamsNantes, France

exhibited in the Alliance Francaise of Miami: “Nantes-Miami: Urban Mutations”

master plan and site rendering

46 audrey barth

site rendering

physical study model

47proposals

panoramic site rendering

48 audrey barth

VELES ENGINE 001

Rising ocean temperatures and unsustainable fishing practices actively degrade the biodiversity of aquatic populations. Engineers aboard VE-001 cultivate and reintroduce eggs into the sea to protect and preserve endangered species, mindful that overfishing is only a symptom of an economic climate that rewards overconsumption. An overtly additive strategy is shortsighted; the nursery’s most effective contribution to a foundering species will be in support of its resilience.

THE VE-001 IS A scientific VESSEL DEdicated to the rehabilitation of the world’s oceans. The interior

shells are partially scrapped and rebuilt to contain an array of aquatic research tanks, designed

to nurture and study endangered and scientifically relevant fish and coral species. THe aquariums

double as a public attraction when the ve-001 docks at major world ports for resupply—THE income

PROVIDES the ve-001 WITH THE MEANS TO sustain its campaigns across the world’s fragile ocean biomes.

The widespread degradation of coral reefs worldwide demands innovative methodologies for restoration. Coral reef farming is a low-cost technique with which dozens of coral species have already been harvested; the VE-001 cultivates coral in its mid-water nurseries until they are ready to be transplanted by divers to their natural habitat.

The ballistic missile launch tubes are repurposed to house a varied array of flora and biophilic countermeasures, deploying “macronutrients that replicate deep ocean nutrient upwelling.” In contrast to the rogue geoengineer who dumped 100 tons of iron sulphate into the ocean in 2012, VE-001 undertakes careful experimentation with the aim of advancing novel bioengineering methods.

To fund its ocean restoration campaigns, VE-001 docks intermittently at major ports around the world to open as a temporary public aquarium. The aquarium generates income to provide for research funding, supply restocking, and fuel costs. Docking periods allow the submarine to recalibrate its efforts toward its next goal, functioning as its own headquarters from sea to sea and across the world.

The existing sonar unit can be used to track the migration patterns of endangered fish species or disturbed whale populations. With additional modification to its equipment, VE-001 would be capable of collecting still more relevant data to ocean preservation, including water temperature, changing currents, and ocean floor topography.

SECTION B-B

SECTION A-A

A

A B

FISH NURSERY MID-WATER CORAL REEF CULTIVATIONBIODIVERSIFICATION ENGINE AND LABORATORY PUBLIC AQUARIUMSONAR

C O A S TA L D E V E L O P M E N T • M A R I N E P O L L U T I O N • O V E R F I S H I N G • R E E F D E G R A D AT I O N

B

49proposals

VELES ENGINE 001

Rising ocean temperatures and unsustainable fishing practices actively degrade the biodiversity of aquatic populations. Engineers aboard VE-001 cultivate and reintroduce eggs into the sea to protect and preserve endangered species, mindful that overfishing is only a symptom of an economic climate that rewards overconsumption. An overtly additive strategy is shortsighted; the nursery’s most effective contribution to a foundering species will be in support of its resilience.

THE VE-001 IS A scientific VESSEL DEdicated to the rehabilitation of the world’s oceans. The interior

shells are partially scrapped and rebuilt to contain an array of aquatic research tanks, designed

to nurture and study endangered and scientifically relevant fish and coral species. THe aquariums

double as a public attraction when the ve-001 docks at major world ports for resupply—THE income

PROVIDES the ve-001 WITH THE MEANS TO sustain its campaigns across the world’s fragile ocean biomes.

The widespread degradation of coral reefs worldwide demands innovative methodologies for restoration. Coral reef farming is a low-cost technique with which dozens of coral species have already been harvested; the VE-001 cultivates coral in its mid-water nurseries until they are ready to be transplanted by divers to their natural habitat.

The ballistic missile launch tubes are repurposed to house a varied array of flora and biophilic countermeasures, deploying “macronutrients that replicate deep ocean nutrient upwelling.” In contrast to the rogue geoengineer who dumped 100 tons of iron sulphate into the ocean in 2012, VE-001 undertakes careful experimentation with the aim of advancing novel bioengineering methods.

To fund its ocean restoration campaigns, VE-001 docks intermittently at major ports around the world to open as a temporary public aquarium. The aquarium generates income to provide for research funding, supply restocking, and fuel costs. Docking periods allow the submarine to recalibrate its efforts toward its next goal, functioning as its own headquarters from sea to sea and across the world.

The existing sonar unit can be used to track the migration patterns of endangered fish species or disturbed whale populations. With additional modification to its equipment, VE-001 would be capable of collecting still more relevant data to ocean preservation, including water temperature, changing currents, and ocean floor topography.

SECTION B-B

SECTION A-A

A

A B

FISH NURSERY MID-WATER CORAL REEF CULTIVATIONBIODIVERSIFICATION ENGINE AND LABORATORY PUBLIC AQUARIUMSONAR

C O A S TA L D E V E L O P M E N T • M A R I N E P O L L U T I O N • O V E R F I S H I N G • R E E F D E G R A D AT I O N

B

The Russian Typhoon Class Submarine was a milestone in military technology, resultant of Soviet-era pressures. Developed in 1975, it was designed to house and launch nuclear ballistic missiles from the hull while submerged. Measuring 175m long by 23m wide, it had both power and scale of epic proportion.

The present-day world relations have grown beyond such use of technology, and in 2010, the Russian government set about the task of dismantling these six machines. However, upon beginning work, the government found the cost to be equivalent to approximately $10 million USD. For that reason, the Design Bureau began seeking alternative proposals for use or redevelopment.

Corresponding to the search, matterbetter invited architects and designers to launch an investigation, via architectural competition, into alternative methods. The primary objectives of the competition were to maximize the potential of the submarine as a peaceful monument, architecturally, spatially, and functionally; and to inspire and stimulate the imagination of the design community.

Our proposal retrofitted the submarine with new and experimental technologies: a fish nursery for at-risk species, a mid-water reef cultivation farm, and a biodiversification laboratory. The submarine would be charged with exploring, collecting data, and rectifying human excess in the world’s exploited ocean biomes. To sustain itself financially, the submarine would dock intermittently at major ports around the world to serve as a traveling exhibition and aquarium.

M A T T E R B E T T E R T Y P H O O N

S U B M A R I N E C O M P E T I T I O Nopen-ideas competition, 2014independent collaboration with Gabriel WilliamsMiami, FL

named in selection of Top 50 entries

50 audrey barth

F I S H O I Loil on canvas, 2013

36” x 36”painting 2 of 3 in series

exhibited in the UM School of Architecture Graduation Exhibition, 2013

51artwork / objects

These two paintings are from a series of cultural portraits, each illustrating a routine scene quite beyond the regular American encounter. The series focuses on high contrast, heavy texture, and unexpected use of color in order to create a “magical realism,”

that which happens ‘when a highly detailed, realistic setting is invaded by something too strange to believe’ (quoted description by Matthew Strecher, PhD).

W R A P P E D I N P L A S T I Coil on canvas, 201330” x 48”painting 1 of 3 in a series of cultural portraits

exhibited in the Lowe Museum Annual Juried Student Exhibition, 2013

52 audrey barth

53artwork / objects

As a “connoisseur of computer science,” Marc Fornes designs through writing text files, or codes. His extensive body of research on ways to describe complex curvilinear surfaces into a series of flat elements has defined a field of Computational Skinning for architecture. Researching through practice in NYC, he self-defines his studio’s agenda as a quest for ”Explicit and Encoded” and “Precise Indetermination”. As THEVERYMANY™ – Marc has designed and built over the last 10 years an extensive body of experimental, highly organic, large scale and self-supported structures, between art and architectures. His prototypical work has been acquired and displayed as part of the permanent collection of the Centre Pompidou (Paris), the FRAC Centre (Orleans, FR), the CNAP and some private collections. He has exhibited work at the Guggenheim (Contemplating the Void), Miami Art Basel /GGG, Art Paris and sold at auction at Phillips De Pury.

This particular pavilion was commissioned for 2011 Art Basel Miami; it required a large group of assistants for assembly. The on-site team members rotated between the physical labor of assembly and the mental demands of the 3D Rhino model, used to guide the construction of the nodes, or fabricated pieces.

Location : The Rotunda Space - 3252 NE 1st Avenue, Suite 101 – Miami, FL 33137

Overall size: 28’10” x 29’9” x 17’5”Holes: 202, 290Rivets: 101, 145Text: 12,584

L A B R Y S F R I S A Edigitally-fabricated indoor pavilion, 2011Marc Fornes & TheVeryManyMiami, FL

54 audrey barth

W Y N W O O D D I N E Runtitled mural, 201512’ x 20’acrylic on stuccoMiami, FL

in progress

An awarded commission for the interior of a new restaurant and bar space, this mural is inspired by the images and color palette of Rene Magritte’s surrealist works. The space is located in the heart of Miami’s Wynwood district, which is known for its

colorful murals that bring fresh character to the industrial buildings.

55artwork / objects

T H E E N Da u d r e y b a r t h

3 0 5 . 8 1 5 . 7 3 4 1

a u d r e y . e . b a r t h @ g m a i l . c o m

Documents

Selected Works: A. Barth