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STEVEN BOBEV STEVEN BOBEV SELECTED WORKS SELECTED WORKS

Selected Works, 2007-2012

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Selected works and projects from school, 2007-2012

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Page 1: Selected Works, 2007-2012

STEVEN BOBEVSTEVEN BOBEVSELECTED WORKSSELECTED WORKS

Page 2: Selected Works, 2007-2012

Steve [email protected]

732-589-1101

Digital Exhibiton at the BauhausDessau, Germany|May 2011

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Temple University|Bachelor of Architecture Selected Works 2007-2012

Socio-Virtual Discourse B.Arch Thesis|Eric Oskey+Sneha Patel, Critics|2012

Repository for the Moving Image Eric Oskey, Critic|Fall 2010

West Philadelphia Sustainable Commune Elizabeth Masters, Critic|Spring 2008

Institute for Extra-Continental Antagonism: Merchant and Regulator Deception Lindsay Bremner, Critic|Spring 2010

Drawings, Photography, Mixed MediaRetreat for the Inebriated Agonist Robert Trempe, Critic|Fall 2008

Connective Projections Competition Entry|Spring 2012

Pgs 02-11

Pgs 12-19

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Pgs 28-35Pgs 36-41

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Socio-Virtual DiscourseB.Arch ThesisFall 2011 -Spring 2012Critics-Eric Oskey/Sneha Patel

Person 3

Person 1

Person 4

Person 2

Traditional Networks

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As electronic forms of information have anchored themselves into multiple areas of society, an unparalleled ability to attain knowledge has manifested itself through digital means. Because of this gradual infusion of cyber-collected knowledge, a new method to gather information has risen. The traditional method exists as a vector that is moving in a direct path from one set of static data to another. Through virtual networks, tools such as Wikipedia, Facebook, and various bookmark tagging services have allowed data to exist in a state of constant change, and create pathways that have the components of time and subjectivity built into them. It is through this seemingly chaotic, open ended potentiality that hidden logics become apparent, and gravities emerge from an endless tapestry of objects. Traditional methods also do not allow for a user moderated reorganizing of information, or information that can be self organized. A new typology of discourse must be created, one that supersedes the “read” methodology and evolves into a “read/write”.

The essence of these emerging technologies is the openness to the future and the element of possibility that they inherently con-tain. Through this new typology of accumulating data, the way one moves is through the potential of a direction they do not immediately know. These linkages exist in the virtual in that they represent the new, the unthought, and the unrealized. The linkages are the space of possibility and becoming, of what might have been. Through the study of the virtual, the user would provide the necessary means to categorize and relate data, and would redefine conventional systems. They would act as an enabler, a facilitator of interaction that stimu-lates alternative debates and speculations. There is no clear cut map to traverse this space, as movement through it is activated by way of the user’s experience and their inherent subjectivity.

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Person 3

Person 1

Person 4

Person 2

Social Networks Socio-Virtual Networks

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1|Network Centrality2|Network Functions3|Sectional Perspective

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Linea

r Actu

ator

Linea

r Actu

ator

Perfo

rated

Steel

Perfo

rated

Steel

Lower

Armatu

re

Upper

Armatu

re

Lower

Screen

Upper

Screen

Pivot A

xel

Servo M

otor

Servo M

otor

Sliding

Trac

k 1|Site Plan2|Armature Detail3|Section

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Average

Manipulated Grid Striping Pattern Selected Pattern Decreased Attraction Increased Attraction

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Armature Placement

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1|Sectional Model Light Study2|Sectional Model3|Model Movement Study4|Model Movement Study

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Repository for the Moving ImageFall 2010|Critic-Eric Oskey

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The introduction of DVDs in the late 1990s revolutionized the way in which we experience movies. It brought a quality never seen or heard before to the homes of con-sumers, with an ease of use that maintained desirability. Now nearing the end of their physical lifespan, a place needs to be created to preserve and archive these as well as other analog media, in order for them to be shared and shown to others.

This digital repository is composed of three functions: a place to convert old film reels, VHS tapes and DVDs to a digital version with an infinite lifespan, a storage space where the physical copies can be kept with an efficient temperature and level of humidity, and a theater space where the moving images can be shared with others. This would enable that these images would not be lost and instead are shared for the benefit of all.

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Axonometric

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1|Detail Section2|Repository Elevations3|Repository Axonometric

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Summer Sun

Winter Sun

Longitudinal Section 1/32” = 1’-0”

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Skylight

Transverse Sections 1/32” = 1’-0”2

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8

12

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Mediamesh Axonometric18

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West Philadelphia Sustainable CommuneSpring 2009|Critic-Elizabeth Masters

William Penn built a house for his daughter in order for her to be away from the overcrowding and pollution of the city. He built a house for her on the outskirts, where the air and water was cleaner, and she became an accomplished botanist and gardener. In staying true with her ideals of horticulture, a re-purposing of this historical house exists as Philadelphia’s first sustainable hotel.

The proposed hotel is set up as a compound of room mod-ules, allowing for guests to be spaced apart and experience the natural elements in their own way. The modules would utilize heavy timber frame construction, using local species of wood to anchor their identity in the Delaware Valley region.

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1|Hotel Plan2|Site Sections3|Elevation Detail4|Hotel Module Model5|Hotel Module Model

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Institute for Extra-Continental Antagonsims:Merchant and Regulator DeceptionSpring 2010|Critic-Lindsay Bremner

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1|Ship Breaking2|Recombination3|Deconstruction4|Observation Tower5|Observation Tower Detail

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2

The Indian Ocean is where ships go to be repurposed into scrap materials. It is also home to one of the largest shipping routes in the world. Many countries that border the ocean are currently in a state of conflict and a lucrative market has formed in the way of arms smuggling.

Arms smuggling itself is a cat and mouse game between the merchants and the authorities. The anonymity of a plurality of containers on a cargo ship allows for this market to exist. A space needs to be created to mediate between these two groups, a neutral zone where agreements and plans can be made.

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Trade Wind

Trade Wind

Trade Wind

Restricted Area Restricted Area

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1|Island Map2|Chosen Site3|Game Diagram4|Neutral Zone Model5|Neutral Zone Model6|Mediation Chamber7|Pacing before Mediation

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Drawings, Photography, Mixed Media

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1|Ink wash2|Ink Study3|Ink Study4|Philadelphia Skyline

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3

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1|Light Crossing2|Modern Roman Piazza3|Nocturn Tide4|Reflectance

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1|Reposited Relief2|Reposited Perspective3|Joint Drawing4|Joint Axonometric

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The hexagon is the six sided extrapolation of a circle. Its shape allows for tesselation, as the table itself acts as a singular unit. An individual iteration can be an end table, whereas multiple can be formed together to make larger surfaces. This piece was created from reclaimed PVC pipe, angled fittings and threaded rod.

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Retreat for the Inebriated AgonistFall 2008|Critic-Robert Trempe

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A man who lives indulgently, even past the limits he sets for himself, needs an environment to contribute to his tendencies. This self chosen alcoholic escapes from reality not only through drink, but also through his resi-dences tailored to his prime passion.

His retreat allows for a place of solitude where he can consume as much of the poison as his body will allow, while protecting him from the outside world. It acts as a transistory element, as it makes him choose if he would rather be protected from problems external, or from himself.

His rowhome expands on this and acts as a place of se-lective display. Now, away from the isolation the retreat provides, he is forced to showcase his habit (and subse-quent choice) to the world.

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1|Programmatic Massing2|Row Home Model3|Rear Facade4|Interior Rendering5|Lighting Quality

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Connective ProjectionsEntry for the 111th John Stewardson Memorial CompetitionSpring 2012

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B

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The exterior of the train station was left intact in order to ensure a connection to the history that makes up this section of the Reading Viaduct. The interior of the train station has evolved into that of a cafe, maintaining a separation present on the outside but an interwo-ven connection within. Also, portions of the original viaduct are re-moved and showcased to the public, instead of being hidden through restrictive access or through years of obscurity, allowing the public to engage with this relic in an unprecedented way.

The Cinema and surrounding site represents a place that provides an excuse for activity, whether that be for food, for entertainment, or for leisure. A new system of bicycling and walking is introduced on site, by using the space located in the center of Spring Garden Street. Lanes for both walkers and cyclists are provided, and allow for a safe method of transportation through out the city. This typology is also present on the top of the viaduct, where views of the city skyline and the river can be seen.

Through utilizing methods of regenerative energy such as photovol-taic cells and a vegetative roof, the site aims to offset the number of years it existed as a refuelling station, to keep the train cars full with coal. The permeable roof gathers rain water and collects it in cisterns where the water is stored to be used for both cooling and sanitary needs. The photovoltaic cells oriented towards the south ensure that the optimum efficiency is reached, and excess power can be stored on site with the battery array. Through this act of remedia-tion, perhaps in time the site may be known for its contribution to the environment rather that its original, harming purpose.

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B. Transverse Section 1/8” = 1’-0”

Exterior Perspective

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1|Path Rendering2|Theater Section3|Entry Rendering4|Green Roof Detail5|Site

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