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A
AshesWritten by Scott Henderson
from Scott Henderson - Well to the Bone
© 2002 MANGO PROM MUSIC (BMI)/Administered by BUG MUSICAll Rights Reserved Used by Permission
Moderately slow q = 91
B
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
Spoken: That skinny dog! Ashes for that skinny dog.
µ
6 sec.
= 3
____
*
Gtr. 2 (clean)
G6
13
Fmaj7#4(no3rd)
13 4
G5
let ring throughout
mf Harm. 3
Fmaj7#11
3
Harm.
let ring
Pitch: A D
6 sec. Gtr. 1 (clean)
mf
let ring
let ring
w/ pick
& finger
3
let ring
33
3
3
*Chord symbols reflect implied harmony.
Em7
Harm.
Am7
let ring
Gtr. 2 tacet
Pitch: G
let ring let ring
33 3
33 3 6
Gtr. 1
C/E –1 1/2
w/ bar
w/ pick & fingers
G%
let ring
A7
let ring –1 1/2
12
12
55
10 120
10 12
0 8 100
5 7 0
0
40
5
7 90
7 900
90 4
4
5 755
57
5 7 7 5 57 7 57
7 5 7 5 7 5 357 7
035
035
035
3
20
3
0
0 202
2
2
3
3
2 3
3
2
22
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
1
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G%
let ring
A7
G%
let ring
33
3
A7
let ring
3
Gadd9 A5 D5
3
w/ pick
F6sus2 1_
w/ bar Em7 B9
w/ bar
1_
C7/Bb
w/ bar
C7
w/ bar
F6#11 3
E7
let ring w/ pick & fingers
3
3
3
Am7 D13sus4 Db13#11 C
3
G/B Am7
let ring 3
3
0 0
(1)
1/4
G13 F/A
let ring
G/B E7#9
Em6add11
let ring
Dm%
let ring
G7sus4
let ring 3
3
3
20
0
3
0
0 202
3
3
5
5
5
5
3
3
2
2
3
3
2
2
2 2
220
0
3
0
0
202
2 2
2
2
2
3
3
3
3
2
2
202
20
20 3
533
3533
3533
5 7 78
610
855
8855
5 108
10
81010
7 97
8 7 8 7 57
5 67 7
7
69
9
7
7
9
9
7
7
7
7
55
5
05
5
5 77
7
7
7
7 55
5
3303
3 53
5
33 5 3
3
0 5
6
0
3453
0 5
35
02
03
1 133
13
025
0 3
05
0
3
5 63
5
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
2
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C
F6
*
let ring
E7
3
Am7
3
3
3 33
*Played as straight eighth-notes.
0
D13sus4 Db13#11 C7
3
let ring
A7 1/2_
w/ bar3
G/B A/C#
33
3
0
1/2_1/4
Gtr. 3 (slight dist.)divisi
Gtr. 2
Riff A
Dm7
Riff A1
mf
Bbm[add9]
Bbm9/Ab G7sus4
G13 Dbmaj13 Eb7sus4
3
End Riff A
End Riff A1
3
3
Gtr. 1
let ring let ring let ring 33
3
3
Gtr. 1
Gtrs. 2 & 3 tacet
Am7
w/ pick
Dm7
3
let ring
G7
let ring 3
3
3
33
1/2
8
888
10
1010
77
9 9 7 87
7 7 57
5 67
67
7
9
9
9
9
9 10
10
9
9
7
7
55
5
05
5
57
7
7
77
7
55
5
3303
3 53
5
33
55 3
3
0 5
6
0 68
68
7
57
0 9
79
1010
11
8
9
8 812 15
10 10
1311
8
9
12
7 10 10
10 13 13
1010
1010
12 1513
86
76
66
0 556
55
1113
1214
57
810
810
1113
8 1315
1315
1113
95
55 8 10
10
10 10 6 10 6
7
9
121312 12
10
7
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
3
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Gtr. 1
C13sus4 C#m7b13
w/ bar
Dsus2
let ring
CsusÊ
3
Eb6sus2 Gsus4
let ring 3
Gtr. 2Gtr. 2
Gtr. 3divisi
Riff B
Riff C
3
3
3
3w/ bar
*Gtrs. 1 & 2
Harm.
C#m7b5
1/2_
w/ bar
Gmaj7
w/ bar
Aadd9
Badd4
End Riff B
G#m[add9]
w/ bar
3
*Composite arrangement
1/2_
1/21/2
Gtr. 3
Harm.
–3 1/2
w/ bar
w/ bar
**
let ring
–3 1/2
**Played as straight eighth-notes.
1/2
Gtr. 1
Gtr. 2 tacet
F#/A#
***
Bmaj13
†
let ring
C#13sus4
w/ pick & fingers
let ring
***Played as straight eighth-notes. †Played behind the beat.
Gtr. 3End Riff C
8 109
10910
7 101310
1215
1013
10118
8 1012
1012
1214
333
45
45
158
910
12 17815
13
10 10715
7 915 17
121212
121212
14X
14
14
14
12
12X
14
14X9
909
9
799
08
0 4 4
44
4X7
X11
11
121212
121212
11 11 9 11 6
77
06
0
98
0
6304
011
9
1167
8 30
4
3
4
3
4 6
30
2
3
67
30
30
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
4
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D
Gtr. 1
Gtr. 3 tacet
C#7#9 Em% E7#9
let ring 3
Cmaj7
let ring
F6
3
3
3
6
E7 Am7 Dm7
let ring
Db13
let ring
3 33
33
–1/4
C
–1/4
w/ bar 3w/ bar
G/B D5
3
w/ pick
Fsus2
w/ pick & fingers
G%
let ring–1/4 –1/4
1/4
A7
G%
let ring
Fadd93 3
3
G A
G*
3
let ring
33 3
3
3
*Played behind the beat.
45
567
678
678
89
10
7
0
99
7
9 99
1010
99 9
8
77 9
88
10
1010
77 9 7 9 7 8 7 5
7
5 67
67
7
9
9
9
9
9 10
10
9
9
7
7
5
05
5
79
07
7
11
10
9 91011
111213
91011 3 6 3
3
33 3
35 5 33
5
6
3X13
3
20
3
0
3
2
2
303
5
5
5
5
3
3
2
2
3
32
2 2
220
3
0
0 1
01
03 5 0
5
5 5
5
05
5
7
7 7
7
7 7
7 12
12
13
13
09
9
10
10
12
12
12
12
10
10
10
10
12
12
10
10
7
7
09
9
10
10
9
9
9
9
9
9
7
7
7
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5
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F
G6#11
3
F
w/ bar
3
3
( )
G
w/ bar w/ bar
1/2_
w/ bar
F7
G
w/ bar
-1 1/2
1/2_
F
–1/4
w/ bar
3
w/ bar
G
w/ bar
F
*
33
3 3
3
–1/4
( ) +1/2
-1
*Played behind the beat.
Em[add9]
w/ bar let ring
Bb13
w/ bar
3 w/ bar
F13#11
w/ bar
3
3
-1/2
+1/2
-1
Em7
w/ bar
E7#9
3
w/ bar
Am7
let ring w/ bar
D7
3
3
7
7
8
8
5
5
7
7
7
7
7
7
5
5
7
7
5
5
5
5
5
5
505
05
5
7
7
7
7
7
7
7
7
8
8
8
8
13 13
13
16
16
12
12
13
13
10
10
12
12
10 11
11
8
8
10
10
10
10
10
10
11
11
10
10
8
8
10
10
8
8
7
7 7 7 58
5
87
5 7
5
7
5
7 7
587
5 698
143
143
143
7
77 8 10
10
12
12131215
010
812
8 10X14
13
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6
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D7 C A5
3
D58v a
33
6 3
1
2
1
F
w/ bar
G8v a loco
F
w/ bar3
3
3
-1 1/2
1 1/2
(13)
-1
1 1 1/2 1/2
2
1/2
Gtr. 1
G6#11 3
F[#11] G6#11
w/ bar
33 3 3 3
-1/2
1/2
Gtr. 3
mp
1/2_
w/ bar
1/2_
F[#11] Gmaj7
let ring
3
let ring
3
3
33 6
mf
12 10 11 1013 10
14
1510
1615
1617
1617
18
1518
15
18 18 20 20 18 1515 13
13 13 18
18 16 1215 12
1315 12
1012
810
8
11 11 710 7
9
8
5630
341
5630
5630
88
910
8
8 55
7 7 5
77 7 5
7 9
777 7
79 9 7 9 7 8 7 57
341
403
403
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Fsus2
w/ bar
Em9
let ring w/ bar
*
let ring
3
7 3
-1/2
*Played as straight eighth-notes.
Bb9b5
w/ bar
3
w/ bar w/ bar
F13
w/ bar w/ bar
let ring
3 3
3
3
-1/2
-1 -1/2-1 1/2
w/ bar
w/ bar
Em7
let ring w/ bar3
**
let ring
***
w/ bar
Am7 8v a
3
-1/2-2
**Played ahead of the beat.
***Played as straight eighth-notes.
1/2 1 1
let ring
3
5 55 5
7 7 5 75 7 5 7
5 8 55
55
7 875
7 87 7
8
301
4000
98
98 108
9 1110 10
11 1311
13 1511
1513
15 1513
011
0
123
123
15
13
15
13
17
15 17 17 1 8
19
1719
17
19
17 14
13
12
13
12 15
12
1 5 1 7
02X
32 0
0 3 5 3 5 5
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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w/ bar
D7
3
C5
A5
D5
8v a
3
3 3 3
slack
1 +1 1/2
-1/2
+2
-1/2
w/ dist.
3
F5
3
G58v a
let ring
3 3 3 3
-3 1/2
-1/2 -1/2 -1/2
Rhy. Fig. 1
let ring
3 3
F5
w/ bar w/ bar
G58v a
3
3 33
-1/2 -1
1/2
(18)
1 1
3 3
let ring
17 17 18
1518 18 15
171818 15
1718 15
1718 15
17
3 15 15 1 8 38 55
1818 1517
18 1517
18 1517
18
19 19X19
19 19X19 19
19
19
19
19 19
19
133
133
133
133
133
355
355
355
3
19 1517 15 15
17
15 17
17
18
15
18
133
133
133
133
133
355
355
355
3
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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loco
F5 1/2_
w/ bar
G5
3
5 7
3 6 1/2_1
1
let ring let ring
3 3
w/ bar
F5
G5
3 6 1 1/2
let ring let ring
33
F5 Em9
w/ bar 36 7 3 3
dist. off
18 18 1518 15
15 17 17 16 1518 15
1518 15
1518 15
17 15 171515
1517 1517 15
1517 15
1717 15
133
133
1
33
1 355
355
35
355
12 1012 1012 10
12 710 8
0
5
XXX 3 73 5
133
13
1
33
1 355
355
355 5
5 7 5 75 8 5
58 5 8 5 8
125 8 10 12 1415 15
1615
14
133 4
000
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w/ bar
Bb9b5
3
w/ bar
F13
w/ bar
+1/4 E5
3 3
G5 A5 G5
3
3 33
1
-5
+1/4
1 1 1 1
1_
w/ bar
End Rhy. Fig. 1 w/ bar
3
let ring w/ dist.
Rhy. Fig. 2
33
1_
A5
w/ bar
3
D5
w/ bar
let ring
C5
3
B5 A5
3
D5
6 3 3
1 1 1 1
33
F5
let ring
Gtr. 3: w/ Rhy. Fig. 1
G5
w/ bar
5 3
3
3
11
1
End Rhy. Fig. 2
3
1815 18 16 1517 16
1813
1516 13
141513
12 141512
12 1212 15
0110
0110
123
123
23
022
022
022
022
022
3 5 3
1512
1212 15 17
X17
17
17X17
19
19
19X19
17
17X17
1515 17
151715
5 16 16 563
36
33
577
577
577
577
577
577
577
577
355
2 0 55
3 3 33 33 6 63 3 3 3 3 6 8 1815 1515 1515 1515 1515 1515
133
133
133
133
133
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Bbm[add9]
w/ bar
Bbm9/Ab
3 G7sus4
w/ bar
G13
w/ bar
Gbmaj7#11
w/ bar
Abmaj7#11
let ring 3 3
3
*C5/G
let ring
C/G Bm/G w/ bar
–1/4
let ring
G5 Fsus2/G
let ring
w/ bar
–1/4
33
33 3
3
*Bass plays G pedal, next 3 meas.
–1/4 –1/4
C13sus2
let ring w/ bar
C#m7b13
Gtr. 2: w/ Riff BGtr. 3: w/ Riff C
Dsus2 Csus2
3
Eb6sus2 Gsus4
33
Harm.
C#m7b5 1/2_
w/ bar
Gmaj7 Aadd9
Badd4
*
let ring
G#m[add9]
3
1/2_
*Played as straight eighth-notes.
1/21/2
w/ bar
F#/A# Bmaj13
w/ bar
w/ bar
C#13sus4
3
w/ bar
3 3
810
76
6 66
556
1214
57
810
810
8
810
9 910
013
14 9
8
10
10
12
12
12
12
11
100
11
10011
10 10 10
08
08
1068
068
68 8
5
76
87
10
9910
7 710
1215
1215
1013
810
1012
1012
1214
121212
121212
14X14
14
14
12
12X
14
1409
909
9
9
08
0
44
4
4
8
7
10
10
11
11
011
911
67
8 304
304
5 8 8
7
6
6
4
4
4
4
5
5
4
4
302
302
1 3
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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F
G
rit.
Free time
Gtr. 2
Fmaj7#11
3
Em7
Harm. let ring
Pitch: A D G
Gtr. 1
let ring let ring w/ bar
3
3 33 3
3
3
Gtr. 1
Gtr. 2 tacetEm7
3
w/ bar
Am9
w/ bar
let ring 3
D13sus4
w/ bar
Db13#11
3
3
C
G/B
3
A5 D5
w/ bar
Fsus2 G%
w/ bar
3 3
3
3
1/2
A7
Gmaj7/B
w/ bar
Gmaj9/A Csus2
w/ bar
3
5
55
8 100
5 7
0
7 90
7 90
90
5 7 755
99
101010
12
12 121212
1212
14 141212
12 14 13 12 12 1012
55
05
5
5
05
5
05
5
7
7
7
7
05
5
3303
3 53
5
6 3 05 3 0
2
05 3 0
2 00 3
013
3
20
0
4
02
503
7
5
7
5
5
3 2 3
5
3
5
3
9
7
9 30013
030013
030013
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Intro
Moderately q = 118
Dog PartyWritten by Scott Henderson
from Scott Henderson - Dog Party
© 1994 MANGO PROM MUSIC (BMI)/Administered by BUG MUSICAll Rights Reserved Used by Permission
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
*Gtr. 3 divisi
*Gtr. 2
**
Riff A
Riff A1
C7#9
mf
mf
F9/A
7fr
21 3
Gm8fr
21 3
G#m9fr
33 3
E
*Horns arr. for gtr.
Gtr. 1 (slight dist.)
mf
Riff B
**Chord symbols reflect overall harmony.
C7#9
F7#9/A G#m Am
WhatSpoken:
µ
you gon na- do
A#m
now,
Bm C7#9
hey.
F9/A
1011
11 13 14
11 13 14
9
9
10 9 10
10 9 10
8
10XX
XX
6 788
65X4
7
6
5
4
0 8 86
86
11
11
9
9
10
10
13
1311 11 13 14
11 13 14
8 8 X
10XX
XX
6 788
789
0 4XX4
5XX5
XXX
XXX
XXX
XXX
6XX6
7XX7
8 8
10X X
X6 7
88
6
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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C7#9
F7#9/A
G#m Am µ
End Riff A1
A#mEnd Riff A
Bm
End Riff B
Verse
Gtrs. 2 & 3 tacet
C7#9
Can’t1. give you rea son- to take
F7/A
your self -
C7#9
so se ri- ous- ly,-
F7
Gtr. 1
let ring
1/41/4 1/4
C7#9
but I’ll give you a way to en joy
F7/A
-
1
9
9
10 9 10
10 9 1011
11
9 10
9 10 11 12
11 12
5X4
7
6
5
4
0 8 86
86
8 8 X
10XX
XX
6 788
789
0 4XX4
5XX5
XXX
XXX
XXX
XXX
6XX6
7XX7
88
10XX
XX 8 7
88X X
XXX 8
8810 8
10 8 X X888
8 X 10 X X
XX
78 X
XXX
XX
XX
8
8X
10
10
XX
XX
8X8
10
10
8
8
8 10 X10
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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your self.-
C7#9
Come on o ver- here with me.
F7/A3 3
w/ pick & finger
1 1
C7#9
You say you don’t wan na- leave
F7/A
your house
C7#9
feel ing- sad and blue.
F7/A
1/21/2 1 1/41/4
C7#9
Here’s a rea son- to change
F7/A
your mind.
let ring
1/41 1
*Gtrs. 1 & 4
C7 B7sus4 B7 D5 C#5
G5 E9
*Gtr. 4 (slight dist.), played mf . Composite arrangement
1/4
XX
XX
10 1088
10 810 8 X
XXX
88
XX
88 X
78
8 9
9
8
8
7
6 8
4
4
4
4
88
X 88
X 78 10X
XXX 11
XXX 8
8XX
10 108
108
888
8 78
88
1010 8
1011 8
810
XX
XX
XX
XX
XX
88
78
11 XX
XX 10 10 10
811 8
10 810 8
8
10 108 10
85 47
76
75 4
3 0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Chorus
3rd time, Gtrs. 2 & 3 tacet
You’re in vit- ed.
E13
-
A7Gtr. 4 tacet
Dog par ty!-
G#7#5 C#7#9
Come on in.
Gtr. 1
Gtr. 4divisi
Gtr. 1
1
2nd time, Gtr. 1: w/ Fill 23rd time, Gtr. 1: w/ Riff C (last 2 meas.)3rd time, Gtr. 4: w/ Fill 1
F#5
G#5 A5 A#5 B5 G5 E7#9
Well, I said you’re in vit- ed.-
A7
let ring let ring
let ring 1
1
Dog par ty!-
G#7#5
2., 3. Gon na
1. Bring
bring-
a
your
C#7#9
dog
dog or
or
your
your
ug -
F#5
Riff C
let ring
let ring
Gtr. 1
Fill 2
0 0
6777
0
6777
6779
5X5
5X5
5X5
7
7
XXX
XXX
5X5
7X7
55
5X 3
45 5 9
20 0
300
3 00
2
03 0
2 02 0
0
678
678
XXX
5X5
5
X5
5
5
5 7
7XX
XX
5X5
7X7
55
5XXX
345
345
1 2
30
0 54
52 2 0
2
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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1To Coda
2To Coda
ug
ly
ly
girl
G#5
- girl
A5
- friend.
A#5
friend.
B5
-
G5 E7#9
You’re in vit- ed.-
A7
Gtr. 1 End Riff C
Gtr. 4
Fill 1 End Fill 1
Gtr. 4 tacet3rd time, Gtr. 1: w/ Riff C
Dog par ty!-
G#7#5
Won’t you
C#7#9
Come
come
on
on
in.
in?
F#5
Gtr. 1
let ring 1
1/2
3rd time, Gtr. 4: w/ Fill 1
G#5 A5 A#5 B5 G5
You’re
Said
E7#9
in
you’re
vit
in
- ed.
vit
-
- ed.
-
A7
Dog par ty!-
µ
3 33
1 1
2X4
4X6
5X7
6X8 3
7X9
XXX
XXX 5
3 0
678
678
678
5X5
2X4
4X6
5X7
6X8
7X9 3 5
3 0
5X
5
5
5
5X5
7
7XX
XX
5X5
7X7
55
5XXX
345
45
11 12 X14
12
1412
12
1415 12
12
14 1214
12 14 12
0
678
678
XXX
5X5
5X5
7
7XX
XX
5X5
7X7
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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E7
G7
C7#9
Interlude
Gtrs. 2 & 3: w/ Riffs A & A1
Ah,
F9/A
Gtrs. 1 & 4
Gtr. 1
Gtr. 4divisi
1/2 1/4
Gtr. 1: w/ Riff BGtr. 4 tacet
oh, yeah.
C7#9 F7#9/A
G#m Am µ A#m Bm
C7#9
F9/A
Uh.
C7#9
F7#9/A
G#m Am µ A#m Bm
Verse
C7#9
We’ll2. drop the meat you bring in
F7/A
the sand
C7#9
and throw it on the grill.
F7/A
Gtr. 1
1
C7#9
I’ll bring my own that, uh, you
F7/A
won’t have,
3
1/41/4
7
9 97 9
7 7 97
109
107
68 88
10XX
XX
6 788
6
88
8 78
XX
XX 10
1111
10 810 8 X
X888
XXX
8
XX
78
7X7
XXX
XXX
8
8
7X6
XX
88
10 X 8 XX
78
XXX
XXX
6X5
8
7X8
7X8
7
6X5
8
7
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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1 Coda
Won’t you
C#7#9
come on in?
F#5
G#5 A#5 A5 B5 G5
let ring
3
1 1 1 1 1/2 1/2
I
E7#9
said you’re in vit-
3
ed.-
A7
Dog par ty!-
G#7#5
C#7#9
let ring
Gtr. 1
G/B C#m7
Guitar Solo
C#m7
steady
gliss.
F#/C#
3 33
1 1/2
Gtr. 4
1/41/41/4
55
5345
45
12 14
141512
12 1215 15
141212
1212
14 12 1212
1212
1112
5X5
7
7
XX X
X
5X5
7X7
455
5345
XX X
X
12
12
12
1212 12 12
99
1112 9
11 9 11 9
X
9
X
XX
X
XX
X
XX
11
X9
999 9
99
910
XXX
1111
11
111111
111111
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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C#m7
steady gliss.
F#/C#
1 1/4 1/4
1/2
C#m7
* P.M.
F#/C#
3
*2nd string caught under bend finger.
1/2 11/2
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1
Gtr. 4: w/ Rhy. Fig. 1 (5 times)
C#m7
** steady gliss.
F#/C# C#m7
**As before
1 11/2
F#/C#
C#m7
steady
gliss.
let ring
F#/C#
1 1 1/2
911 11 11
9 11 11 9119 X
X XX
XX
99
11
999
XXX
XXX
XXX
999
XXX
9
XXX
XXX
XXX
XXX
999
XXX
XXX
XXX
999
XXX
XXX
999
XXX
XXX
111111
12 999
99
99
XX 12
1412 14
13 1312 14
999
XXX
XXX
999
XXX
999
XXX
999
XXX
XXX
888
999
999
999
XXX
999
XXX
XXX
999
XXX
XXX
111111
111111
1214
1412 1212
1214
1214 14 8
8
14XX 9
9 12 9
XX X
X
11 119 11 11 911
2 99 12
99
XX
XX 2 9
99
99 12 59
9
44 9
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
9
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C#m7
grad. bend grad. release
F#/C#
P.M.
C#m78v a
11 1/2 1 1/2
22
Gtr. 4
Rhy. Fig. 2
Gm G#mEnd Rhy. Fig. 2
loco
Gtr. 4: w/ Rhy. Fig. 2 (4 times)
Gm G#m Gm G#m
1/4 1 1/2
Gm G#m Gm G#m
grad. bend 1 1/2
2
Gtr. 4
Gm G#m
9 12 12 12 9 12 12 999
1216
X 00
00
16 14 16
12 1414
1214 14 14
XXX
XXX
XXX
XXX
XXX
XXX
6 6 6 9 68 X
XX
XXX
6
6X6
X6 9 6
8XX
XXX
XXX
6XXX
XXX
6XXX
XXX
6 6 69
X8
67 5
68
5 5
56
9
XX
XX
966
69 6
9 6 9 69 6 9 6
9 6
XX
9 XX
XX
9 9 XX
9 XX
9 XX
9 XX
9 XX
9 9 XX
9 XX
9 9 XX
9 XX
XX
XX
9 9 9 9 9
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
10
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Gm G#m
Gtr. 4: w/ Rhy. Fig. 1 (4 times)
C#m7
1 1 1 1 1 1
*
F#/C#
**
C#m7
*2nd st ring caught under bend finger . **As befo re
1
2
1 1/2
2
1 1/2 1 1/21
11
F#/C# C#m7
grad. bend
8v a
3
11 1/2 1 1/2
2
1 1/2
8v a
loco F#/C#
C#m7
3
3
1/41/2
F#/C#
Gtr. 4
Breakdown
E
Gtr. 4 tacet
C#m7
8v a loco
w/ fuzz & ring modulator let ring
9 911 11
99
99
99
12 99
12 99
12 99
1211
129 99
129
9 129 9
9
1212 9 9 12
1212
9 12 1212 12
1299
99 12 9
99
99
99
911
12 99
99
11 11 911
11 9 9 2XXX
XXX
XXX
XXX
16 1616 16
16 16 14 161212 14 15
1414 12
1212
1414
1412
14 14 14 1412
1412
XX
1412
XX
1412
1412
1412
XX
1412
XX
1412
1412
1412
1312
1716
1716
1716
1716
XX
1716
1716
1716
XX
XX 21
979
X X X X XX
XX
1112
9 X
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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rake
1
let ring3 1/2 1/21
* p mf
*Vol. swell
1/2 1/2 1/2 1
XX
X 1111 X X
X XX
9
X 9
X XX
XX
XX
11 9X
9XX
XX
X12
X12
X XX
XX
X XX X 9
9 9 X 9 11 99 X
XX
11
X
121212
11 11
XXX
XX
XX
11XX
XX
XX
9 X 0 9 7 X 0 2 0 5 X X X 4
X X 1111
99 8
11 910 8
11 87
4
X4
4 46 6
44
7 44
119
16
9 99
11 1112 9
9
11 11 911
11 911
9 9 9 9 9 9
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Gtr. 2
Gtr. 3divisi
Interlude
Db7#9
Gb9/Bb
Fill 3
Fill 3A
Db7#9
Gb9/Bb
Gtr. 1
fuzz & ring modulator off
Gtr. 3
Gtr. 2 End Fill 3A
End Fill 3
Db7#9
Gb9/Bb
Gtrs. 1 & 4
Db7#9
Gb9/Bb
Fill 4
Db7#9
Fill 4A
End Fill 4A
End Fill 4
Gb9/Bb
1112
12 14 15
12 14 15
10
10
11 10 11
11 10 1112
12
9 9 9
9
10
10
11
11141412
12 14 15
12 14 15
10
10
11 10 11
11 10 11
42 2 6
12
12
10
10
11
11
12
12
13
13
14151412 12 14 15
12 14 15
67 6
2 3 4 7 9
11 9
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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D.S. al Coda 2
2 Coda
Gtrs. 1 & 4
Gtrs. 2 & 3: w/ Fills 3 & 3A
F7 D7
Gtrs. 2 & 3: w/ Fills 4 & 4A
A7
Gtr. 2
D#5
Gtr. 3divisi
F#5 G5
G#5
B5 C5 C#7
Bsus4 B7 D5
C#5
G5 E9
Gtrs. 1 & 4
1/2
Dog par ty!-
G#7#5 C#7#11 F#5
Gtr. 4: w/ Fill 1
G#5 A5 A#5 B5 G5
let ring
let ring
Outro-Guitar Solo
E7#9
let ring
A7 G#7#5
1/41/4
2 X 2 06
55
1 2 3 X 4 0 5
7 75 7
57 5
101110
11 10 111211
1110
1211
12161416
13 12
13 12
6 62 3 4 4
2 3 4 4 4
6 64 6
4
5
4
477
67 3
5 40
5X5
5
5
5 7
7XX
XX
5X5
7X7
55
5XXX
345
345
1 2 2X4
4X6
5X7
6X8
7X9
XX
XX
1414
1212
1212
1212
1412
12 XX
XX
1212
1212
XX
1112 X
XX
XXX
13X13
14
14X14
14X14
14X12
12X14
14
XXXX
10111212
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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C#7#9 F#5 G#5 A5 A#5 B5
G5
1 1/2 1/4
E7#9 A7
G#7#5 C#7#9 F#5
8v a
1 1 1/2 1 1
G#5 A5 A#5 B58v a
steadygliss.
loco
G5 E7#9 A7
1/4 1 11 1 1 1 1
G#7#5 C#7#9
3
1 1 1 1
F#5 G#5 A5 A#5 B5 G5 E7#9 A7
1/2
119
99
12 912 9
11
99 12 9 9
11 9 12 9 13 10 14 11 15 1212
1214 12
14 12
17
XX
XX
XX
XX
1517 17
151717
XX
XX
17
X
1715 17 17 15 17
17 17 17
17151717 15
1414
1212
XX
0 15 151212
12 1512
12 15 1512 12
1212
1215
1215 12
12
1412 15 12 12
12 12 14 12 13 1215 12
1415 12 X
X
14XX
14 1214
12 1212
121412 10 12 14 10
12
XX
XX
1212
XX
XX
1212
1212
1112
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Begin fade
Fade out
G#7#5 C#7#9 F#5
1 1 1 1/2
G#5 A5 A#5 B5 G5
E7#9
A7
1/2 1/41/4
G#7#5 C#7#9 F#5
1/41/4 1/41/4 1/41/4
G#5 A5 A#5 B5 G5
E7#9
*
A7
*2nd string caught under bend finger.
1 1/21
1 1/2
grad. release
G#7#5 C#7#9
**
F#5
1
**As before
11/2
1112
XX
XX
1112
0XX
0XX
1112
1112 11
99
11 11
999
99
99
911
12 911 9
11
9 9 912
12 12000
14 14 12 12 1400
1212
1212 0
000
1212
1212
XXX
000
1212
1212
XX
00
1212
61212
XX
XX
8X8
8X8
8X9
9X9
9X9
9X9
9X9
9
11 11
14X14
X12
12X14
14
15
15X14
14X12
1212 12
15
1212 15
1515
15 15 12 12 15 12 1212 X
17
0 1715 17 17
17
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
17
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AModerately q = 132
DolemiteWritten by Scott Henderson
from Scott Henderson - Tore Down House
© 1997 MANGO PROM MUSIC (BMI)/Administered by BUG MUSICAll Rights Reserved Used by Permission
5th time, 2To Coda
Gtr. 1 (slight dist.)
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
Spoken: Dolemite. It’s
real bad out there.
3 sec.
*A7
f
D A7 D
*Chord symbols reflect implied harmony.
A7 D A7
D7 G D7
1/4
A7 D A7
A7sus4 E7#9 D7#9
1/4 1/2
534
XX
35
0 0 2 0 2 0 5
X X34
XX
45
0 0 2 0 2 0
5
X34
XX
45
0 0 2 03 4
0 24 0 3
4 04 0 2
2 04 0
3 0
34
5
X
XX
45
0 0 2 0 2 0 5X X X 0 4 0
5 04 0 2
2
3
5
X X3
4
XX
45
0 0 2 0 2 0 53
455
0 3 0 X X 3 0 0 0 1
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
1
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1To Coda 1.
2.
B
2nd time, Gtr. 1: w/ Fill 1
A7 E7#9
1 1
A7
A7
mf
D A7 D
A7 D A7
D7 G
D7 A7 D A7
E7#9
D7 A7 D
1/4
Gtr. 1
Fill 1
P.M.1 1/2 1/4 1/2
25
2 0 2 0 0 5
7 7
58 5
5
57 5 7
7678
00
5
5 65
X X 77
5 65
7 7 57
5 65
5 6X
0 77
5 65
X 10 1110
XX
1212
10 1110
7 7 57
5 65
X X7 7 7 7
77
5 65
XX
XX
X 7 X X
5 5 X X 57
XX
XX
45
XX
34
XX
45
XX
XX
45
45
5 7 X 75 6
7
5
X 7 X 5 77
5
7 7 58 8
58 5
7 55
7 7 57
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
2
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C
A7 E7#9
let ring
A7 D
A7 D A7 D
A7
D7 G D7 A7 D
A7
E7#9
D7
1/4 1/4
A7 D A7
steady gliss.
f
C#7#9 C5 B5
F#7/E F#7 B7#9 Bb5 A5
5 65
XX
6 678
678 8 8
5 65
XX
XX
5 65
5 577
5 67 7 7 7 5
7
5 65
XX X 7
75 65
XX X
XXX
10 1110
XX X
1212
10 1110
X X X X5 65
X X X 7 577
5 65
7 7 7 7 57
5XX
X 57
XXX
XXX
XXX
55
3
4
45
XX
XX
45
45
45
45
45
45
45
45
56
XX 5 6
XX
5XX
XX
677
77
55
11 XXX
XXX
4345
3 2
20 4 6
4 6 44
5 64 6 4
4
5 64 6 2
123
1 0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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steady gliss.
rake rake
grad. bendrake
33
1
12
2 1/2
D7
6
1/4 1/2 1
A7 5
3
2
E7#9 D7
A7 E7#9
A7
let ring let ring
5 419 7 0
0X
XX
5 5 5
XX
105 5 10
XX
10 10
10 1212
1010 13 10 12
1110
10 910
79
55 7
7 57
5
55
8 5 85 7 6
58 5 8 5
58 11 13 13 10 13 10 12 15
12 13 15 1215
1412
15 13 14 13 1214 15 12
1013
12 10 1213 10
10 9 8 6 78 7
67 5 8
5
5
8 5
8 5
5
5 8
5
8 7 57
7 57
57 5
7 7
678
7
678
7
678
7
678
7
678
7
7 9 98
98
8
7
98
98
98
8
7
98
98
98
98
98
77
5 6 4
XX 9 9
89
8XX
077
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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2 Coda
Free time
D7#9 A7
P.H.
15ma
loco
steady gliss. 1/4 2
E7#9 D7#9 A7
E7#9
D7#93
1/4 1/2
A7 µ
let ring w/ pick
& finger
A7#9
3
1/2
6
5
6 1
1 1 1
µ3
1 1/2
25 5
XX 7 X
5 X 7 X 8 X 9 X8 X 10 X 13
14
3 0 3 3 0 0 0 1 25 5
10 78
10 78 6 8
78 7 7 6 5
77
10 7
10 710 7
10 77
10 710
710 7 6 5 3 0
3 0 33 0 0 0 1
25
0 5 2 0
2
1 0
34 4
3
2
1
03
2
6 6
5
5
4
4
7
7
7
75 5 7 7
88
88
88
788 5
8 55 8 9 8 5
8 57
58 5
78
7 57 5
7
5 5
557 5
05
7 5 3 5 3 3 12111213
12111213
0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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A7
let ring
E7
let ring
1/4
let ring C#7#9
let ring
F#7b13
B7b13 E7
let ring
B7#5 E7
let ring
3
A7
let ring
E7
let ring
1/4
let ring
C#7#9
let ring
F#7b13
04 5
4 6
6
5
5
3
3
3
3 02 0 4 0
04 5
0
13
3
2
2
0
0
0
3 02 0 4 0
04 5
4
3 4
04345
4345
4
0
3 2
2
00 2
0 0 1
0
3 2 0 2 02 0
20 7
88
788
7 2
2 2
3 02 0 4 0
0 4 0 04
01
0
3
3
2
2
0
0
3 02 0 4 0
0 4 2 0
4
06
6
5
5
3
3
3 0
3 0
2 0 4 00 4 2 0
40 13
3
2
2
0
0
0
3 02 0 4 0
0 7 5 07
6 4 06 4 0
4345
4345
4
0
3 2
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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A7 E7
3
1
B7 A7
E7 B7
E7
1/4 1/2
let ring
1/2
1
1/2 1/2
let ring
A7
let ring
E7
3
1/21/2
let ring
B7
A7
3let ring
1 1/4 1/4
14
12
14 1214
14 1214 11
121112
XX
1112
XX
1112
XX
1011
1112
XX
1415
1415
XX
1415
1516
1516
XX
1415
1516
1516
XX
1516
XX
1415
1516
1516
1516
XX
1516
1617
1617
XX
1516
1617
1617
XX
1314
1415
1415
XX
1314
1415
1415
XX
910
XX
910
89
910
910
910
33
45
45
45 5 5 5 55
55 5 3 35
55 35
4 3 2 0 22
3
0 10
0 3 03 0
00
0 30
00 2
00 0 2
00 0 2
00
3 0 03 0
220
0
2 02 0
2 03 0 0 0
0 2 0 1 03
03 0
20
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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let ring
E7 B7 E7
1 1/2
let ring
1/41/4
A7 E7
steady gliss.
B7 A7
1
let ring
E7 B7 E7
1
3 3 3 3
1/4 1/2 1 1 1/41 1/2
*3rd string caught under bend finger.
*1 1/2
1 2
30
X
5 3 00
43
2 0 22
02
0 1
0
2
3
2
0 00 4
3
43
430
430
430
430
430
430
65
650
650
650
6 9 1212
1212
1212
1212
1212
121212
16
1615
1615
1615
1615
1615
1615
1615
1615
1817
1817
1817
1817
171817
2120
2120
2120
2120
2120
2120
2020
2121
2121
1919
1919
1817
1817
171615
1615
1414
1414
1212
91010 22 8 X 15
X
15
1512
1214
12
14 1214
1414
12 1314 12 14 12 14 12
14
14 1412
12 12 12 12 12 12 12 12
12
12
1212 12 11
1210
12 9
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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D
A7 E7
3
1 1/2 1
B7 A7
1/2 11 1
E7 B7
1 1 1
w/ pick & fingers
E7
let ring
let ring
let ring
let ring
let ring
let ring
let ring
let ring
A7
let ring let ring let ring let ring let ring E7
let ring
let ring let ring let ring let ring let ring
B7
let ring let ring
A7
let ring
14161515
014 12 1214
14 14XX
X
1415
1415
1415
1415
14 14 12 1414
12 14
12
0 0161515
161515
XX
161515
161515
XX 14 14
1514 14 12
XX
1617
1617
1617
1415
141415
XX
1214 14
121212 12
1212
1212
14 1615
1615
1514
1514
01413
XX
11 1312
0
11 1110
0
1312
0
11 1110
0
1312
0
1110
11
0
1312
0
11 1110
0
1312
0
1110
0
9 98
08
1110
0
98
0
4 65
54
30
4 65
0
443
0
65
05
6 87
0
6 65
0
4
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
10
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D.S. al Coda
Coda
Free time
let ring let ring
E7
let ring B7 E5
let ring
3
C#7#9
F#7b13
let ring
B7b13 E7
let ring
C#7#9
let ring
F#7b13 Bb13
let ring
µ
E7#9 µ E7#9
w/ pick
3
1 1 1
steady gliss.
µ3
1/2 1 1
30
32
0
21
0
0 1
0
1
03 0
2 0 12
2
2
022
1
0
2
2
3
3
4
4 5 3 05 3 0
6 4 06 4 0
4345
4345
4345
4345
4
0
3 2
00 2
0 0 1
0
2
2
3
3
4
4 5 3
05 3 0
6 4 06 4 0
4345
4345
4
0
3 2
00 2
0
3
3
2
2
0
0
3
3
2
2
0
0
3
3
2
2
0
0 1
0
6
78
7 141212 12
15 1214
1212
14
14
13
14 1214 12
12 12 1010
1212
1210 10
20 0767
767
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Intro Moderately q = 90
Lady PWritten by Scott Henderson
from Scott Henderson - Well to the Bone
© 2002 MANGO PROM MUSIC (BMI)/Administered by BUG MUSICAll Rights Reserved Used by Permission
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Gtr. 1 (slight dist.)
w/ pick & fingers
µ
mf
=
3
____ ________ __
6fr
12 3
E7#9
12 3
C#7#9
*E A7/C# E
w/ bar
let ring
1/2
*Chord symbols reflect overall harmony.
1/2 1
w/ bar
C#5
P.M.
E
let ring
A7/C#
w/ bar
Bb13sus4 3
Gtr. 2 (slight dist.)
G6
E A7/C# E
w/ pick & finger
mf
C#m E
Gtr. 1
w/ bar
w/ bar
–1/4
let ring
let ring let ring
-1/2
–1/4 w/ bar 1
4 4 4 2 20 03 0
7
5
604
7 7
7
9
9
66
644
64 2
0 02
0
07
5
6 6
06
4
0 2 4
98
9
9
9
3 30
4
0
2 3 2 02
0
2
0 0
07
5
6
4
7 7
7
9
9
7
7
466
444
6 4 6 4 5 4 20 0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
1
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Gtr. 2 tacet
A7/C#
E7#9
Verse
C#7#9
I1. know your
E7sus4
name
Gtr. 1
w/ bar
let ring
3
1 11
C#5
ain’t gon na- change,
Em6
my
C#º7
La dy- P.
E7#9
let ring
let ring 11/21/2
1/2 1
A7/C#
E7#9 C#7#9
Won’t let you
E7sus4
in,
w/ bar
let ring
3
1 11
C#5
guilt y- as
Em6
sin,
my
C#º7
La dy- P.
E7#9
let ring
let ring1 11/21/2
1/2 1
07
5
0 0 34
2
0 0 0
345 9 9 7
99
99
77
7
66
7
6 056
5
7 5
3
3
2
0
0 2 2 02
0
07
5
0 0 34
2
0 0
045 9 9 7
99
99
77
7
666
7 7
6 0 6
7 5
3
3
2
0
0 2 2 02
0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Gtr. 2
A7/C#
w/ bar
G#[b6]/E
w/ bar
C#m E
-1
Gtr. 1
let ring
P.M.let ring
Gtr. 1
w/ bar
Gtr. 2 tacet
A7/C#
E C#m11 F#sus4
E
let ring 1/4
C#m11
let ring w/ bar w/ bar
F#sus4
E
w/ bar
C#m11
w/ bar
F#sus4
w/ bar
E
w/ bar
let ring
-1/2
+1
-1/2
1
C#m11 F#m7 E
let ring
C#m11
w/ bar
F#sus4
E
let ring
3
4 46
59
8
9
9
07
5
604
7
7
9
9
7
7
4466
6
46 4 6 4 5 4 2
0 0
07
5
0 0 34
2 4
0
9
9
011
11011
11011
11011
11011
11011
11
9
907 4
2
2 00
2
444
4 444 7 9
66 24 0 2 2 0
25 24
44 2
02
1
02
1
0
33
44
44
44
440
2220
20
0
0 09
909
9
11
11011
11011
11011
11011
110
11
11
9
907 4
2 00
2
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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C#5
it ain’t my
Em6
day, my
C#º7
La dy- P.
E7#9
let ring
let ring3
1
1
1/21
A7/C#
E7#9
Well, I don’t
A7sus4
want to say
Gtr. 1
w/ bar
Gtrs. 3 & 4(clean)divisi w/ chorus
mf
let ring
3
Chorus
Gtr. 1 tacet
A7sus4 A
let her go.
C#7sus4
She
D% G13
can change I nn
F#7b9
know.-
Gtrs. 3 & 4
let ring let ring let ring 1/2_
w/ barlet ring 1/2_
Badd4
Can I
A7sus4
look a way?- Eyes
A
o’
C#7sus4
blue, not
D% G13
to day.-
let ring let ring let ring let ring let ring
3
66
6
7 7
6 056
5 3 0 3
2
00
0
2 02
0
0
0
0 0 34
2
0
33
1 133
0 0 00
30
0
30
220
4
4
2
302
200
3
3
10
00
00
2
0
2
00
40
20
4 2 0
0
03
0
220
4
4
2
302
200
3
3
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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C#7sus2
Oo.
C7susÊ C7/Bb Gm G7sus4
Gtrs. 3 & 4 tacet
C5
µ E
let ring
1/2_
w/ bar
1/2_
Gtr. 1
Guitar Solo
A7/C# E C#5
w/ bar
E7#9
w/ bar
w/ bar
A7/C#
w/ bar
–1/4
Emaj7#9
1/2_
w/ bar
Em%
1/2_
w/ bar w/ bar
–1/4 1/2_
1/2_
w/ bar
C#7#9
let ring w/ bar
E7#9 C#7#9
w/ bar
E7#9
let ring 3
+1/2
-1/2
-1
1/4
C#7#9 E7#9
3 Harm.
C#7#9
let ring w/ bar
E7#9
w/ bar P.M.
3
Pitch: G-1
10
44
44
3333
44
55
55
55
55
55
55
55
33
03
301
07
5
7
7
6
4
7 9
9
9
9
7
7
66
44 64
6 4 5 4 202
02
07
5
606
4
7
5
6
4
6
4
4X2
4020
4020
4020
0
79
5 5 3 3
44
3
4 44 2 02
2 02 0
23
22
0
05
7
06
40
540
540
4
66
6
4
9
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Gtr. 1
C#7#9 E
w/ bar
F#m7
Interlude
Gtr. 2 tacet
F#m7Riff A Emaj7
w/ bar
w/ bar w/ bar
8v a
-1/2
+1
-1
Gtr. 4
Rhy. Fill 1 End Rhy. Fill 1 Rhy. Fig. 2A
Gtr. 2
Rhy. Fig. 2
Gtr. 3
let ring 1/2
loco
F#6
w/ bar w/ bar
E6
w/ bar
C#m7
w/ bar w/ bar
E6#11
w/ bar
-1
-1 -1-1/2
let ring
21 23 23 21 21 19 16
18 16
17
141414
141414
141414
141414
141414
141414
141414
131212
345
0 0 34
2
0
220
220
22
220
220
44
44
0
0
16
14 16
1614 16
14 1212
1212
1412
14 91211
11 9
9 9
131412
151614
151614
151614
151614
131412
131412 13
11
1412 1412 1412 1412 1412 1412 1412 1412 119 119
440
440
440
440
440
220
22
0
0
3
3
XX
33
0
44
440
440
440
440
220
220
220
0 0
345
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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C#7#9 E F#m7
Emaj7
w/ bar
w/ bar w/ bar
8v a
+1
-1
let ring
1/4
loco
E7#9
w/ bar w/ bar w/ bar
End Riff A
C#7#9
w/ bar
E7#9 A
w/ bar
-1/2 -1/2-1
w/ bar
let ring 1/4 1/4
921 21 19 16
18 1617
1311
1412
1412
1412
1412
1412
1614
131313
141414
141414
141414
131212
345
345
0 0 34
2
0 0 0
220
220
220
220
2
20
220
220
44
440 0
0 022 X
XX
678
15
14 16
151512
1215
1212
1212
1214 12
12
15 12 12
1415
1415
1415
1415
1415
1415
1415
1415
1415
1415
1415
1415
1415
1415
1415
678
678
0 0 34
2
0 022 3
4345
345
345
0 0 34
20 0
44
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
12
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Aadd9#11 A
Aadd9#11 A
w/ bar
w/ bar
E
w/ bar
+1
-1
let ring
let ring
F#6
w/ bar w/ bar
E6
w/ bar
C#m7
w/ bar
w/ bar
E6#11
w/ bar
-1
-1 -1 -1/4
let ring let ring
12 21 21 21 21 19 16
18 1617
14
12X12
14
14X14
14X14
14X14
14
14
14X
12
12
12
12
XXX
XXX
12X12
14
14X14
14X14
14X14
14
14
14X
12
12
12
12
XX
XX
440
440
440
440
440
22
0
220
220
440
440
440
440
440
440
440
440
440
220
0 00
16
16
1614 16
14 1212
1212
1412
149912
1111 9
99
99
13
1412
15
1614
15
1614
15
1614
15
1614
15
1614
13
1412
13
1412
1311
1412
1412
1412
1412
1412
1412
1412
119
119
0X440
440
440
0X220
220 0
0 0 0
440
440
440
440
0X220
220
220
0 0
XXX
XXX
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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C#7#9 E
F#m7 Emaj7
w/ bar
w/ bar
A7sus4
w/ bar
+1
-1
let ring
1/2
w/ bar w/ bar
G13
w/ bar w/ bar
w/ bar
E
-1/2 -1/2-1
1/4
End Rhy. Fig. 2A
let ring let ring
Gtr. 3
Gtr. 2divisi
Fill 1
End Rhy. Fig. 2
1/2
99
21 21 21 21 19 16
18 1617
14
1311
1412
1412
1412
1412
1412
1614
131313
141414
141414
141414
141414
141414
131212
131212
345
0 0 34
2
0 0 0
220
220
220
220
220
220
44
440
0
03
15
16
151512
1215
1212
1212
1214 12
12
15 12 12
12X12
14
14X14
14X14
14X14
14X14
14
14
14X
12
12
10X10
12
12X12
12X12
12X12
12
12
12X
10
10
0
0
03
3
3
0 00
3
00 32
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
14
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Gtr. 3 tacet
A7
E A6sus2
La
C#7#9
dy-
C
P,
Gtr. 1
Gtr. 4
let ring
Gtr. 2 End Fill 1
w/ bar
let ring let ring
-1/2
Bridge
Cm
set me free.
G5 Gmaj7#11
La
G7sus4
dy- P,
C Cm
got hold
G5
of me.
Gmaj7#11
Gtr. 1
w/ bar w/ bar
w/ bar
1
-1
*Gtrs. 2 & 4
let ring
let ring w/ bar
let ring let ring
*Composite arrangement
12
4452
345
2010
10
4 05 4 0
3 42
3 0 004400
4400
4400
4400
XXX
XXX
345
201
320
18 18 1818 15
17 17 17
17
15
1
10
1 1 503
402
301
01
301
2
1
201
1
10
11 50
503
402
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Verse
C#5
just where she’ll go,
Em6
my
C#º7
La dy- P.
E7#9
Gtr. 1
w/ bar w/ bar
let ring
-1/2
1
1/21/21/2 1
A7/C#
E7#9 C#m7
You wan na-
E
bet,
w/ bar
let ring
3
3 1/21/21/2 1/21/2
C#5
my floor is
E
wet, my
C#º7
La dy- P.
E7#9
w/ bar
1/2_
w/ barlet ring
1 1/2_
11/21/2
1/2 1/2
Gtr. 4: w/ Rhy. Fill 1
w/ bar
A7/C# E
F#m7
Gtr. 1: w/ Riff AGtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A
Outro
F#m7
Emaj7 F#6
E6
1/2 1/4
6 6
666
67
6 056
7 5
3
3
2
0
0 2 2 02
0
0
0
0 0 34
2
0 0
6 9X9
9X9
9
9
9X7
7
6X6
6
6
4X4
4
4
6 66
666
7 7
6 6
7 5
3
3
2
0
0 2 2 02
0
07
5
30 04 2
0 4 2 02
3 0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Aadd9#11 A
Aadd9#11 A
w/ bar
w/ bar
E
w/ bar
+1 1/2 +1
-1
F#6 1_
w/ bar w/ bar
E6
w/ bar
C#m7
w/ bar
1_
w/ bar
E6#11
w/ bar
C#7#9 E
1_
-1 -1
1_
–1 1/2
w/ bargrad/ bend
F#m7
w/ bar
Emaj7
w/ bar
A7sus4
w/ bar
w/ bar
–1 1/2
w/ bar
G13
w/ bar
–1 1/2
-1
-1
–1 1/2
-1
1/21/2
3/4
1
Gtr. 2: w/ Fill 1
w/ bar
E
*
A7 E F#m7
w/ bar
-1
*Played as straight sixteenth-notes.
+11 1/2
12 21 21 21 19 16
18 16
17
16
18
1916 19
14 1212
1212
1412
14 1211
11 11 9
9
9
9
19 19
1919 16
18 1617
14
15
16
1512
1215 15
1212
1212
1412
14 1215
12
15 15 1212
12 15 12 12 21
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Gtr. 1
Gtr. 3: w/ Rhy. Fig. 2 (last 3 meas.)
Emaj7
w/ bar
w/ bar
A7sus4
w/ bar
w/ bar w/ bar
G13
w/ bar
+1
-1
-1/2 -1/2-1
Gtr. 4
Gtr. 1
w/ bar
E
1/4
Gtr. 2
w/ bar
-1/2
1/2
Gtr. 4
21 21 19 16
18 1617
14
15
16
151512
1215
1212
1212
131313
141414
141414
141414
141414
141414
131212
131212
12X12
14
14X14
14X14
14X14
14X14
14
14
14X
12
12
1214 12
12
15 12 12
0 3
2 4 05 4 0
3 42
3 0
22100
10X10
12
12X12
12X12
12X12
12
12
12X
10
10
022100
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Moderately q = 105
Meter MaidWritten by Scott Henderson
from Scott Henderson - Tore Down House
© 1997 MANGO PROM MUSIC (BMI)/Administered by BUG MUSICAll Rights Reserved Used by Permission
= 3
____ ________ __
I’m
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
Verse
1.
* D5
com ing- to ru in
G/B
- your day.
C5 µ
5fr
13 4
D5
13 4
C58fr
13 4
F59fr
13 4
F#510fr
13 4
G512fr
13 4
A5
I’m a bad
D5
old ug ly- me
F5
ter- maid.
D5
Gtr. 1 (slight dist.)
mf
*Chord symbols reflect basic harmony.
µ
Just go
D5
and ask for my man,
G/B
Je rome,-
C5 µ
he says I’m
mean
E7#9
work ing- but I’m mean
G7#9
er- at home.
D5 µ G/B C5
1/4 1/4
57 57 57 XX XX 25 25 35 57 57 57 XX1 1
3133 57
7
57
577
57
0 2 25
25
35
678
9 91011
91011
577
25
25
35
3
00
XXX
XXX
XXX
10 10 XXX
XXX
10 10 10 XXX
XXX
10
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Interlude
F5
Yeah, yeah.
C5
Riff A
F5 C5
F5 C5
F5
C5
Oh,3.
End Riff A
1 X 1
7X7
X X8
8X8
8X8
8X9
9X10
10
8 X 8
15X15
16
16X16
16X16
16X16
16X15
15X13
13
15
15
1 X 1
7X
7
X X8
8X8
8X8
8X9
9X10
10
8 X 8
15X
15
X 16
16X16
16X16
16X16
16X15
15X13
13
15
15
13
13
1 1
7X7
8
8X8
8X8
8X8
8X9
9X10
10
8 X 8
15X15
XX X
X16
16X16
16X16
16X16
16X15
15X13
13
15
15
1 X 1
7X7
X X8
8X8
8X8
8X9
9X10
10
8XX
8
11X10
XX X
X12
11X12
11
8X8
X12
11X12
11X10
10
10
10
8
8
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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gim
Verse
D5
me- your mon ey- and let’s
G/B
call it a deal
C5
or I’ll
1 1 1 1/2
stick
D
my boot on your left
F5
front wheel.
D5
You know I
hold bend1/2 1/2 1 1/2 1/4 1/2
caught my man run
G/B
ning- ’round like a
C5
mutt.
You know he
3
1 1/4 1 1 1/2
needs
G5
to put on his you
C5
know
D5
what,
yeah.
C5 D5
577
XX
577
XXX
XXX
XX
25
25
25
355
XX
XX
13
XX X
X12 12
12
1012
10 10 810
577
XXX
5777
XXX
XX
133
133
133
577
75
8
76 8 6 8 88 6
76
7 79 7
577
XX
577
0XX
25
25
25
25
25
12
3
1310
1312
1013 10 10 10
10
10 1012
3 35
05
X355
355
355
577
577
XXX
577
XX
X 3 355
355
355
577 12
10
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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C5 D5
I
Chorus
G5
know
E5
your
G5
name.
E7#9
let ring
3
3
1/2 1 1/2 1/2 1/4
Bb5
Bbmaj7#11(no3rd) Bb6 Bbsus2
Gtr. 2 tacet
B6(no3rd) D7#9
I got your num ber.-
Gtr. 2 (dist.)
mf
1
Gtr. 1
let ring
Bbm7
You
G5
treat
E5
me
G5
nice,
E7#9
Gtr. 1
let ring
1/2 1/2
12
1013 10 10
12
10
12 1012
101212 10 12 12
XXX
3 0 0 3 0
678
6X
8 8X
10 10 91010 12 10 10
810
1012
810
79
810
810
XX
1012
810
810
X6 7
6XXX
XXX
456
56
56
56
XX
6 6 67 8
6 68 6 4
6 3 0 0 3 0
678
10 13 13X
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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C oT oda
Eb5 Ebmaj7#11(no3rd) Eb6 Ebsus2
or pay
A5A5
the price.
G7#9G7#9
Gtr. 2
1
Gtr. 1
A5 Eb7#9 Em7 D#m7 Cm7 Am7
let ring
w/ bar
Gtr. 1
Gtr. 2 tacet
w/ bar
Guitar Solo
Am7
grad. bend rake 3
-1
1/2 1
15 15 141515 1517 17 15
15
1315
1517
1315
1214
1315
1315
XX
1315
1517
1517
1315
135 5
7 XXX
XXX
XXX
XXX
91011
XXX
0
15
11 11 12 1110 13 10
5 5
7 XXX
XXX
XXX
6567
1111
7 9 1212
1111
77
110
88
55
55
55
55
7
75 7 5
7
5
X75
7 XX
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
6
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F5 F#5 G5 A5Gtr. 2: w/ Rhy. Fig. 1
D5 C5 D5
rake
8v a
loco
let ring 3 2
1 1/2 1 1 1
C5 D5
let ring
C5 D5
3
hold bend 1/2 1 1 1/2 1 1 1/21/2
Gtr. 2
D5 F5 F#5 G5
Interlude
Gtr. 1: w/ Riff AGtr. 2 tacet
F5 C5
1 1/2
F5
C5
F5
C5
F5
C5
Ah,4. my
Verse
Gtr. 2 tacet
D5
man’s work ing- hard
G/B
all day.
C5
Gtr. 2 Gtr. 1
18 18 1516
15 18 15X
1512
1212
10 10 13 1310
1310
1010
121010
10
1313
12 12 12 10
12 12 121213 1310 12 13 13
10
1210
12
1013 10 10
10X 12 12
1212
1312 10
12 1012
1210
10
12 12 10 1012 12 10
1213
10 12 12
810
88
35
33
577
XXX
577
XXX
XXX
2 25
25
25
25
35
XX
XX
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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D.S. al Coda
Uh, put your mon
D5
ey- in the me ter- if you
F5
want to stay.
D5
2
Food on the ta ble,- bring
G/B
home the
C5
bread
2 1/22 1/2
if you want
G5
to park it in
C5
my bed,
D5
yeah.
*
let ring **
*2nd string caught under bend finger. **As befor e
1 1/2
1
11 1/2
1
C D D5
C5 D5
1 1 1
6 67
7
67
577
XXX
577
XX
XXX
13
133
133
133
133
577
XX
XX
1210
1013 13 13 10
1213
10
577
XXX
577
XXX
XXX
0 25
25
25
25
35
XX
XX
1313
131210
1010 10
10
0 12 1212
1212
1010
355
XXX
35
35
XX
XX 3
535
35
57
577
XXX
577
577
XXX
XXX
3555
3555
3555
3555
12
5777
XXXX
X1010
1010
1010
13 1312
1010
12 10 10
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
10
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Coda
Gtr. 1
Gtr. 2 tacet
Em7 D#m7 Cm7 Am7
3
1 1 1 1 1/2
If
Verse
5.
D5
you want to ru in- your
G/B C
life take a
string
noise
bad,
D5
old me ter- maid
F5
for your wife.
D5
Uh, just
6 6
6
6
go and ask, mm, my man,
G/B
Je rome,
C5
-
Bbmaj7
yeah, he says I’m
3
2
1/21
(18)
1
(18)
1/2
(18)
2
1010
1212
1111
770
88
XX
XX 7
55
5 85 5
55
855 5 5
7
555
7 5 577 5
577
XXX
577
XXX
XXX
0 25
25
25
3555
XX 7X
X0 17 X
X1210 10
XXX
17 XX
10 0X
577
XXX
577
XXX
XXX
133
133
133
133
577
0 5 3 05 3 0
4 2 05 3 0
4 2 04 2 0
4 2 03 2 0
577
XXX
577
577
XXX
XXX
25
25
25
355
355
XX
18
15X15 19
0
1819
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
11
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mean
G5
work ing- but I’m mean
C5
er- at
D5
home.
D C5 D
He says I’m
mean
E7#9
work ing- but I’m mean
G7#9
er- at home.
D µ G/B C5
let ring
D5 C5 D5
He says I’m mean
E7#9
work ing- but
G7#9
I’m mean er.-
let ring 1 1
3 6
1
21 1/2
1 1 1 1
3 X 3 3 X3 3
55
355
355
577
XXX
XXX
5777
XXXX
5777
5777
XXXX
XXXX
355
355
355
5777
XXX
XXX
07678
678
678
678
0 0891011
89
1011
891011
95777
25
25
25
25
8355
1210
121310
10 10 10
1313 12 10
13 12 1012
12 10
07678
678
678
678
0 01091011
1091011
XXXX
XXXX
13 13 1313
12
10 1313
1013 10
1210
12 1012 10
12 10 12 10 8 109
1011
1091011
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Intro
Moderately slow q = 70
Same As YouWritten by Scott Henderson
from Scott Henderson - Dog Party
© 1997 MANGO PROM MUSIC (BMI)/Administered by BUG MUSICAll Rights Reserved Used by Permission
Gtrs. 1 & 3: Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
Gtr. 2: Tuning:(low to high) Eb-Ab-Db-Gb-Bb-Db
Gtr. 2 (acous.)
* E7 =
3 ____
w/ slide
E5
mf
E6 E5
E6 E5 E6 E5
E6
Gtr. 1 (acous.)
mf let ring
Rhy. Fig. 1
let ring
End Rhy. Fig. 1
let ring 3
3 3 3
*Chord symbols reflect implied harmony.
E5
E6 E5 E6 E5
E6 E5 E6
Verse
E5
Feed1.
E6
me once
E5
in
E6
the mor
3
-
3
let ring
3
Rhy. Fig. 2 End Rhy. Fig. 2
let ring
Rhy. Fig. 3
let ring
33
7 9 9 98 9
99
9X 7 5
3 443
0
2 02
02
02
04
04
02
02
04 5 4 2
04
02
02
04
04
02
02
04 5 4 2
04
69 9
8 99
9
02
02
04
04
02
02
04
04
02
02
04
04
02
02
04 5 4 2
04
02
02
04
04
02
02
04 2
04
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
1
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ning,
E5 E6 E5 E6 E5
feed
E6
me once
E5
in
E6
the night.
E5 E6 E5 E6
3
3 33 3 3
let ring let ring
End Rhy. Fig. 3
let ring
3 33
E5
Don’t
E6
turn me loose
E5
in
E6
the day
E5
time-
3E6 E5 E6
’cause you
33 3
3
let ring
let ring
3 3
know
E5 E6
I’ll eat ev
E5
’ry- thing-
E6
in sight.
E5
Well, I
3 3
3
3
Rhy. Fig. 4
let ring
End Rhy. Fig. 43
3 33
3
1/4
98 9 7
7
5 6
7
5 6 9
7 7
02
02
04
04
02
02
04 2
04
02
02
04
04
02
02
04 2
04
02
02
04
04
02
02
04 5 4 2
04
88 9
79
02
02
04
04
02
02
04 2
04
02
02
04
04
02
02
04 5 4 2
04
79
9 79 57 6
7
02
02
04
04
02
02
04 2
04
02
02
02 5
02
02
02
77 5
7 5 3 0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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don’t
Chorus
Gtr. 2 tacet
A53
wan
A6
na- ride
A5
for
A6
noth ing,
F#m7
-
A5
what do
A6
you want
A5 A6
me to
3 3
*Gtrs. 1 & 3
Rhy. Fig. 5 End Rhy. Fig. 5
let ring 3 3
3
3
*Gtr. 3 (elec.) w/ clean tone, played mf . Composite arrangement
do?
E5 E6 E5
But
E6
when I do
Gtr. 2 tacet
F#m7
what I should,
G#m7b13
just tell
Am7
me that I’m do ing
E7#9
- good
3
’cause
3 3 3
Gtr. 2
3
Gtr. 1
let ring 3
Gtr. 3
3
022
02
04
04
022
02
04
02
0 24222
2
44
222
4 02
022
02
04
04
02
02
04
02
02
5 78 57 6
7
02 02 04 04 02
2
02 4 2 0 2X
222
2X
222
2X
222
4X
445
4X
445
445
5
555
5
555
7
678
678
02
02
04
04
022
02 4 2
0
222
4
00
010
2133
2133
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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may
Fm9b5[no3rd]
be- I’m the same
G#7#5
as you.
C#m7 µ C#m73 3
Gtr. 1
let ring
3
3
3
3
1
1/2
Gtr. 3
Rhy. Fill 1 End Rhy. Fill 1
Interlude
Gtr. 1: w/ Rhy. Fig. 1Gtr. 3 tacet
E5
E6 E5 E6 E5
E6 E5 E6
2. Mm,
Verse
Gtr. 1: w/ Rhy. Fig. 3
E53
got
E6
a bad
E5
li
E6
bi-
3
-
Gtr. 2
*
3
*Place slide between 7th & 8th frets.
do,
E53
E6 E5 E6 E5
al
E6
ways- in
E5
the
E6
groove.
E5 E6 E5 E6
3
3
3
91099
99
91099
4X455
4X455
4645 12
11
912 9
11 911
45
0
45
0
46
00
97.5 9
9
11 1212 8 9
9
777
777
999 11
11
1212
1212
1212
12 810 9
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Gtr. 1: w/ Rhy. Fig. 2
E5
Just
E6
get me all
E5
ex
E6
cit- ed,
E5
-
E6 E5 E6
Gtr. 1: w/ Rhy. Fig. 4
E5
I hop
E6
on an
E5
y- thing-
E6
that
3 3
moves.
E5
Well, I don’t
Chorus
Gtrs. 1 & 3: w/ Rhy. Fig. 5
A5
wan
A6
na- ride
A5
for
A6
noth ing,
2nd time, Gtr. 2: w/ Fill 2
F#m7
-hey,
no,3
33
let ring
3 3
3
A5
what
A6
do you want
A5 A6
me to do?
E5 E6 E5
But
E6
when I do
F#m7
what I should,
G#m7b13
just
33
3 3
Gtr. 2
let ring let ring 3 3
3
3
Gtrs. 1 & 3
33
Gtr. 2
Fill 2
3
3
14
4 7
10 12
1212
121212
1212 810 9
99
7
99
1099
9
712 10 99
9 7
022
02
04
04
02
02
04
02
02
02
02
04
04
022
02 4 2
0 2X222
4X445
1311
11 14 1111
12 9
88 9 99
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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C oT oda
tell
Gtr. 2 tacet
Am7
me that I’m do ing
E7#9
- good
3
’cause may
F#m9b5[no3rd]
be- I’m the same
G#7#5
as you.
Gtr. 3: w/ Rhy. Fill 1
C#m7 µ C#m73
3 3
Gtrs. 1 & 3
Gtr. 13
3
3
3
1 1/2
Interlude
E5
E6 E5 E6 E5 E6 E5
Well, there’s no
3
Gtr. 2
let ring
3
3 3
33
3
Gtrs. 1 & 3
3 3 3
doubt
Bridge
Gtr. 2 tacet
Am7
in my mind
D9sus4
where I’m go
E7#9
ing,-
3
got my in
Am7
stincts- to guide
D9sus43
my way.
3 3 3 3
Gtrs. 1 & 3
33
5X555
7678
91099
4X455
4X455
XX
4645 12
11
912 9
11 911
99
1111
1212
1111
12.512.5
99
9 779 7
99
8 10 12 10 8 10 89 9 7
99
02
02
04
04
02
02
04
04
02
02
04
02
02
02
02
02
02
02
02
5X555
5555
7678
7678
7678
7678
7678
7678
5X555
6555
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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E7#9
I got no
Am7
time to see
Fmaj7
if there’s a fu
Am7
ture- for me,
Fmaj733 3 3 3
3 let ring 3
C#m7b5
I’ll just keep go
C13
ing- on my way,
B13 µ
mm.
Gtr. 1: w/ Rhy. Fig. 2 (2 times)Gtr. 3 tacet
Verse
E5
They3. say
E6
I’m al
E5
ways
E6
- friend
3 3 33 3
-
3
3
ly,
E5 E6 E5 E6 E5
I got
E6
no rea
E5
son-
3
E6
to be bad.
E5 E6 E5 E63
3
Gtr. 2
steady gliss.3
Gtr. 1: w/ Rhy. Fig. 3 (last 2 meas.)
E5
But stay
E6
a way-
E5
from
E6
my yard,
E5
boy,
E63
E5 E6
’cause you
3 3
3
3
3 3 3
7 7678
7678
7678
7678
7678
7678
7678
5X555
5X555
8755
87
5X555
5X555
8755
8755
4X453
4X453
4X453
5355
5355
5355
24244
7 9 12 812 15 12 14 99
8 59
7 69 9
4 5 5 4 5 5 4 5 4
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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D.S. al Coda
Coda
don’t
Gtr. 1: w/ Rhy. Fig. 4
E5
wan
E6
na- see
E5
me
E6
when I’m mad.
E53 3
Well, I
3
p mf
3
3 3 33
you.
Gtr. 3 tacet
C#m73
But when I do
F#m7
what I should
G#m7b133
may
A6 A9
be- I’m the same
A/B
as, uh,
33 3
3
Gtr. 2
3 steady gliss.
3
Gtr. 1
let ring Rhy. Fig. 6 33
you.
E5 E6 E5 E6 E5 E6 E5
But
E6
when I
3
let ring
3
7 7
3
End Rhy. Fig. 6
3
6
1111
1212
1212
1111
1212
1212
1212
1111
1212
1212
1212
121212
1212
1212
810 999
9 1111
88
99
99
1111
1111
4645
4645
4 4645
4645
2X222
22222
4X445
4X445
XXX
767
545
5X545
5X545
7X765
7X765
10 1212 12 12
1212
1212
1212
12 121212
1212
1212
1212
81010
914
1214 12
10 10 12 8 9
02
02
04
04
02
02
04
04
02
02
04
04
02
02
04
02
0
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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do
Gtr. 1: w/ Rhy. Fig. 6 (till fade)Gtr. 2 tacet
F#m7
what I
3
should
G#m7b13
3
may
*Sung as straight eighth-notes.
A6 A9
be
*
- I’m the same
A/B
as, uh,
3
33
you.
E5 E6 E5 E6 E5 E6
Lord,
E5
but
E6
when I
3 3
3
Gtr. 2
3 3
steady gliss.
3 3
do
Gtr. 2 tacet
F#m7
3
what I
3
should
G#m7b13
3
may
A6
be
A9
-
3
I’m the
A/B
same
3
as, uh,
3
3
you,
E5 E63
E5 E6
oo.
3
E5 E6 E5 E6
Gtr. 2
p mf let ring
6 6 6 6 6
3
Gtr. 2 tacet
F#m7
Oo,
G#m7b13
yeah,
3
A6
may
A7sus2
be- I’m the same
A/B
3
as
3 3 3
111111
121212
1212
1212
1111
1212
1111
1111
1212
1212
1212
1111
88
1212
1212
1212
99
55
55
55
55
55
55
55
55
55
55
55
55
55
55
55
5 4 5 4 55 5
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Begin fade
Fade out
you.
E5 E63
E5 E6 E5
E6 E5 E6 F#m7
G#m7b13
3
Gtr. 2
3
3
3 3 3
*Played behind the beat.
A6
May
A9
3
be- I’m the same
A/B** 3
as, uh, you.
E5 E6 E5 E6 E5 E6 E5
But
E6
when I
3 33
3
steady gliss.
3
3 3
3 3
**Sung behind the beat.
do
Gtr. 2 tacetF#m7
what I should
G#m7b13
may
A6 A9
be- I’m the same
A/B
as
3 33 3
you,
E5 E6 E5 E6 E5 E6
yeah.
E5 E63
3 3
3
Gtr. 2
let ring
3
33
3
7 99 9
7 99 9
8 99
88
99
99 9
99 7
11 99
9 9
89 9
1111
1212
1212
1212
1111
1212
1212
1212
1212
1111
1212
1111
1212
1111
1111
1212
1010
88
99
999
12 14 1212 8 9
99
1212
1288
899
99
8 9
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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3
w/ bar
w/ bar
C#7sus4
w/ bar
G% G#m7
w/ bar w/ bar
w/ bar
*
3
*Played as straight sixteenth-notes.
1_ C#7sus4
w/ bar
G%
w/ bar
G#m11
string noise
331_
w/ bar
C#7sus4 G%
3 w/ bar
3
33
-1/2-1
-1/2-1/4
-1/2
G#m7
w/ bar
3
w/ bar
w/ bar
3 33
-1 1/2
+1 1/2
w/ bar
C#7sus4
w/ bar
G%
3 33
+1 1/2
-2 1/2 -1/2
+1+1/2
151512
15151215
15151215
1315
15 14
1214
12
1012
1214
14 12
1012
12 11
911
11
911
4
24
4
24
7 97 9 11 7
9 11 119
9
77
755 5
6 664
XXX
4 4 5
4
6
6
8 98
611
8 97
99
11 10 9 79
9 79 7 7
87 9
9 9 47 44 7 7 4
7 466
4
6
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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noth ing- but a patch of land.
*
And you know
w/ bar
3 3
*Sung as straight sixteenth notes.
1
all
Gtrs. 1 & 2: w/ Riff A (1st 3 meas.)
Ab6#11
that’s left,
Cm/G
ba by,-
Gb6
is
**As before
some let ters-
**
Aº7
in the mail box,-
33 3
Ebm/Bb G7
ly in’- in
Gtr. 2: w/ Rhy. Fill 1
Interlude
Cm
the sand.
Ab9 3
Gtr. 1
let ring let ring let ring let ring let ring ***
3
3
***Played behind the beat.
1
Cm G7
steady gliss.
3 3 3 3 3
3 21 1 1
Verse
Cm7
I2. got a change of ad dress,- ba by,-
Fm7
w/ bar
w/ bar
1/2
8
811
10 10 8
10 8 108
8
8
88
10
0
1010
1010
88
88
1010 8 66 86
6
4
4
3
3
3
3554
54
5 8
8
8
8
8 10
9
10
9 9 118
88 11
11 11 88 11
8
10 1011 8
10 810
88
810
10 88
88
17 9
1010
1010
88
888
7
77 X
X
6 8 8 810888
109
11
1011 13
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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long, long,
Cm7
long and far a way.-
3
w/ bar
1
Fm7
I got
rake
w/ bar
w/ bar
3
3 1 1 1
a change of ad dress,- ba by,- long,
w/ bar steady gliss.
w/ bar
Cm7
long, long and, oh,
so far a way.-
3
w/ bar
w/ bar
X
X
1
1011
1213
88
XX
8
88 10 8
88
77 8 10
10108
8
10X
X11
810 8
1110
88
10 810 8
10 11 1088
8111010
10
86
108 X
X
10 101010
1010
88X
X11 11 10 10
88
86
86
65
8 108
88
8 1088
XXX
77
88
8
8 8
10 810
8
8
8
10
10 88 10
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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Bb5
Gtr. 2
Bridge
Am7 5 fr
A Am7
let ring
Fsus2 F
Well, you
know I had to leave you no
(Gtr. 2, cont. in slashes)
Gtr. 1
let ring
Am7
(cont. in notation)
Fsus2 C G/B
mat ter- what the cause. On ly- ev ’ry- thing- I
*
knew
Gtrs. 1 & 2
let ring let ring let ring
*Sung as straight sixteenth-notes.
in
Bb6
love
C
was
Fsus2
lost.
Gtr. 2 tacet
G
let ring let ring
Gtr. 1
0
w/ bar
let ring
w/ bar
let ring
810
8
10 10
6X8 8
6
8
5
7 555
55
88
798
51010
88
76 6
7 56
7 7
555
555
555
555
555
555
30
20
000 0
2 0320 0
10
20
03
5
10
03 5 3
1
03 5
0301 8
8
710 8
8
108
98
10
43
20 XX
25
343
44 43
25
32
5 5 52
52
30
5
3 523
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Guitar Solo
w/ bar
Am7 w/ bar
w/ bar
w/ bar
3
3
1 1
3 3 3 1
grad. release
w/ bar
3
3
3 X0
1 1 1/2
1
1/2
let ring
Bb*
3
3 33
*Played as straight sixteenth-notes.
F
let ring
5
1 1
745
523
5233
30
305
5
523
5
87 5 57 5
77
7 7 7 57 7 5
75
5
5 85 7 6 5
8 855
10 10 55 8 5
8 8
10 10 10
0
10 108 898 10
810 8
10 85 85
10
8
10 8 60 5 85
5 85 6
68 6 66 6 6
68 8 86
78 6
6
5 3
5
5 33
33
6 5 35
5
8
33
33
5 10
8
9 710 8
8
7 5 7
8 8
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.
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G
Well, you know
Bridge
Asus2
I had
Am11
to leave you
Fsus2 Fmaj7#11
no
*
3
*Switch to bridge pickup.
1 1 1
mat
Asus2
ter-
**
Am11
what the cost.
Fsus2 Fmaj7#11
On ly- ev
C
’ry- thing
- I
G/B
knew in love
let ring let ring
**Sung behind the beat.
Bb6
was
C
lost.
Fsus2
let ring let ring
0
1 1
Cm/G
Gbº7 F7
Ba by,- ba by,- ba by.-
G73
Riff B
let ring let ring let ring let ring
785 5
5
7 7 57
7579
579
X10
810
10
810
135
135
XXX
XXX
7X57
0 0
579
579
XXX
XXX X
10
810
0 135
135
XXX
XXX
7X57
1414
320
20
1
20
03
5
10
03 5 3
1
03 5
3
5
31 4 3 1 3
31 3 5
3 3 35 3 1 3 1
3
3
1
1
1
3 2
1
1
1
2 1
1
1
1
1 3
3
3
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Ab7
let ring
Aº7
let ring
Ebm/Bb
let ring
G7
let ring
C7
Ah, hey,
Bb6
yeah.
Abmaj7
G7b93
let ring let ring
let ring let ring
Fm9[maj7]
w/ bar
End Riff B
*** mf
*Switch to neck pickup.
**Vol. swell
1
***
Guitar Solo
Cm7 3 3
***Played as straight sixteenth-notes.
1 1 1
Fm7
w/ pick & finger
†
††
3
†Vibrato top note only.
††Played as straight sixteenth-notes.
4
4
4
4
4 5
4
4
4
5 6
4
4
5 4 3
3
3
8
8
8
8
8 6
8
8
8 8
8
6 1 3 4
5
4
3
6
6
8698
8698
8698 11 11
11810
88 11
10 810 8
10
108 10
88
10 810 108
10 8 6 8 1088
8 1512 13
1315 15
13 1613
15 13 1113 11 12 13
13 12 13
13 11
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land, no it ain’t.
3
3
3 3 3 3 3 3
3 3 3
1
Fm7
They tore down my old house, ba by,-
let ring
ain’t noth ing,-
Cm7
oh, noth ing- but a patch of land.
let ring
11
And
Bb5
you know all
Gtr. 1: w/ Riff A
Ab6#11
that’s left,
Cm/G
3
1
10
888
888
888 8 8 11 8 10 8 11 8 8 11 8 11 8 11 8 11 8 8 11 8
11 10 810
10 810 8
10
81110
1110
1110
810 1088
10 86
XX
86 6
5
XX
XX
7 8658
765
658
76
768 8
8
66
66
58
66
56
56 6
58
56
XXX
8 8 8 8 8
8 8X
8X6
8X6
10
87
87
87
XX
11
88
10
1188
10 888
810 88
10 108
1010 8
8 60 6
8
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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ba by,-
Gb6
is some let ters
-
Aº7
in the mail box-
Ebm/Bb
ly ing-
G7
in the
3
sand,
Cm Ab7
babe.
Cm
Gtr. 1
Ab7
They tore it down,
Cm
down with it.
Ab7
Cm
Gb/Bb
Ain’t noth ing- but a patch of
Gtr. 1: w/ Riff B
Cm/G
land, ba by.-
Gbº7
steadygliss.
Oh.
F7
G7 Ab7
Oo.
Aº7
121112
131213
131213
131213
151415
151415
151415
161516
161516
79
161516
810
79
810
810
810
78
89
79
121112
79
131213
131213
131213
151415
151415
151415
161516
161516
161516
997
10108
10108
10108
121210
121210
131111
131111
131111
12
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Free time
(jq = jq)
Ebm/Bb
G7 C7
Bb6
Oo, hoo, hoo, oh,
Abmaj7
ah,
G7b9 Fm9(maj7)
yeah.
3
Outro
Cm/G
Gbº7
F7
3
Gtr. 1
let ring
E7
let ring w/ bar
Am7 F
w/ bar
3
1
Am9 F
w/ bar
let ring33
3
3 3
1 1 1/2
8698
8698
0 3
1
1
1
3 2
1
1
1
2 1
1
1
0
1 13
0
8
5X555
58 5
77 5 955
78
5 55
877
55
8 855
10
57
9 10
88
10 8 5 5 5 85 7
7
877
55
55
77 5
8 55
7 58
5
13
1300
88
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C
let ring w/ bar
G/B
*Tlet ring
Bb6
*T = Thumb on 6th string
F
w/ bar
w/ bar
Bb/D
let ring
3
F/A
w/ bar
3 3 3
1
C
w/ clean tone
Gtr. 3(elec.)
mf
C/E
w/ bar w/ bar
3
8
8
8
X10
88 10
88 10 12
8
7
8 81212
X12
812
610
6
610 8 8
8 10
8 10 10 11 10 8810
8 8 1010
110
1 1
2
88
210
10
8
1010
1010
33
3
10
1212 5 3
35
33
5 6 5 35 3
33
5 6 5 5 35 3
33
33
5 6 5 5 333 3
35 33
5 5 3 53
5 6 5 5 35
3 5 6 5 5 35
3 5 6 5 35
3 555
5 35
3 5 3 5 5 3 3 30010
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Intro
Moderately q = 100
Well to the BoneWritten by Scott Henderson
from Scott Henderson - Well to the Bone
© 2002 MANGO PROM MUSIC (BMI)/Administered by BUG MUSICAll Rights Reserved Used by Permission
Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb
Gtr. 1 (slight dist.)
*Bb6
mf
= 3
____
C
let ring
D5
3
Em7
3
*Chord symbols reflect overall harmony.
1/21/21 1/4
D5 Em7 3
5 3
3
1 1/2 1/2
D5 Em7
**
P.M.
D5 3
3
3 3
**2nd string caught under bend finger.
1/2 1/21/21/2 1/21/2
1
1/2
E5 G D
Bb6 C D5
Verse
E5
Hot,Flame1.2. coldeyed,-
w/ chorus
3 3
03
1X03
03 5
05
05
00 2
332
300
00
00
2 2
2 22 2 0
20 1 0
3 0 5 35
022
0 0
43
65
000
43
65
76
65
43
65
65
43
43
5 00
50 0
555
0
555
500
53
03
053
53
5
5022
022
00
3X0003
0232
00
1X03
00
3X05
3X05
3X05
3X05
0
50 0
22
022
2
Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o
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Dadd4
up
bar be-
to
que-
my
a
C[#4]
knees.
wing.
3
Uh,
E5
white
Per
smoke
fume
*
- and
3
3
let ring
3 3 3
*Sung behind the beat.
2nd time, Gtr. 1: w/ Fill 1
Dadd4
blind
ker
ing-
o-
3
C[#4]
me.
- sene.
3
Mes
E5
Red
quite,
sauce,
**
-
Dadd4
where
what’s cov
can
er
***
- ing-
I
me?
C[#4]
be?
Cmaj7#433 3
3
let ring 3
let ring 3 3 3 3 3
3
**As before ***As before
I
E5
I
know.
know.
†
G D Bb6 C
Yeah,
Well,
well, i t’s
it’s
Dsus4
(1., 3.)
(2.) al
al
Chorus
right,
Dadd4
-
right,-
33
3
let ring3 3
3
†Sung as straight eighth-notes.
Fill 1
Gtr. 13
let ring let ring 3
let ring
3 3
3
3 3 3
54
04
34
0 2 0
34
34
22
22
22
22
54
04
34
0 2 0
34
34
22
22
22
22
54
04
34
0 2 044
44
022
022
00
3X0003
0232
00
03
03
05
05
05
5 03 3
50
3
40
30
54
04
34
0 23 3
2
022
022
022
22
54
04
34
0 2 0
34
022
022
00
3X0003
0232
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2.
yeah, hey,
Bb6
hey,
C
hey,
D5
Guitar Solo
D5 Em7
whoa.
D5
chorus off w/ bar
w/ bar
3
33
Em7
w/ bar
3w/ bar
3
A7
w/ bar w/ bar
P.M.
3 33
w/ bar 3
Em7
w/ bar w/ bar
w/ bar
33 3
B7 A7
w/ bar
G
let ring P.M.
D
3 3 3 3 3 3 3 3 33
Bb6 C D5 Em7
let ring 3
3
let ring3 3 3
3
3
3
1/2
0232
00
033
033
05
00
43
65
00
43
65
76
65
43
65
43
43
65
000
43
65
76
65
43
65
65
43
43
65
6
65
76
65
43
65
6 43
65
76
65
43
65
65
43
43
65
65
76
76
98
1110
98
1110
1211
1110
98
1110
98
1110
12
98
1110
1211
1110
98
1110
1110
98
98
43
65
43
65
76
65
43
65
43
43
65
00 4
3
65
76
65
43
65
65
43
43
65
00
87
87
97
87
87
97
87
87
97
87
87
97
98
98
910
98
98
910
98
98
910
98
98
910
1212
121213
1212
1212
1213
1212
0 003
0232
0232
00
03
03
03
05
000
3 43
0
4
00
0 3 0
3 4
03
400
2 03 2 1 100
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Coda
Bb6
Ee, yeah,
C
yeah, yeah, ho,
D5Outro
D5 Em7
whoa, oh.
33 3
w/ bar
3
3
D5
Em7
w/ bar
3 3
D5 Em7
3
3
3
3 33 3
1/2
(14)
1 1 1 1 1
0232
000
1X033
03
05
00
43
65
00
43
65
76
65
43
65
43
43
65
000
43
65
76
65
43
65
65
43
43
65
00
43
65
76
65
43
65
43
43
65
32
00 8
7
9
8
9
8
9
8
9
8
00
0
11
10
12
1114
12
11
12
1114 14
1512 1512 12
