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“The Schimmel C 169 T grand, a great innovation at the 2001 Frankfurt Music Fair, immediately distinguishes itself by a very elegant sound, which clearly places it above its competitors in this price category. Its beau- tiful, natural sustain, in combination with a warm, silken buildup of the timbres, permits the most compre- hensive repertoire. For example, with Scarlatti’s Sonata K 380, as well as an excerpt from the first movement of Tchaikovsky’s Piano Concerto No. 1 and the Marche funèbre from Chopin’s Piano Sonata No. 2 op. 35, a pleasing richness in timbres can be heard, permitting a recreation of the atmosphere of the works. At the most, one can just barely sense an action which is a trace too stiff and hammers voiced a bit too mellow, which weakens the brilliance of the upper treble. The Schim- mel C 169 T stands out as a grand of noble character, manu- factured with meticulous care, the richness of timbres of which predestines it for musicians.” – Yves Guilloux From „Le monde de la musique“ September issue 2001 C169 Tradition [email protected] | www.schimmel-piano.de Stand: 2013 Schimmel Classic

Schimmel Classic · hensive repertoire. For example, with Scarlatti’s Sonata K 380, as well as an excerpt from the first movement of Tchaikovsky’s Piano Concerto No. 1 and the

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Page 1: Schimmel Classic · hensive repertoire. For example, with Scarlatti’s Sonata K 380, as well as an excerpt from the first movement of Tchaikovsky’s Piano Concerto No. 1 and the

“The Schimmel C 169 T grand, a great innovation at the 2001 Frankfurt Music Fair, immediately distinguishes itself by a very elegant sound, which clearly places it above its competitors in this price category. Its beau-tiful, natural sustain, in combination with a warm, silken buildup of the timbres, permits the most compre-hensive repertoire. For example, with Scarlatti’s Sonata K 380, as well as an excerpt from the first movement of Tchaikovsky’s Piano Concerto No. 1 and the Marche funèbre from Chopin’s Piano Sonata No. 2 op. 35, a pleasing richness in timbres can be heard, permitting a recreation of the atmosphere of the works. At themost, one can just barely sense an action which is a trace too stiff and hammers voiced a bit too mellow, which weakens the brilliance of the upper treble. The Schim-mel C 169 T stands out as a grand of noble character, manu-factured with meticulous care, the richness of timbres of which predestines it for musicians.” – Yves Guilloux

From „Le monde de la musique“ September issue 2001

C169Tradition

[email protected] | www.schimmel-piano.deStan

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