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Satori in Viterbo Author(s): John Forbes Source: The Iowa Review, Vol. 28, No. 3 (Winter, 1998), p. 22 Published by: University of Iowa Stable URL: http://www.jstor.org/stable/20154637 . Accessed: 12/06/2014 14:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review. http://www.jstor.org This content downloaded from 91.229.229.44 on Thu, 12 Jun 2014 14:40:37 PM All use subject to JSTOR Terms and Conditions

Satori in Viterbo

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Page 1: Satori in Viterbo

Satori in ViterboAuthor(s): John ForbesSource: The Iowa Review, Vol. 28, No. 3 (Winter, 1998), p. 22Published by: University of IowaStable URL: http://www.jstor.org/stable/20154637 .

Accessed: 12/06/2014 14:40

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review.

http://www.jstor.org

This content downloaded from 91.229.229.44 on Thu, 12 Jun 2014 14:40:37 PMAll use subject to JSTOR Terms and Conditions

Page 2: Satori in Viterbo

SaTORI IN VlTERBO

Ken Bolton's approach to poetry makes any theory of performance

collapse and all serious critical

analysis impossible

?Dorothy Green

Let's make a theory of performance

collapse!

Pegged out on the road,

too old in our T shirts & jeans too young in our suburban respect . . .

"Hey, that's Art!"

"Non respirire" the Italian

X-ray technician sang

& "Don' breathe" the wardsman

whose brother lived in Melbourne

repeated like a chant

& I didn't,

stunned by the mountains

I could see out the window EXACTLY LIKE

the ones they told us were "only schematic"

in early Renaissance painting. That's when I knew

ALL ART IS LITERALLY TRUE & all serious critical analysis has the status of a dumped Mini Cooper

pushed out of the bus

in the penultimate triumphal scene

of Michael Caine & Noel Coward's

THE ITALIAN JOB, smashing down the precipice & bursting into flames,

finally coming to rest in the snow

thousands of feet below.

22

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