15
ANGELICA: ENSEMBLE: Allegretto = 124 5 9 12 N.C. A toast to the Cm7 groom! groom! groom! groom! To the bride! E (add2)/B bride! bride! From your Fm11 sis - ter, An - gel - i - ca! An - gel - i - ca! An - gel - i who - ca! is simile To the To the To the To the bride! To the To the Words and Music by LIN-MANUEL MIRANDA from the musical Hamilton SheetMusic-Free.com ( ) ( ) ( ) SATISFIED Sheetmusic-free.com

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ANGELICA:

ENSEMBLE:

Allegretto = 124

5

9

12

N.C.

A toast to the

Cm7

groom!

groom! groom! groom!

To the bride!

E (add2)/B

bride! bride!

From your

Fm11

sis - ter,

An - gel - i - ca!

An - gel - i - ca!

An - gel - i

who

- ca!

is

simile

To the To the To the To the bride! To the

To the

Words and Music by

LIN-MANUEL MIRANDA

from the musical Hamilton

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( ) ( ) ( )

SATISFIED

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15

18

21

A maj7

al - ways by your side.

By your

G7 9/B

side! By your side!

To your

Cm7

un - ion,

and the

E (add2)/B

hope that you pro-vide.

You pro - vide! You pro - vide!

May you

Fm11

al - ways

Al - ways—

be sat

A maj7

- is-fied.

Re

G7 9/B

- wind—

2

To the Un -

ion! To the rev - o - lu - tion!

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ANGELICA:25

27

29

31

Cm7

I re-mem-ber that night. I just might re - gret that night for the rest of my days.

E (add2)/B

I re-mem-ber those sol - dier boys trip - ping o - ver them - selves to win our praise.

Fm11

I re -mem-ber that dream-like can - dle - light, like a dream that you can’t quite place,

A maj9

but Al - ex - an - der, I’ll

G7/B

nev - er for - get the first

G7

time I saw your

3

when playing with drums/loops, the LH can be less busy throughout

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ENSEMBLE:

33

36

39

Cm7

face. I have nev - er been the same. In

E (add2)/B

- tel - li - gent eyes in a

hun-ger - pang frame, and

Fm11

when you said “Hi,” I for - got my dang name, set my

A maj9

heart a - flame, ev - ’ry part a

G7 9/B

- flame, this

This

is

is

G7

not

not

a

a

game...

game...

4

simile

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HAMILTON:

ANGELICA:

HAMILTON: ANGELICA:

41

44

48

Cm7

You strike me as a wom-an who has nev-er been sat - is - fied.

E (add2)/B

I’m sure 1 don’t know what you

mean. You for-get your-self.

Fm11

You’re like me. I’m nev-er sat- is - fied.

A maj7

Is that right?

G7 9/B

I have nev-er been sat - is - fied.

Cm7

My name is An-gel-i - ca Schuy - ler.

5

sub.

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HAMILTON: ANGELICA: HAMILTON:

(HAMILTON:)

ANGELICA:

51

54

57

E (add2)/B

Al - ex - an - der Ham- il - ton. Where’s your fam-’ly from?

Fm11

Un - im - por - tant. There’s a

mil -lion things I have-n’t done,

A maj7

but just you wait, just

G7 9/B

you wait...

Cm7

6

as before

So so so—

So this is what it feels like to match wits with some-one at your lev - el! What the hell is the catch? It’s the

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59

61

63

65

E (add2)/B

Fm11

A maj9 G7/B G7

Cm7

7

feel - ing of free - dom, of see - in’ the light, it’s Ben Frank-lin with a key and a kite! You see it, right?

The con-ver-sa-tion last-ed two min-utes, may-be three min-utes, ev-’ry-thing we said in to - tal a-gree-ment, it’s

a dream and it’s a bit of a dance, a bit of a pos - ture it’s a bit of a stance. He’s a

bit of a flirt, but I’m-’a give it a chance. I asked a -bout his fam - ’ly did you see his an - swer? His

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ELIZA:

ANGELICA:

67

69

71

73

E (add2)/B

Fm11

Hand - some, and boy, does he know it!

A maj9 G7 9/B G7

Cm7

Help - less...

And I know she is...

E (add2)

Help - less...

And her eyes are just...

8

sub.

hands start-ed fidg-et - ing, he looked a-skance? He’s pen-ni-less, he’s fly-ing by the seat of his pants.

Peach fuzz, and he can’t e - ven grow it!

I wan-na take him far a - way from this place, then I turn and see my sis - ter’s face and she is...

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ENSEMBLE:

ANGELICA:

77

81

83

E /B

Help - less...

And I re - al - ize three

Three

Fm/A

fun

fun

-da

-da

-ment

-ment

-al

-al

truths

truths

at

at

the

the

ex

ex

Fm/G

- act

- act

Gm

same

same

Fm7 5

time...

time...

Cm

I’m a girl in a world in which my on - ly job is to mar - ry rich.

E

My fa - ther has no sons so I’m the one who has to so - cial climb for one, ’cause I’m the

9

simile

Num-ber

one!

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ENSEMBLE:

ANGELICA:

85

87

89

92

E /B

old - est and the wit - ti - est and the gos - sip in New York Cit - y is in - sid - i - ous.

Fm/A

Al - ex - an - der is pen-ni - less.

G7/B

That does-n’t mean I want him

G7

an - y less.

Cm

He’s af - ter me ’cause I’m a Schuy-ler sis - ter. That el-e-vates his stat-us, I’d

E

have to be na-ïve to set that

E sus

a - side, may-be

E

that is why

E /B

I in - tro-duce him to E - li - za, now that’s his bride.

10

Ha! Num-ber

two!

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ENSEMBLE:

ANGELICA:

95

97

99

102

A maj9

Nice go - ing, An - gel - i - ca, he was right,

G7 9/B

you will nev - er be

G/D

sat - is - fied.

N.C.

Cm

I know my sis - ter like I know my own mind, you will

E

nev - er find an - y - one as

trust-ing or as kind. If I

Fm9

tell her that I love him she’d be si - lent - ly re - signed, he’d be

11

sub.

Num - ber

three!

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ENSEMBLE:

ANGELICA:

ANGELICA:

Slower; colla voce

A tempo

105

107

110

113

A maj9

mine. She would say, “I’m

G7 9/B

fine.” She’d

She’d

be

be

G7 9/D

ly

ly

- in’.

- in’.

G7/B

N.C.

But when I fan - ta - size at night it’s Al - ex - an - der’s eyes, as I ro - man - ti - cize what

might have been if I had - n’t sized him up so quick-ly. At least my dear E - li - za’s his

wife; at least I keep his eyes in my life...

G7 9/B G7

12

sub.

(8va)

8va

To the

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ENSEMBLE:

117

120

123

Cm7

groom! groom! groom!

E (add2)/B

bride! bride!

From your

Fm11

sis - ter,

An- gel - i - ca!

An - gel - i - ca!

An -gel - i

who

- ca!

is

A maj9

al - ways by your side.

By your

G7 9/B

side. By your

G7 9/D

side.

G7

To your

Cm7

un - ion,

13

w/ pedal

groom!

To the To the To the

To the bride!

To the bride! To the

To the

To the Un -

( ) ( )( )

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WOMEN:

MEN:

126

129

and the

E (add2)/B

hope that you pro - vide!

You pro - vide!

You

You

pro

pro

- vide!

- vide!

May you

Fm11

al - ways

Al

Al

- ways

- ways

be sat

A maj9

- is - fied.

be sat-is-fied.

be sat

G7 9/B

- is - fied.

Be sat-is

And

-fied.

I know

14

opt.

ion!

ion!

To

To

the

the

rev

rev

- o

- o

- lu

- lu

- tion!

- tion!

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rall. poco a poco

133

136

139

Cm7

Be sat - is - fied.

BeBe

satsat

- is- is

- fied.- fied.

Be sat - is

she’ll

- fied.

be

Be

hap

sat

E (add2)/B

- is - fied.

- py

Be

as

sat - is - fied.

his

Be

bride.

sat -

is - fied.Be

Be

sat

sat

- is

- is

And

- fied.

- fied.

I

Be

know

sat

Fm11

- is - fied.

Be sat - is - fied.

Be sat - is - fied.Be sat - is - fied.

A maj7

he will nev-er be sat - is - fied.

G7 9/B

I will nev-er be sat - is - fied.

N.C. Cm

15

sub. w/ pedal

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