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OL
IO
PORTF
scenography andcostumedesign
Sarah Afua Asante Ntiamoah
About me
Name: Sarah Afua Asante Ntiamaoh
Date of birth: 25.10.1996
Sex: Female
E-mail: [email protected]
Instagram: sarah.a.a.art
Current school: Hogeschool ZUYD, Maastricht Academy for Performing Arts
Department: Stage and costume design
CONTENTdrawings
6-9
designs for productions„Eclipsed- A Plastic State of Mind“
10-11
„Phaedras‘s Love“12-13
„Blutbad“14-15
„Kasimir und Karoline“16-17
stage and costume designs„Die Zauberflöte“
18-21
„Richard III“22-23
„Romeo and Juliet“24-27
„Quai West“28-29
„My Fair Lady“30-35
„The Little Elf“36-37
costume designs„The Flying Dutchman“
38-39
installations„Du kannst uns nicht verlassen“
40-41
„We Need You“42-43
„Kamen“44-45
„As Deep As The Ocean“46-47
paintings 48-49
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chalk on black paper
drawings
oil pastel and pencil
chalk and black pen on brown paper
chalk on white paper
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aquarelle on paper
pencil
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design for productions
„Eclipsed- A Plastic State
of Mind“ by
Danai Gurira
director:Gavin Viano Fabri
2020
Picture: Daan Brand
This play is about the stories of five females during the
Liberian civil war in 2003. It deals with their power and will
to survive and trying to not give up.
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In our realization we chose to make just one room so that the audience not only sees the small tank, but also realizes that there is a big tank.
„Phaedra‘s Love“ by
Sarah Kane
mentor:for stage Kathrin Frosch for costume Tabea Braun
director:Luna Joosten
2018
My director and I had the idea that one of the main characters, Hippolytus, wants to be a goldfish, because that would make life so much easier. But he is too intelligent and everyone around him is more goldfish than him.
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End of the performance. Water is turnig into red.
Close-up from Klytaimnestra and Agamemnon
Close-up of infusions hanging from the ceiling.
„Blutbad“ by
Gustav Ernst
mentor:Guus van Geffen
2017
For this play, I immediately had the idea of an actual bath that was
clean and abstract.
in cooperation with: Katrin Stubbe andArinth Foekema
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Kasimir and Karoline, the two main characters.
„Kasimir und Karoline“ from
Ödön von Horváth
mentor:for stage Kathrin Froschfor costume Tabea Braun
director:Jasmine Ouazzi
2017
The play takes place on the Oktoberfest. Everything is set on a turntable. The turntable is divided into different colours, these are the areas of the characters. The costumes reflect their different colors too.
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stage and costume designs
„Die Zauberflöte“ by
Wolfgang Amadeus Mozart
mentor:for stage Kathrin Frosch
for costume Jorine van Beek
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Costume designs for „Die Zauberflöte“
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„Richard III“ by
William Shakespeare
mentor:Sabine Snijders
2017
My vision for the play was to have two worlds: An overwhelmingbeautiful one, whish is like a
facade where everything seems perfect and a dark one, where all
the bad things are revealed.
Margaretha
Prince
Richard
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„Romeo and Juliet“ by
William Shakespeare
mentor:Petya Boyukova and Svetoslav Kokalov
2019
I chose an underground passage, which I passed almost everyday. There are a lot of them in Sofia, so it is a recognizable place for everyone. I changed and added some elements so that it becomes a different
place.
This project was a location project.
It was important for me that the audience moves from place to place and that the action
takes place everywhere. For the costume designs, I decided to make the two main
characters Romeo and Juliet more timeless.
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storyboard
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„Quai West “ by
Bernard-Marie Koltès
mentor:Sjef Tilly
2017
This play is about two people, the costumer and the dealer, meeting in a lonely location. For me, this is a very abstract place outside of time and space. I placed them so that they can not escape from each other and are stuck in the loneliness. The audience looks down on them from a separate angel. The only natural element I chose to bring in are dead plants under the transparent floor. They remind the audience of a world outside, but also of loneliness.
customer
dealer
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„My Fair Lady“ by
Alan Jay Lerner music by Frederick Loewe
mentor:for stage Katrien Bombe
for costume Arno Bremers
2018
For me, this play is about emancipation, as
well as class distinction. So I
chose to separate the two worlds, rich and poor, with a wall on a
turntable.
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Costume designs for „My Fair Lady“
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Technical plan: Schauspielhaus Bochum
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„The Little Elf“
mentor:Vassil Rokomanov and
Silva Bachvarova
2019
For this puppet-play it wasimportant for me to make everyt-hing very acces-sible for children, who are the main audience. It was very interesting and a lot of fun to get into this genre.
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The Flying Dutchman
Senta
costume designs
„The Flying Dutchman“ by
Richard Wagner
mentor:Rien Bekkers
2018
For this play, my idea was that the costumes of the two
protagonists really stand in contrast with each other, but are
also connected to nature.
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installations
„Du kannst uns nicht Verlassen“
mentor:Anne Habermann
Anna Luyten
2020
Here is the link to my installation film:
https://vimeo.com/409812847
I started my installation process with questions from my bachelor thesis.
One of them was:„Bin ich mir selbst genug?“
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„We Need You“
for the Musica Sacra Festival 2017 in Maastricht
installation and performance
mentor:Anne Habermann
The topic of the festival was: „In the beginning“. The
installation combines many individuals to one big thing and
needs everyone to exist. For this, we took over 60
plaster masks from different people and combined them to
one artwork.
made by:Sarah Afua Asante Ntiamoah
Mathilde van der Hoop Sofie Moritz
performance: Ingeborg Knøsensound: Giannis Montesantos
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„Kamen“
documentary installation
mentor: Floriean Fischer
2018
This installation was about an operation named: „Kamen“, which
aimed at capturinganti-communists in
Czechoslovakia after the Second Word War. The project was about
„documentary“. I made seven different black boxes filled with
objects that had to be experienced with all senses.
The boxes were arranged in a chaotic room and to every box was a part of a text I wrote. It describes the operation „Kamen“. Only one person was
allowed to enter the room at once, so that he or she was able to experience the whole installation on their own.
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„As Deep As The Ocean“
for the Musica Sacra Festival 2018 in Maastricht
interactive installation
mentor: Jorine van Beek
This installation was about identity and how we play with it. Inspiration came from different NGOs, especially Sea-watch, who rescue drowning refugees in the Mediterranean Sea. The installation was interactive, so that people can touch it and move things around.
„We‘re all one thing, Lieutenant. That‘s what I‘ve come to
realize. Like cells in a body. ‘Cept we can‘t see the body. The way fish can‘t see the
ocean. And so we envy each other. Hurt each other. Hate each other. How silly is that?
A heart cell hating a lung cell.“
-Cassi from THE THREE(Movie: Adaptation)
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paintings
acrylic on blank paper
Drawings: people in space