THURSDAY

11.09.17Volume 16 Issue 310

WHAT’S UP WESTSIDE ..................PAGE 2AMERICAN STORIES ......................PAGE 4EXTRA BEDROOM ..........................PAGE 5CRIME WATCH ..................................PAGE 8MYSTERY PHOTO ............................PAGE 9

@smdailypress @smdailypress Santa Monica Daily Press smdp.com

NINA SALLINEN IS SIMPLYterrific channeling the fiery spiritof Marie Curie. She is sorrowful,angry, demanding, persistent,proud, playful, coquettish, loving,and RADIANT. And that last, in

JOE MORTON IS DICK GREGORY.Watching him in “Turn Me Loose”all you’ll see is Dick Gregory…ok,minus the gray beard. WithoutDick Gregory, there might neverhave been a Richard Pryor. What ashame that would be.

Gregory more than deserved

Three BillboardsOutside Ebbing,

MissouriRated R115 MinutesReleased November 10

THREE BILLBOARDS OUTSIDEEbbing, Missouri is a modernAmerican folk story by a

Turn Him Loose

The Curies: ALife in Research

SEE CULTURE PAGE 7

SEE PLAY PAGE 3

SEE MOVIE PAGE 10

By Sarah A. Spitz

Culture Watch

By Kathryn Whitney Boole

Film Review

By Cynthia Citron

Play Time

What’s Up Westside

OUT AND ABOUT IN SANTA MONICA

Thursday, Nov. 9Not Your Mother’s IUD: alook at modern day long-acting contraceptivedevicesUCLA Health OB/GYN Dr. AmyStoddard will provide informationon next-generation IUDs and con-traceptive implants currently onthe market, and discuss why theyare safe and effective choices foryoung women. Thursday, Nov. 9,6:30 – 8 p.m. Auditorium at UCLAMedical Center, Santa Monica, 125016th Street, Santa Monica. Event isfree, but RSVP to 800-516-5323

Rent Control BoardMeetingRegular meeting of the SantaMonica Rent Control Board. SantaMonica Civic Auditorium, EastWing, 1855 Main St. 7 p.m.

L.A.’s LegendaryRestaurantsChef George Geary, author of L.A.’sLegendary Restaurants, presents

SEE CALENDAR PAGE 2

REVIEWING ALBUMS SUCKSAs anyone who has done more

than a few dozen knows. It can betedious, should be exacting, yousearch for the right words toexpress that most ethereal of art

Love Music but IReally Love it Live

SEE MUSIC PAGE 8

By Charles Andrews

Noteworthy

TREE SALES Courtesy photoThe Santa Monica High School baseball team is selling Christmas Trees as part of their annual fundraiser. Localscan preorder their trees by Nov. 14 at www.samohibaseball.com or donate a tree to a military family. Wreaths andstands are also available for delivery in December.

KATE CAGLEDaily Press Staff Writer

A Santa Monica man is accusedof defrauding the U.S. Departmentof Veteran’s Affairs (VA) out of$11.4 million over the last ten yearsand bribing at least one federalofficial to keep the scheme going.

Early Wednesday federal agentsbegan seizing Richard Scott’s assets,including a racing boat in Miami, a1969 Corvette L88, two high-endMercedez-Benzes and a ShelbySuper Snake Mustang, according tothe US Attorney’s office.

Scott, who owns three million-dollar condos in Santa Monica,operated parking lots throughoutthe VA Greater Los AngelesHealthcare System. He’s accused of

failing to report $4.7 million inrevenue and adding $8.2 million tohis expense reports to the FederalGovernment. His company,Westside Services LLC (WSS), hada contract to share 60 percent ofhis gross revenues with the VA.

The contract required Scott tosubmit revenue generated by parkingfees, as well as improvements andservices that could offset the profits.Investigators allege Scott kept twosets of financial books – one contain-ing false revenue and expense state-ments, the other contained the actualnumbers except for unreported cash.

Scott allegedly started bribing aVA contracting official responsiblefor overseeing his account in 2003,according to a 103-page affidavitfiled in the case. Federal agents

confronted the official in 2014 andhe abruptly retired. However, Scottcontinued making payments inorder to avoid losing his contract,according to investigators.

The official began cooperatingwith the federal investigation inMay, admitting he participated inthe scheme and revealing that Scottused proceeds from cash parkingevents to pay the bribes.

“He was definitely bribing meand I was definitely looking theother way,” said the official accord-ing to the affidavit.

Further, the affidavit allegesScott used his WSS bank accountto pay for his own $3.1 millionsalary, as well as $740,000 in travel

Santa Monican arrested forhuge parking lot scam

SEE ARREST PAGE 6

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Calendar2 THURSDAY, NOVEMBER 9, 2017 Visit us online at www.smdp.com

What’s Up

WestsideOUT AND ABOUT IN SANTA MONICA

For help submitting an event, contact us at 310-458-7737 or submit to events@smdp.com

an illustrated talk on the Golden Era ofHollywood restaurants and favoritedishes from where the stars ate, playedand danced. A book sale and signingfollows. This program is part of theSanta Monica Eats! series. Main Library,601 Santa Monica Blvd., 7 – 8 p.m.

College Affordability:Financial Aid and FAFSA Diana Hanson of Magellan Counselingexplains the different kinds of financialaid and answers questions about makingcollege affordable. She also discusses theFederal Student Aid (FAFSA) and CSSprofile financial aid forms in detail.Grades 10-12. Main Library, 601 SantaMonica Blvd., 7 – 8:30 p.m.

My Brother Jack: Q&A withFilmmaker Anthony CaldarellaAward-winning director AnthonyCaldarella screens and discusses MyBrother Jack, a Sicilian family taleabout love, sacrifice, and survival in1960s Manhattan, starring MarcoLeonardi (Like Water for Chocolate, andCinema Paradiso) and Freddy Rodriguez(Six Feet Under, and Dead Presidents).The film is based on the life ofCaldarella’s brother. (Film runtime: 92min.) Montana Avenue Branch Library,1704 Montana Ave, 6:30 – 8:30 p.m.

Friday, November 10Crafty Kids: TurkeysMake your own turkey puppet. For ages2-10. Montana Avenue Branch Library,1704 Montana Ave, 3:30 – 4:30 p.m.

Hot Sauce Making withRachael NarinsIn this workshop Chef Rachael Narins willstart with a quick overview of peppers,then move on to making hot sauce. You’llblend your own custom batch after wediscuss how to consider flavor profiles,heat levels and different preparations.Please bring: a well-wrapped chef’s knifeand an apron. Gloves provided for pepperwork. The workshop includes an informa-tive lecture, the hands-on workshop, and

2 jars of sauce to take home. For you heatenthusiasts this a great way to get start-ed making your own signature sauce.Cost: $40. 1450 Ocean, 12 – 3 p.m.https://apm.activecommunities.com/santamonicarecreation/Activity_Search/62292

Saturday, November 11The MY HERO InternationalFilm FestivalJoin organizers for an inspiring eveningof uplifting films. Meet the filmmakerswho are changing the world. For moreinformation, please visit our website(https://myhero.com/festival-informa-tion). Ann and Jerry Moss Theater atNew Roads School, 3131 Olympic Blvd. 3– 10 p.m.

Studio Resident ShannonFreshwater FinalPresentationStudio Resident Shannon Freshwater’sresidency focused on creating a seriesof strong woman characters throughthe use of folk art and crafts tech-niques that could be classified as tradi-tional “woman’s crafts” such as beadwork and weaving. Stop by her culmi-nating exhibition to view a collection of2D and 3D sculptural and costume workthat incorporates discarded toys, jewel-ry, blankets, and other items from localthrift stores into beaded charactersand costume. Her “warrior” costumesexplore the idea of self empowerment,power dynamics, and transformation.RSVP at : https://coalshannonfreshwa-ter.eventbrite.com. 1450 Ocean, 3 – 7p.m. https://www.eventbrite.com/e/res-idency-presentation-with-studio-artist-in-residence-shannon-freshwater-tick-ets-34920309586

Wild Beer Crafting withPascal BaudarPascal Baudar, culinary alchemist,professional forager and author ofThe New Wildcrafted Cuisine:Exploring the Exotic Gastronomy ofLocal Terroir, discusses culinary usesof local edible plants and demon-strates primitive brewing techniques.This program is part of the SantaMonica Eats! series. Main Library, 601Santa Monica Blvd., 2 – 4 p.m.

CALENDARFROM PAGE 1

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Bereavement Group for SeniorsShare with others the experience oflosing a loved one. A confidentialand safe setting.

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WISE & Healthy Aging is a nonprofit social services organization.

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THURSDAY, NOVEMBER 9, 2017

Entertainment3Visit us online at www.smdp.com

fact, is the title of the play.Shirley Lauro, the playwright of this

intriguing drama, delves into the little-knowndetails of the love affair between the eminentscientist and her lab assistant, Paul Langevin.Little-known now, in the 21st century, but ascandal that made headlines all over theworld in the early years of the 20th century.

“Radiant” begins shortly after the deathof Marie’s husband, Pierre Curie, in a bizarreaccident in Paris. As he was crossing a busystreet in the rain he slipped and fell and wasrun over by the wheel of a horse-drawn cart.His skull was fractured and he died instant-ly, leaving his wife and two daughters bereft.

Earlier, in 1903, Pierre and Marie hadshared the Nobel Prize in Physics and shecontinued their research until her own deathfrom leukemia in 1934.

In the current play she briefly discussesher discovery of the elements radium andpolonium, her isolation of radium isotopes,and her subsequent discoveries in the processthat she identifies as “radioactivity”. Thiswork resulted in her award, in 1911, of hersecond Nobel Prize, this time in Chemistry.

In Paris, however, she was subjected tonumerous indignities. Because she was a “for-eigner”(having been born in Warsaw), becauseshe was a woman, and because her maidenname, Sklodowska, was taken to be Jewish, shewas reviled by the anti-Semitic French press.

Earlier, she had also been treated badly byher professional peers. After being invited totake over her husband’s chair at the

University of Paris, she was subsequentlyousted by a committee of men who consid-ered a woman inappropriate for the job, orwho wanted the job for themselves. She wasalso denied membership in the FrenchAcademy of Sciences by two negative votes,which still upset her years later.

And things got worse when her affairwith Paul Langevin was discovered. Youngerthan she, he was married, had three children,and wouldn’t divorce because he wasCatholic. The scandal of this clandestineaffair resulted in the Royal Swedish Academyof Sciences requesting that she not come toSweden to collect her 1911 Nobel Prize andsuggesting that she decline to accept it alto-gether. Her response was a spirited defenseof her work and her indignation at havingher personal life included in the evaluationof her professional accomplishments. And ofcourse, she accepted her prize.

The powerful performance by NinaSallinen is happily augmented by AndreaFlowers, who bubbles through her role asKatarina, a niece who comes to stay with heraunt Marie, by a restrained Conrad Cecil asPaul Langevin, and by the inimitable JohnMoschitta Jr. who plays five different roleswith such panache that you can’t recognizehim from one role to the next.

“Radiant” is a gripping play, well stagedand directed by Jane Edwina Seymour on aset well designed by Karen Ipock. On a smallstage Ipock has managed to suggest a varietyof distinct locations, from the plush cornerof a pied a terre to a comfortable sittingroom to an elaborate

laboratory equipped with all manner ofinstruments, Bunsen burners and the like.

The only disturbing element in this oth-erwise satisfying production is the numberof blackouts between scenes. They occurafter scenes that sometimes contain just afew sentences and they are long enough todistance the audience from the ongoingaction. Moreover, since there is no move-ment of anything on the set and almost nocostume changes, it remains a mystery as towhy the blackouts are so prolonged.

“Radiant” will continue at The Other

Space at The Actors Company, 916A NorthFormosa Ave. in West Hollywood, Fridaysand Saturdays at 8 p.m. and Sundays at 2through November 19. For reservations, call(323) 960-7712 or online atwww.Plays411.com/radiant.

CCYYNNTTHHIIAA CCIITTRROONN has worked as a journalist,public relations director, documentary screen-writer and theater reviewer. She may bereached at ccitron66@gmail.com.

PLAYFROM PAGE 1

Photo by Ed KriegerTHE RADIANT: Nina Sallinen and Andrea Flowers. By Shirley Lauro and directed by Jane EdwinaSeymour. Opening October 27, 2017 at The Other Space at The Actors Company.

BACK TAXES • BOOKKEEPING • SMALL BUSINESS

(310) 395-9922SAMUEL B. MOSES, CPA

1000 Wilshiree Blvd.,, Suitee 1800 Santaa Monicaa 90401

TAXESALL FORMS • ALL TYPES • ALL STATES

BY ANTHONY MCCARTNEYAP Entertainment Writer

For every era of film in the last half-century,there’s a memorable Donald Sutherland role.

Whether it’s his breakthrough performancein “The Dirty Dozen,”his portrayal of dement-ed arsonist in “Backdraft” or playing a ruthlesspresident in “The Hunger Games” films,Sutherland’s career spans roughly 140 films inevery genre, his performances tinged with wit,charm, and often a hint of unpredictability.

None, however, have earned Sutherland anAcademy Award, let alone a nomination. Thatwill change Saturday when Sutherland receivesan honorary Oscar at the film academy’s ninthannual Governors Awards ceremony.

Although Sutherland has known aboutthe honor for weeks, it doesn’t mean he isn’tfeeling some jitters.

“It had never occurred to me not even

remotely ... that people would think tohonor me in such a way,” Sutherland saidduring a recent interview.

“It’s a dinner,”he said of the ceremony,“andif you think I’m going to eat, you’re nuts.”

He likened the experience to carrying theflag of his native Canada in the VancouverOlympics in 2010 and trying to keep up withthe pageantry of the moment. “All I couldthink of in the middle of it was that I wishedthat my mother, who had been dead for prob-ably 20 years, could see me now,” he said.“And I feel kind of that way. I wish BrianHutton were alive and could see me now.”

Hutton directed Sutherland in 1970’s “Kelly’sHeroes,” in which he played Sergeant Oddball.He said to this day, the character remains therole he hears about most from fans.

Sutherland is the best-known recipient ofthis year’s honorary Oscars honorees, whichinclude director Agnes Varda, writer-direc-

tor Charles Burnett and cinematographerOwen Roizman. None of the honorees havenot worked together, but Sutherland andRoizman share something in common —bouts with polio when they were young.

Raised in a small town in Nova Scotia,Canada, Sutherland said his sights werealways set on acting. His father wanted himto have a more practical career and steeredhim toward electrical engineering. That wasnever appealing to Sutherland, who insteadtook the advice of his acting instructors tofocus on his performances.

When Sutherland takes on a role, even ifit’s a small one, he said it stays inside himforever. That includes his turn as X in “JFK,”who he played for a day, as well as roles he’sspent much longer on, such as the damagedfather in “Ordinary People.”

The actor remains busy, and said his char-acter from his upcoming film “The Leisure

Seeker,” is “running around like crazy insideme.” Sutherland stars opposite Helen Mirrenas a couple on an epic road trip in their RV.

At 82, Sutherland has no intention ofslowing down. Asked if he finds the roles forolder actors fulfilling, Sutherland said, “Hey,as an actor, I can walk onto a scene, say hello(makes gargling noises) crash onto the floorand have a heart attack and that’s enough.

“Except that it hurts my shoulder,” hesaid. “Truly, my shoulders are in terribletrouble because I die a lot — and I’m cram-ming for my finals.”

Not that Sutherland would have anyregrets if his last performance included hisfinal breath.

“I’m really hoping that in some movieI’m doing, I die but I die, me, Donald, andthey’re able to use my funeral and the cof-fin,” Sutherland said. “That would beabsolutely ideal. I would love that.”

After bright career, Donald Sutherland finally nabs an Oscar

OpinionCommentary4 THURSDAY, NOVEMBER 9, 2017 Visit us online at www.smdp.com

OPINIONS EXPRESSED are those of the writer and do not necessarily reflect those of the Santa Monica Daily Press staff. Guest editorials from residents are encouraged, as are letters to the editor. Letters to the Editor can be submitted to letters@smdp.com. Receipt of a letter does not guaranteepublication and all content is published at the discretion of the paper. All letters and guest editorials are subject to editing for space and content. All submissions must include the author’s name, address and phone number for the purposes of verification.

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CONSIDER INCLUDING THE FOURTHSaturday of every month during the earlyafternoon hours of 1:30 - 2:45 p.m. on yourcalendar as a regular event. You will be gladyou did. That is the time for the AmericanStores Reading group that meets at the PicoBranch Library Annex. On November 18,when American Stories will be discussingColson Whitehead’s 2016 Pulitzer-Prizewinning novel, THE UNDERGROUNDRAILROAD, readers will be debating aunique novel that questions the foundationsof American society.

As the many readers and library enthusi-asts of Santa Monica know, our publiclibrary is host to innumerable programs andbook groups that benefit our community.Three years ago when the Pico BranchLibrary opened its doors, the AmericanStories Book group began a few monthsafter the opening to discuss AmericanLiterature that places an emphasis on thesocial justice issues of our time. AmericanStories reads both fiction and non-fictionthat challenges our preconceived ideas ofracism and immigration; of the inequities inour society and how to bridge them. It is aninnovative reading group in search of under-standing our twenty-first century countryand our place within this society.

For the past three years, we have readsuch titles as The Immortal Life OfHenrietta Lacks, by Rebecca Skloot, TheSandcastle Girls by Chris Bohjalian, If HeHollers Let Him Go by Chester Times, andThe Plague Of Doves by Louise Erdrich.

As facilitator of American Stories, I wasvery impressed by the comment of the high-ly esteemed literary critic and writing teacherextraordinaire, John Gardener. Gardenerwrote, “In a democratic society, where everyindividual opinion counts, literature’sincomparable ability to instruct, to makealternatives intellectually and emotionallyclear, to spotlight falsehood, insincerity, andfoolishness - literature’s incomparable abilityto make us understand - ought to be a forcebringing people together, breaking down thebarriers of prejudice and ignorance, andholding up ideals worth pursuing. Literaturein America does fulfill those obligations.”

The Underground Railroad is a choicenovel that brings the horrors of slavery andits toxic legacy on our country to the reader.These are subjects often avoided, and under-standably so: the violence of slavery is a hardsubject to approach. Colson Whitehead tellsthe story of slavery through Cora, a fifteenyear old slave on a Georgia plantation. Cora’ssense of alienation and abandonment beganwhen her mother escaped the plantationwhen Cora was just a young child - an actthat shaped Cora’s sensibilities for theremainder of the story. When she doesescape, Cora seals her fate as a fugitive whocan never return to the plantation when shekills a white man in self-defense. Cora is then

introduced to the Underground Railroad,but it is not the Underground Railroad thatwas the network of passageways and safehouses used by runaway slaves to reach thefree North from their slaveholding states. It isthat type of railroad, but something elseentirely. In Colson Whitehead’s grand novel,the Underground Railroad is also reached bythe trap doors in the safe houses or findingan entrance in a cave and one would reach anactual railroad, with real locomotives andboxcars and conductors, sometimes com-plete with benches on the platform. “Twosteel rails ran the visible length of the tun-nel,” Whitehead writes of his imaginedUnderground Railroad, “pinned into the dirtby wooden crossties. The steel ran south andnorth, presumably, springing from someinconceivable source and shooting towards amiraculous terminus.”

Cora’s journey can be thought of as anever-ending trip through hell. She becomesthe obsession of the slave catcher Ridegeway- a cruel figure whose assistant is recognizedby his necklace of human ears.

It is an exceptional that needs discussion.Cora’s journey has her experiencing variousincarnations of evil resulting from the poi-sonous operations of slavery.

Does Cora make it to freedom? Come andfind out November 18, 1:30 -2:45 p.m. at thePico Branch Library. We will discuss TheUnderground Railroad at the Annex of PicoBranch Library: a welcoming place for debatesand revelations. I hope to see you there.

NNAANNCCYY SSNNYYDDEERR facilitates the AmericanStories book group

AMERICAN STORIES BOOK GROUP:

Colson Whitehead’s Underground Railroad Arrives For Discussion November 18

By Nancy Snyder Send comments to editor@smdp.com

Your column here

Courtesy imageREADING: The American Stories book groupmeets the fourth Saturday of the month.

office (310) 458-7737

DO YOU HAVE COMMUNITY NEWS?Submit news releases to editor@smdp.com or by fax at (310) 576-9913

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THURSDAY, NOVEMBER 9, 2017

OpinionCommentary5Visit us online at www.smdp.com

WITH OUR SCENIC VIEWS, BLUE SKIES ANDfriendly neighborhoods, it comes as no sur-prise that those of us lucky enough to live inSanta Monica often become the designatedhost and tour guide during the holidays.Who can blame our family and friends forwanting to spend their winter vacation timewith loved ones in our sunny beachside city?

No matter how welcome they may be,Santa Monica Travel & Tourism (SMTT)recognizes that space can become an issuewhile hosting these cherished guests. Withthis in mind, SMTT is happy to announcethe return of its annual Extra BedroomProgram, running this holiday season fromNovember 13, 2017 – January 19, 2018. Eachyear during this exclusive program SantaMonica hotels come together to serve theircommunity by offering city residents accessto hotel rates far below those available to vis-itors throughout the year.

“It is with great delight we announce theExtra Bedroom Program returns in time forthe holiday season,” said Misti Kerns, SMTTpresident/CEO. “These generous offers fromour hospitality industry are yet another rea-son why it is such a gift to be able to callSanta Monica home.”

SMTT invites Santa Monica locals to takeadvantage of deeply-discounted hotel roomrates at 18 properties across Santa Monica’sworld-famous hotel collection. Maximizeyour holiday budget and use the program togain an extra bedroom without sacrificingpersonal space. A hotel stay can also makefor a fabulous gift idea. Or better yet, treatyourself to a special experience and enjoy astay-cation as you make family memories orattend a neighborhood holiday celebration.You’ve earned it.

Residents can secure these discountedhotel rates by simply mentioning the pro-gram while making the reservation over thephone, then showing proof of Santa Monicaresidency such as a California ID or drivers’license at check-in. Please note that rates aresubject to availability and blackout dates mayapply. For more information, stop by one ofSMTT’s four Visitor Center locations or visitwww.santamonica.com/extrabedroom.

THE FOLLOWING SANTA MONICA HOTELS AREPARTICIPATING IN THIS YEAR’S PROGRAM:

Best Western Plus Gateway Hotel SantaMonica: $194 Added values: Free parking (1 car per room), free Wi-Fiand access to 24-hour fitness room.

Cal Mar Hotel Suites: $179

Days Inn Santa Monica: $169Added Values: Free parking, complimentary breakfast,free Wi-Fi access, dry heat sauna, complimentary newspa-per and a roof-top garden with a 180-degree view.

DoubleTree Suites by Hilton Hotel SantaMonica: $239

Fairmont Miramar Hotel & Bungalows: $299

Hotel Carmel: $184 for standard rooms Added Values: Complimentary coffee service for all gueststhat is set up in the hotel lobby from 6:30am to 10:00am daily.

Hotel Casa Del Mar: $425

Hotel Shangri-La: $275 Standard King; $345One Bedroom SuiteAdded Values: Complimentary Wi-Fi; $35/night extra toupgrade to Ocean View on either king or suite room.

Huntley Santa Monica Beach: $279Added Values: One time $25.00 credit to be used at ThePenthouse Restaurant only all overnight guests.

Le Méridien Delfina Santa Monica: $229 Added Values: $25 food and beverage credit per stay.Complimentary valet parking is offered to all overnight guests.

Loews Santa Monica Beach Hotel: $329

Oceana Beach Club Hotel: $325

Ocean View Hotel: $199+

Shore Hotel: $249+

Shutters on the Beach Hotel: $425

The Ambrose Hotel: $239

The Georgian Hotel: $249

Wyndham Santa Monica – At The Pier: $199

And remember – as you take on the roleof host this holiday season visit www.santa-monica.com for your itinerary needs. Thewebsite can be your go-to planning resource,sharing pertinent information on our city’stop must-do experiences as well as sugges-tions for where to stay, shop and dine whilein the destination.

To learn more about SMTT and how you can bea tourist in your own back yard, visit www.santa-monica.com

Santa Monica Travel & TourismCommences Local-Favorite Extra

Bedroom Program This Winter

By Lauren Salisbury Send comments to editor@smdp.com

Tourism Talks

YOUR OPINION MATTERS! SEND YOUR LETTERS TO • Santa Monica Daily Press • Attn.Editor: • 1640 5th Street, Suite 218 • Santa Monica, CA 90401 • letters@smdp.com

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The number of meals we delivered has gone up 38%!

The need is growing.WE NEED YOUR HELP!

“I have diabetes and can’t cook right.With Meals on Wheels I’m eating

healthy. It really helps.”Stan Nelson, Santa Monica, Airforce veteran

and $413,000 worth of meals.“The travel and meal/entertainment

expenses are especially suspicious becausethe business of WSS consisted of overseeingparking lots at the VA GLAHS, only two ofwhich were regularly staffed, which did notrequire any travel beyond the few mile areaaround the VA’s West Los Angeles campus,”reads the affidavit in part.

A major fraud conviction could send

Scott to federal prison for a decade.The VA terminated the contract with

WSS earlier this year after setting a lawsuitthat challenged the VA’s use of its West LosAngeles Medical Campus for purposes notspecifically related to the care and housing ofveterans. WSS will continue to operate theparking lots until January.

The U.S. Department of Veterans Affairs,the Federal Bureau of Investigations, Officeof Inspector General and the IRS workedtogether on the case.

kate@smdp.com

Local6 THURSDAY, NOVEMBER 9, 2017 Visit us online at www.smdp.com

ARRESTFROM PAGE 1

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BY OLINE H. COGDILLAssociated Press

“Wonder Valley” (Ecco), by Ivy PochodaA naked man running through rush-hour

traffic that’s backed up for miles jumpstarts“Wonder Valley,” author Ivy Pochoda’senthralling look at people mired in anomadic existence, anonymous to most andlonging for a connection with another.

With its large cast of characters andunconventional storytelling, “Wonder Valley”works as the literary version of the Oscar-winning film “Crash.” Not every character issympathetic, but the increasingly heighteneddrama that surrounds each character’s lifenever falters. These are people who are alone,even when surrounded by those to whomthey should be closest. Adding to the feelingof anonymity, the novel is nearly two-thirdsfinished before a last name is evoked.

Married lawyer Tony becomes obsessedwith that naked man that he leaves his car torun after, feeling a “tingling sense of freedom”in the man’s “unburdened stride.” There is

Ren, who has traveled to Los Angeles to findhis mother, who refuses to leave her little cor-ner of Skid Row. Britt is running from herpast when she ends up at a ranch inTwentynine Palms before eventually makingit to Los Angeles. And there are Blake andSam, two violent drifters in search of WonderValley where they plan to settle. For these two,Wonder Valley is the stuff of dreams, a near-mythical place that’s really just a half-aban-doned community of run-down cabins.

Pochoda deftly moves each of these char-acters together, making their connectionrealistic while pulling “Wonder Valley” fromthe past to the present to illustrate what ledeach to this particular moment. Los Angelesand Southern California emerge as vitalcharacters, too, showing how the area affectseach person. This look at a broad segment ofpeople imbued Pochoda’s last novel,“Visitation Street,” which was one of thebright spots of 2013.

Pochoda delivers a compassionate look atthe displaced that treats each with respectand humanity in “Wonder Valley.”

Author delivers compassionate look at the displaced

this biographical homage. He was alive whenit debuted in New York, but he passed awayjust this past August, at the age of 84.

Gregory was a trailblazing comedian, civilrights activist and in his later life, a vegetari-an and health advocate (he even wrote cook-books). Joe Morton disappears into the role,and is nearly flawless. Side note: “Turn MeLoose” is produced by musician JohnLegend, who says that the comedian’s cut-ting edge humor of the era is just as relevanttoday.

If you’re lucky you can still catch a per-formance at the Wallis Annenberg Center forthe Performing Arts in Beverly Hills, whereit’s been extended due to popular demand,closing on Sunday, November 19.

I first saw Joe Morton in “Brother fromAnother Planet,” but he might be betterknown these days as Rowan Pope, the vil-lainous father of Olivia Pope, the lead char-acter in the TV hit show, “Scandal.”

Dick Gregory broke the color barrierwith his social satire and changed the waywhite audiences saw black comics. He sati-rized segregation and race relations, andexperienced the period of his greatest suc-cess during the 1960s, when he becameactively engaged in voter registration drivesand the civil rights movement. He countedMartin Luther King, Jr., Malcolm X andMedgar Evers as friends – all of whom wereassassinated.

We witness Gregory’s breakthrough per-formance: standing in at the last minute forold-school comic Irwin Corey at the PlayboyClub in Chicago, he was confronted with anaudience of all-white, frozen food execu-tives. This wasn’t the kind of humor theywanted, and they let him know.

He opened with: “Good evening, ladiesand gentlemen. I understand there are agood many Southerners in the roomtonight. I know the South very well, I spent20 years there one night…” This braveappearance and the way he turned the audi-ence around resulted in a 3-year contract atthe Playboy Club followed by numerousappearances on TV.

The theater is set up like a nightclub, withtables down front and regular theatre seatingbehind. The play’s opening is a cultural timecapsule: a white comedian tosses out cheesy,rapid-fire, one-liners (think RodneyDangerfield), very old school ha-ha.

And then boom: Gregory takes the stage,and there’s electricity in the air – and heck-lers in the room. Why? Because he’s talkingabout race, politics, social justice…and hedoesn’t withhold the barbs.

Morton plays Gregory as a young man, anold man and in the years of his greatest

celebrity, following the biographical arc ofhis life and career. But these 90 minutes feellike a private audience with the man, not aplay about his life.

This is a must-see production and youdon’t have too many more chances to see it.

Performances take place Thursdaysthrough Sundays. Call (310) 746-4000 fortickets, or visit http://thewallis.org/show-info.php?id=308. The Lovelace StudioTheatre at The Wallis is located at 9390 N.Santa Monica Blvd. in Beverly Hills.

UNDER THE LINTELThis is a trickier beast. Another one-man

show (although “Turn Me Loose” has onesupporting actor), Arye Gross is simply awonderful actor, giving an outstanding per-formance in “Under the Lintel: AnImpressive Presentation of LovelyEvidences.”

But the material is too cumbersome tosustain even a superlative performance.

The play is sort of a detective story, fea-turing a geeky Dutch librarian, who has onlyever lived inside his mind and within theconfines of the library where he works, col-lecting masses of historical information andinteresting trivia for no particular end.

The return of a book that was checkedout 113 years ago starts him on the path todiscovery, global travel and rule-breakingthat he might never have considered, to seekanswers about who checked it out, and whyit has just been returned.

The play is something of an object lessonin obscurantism. Too many facts piled uponfacts, too many diversions on the way to anarrative that might come to a more satisfy-ing conclusion.

The unnamed librarian’s search leads himto consider the Bible, in which a man stand-ing under a lintel refuses to help Jesus, on hisway to the crucifixion. He is condemned, asThe Wandering Jew, to walk the Earth untilJesus returns.

Many twists and turns along the way leadthe librarian to believe that it is theWandering Jew who checked out the book.But this doesn’t really get us, the audience,much closer to understanding why it mat-ters. And by the end, details bog us down.

Nonetheless, Arye Gross is an actor’sactor, and as a master class in the art, he isworth seeing onstage.

“Under the Lintel” is in Westwood at TheGeffen Playhouse’s Audrey Skirball KenisTheatre, and closes on Sunday, November19. Find out more atwww.geffenplayhouse.org.

SSAARRAAHH AA.. SSPPIITTZZ is an award-winning publicradio producer, now retired from KCRW, whereshe also produced arts stories for NPR. Shewrites features and reviews for various print andonline publications.

THURSDAY, NOVEMBER 9, 2017

Entertainment7Visit us online at www.smdp.com

CULTUREFROM PAGE 1

Photo by Lawrence K. HoPERFORMANCE: Joe Morton as Dick Gregory in “Turn Me Loose” at The Wallis

fairmont.com/santamonica | @FairmontMiramar101 Wilshire Blvd. Santa Monica, CA 90401

Experience the very best of Santa Monica at Fairmont MiramarHotel & Bungalows with bungalows by California designerMichael Berman, seasonal cuisine at FIG Restaurant, TheBungalow by Brent Bolthouse and fitness by exhale mind body spa.Just steps away from the beach, the Pier and the Promenade.

Defining Destination.

Richard Anthony Caruso was born August 25,1932 in Santa Monica, CA to Mike and RoseCaruso. He attended Santa Clara Universitywhere he played basketball for the Broncos. Dickgraduated from Loyola University in 1954. Upongraduating, he joined the family business, MikeCaruso Menswear, located at 4th and Wilshire.Dick continued to run the business successfullyfor 59 years. During that period, he was active inthe Santa Monica community. He was a PastPresident of the Santa Monica Bay OptimistClub, served many years on the board of theBoys Club of Santa Monica, and was a past president of the Southern Calif. Fashion Guild.

Dick was a member of Riviera Country Clubof Pacific Palisades, CA, for over 50 years, serv-ing as Chairman of the Board of Governors onfour different years. Dick was a Vice Chairman ofthe 1983 PGA Championship and GeneralChairman for the 1995 PGA Championship atRiviera and was instrumental in bringing the1998 USGA Senior Open to the Riviera. Heowned and ran the golf shop at Riviera from1985 - 2000 and thoroughly enjoyed the experi-ence, particularly the great friendships he had atRiviera. He was Senior Club Champion at theclub in 1984.

Dick married the love of his life, PatriciaDaly, on May 16, 1981. Dick and Pattie alwaysenjoyed the desert. They joined IronwoodCountry Club in Palm Desert, in 1984 wherethey built their beautiful home in 1990. Uponretirement in 2000, they moved there perma-nently. Dick was preceded in death by Pattie,who passed away five weeks before him on

September 17, 2017. He is survived by his manyloving children and grandchildren and sisters,Gloria Freiler and Rose Marie Layman.

A MEMORIAL MASS IS SCHEDULED AT SACRED HEARTCATHOLIC CHURCH (PALM DESERT) ON SATURDAY,NOVEMBER 18, 2017 AT 2 PM. IN LIEU OF FLOWERS,THE FAMILY HAS ASKED THAT DONATIONS BE MADE TO

ONE OF DICK'S LIFE PASSIONS - HIS FAITH (ST. MONICACATHOLIC CHURCH-“REFURBISHMENT FUND” OFSANTA MONICA, CA OR SACRED HEART CHURCH OFPALM DESERT) AND GOLF (THE FIRST TEE, COACHELLA VALLEY, THEFIRSTTEECOACHELLAVALLEY.ORG)

Richard "Dick" CarusoAugust 25, 1932 - October 24, 2017

Entertainment8 THURSDAY, NOVEMBER 9, 2017 Visit us online at www.smdp.com

DAILY POLICE LOG

The Santa Monica PoliceDepartment Responded To 401

Calls For Service On Nov. 7. HERE IS A SAMPLING OF THOSE

CALLS CHOSEN BY THE SANTA MONICA DAILY PRESS STAFF.

Found property 900 block 12th 12:03 a.m. Domestic violence 2000 block 21st 12:35 a.m. Petty theft 900 block 10th 3:26 a.m. Armed robbery 800 block 10th 5:07 a.m. Person with 1300 block Santa Monica 7:14 a.m. Speeding 22nd / California 8:13 a.m. Found property Cloverfield / Virginia 8:27 a.m. Encampment 1800 block Dewey 8:43 a.m. Hit and run Cloverfield / Pico 8:44 a.m. Petty theft 800 block 21st 8:55 a.m. Stolen vehicle 1200 block 4th 9:05 a.m. Traffic collision 22nd / Pico 9:08 a.m. Traffic collision 21st / Olympic 9:11 a.m. Grand theft 2600 block Lincoln 9:25 a.m. Burglary 300 block Santa Monica Pl 9:29 a.m. Encampment 1000 block Olympic 9:32 a.m. Fraud 1200 block 11th 9:53 a.m. Traffic collision 2800 block Olympic 10:31 a.m. Traffic collision 1500 block 5th 11:13 a.m. Hit and run 1500 block 2nd 11:32 a.m. Fraud 300 block Arizona 11:40 a.m. Indecent exposure Main / Colorado 11:48 a.m. Vandalism 2600 block Kansas 11:49 a.m. Encampment 2300 block 4th 12:02 p.m.

Sexual assault 1500 block 2nd 12:20 p.m. Traffic collision 100 block Wilshire 12:32 p.m. Petty theft 200 block Broadway 12:38 p.m. Petty theft 1700 block Main 12:41 p.m. Speeding 20th / Interstate 10 12:48 p.m. Stakeout 4th / Broadway 1:13 p.m. Burglary 0 block Arcadia 1:24 p.m. Burglary 1000 block Euclid 1:29 p.m. Battery 1400 block 3rd Street Prom 2:27 p.m. Identity theft 3100 block Wilshire 2:28 p.m. Person down 14th / Santa Monica 3:29 p.m. Vandalism 700 block San Vicente 3:37 p.m. Auto burglary 700 block San Vicente 3:37 p.m. Speeding 14th / Ashland 3:51 p.m. Speeding 1600 block Ocean Front Walk4:26 p.m. Petty theft 2800 block Pico 4:41 p.m. Traffic collision 17th / Colorado 5:28 p.m. Assault w/deadly 2600 block Main 5:59 p.m. Shots fired 2200 block Lincoln 6:03 p.m. Vandalism 600 block Ocean Park 6:13 p.m. Petty theft 1400 block 3rd Street Prom6:38 p.m. Person down 600 block Pacific 6:50 p.m. Battery Moomat Ahiko / Ocean 7:07 p.m. Shots fired 1600 block Lincoln 7:07 p.m. Grand theft 1500 block Ocean 7:43 p.m. Petty theft 1600 block Ocean 8:07 p.m. Identity theft 3100 block Wilshire 8:33 p.m. Hit and run 2200 block Colorado 8:38 p.m. Lewd activity 2400 block 16th 9:06 p.m. Lewd activity 500 block Colorado 9:53 p.m. Petty theft 1500 block 15th 11:54 p.m.

DAILY FIRE LOG

The Santa Monica Fire DepartmentResponded To 36 Calls For

Service On Nov. 7.HERE IS A SAMPLING OF THOSE

CALLS CHOSEN BY THE SANTA MONICA DAILY PRESS STAFF.

EMS 2200 block 29th 12:23 a.m. EMS 900 block 10th 2:13 a.m. EMS 1500 block 2nd 2:15 a.m. EMS 100 block Broadway 4:39 a.m. EMS 700 block Cedar 5:12 a.m. EMS 1400 block 17th 8:08 a.m. EMS 400 block Expo Line 8:55 a.m. EMS 2300 block Wilshire 9:27 a.m. EMS 2000 block Colorado 10:09 a.m. EMS 300 block 15th 11:05 a.m. Automatic alarm 1100 block 4th 11:20 a.m. EMS 800 block 10th 11:29 a.m. EMS 900 block 26th 11:32 a.m. EMS 1200 block 6th 11:41 a.m.

EMS 1400 block 16th 12:22 p.m. Elevator rescue 1400 block Ocean 1:13 p.m. EMS 1100 block 2nd 1:19 p.m. EMS 2000 block Santa Monica 1:24 p.m. EMS 2500 block Main 1:53 p.m. EMS 1500 block 4th 2:12 p.m. EMS 2400 block Wilshire 2:16 p.m. EMS 1700 block Pearl 2:31 p.m. Smoke investigation 1200 block 2nd 2:36 p.m. EMS 1300 block 11th 3:16 p.m. EMS 1900 block Pico 4:45 p.m. EMS 1800 block Lincoln 5:10 p.m. Traffic collision with injury 17th / Colorado17:28:38 Trash/dumpster fire Ocean / Colorado 6:10 p.m. Automatic alarm 3000 block 18th 6:29 p.m. EMS 3000 block Olympic 6:35 p.m. EMS 600 block Pacific 6:51 p.m. EMS 1200 block 4th 8:36 p.m. EMS 500 block Santa Monica 9:09 p.m. EMS 2800 block 7th 9:15 p.m. EMS 2200 block Colorado 10:10 p.m. EMS 2100 block Ocean 11:31 p.m.

Crime Watch is culled from reports provided by the Santa Monica Police Department. These are arrests only. All parties are innocent until proven guilty in a court of law.

ON OCT. 26, AROUND 6 P.M.Officers responded to the Apple Store (1415 3rd Street Promenade) in response to a theftthat occurred. Upon arrival, the officers met with a Loss Prevention Officer for Apple.The loss prevention officer stated he was working in an undercover capacity when heobserved a woman select an Apple Watch from the display table and strap it to her wrist.The woman rolled her sleeve down, covering the watch. The woman then walked out ofthe store without paying for the watch. The Loss Prevention Agent stopped the womanoutside the store, identified himself and brought her back into the Apple store to callpolice. The woman was later identified Corinna Presi, 45, of Santa Monica. Presi wastransported to Santa Monica Jail where she was booked for petty theft. Presi was laterreleased from custody with a citation to appear in court at a later date.

CRIME WATCHB Y D A I L Y P R E S S S T A F F

office (310) 458-7737

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forms, and by the time you’re done you maynot want to listen any more to that albumyou started out loving. You have to researchextensively. You have to listen a bunch oftimes for familiarity, a couple more times fordetail, again to parts to reference what you’rewriting about, then more times to see whatthe long-term judgement is. Often some-thing that sounds great at first is somethingthat will drive you screaming from the roomthe fifth time around. (Glad you didn’t tellpeople to get that one.) And it’s out thereforever for anyone to listen for themselvesand decide you are a gifted critic or a tone-deaf dipstick. And they will tell you.Everyone has an opinion. And everyone is amusic expert.

So why would anyone want to do this?Two reasons. The record labels will start

sending you a ton o’ discs (or downloads)for free, and if you’re a music junkie, that’sheaven. I’m over that, having realized longago that I would need more than a cat’s life-times to listen to everything I already have.And I like all of what I already have. Whatyou get sent for review is at least 50 percentcrummy. Why would you go from listeningto what you love to listening to junk, becauseyou have to?

REASON TWOYou are on a mission to turn the world on to

great music that might otherwise go unheard.The Johnny Appleseed of tunes. That’s me,

since college. But in this jukebox-again age ofsingles, streaming, Spotify, this week’s megas-tar-for-the-ages, one and done, album? —what’s an album? what’s a CD? — that para-digm is gone and dusty. People now find greatmusic through their friends. Well, people of acertain age do. For those of us over 40, reliableadvice might still be worth something.

The variation on reason two is muchmore common: you are sure you know moreabout music than anyone and certainly havebetter taste and are here to educate theunwashed masses. That’s not me, but it is toomany music journalists that I’ve known. I’veknown some great ones too, some normal,humble, sensitive, tuned-in souls, excellentwriters and true artists, but generally as asubspecies they’re reclusive, arrogant, angry,defensive, grody, toady, no social skills —which of course leads them to conclude theyare God’s gift, a superior being. I’ve thoughta few times about throwing a party for onlymusic reviewers. They would fight for a cor-ner to huddle in (and there’s only four), andfight to control the music being played. Thefirst note of every tune would be drownedout by a chorus of “that sucks!” “Here!” “Letme put on something good!” And of coursethe place would empty out the moment thefood and booze were gone.

MOVIES TAKE SO MUCH LONGER TO REVIEWThan albums, and it’s much harder, I

once had an editor tell me, after he had donea couple of each. (His argument as to why hewanted to pay me less than his film review-er.) Ha. You go to the screening, take copiousnotes in the dark (which you later can’t deci-pher), mull it over and write. A dauntingtask, no question, in the spotlight, donepoorly by many and well by only a few. (But

they often get well compensated, whereas themusic critics…) Compare that to the longprocess to review an album, that I outlinedat the top. Now of course film reviewers haveto bring years or decades of knowledge andanalytical movie watching, not to mentioncritical skills to bear before they write thefirst word. But longer, harder, nah.

So along with other music notes andsome other arts, I will review some albums.For you dinosaurs. Maybe next Thursday.Right now I’m exhausted just thinking andwriting about the whole thing.

HOW CAN I MISS YOU (when you won’t goaway — Dan Hicks): As of Wed. morning,The Sound, 100.3 FM, was still fading awaywith no firm indication of the moment of itsdemise into “Christian contemporary” pro-graming (new owners). Still playing goodrock but too bad they couldn’t have gone outwith their A-to-Z Top 2000 rockers. That wasfun. They should have just started it over.

RECOMMENDED: This Saturday evening, at thatgorgeous club I mentioned last week,Vibrato, in Beverly Glen, the George KahnQuintet, 6:30 (no cover) and 9 ($20).

Vibrato has a new music director, ShawnAmos, and here’s what they say about theirSaturday nights now: “Saturdays are the cen-terpiece of the Vibrato supper club experi-ence. We present a carefully curated eveningin which customers can enjoy five-starAmerican cuisine alongside classic jazz, acelebration of an era when Sunset Striprooms like Ciro’s, The Mocambo and CaféTrocadero were the epitome of Hollywoodelegance and nightlife.”

About Kahn: “Kahn’s music has been fea-tured on many TV shows and ads, includingLexus, ‘ER,’ ‘The Young and the Restless’ and‘How William Shatner Changed the World.’He has released eight self-produced CDs. InDecember 2012, George received aCertificate of Recognition from the City ofLos Angeles for his dedication to helpingend homelessness in Los Angeles.”

That last part I didn’t know about Kahn,surprisingly, because, full disclosure, we havebeen friends for more than a decade. Quitethe musical family he has, with his wifeDiana a well-respected vocalist and teacher,performing with the LA Master Chorale, formany years teaching at SMC (rave studentevaluations) and now a vocal coach atSamohi, in Jeffe Huls’ notoriously excellentchoir program. George’s son Evan (Samohigrad) is a ridiculously talented, rising starcellist. Music parties in their home beatalmost anything else you’d find in town.

RECOMMENDED: Fri. and Sat., Nuart Theatre,in-person Q&A with “Bill Nye: Science Guy,”at 4 p.m. and 7 p.m. screenings.

LYRIC OF THE WEEK: “Ain’t nothing but a strangerin this world, I’m nothing but a stranger inthis world, I got a home on high, in anotherland, so far away, so far away, way up in theheaven, we are goin’ up to heaven, we aregoin’ to heaven, in another time, in anotherplace, in another face.” — Catholic mysticand scat man Van Morrison (“AstralWeeks”).CCHHAARRLLEESS AANNDDRREEWWSS has lived in Santa Monicafor 31 years and wouldn’t live anywhere else inthe world. Really. Send love and/or rebuke tohim at therealmrmusic@gmail.com

MUSICFROM PAGE 1

THURSDAY, NOVEMBER 9, 2017

Puzzles & Stuff9Visit us online at www.smdp.com

SOLUTIONS TO YESTERDAY’S SUDOKU

SOLUTIONS TO YESTERDAY’S CROSSWORD

rraazzzzllee--ddaazzzzllee1. Informal. showiness, brilliance, or virtuosity in technique or effect,often without concomitant substance or worth; flashy theatricality: Therazzle-dazzle of the essay’s metaphors cannot disguise its shallownessof thought.

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British/Irish Playwright. This film consistsof spheres of an intricate story populatedwith flawed colorful people intertwiningand colliding with each other’s souls, pro-voking humor and tragedy. This is whatShakespeare was able to do that makes hiswork so timeless. The story appears to beset in the Ozarks in the US, although theenvironment feels like the mountains ofIreland where I once lived. Even the musicevoked Ireland. Social commentary is sub-tly stamped all over this story. Members ofeach social group criticize the others andblame them for negative elements of dailylife in the town.

Writer/director Martin McDonaghbegan his career writing radio plays. This

gave him the skills needed to write plays:dialogue and storytelling. McDonagh’smother was a cleaning lady and his dad aconstruction worker as he was growing upin London. He spent summers with hisgrandparents in Ireland, so picked up acultural feel for the area, which translatesinto an intuitive ability to understand thesetting for this movie. CinematographerCarter Burwell provides images that setemotional tones that reach to our ownmemories and the music and sound trackplay a counterpoint to each step of thestory, setting the tone and adding poetry tothe backdrop of each scene.

McDonagh’s inspiration for this storycame while he was once riding a bus in theAmerican South. He noticed a sign onanother bus asking for help in locating theperpetrator of a crime. The characters inthis movie are beautifully drawn and por-

trayed. You get the feeling that Mcdonaghhas fleshed out his characters and putthem into a pot to boil them together intoa stew. McDonagh stated in the Q&A thatfollowed my screening, that he wrote therole of “Mildred” specifically for FrancesMcDormand, knowing that she was theonly one who had the strength and fierce-ness to play the role. McDormand saidthat she channeled John Wayne to getMildred’s feisty, perseverant quality. Shedid not associate with two of the charac-ters before their scenes together were shot,in order to preserve the feeling of distancebetween them. McDonagh likes to workwith actors who have been in his filmsbefore, including Sam Rockwell, WoodyHarrelson, Abby Cornish and ZeljkoIvanek. Peter Dinklage as a Burt Reynoldswannabe is priceless – melancholy andfunny at the same time. Abby Cornish

noted that the script was pure poetry andnot a word needed to be changed. Therewas very little time for rehearsal, so thecharacters had to interact intuitively.

McDonagh says that he finds that out-right comedy can turn to tragedy on a dimeand the truth lies somewhere in the fine linein between the two. This is one of the bestfilms of 2017. The end of the story is thebeginning of new hope.

By the way, have you found Ebbing,Missouri yet on Google Maps? That’s a trickquestion - it’s in a state of mind.

KKAATTHHRRYYNN WWHHIITTNNEEYY BBOOOOLLEE has spent most ofher life in the entertainment industry, which isthe backdrop for remarkable adventures withextraordinary people. She is a Talent Managerwith Studio Talent Group in Santa Monica.kboole@gmail.com. For previously publishedreviews see https://kwboole.wordpress.com

Entertainment10 THURSDAY, NOVEMBER 9, 2017 Visit us online at www.smdp.com

Zack Hill By JOHN DEERING & JOHN NEWCOMBE

Dogs of C-Kennel

Strange Brew

Agnes By TONY COCHRAN

By JOHN DEERINGHeathcliff By PETER GALLAGHER

By MICK & MASON MASTROIANNI & JOHNNY HART

It’s not that you don’t admire the people you’re close to. Of course you do! But the familiarity you sharemakes it very difficult to get back to the perspective of seeing this clearly about one another. In theseearly stages of Venus in Scorpio, getting a little distance from your nearest and dearest can be very pos-itive for your perspective.

Venus Options to Reset

ARIES (March 21-April 19)You bring out the brilliance in others by askingthe right question. It’s an understated one thatdoes the trick. This is great because your mindis hungry for intelligent conversation, and itwill do something for your heart, as well.

TAURUS (April 20-May 20)You want to acquire as much knowledge as youcan about your area of interest, even if thatmeans learning the mean side of it. To learnthe unsavory truth is a rite of passage.

GEMINI (May 21-June 21)It’s not a matter of simply thinking positivelyabout things that are obviously not ideal.That’s just called lying to yourself. Rather,you’ll see a positive potential and explore it bitby bit until it opens up.

CANCER (June 22-July 22)As for the people who are close to you, youchose them for a reason and that reason willbecome apparent as the day unfolds. Don’tkeep your insights to yourself. This is some-thing worth mentioning.

LEO (July 23-Aug. 22)You still remember the first impression a per-son made on you, for better or worse. Nowsomething about that impression will seemprophetic — just more proof that you reallyhave terrific intuition.

VIRGO (Aug. 23-Sept. 22)Uncertainty is a stage of learning. Be patientwith yourself. Accept your natural rhythms andprocess. It’s not always going to be a string of“aha!” moments. You may fumble around lostfor a while, and that’s part of it, too.

LIBRA (Sept. 23-Oct. 23)In the past you were driven to accomplish cer-tain aims to the point of single-mindedness.Now your life is bigger, but you have the abili-ty to focus with intensity if you still want thesame goal. All that’s left to do? Decide.

SCORPIO (Oct. 24-Nov. 21)There are those who can’t relate to your plansand won’t come onboard. Don’t worry about con-vincing them: They’re not your audience. Focuson the ones who get you and build from there.

SAGITTARIUS (Nov. 22-Dec. 21)This day will bring awareness to the emotionalpayoff you’ve been seeking (probably uncon-sciously until now). How will you feel when youget what you want? And might there be otherways to arrive at that feeling?

CAPRICORN (Dec. 22-Jan. 19)You like contributing to the happiness, comfortand adventure of others. You like making peo-ple laugh. Your drive to entertain and delightwill be much stronger than usual, and you’lleffectively follow through.

AQUARIUS (Jan. 20-Feb. 18)Ultimately, you’ll feel lighter when you let go ofsome of your demands on life. The ones that fitin the past may not be the right size and shapefor you now. Re-think your goals for the newcycle ahead.

PISCES (Feb. 19-March 20)What used to be a tedious and time-consumingproject can now be accomplished in a few min-utes when you delegate the main action to ahuman or a technological process. Even if itcosts a little more this way, it will be worth it.

TODAY’S BIRTHDAY (Nov. 9)

Your good deeds will shine like a candle in a dark world, so go where you’re supported for beingyour best self. There will be a big win in February. It should be noted that you will spend a signifi-cant amount of time in Cupid’s clutches and have a poetic heart and brilliant fire to apply to yourlife and work as a result. Virgo and Aries adore you. Your lucky numbers are: 5, 3, 28, 11 and 16.

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“The Midnight Line” (Delacorte Press),by Lee Child

Author Lee Child delivers another classicJack Reacher tale with “The Midnight Line.”

Reacher’s curiosity is piqued when he getsoff a bus and wanders into a pawnshop.Inside the shop he spots a small class ringfrom West Point stamped with the year 2005and engraved with the initials S.R.S. Heimmediately questions what could have hap-pened to the owner of the ring to force her tosell it. Reacher assumes the owner wasfemale because of the look and size of thering. He purchases it and asks the pawnshopowner who brought it in to sell. The answersends him on his journey.

The first name leads him to a town, and that

person leads him to another somewhere else. Inusual Reacher style, he never gives up or wavers,this time not to see justice being served, but tosimply answer the question of what circum-stances could possibly force a cadet who right-fully earned the ring to give it up.

What Reacher discovers isn’t quite whathe was expecting. The ring is just a tiny partof a vast criminal enterprise that crossesstate lines.

Child has written another compellingand moving novel featuring the iconicAmerican hero who never stops until he’ssatisfied with the results. While the story isbold and mysterious, the empty landscapewith few individuals living in the area spot-lights Reacher’s loneliness. They were choic-es he made a long time ago, but he mightcome to regret not settling down and estab-lishing a lack of roaming life.

New Lee Child novel is bold and mysterious

BY BARBARA HALLAssociated Press

“Millard Salter’s Last Day” (GalleryBooks), by Jacob M. Appel

“Guns aren’t lawful; Nooses give; Gassmells awful; You might as well live.”

And with that, we’re off to the races inJacob M. Appel’s “Millard Salter’s Last Day.”

Millard Salter is a 75-year-old New YorkCity-based psychiatrist who’s courting sui-cide. We find Salter in an existential funk —a Camus-esque cul de sac in which life seemssimply not enough — or perhaps moreaccurately, too much.

Salter’s dilemma isn’t whether to be ornot to be. On that, he’s resolved, unequivo-cal. The question for him is how to get fromhere to there. And so, in ornate, frequentlydroll prose, Salter ushers readers through his“last day” and to his finale.

The author is clever — coy, even — inhow he treats the reader. He has Salter teaseus. Thus, our protagonist can be exceedinglycomical, careening from innermost streamof consciousness to conversations withworkaday hospital colleagues to quirky, lov-

able family and friends.But the more we get to know Millard

Salter, the more we want him to live.While eating at an outdoor cafe with his

colorful son Lysander, he experiences a mys-terious, powerful explosion. He emerges rat-tled but unscathed.

Then, too, there’s a lynx, a mascot of sortsand leitmotif that interplays throughoutMillard’s fateful day. (Author Appel, true toform, can’t resist making mention of the“missing lynx.”) Ultimately, Salter’s attackedby the animal. Still, he escapes. Unscathed.

“Millard Salter’s Last Day” wins readersin a number of ways. The author has a giftfor schtick — above all, Jewish New YorkCity schtick. And in spite of Salter’s claim tobeing in a profound funk, when all is saidand done, the man is full of life.

Millard calls up comparisons to the lateJohn Updike’s visited and revisited charac-ter, Rabbit. Embodying contemporaryennui, Rabbit considers himself fulfilledwhen he manages to merely “muddlethrough.”

For our part, the reader wishes Millard —and all Millards — something more.

‘Millard Salter’s Last Day’ is winning novel

BY DOUGLASS K. DANIELAssociated Press

“Wayne and Ford: The Films, theFriendship, and the Forging of an AmericanHero” (Nan A. Talese/Doubleday), by NancySchoenberger

American movies feature a handful ofgreat actor-director partnerships — RobertDe Niro and Martin Scorsese come to mind,for example, as do Cary Grant and AlfredHitchcock. Arguably, no collaboration hasbeen more fulfilling for audiences or moreinfluential for narrative filmmakers thanJohn Wayne and John Ford.

Together, Wayne and Ford created themature Western with “Stagecoach” (1939) andbrought it to its peak with “The Searchers”(1956). Each made sturdy Westerns with oth-ers and added to their own list with “The ManWho Shot Liberty Valance” (1962), which car-ries a famous line tinged with irony that goesto the heart of the genre: “When the legendbecomes fact, print the legend.”

Wayne and Ford’s productive if knotty rela-tionship is practically a legend in itself. That’s aplus and a minus for Nancy Schoenberger’snew book, “Wayne and Ford: The Films, theFriendship, and the Forging of an AmericanHero.” At just over 200 pages, it serves as a leanand energetic introduction to a pair ofmoviemakers who are central to understand-ing American cinema. For those already keenon the topic, Schoenberger offers a slightly dif-ferent point of view about their legacy.

Given the many books about the actorand director, the Wayne-Ford relationship iseasy to recount. Ford was established in thebusiness by the late 1920s when he became afather figure for Wayne, hired him for someof his first acting jobs, then rescued himfrom the purgatory of low-budget produc-tions in the 1930s, giving him the chance toshine as an actor. In the decades that fol-lowed, Wayne delivered time and again forFord — after “Stagecoach” they made 13more movies together — and he continuedto work for “Pappy” even after Ford’s gifts

had gone stale and Wayne had become themost popular star in Hollywood.

A sentimental bully and a binge drinker,Ford never let Wayne forget his shortcomings— in particular his failure to serve in the mili-tary in World War II — and berated him on theset for movie after movie, maybe even more soafter Wayne’s studio clout surpassed his own.Wayne showed gratitude and loyalty in waysFord could not but kept Ford at arm’s lengthwhen directing his first movie, “The Alamo”(1960). The dynamic was that of a father whoraised his son well but turned jealous of hisson’s success and, of course, his youth.

Framing this tale of dysfunctional male loveis Schoenberger’s insight that Wayne and Fordcreated a “code of masculinity” in theirWesterns. “We all know that code,” she writes,“because, for good or for ill, it shapedAmerica’s idea of masculinity, what it means to‘be a man’: to bear adversity in silence, to showcourage in the face of fear, to bond with othermen, to put honor and country before self —in three words, ‘stoicism,’ ‘courage,’ ‘duty.’”

Too often Schoenberger undermines herpresentation by not double-checking hermaterial. Among other stumbles, she mis-quotes Wayne’s final line in “True Grit” andhis Oscar acceptance speech, calls “LibertyValance” Ford’s final Western (that would be1964’s “Cheyenne Autumn”) and describes“The Alamo” as Wayne’s rebuke to Vietnamprotests, which came years later.

In her conclusion, Schoenberger lamentsthat future generations of men won’t con-form to the Wayne mold cut by Ford, yet shehardly ponders why they didn’t always fit themold themselves. Experts at selling fictionalmoving images, the actor and director wereall too human away from the cameras. Couldit be that their code was more theatrical thanrealistic, merely a fresh coat of folkloreapplied to Old West history?

Americans do hold dear their myths. Inthat sense Ford had it right: Print the legend.

Douglass K. Daniel is the author of “AnneBancroft: A Life” (University Press of Kentucky).

‘Wayne and Ford’ ponders movie-bred masculinity

12 THURSDAY, NOVEMBER 9, 2017 A D V E R T I S E M E N T

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