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SALT LAKE CITY FIRE STATION #14 Public art project at 3800 West and California Avenue CALL FOR UTAH ARTISTS: Request for proposals APPLICATION DEADLINE: Tuesday, March 21 st by 5:00 pm COMMISSION BUDGET: $60,000 PROJECT BACKGROUND In the summer of 2016, Salt Lake City Corporation conducted a groundbreaking ceremony for construction at the new site of Fire Station 14, the second net-zero energy fire station in the country. The new two-story station will be 17,100 square feet including a four-bay, 5,770 square-foot garage for housing fire and emergency apparatus and will serve as one of the City’s branch stations to coordinate city-wide disaster relief. This station will replace the current Station 14, located at 1560 Industrial Road (1900 West), which is one of the oldest fire stations in Salt Lake City. The Station 14 site is located in an urban, industrial district consisting of, primarily, shipping, packaging and distribution businesses. It is a corner site along a major roadway, California Ave, and a secondary road with virtually non-existent pedestrian movement and substantial heavy- vehicle traffic. A panelized, black concrete skin and natural zinc sheeting are used to clad the building and respond to the industrial, mechanized setting. These products are sustainable, durable and low- maintenance, but contribute to a dynamic building composition. The architectural form is a result of controlling views, maximizing the solar orientation for the large photo-voltaic array and creating a civic building within an otherwise industrial area. Extensive use of wood products at the building’s interior walls, millwork and ceiling provide warmth and lend acoustic support to the firefighters’ day-to-day experiences. Energy-efficient, operable windows provide abundant natural light, give the occupants control of their environment, and provide a welcoming glow to the public. PROJECT GOALS & DETAILS The Salt Lake Art Design Board seeks site-specific artwork that: Reflects the Salt Lake City Fire Department mission to, “Prepare Effectively, Respond Professionally, and Impact Positively;” Reflects Salt Lake City; Responds to the architectural and natural environment; Considers and incorporates sustainable concepts and materials; Is of the highest qualitycreatively and technically; Is low maintenance; Is visually engaging for passersby and those who use and visit the station; Meets all public safety, structural, and maintenance standards and complies with the Americans for Disabilities Act (ADA).

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Page 1: SALT LAKE CITY FIRE STATION #14saltlakepublicart.org/wp-content/uploads/2017/03/... · SALT LAKE CITY FIRE STATION #14 Public art project at 3800 West and California Avenue CALL FOR

SALT LAKE CITY FIRE STATION #14 Public art project at 3800 West and California Avenue

CALL FOR UTAH ARTISTS: Request for proposals APPLICATION DEADLINE: Tuesday, March 21st by 5:00 pm COMMISSION BUDGET: $60,000 PROJECT BACKGROUND In the summer of 2016, Salt Lake City Corporation conducted a groundbreaking ceremony for construction at the new site of Fire Station 14, the second net-zero energy fire station in the country. The new two-story station will be 17,100 square feet including a four-bay, 5,770 square-foot garage for housing fire and emergency apparatus and will serve as one of the City’s branch stations to coordinate city-wide disaster relief. This station will replace the current Station 14, located at 1560 Industrial Road (1900 West), which is one of the oldest fire stations in Salt Lake City. The Station 14 site is located in an urban, industrial district consisting of, primarily, shipping, packaging and distribution businesses. It is a corner site along a major roadway, California Ave, and a secondary road with virtually non-existent pedestrian movement and substantial heavy-vehicle traffic. A panelized, black concrete skin and natural zinc sheeting are used to clad the building and respond to the industrial, mechanized setting. These products are sustainable, durable and low-maintenance, but contribute to a dynamic building composition. The architectural form is a result of controlling views, maximizing the solar orientation for the large photo-voltaic array and creating a civic building within an otherwise industrial area. Extensive use of wood products at the building’s interior walls, millwork and ceiling provide warmth and lend acoustic support to the firefighters’ day-to-day experiences. Energy-efficient, operable windows provide abundant natural light, give the occupants control of their environment, and provide a welcoming glow to the public. PROJECT GOALS & DETAILS The Salt Lake Art Design Board seeks site-specific artwork that:

Reflects the Salt Lake City Fire Department mission to, “Prepare Effectively, Respond

Professionally, and Impact Positively;”

Reflects Salt Lake City;

Responds to the architectural and natural environment;

Considers and incorporates sustainable concepts and materials;

Is of the highest quality—creatively and technically;

Is low maintenance;

Is visually engaging for passersby and those who use and visit the station;

Meets all public safety, structural, and maintenance standards and complies with the

Americans for Disabilities Act (ADA).

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There are two available locations on site for artists to respond to with proposals. Artists are permitted to respond to both locations or to a single location. Regardless of the location chosen by artists the budget remains the same.

The first possible location is an exterior location with a footprint of 12’ x 50’ (please refer to the

attached renderings for more information). Work proposed for this site must not restrict any

sightlines from the garage to the street and has the ability to use electricity, however artists are

urged to consider alternative sources of power. Please refer to the appendix for architectural

renderings and dimensions. Exterior artworks must meet public safety and transportation

requirements and be able to withstand Utah’s varied climate. The second possible location is made up of an interior entry wall that is 10’ 6” Tall x 16’ wide and a ceiling of 4’ deep x 16’ wide (please refer to attached renderings for more information). Work proposed for this site must not protrude more than four inches from the wall and has the ability to use electricity, however artists are urged to consider alternative power uses. PROJECT BUDGET & ELIGIBILITY

The total budget is $60,000 and inclusive of artist’s fees and related expense for design,

supplies, fabrication, insurance, transportation, permits, and installation. Any fees incurred

for design/artwork related engineering, electrical, infrastructure modifications and assistance

from the contractors shall be the responsibility of the artist.

The Call for Artists is open to all professional artists or artist-led teams residing in Utah. SELECTION CRITERIA & PROCESS The Salt Lake Art Design Board, in consultation with project stakeholders, will review all of the properly submitted applications and will recommend one artist/team for the commission to the Mayor for final approval. In selecting artist/team for this project the following criteria will be considered:

Final artwork that is one-of-a-kind, site specific and meets the project goals.

Artistic excellence, innovation and originality as evidenced by visual documentation and

supporting materials.

The artist’s final work meets all operational, maintenance, Americans with Disabilities

Act (ADA), public safety and transportation requirements.

Ability to meet deadlines and budget and to perform work in timely, professional manner.

The artist’s professional experience is adequate to meet the demands of the project

including the ability to work with the design and construction teams to integrate their

artwork into the architecture and/or landscape.

The artist(s) selected for the commission will sign a contract with Salt Lake City Corporation, must carry general liability and auto insurance, and must either provide Workers’ Compensation or apply for a Workers’ Compensation Coverage Waiver. The artist(s) must submit engineering drawings for approval prior to the start of fabrication. APPLICATION REQUIREMENTS Submissions that arrive on or before 5:00 p.m. on Tuesday, March 21, 2017 and meet all of the application requirements will be reviewed. Late applications will not be accepted. To be considered for this project, applicants must submit all of the required materials in the format identified below on a flash drive labeled with applicant’s name. DVDs, CDs, paper copies and electronic submissions will not be accepted. Applicants’ materials will not be returned. Follow the format below for your documents and images.

1. LETTER OF INTEREST (first name_last name.letterofinterest.pdf) 1 page describing

the applicant’s interest in, qualifications for, and projects of similar scope/scale.

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2. PROPOSAL (first name_last name.proposal.pdf) Although the final artwork may

evolve from the initial proposal, artists must submit a color, scale visual rendering and a

written description including project intent, dimensions, materials and a preliminary budget

(2 pages maximum).

3. CURRENT RÉSUMÉ (first name_last name.resume.pdf) Maximum of 2 pages per

person.

4. IMAGES OF RECENT WORK (first name_last name01.jpg,first name_last name02.jpg,

etc.) 6 to 10 JPG images labeled to correspond with the Image List. Each image must

not exceed 1MB in size.

5. IMAGE LIST (first name_last name.imagelist.pdf) Maximum of 1 page. List title, date,

media, size, location, budget and a thumbnail of the image.

Mail or deliver applications to: Salt Lake City Arts Council Fire Station #14 54 Finch Lane Salt Lake City, UT 84102 Hours: M-F, 9 a.m. to 5 p.m. Contact: Dana Hernandez 801-596-5000 [email protected] PROJECT SCHEDULE: Pre-Proposal Meeting – February 22, 2017, 5:30pm, Finch Lane Gallery Application Deadline – Tuesday, March 21, 2017, 5:00pm Notification of Artist Selection - April 2017 Contract Preparation – April/May 2017 Expected Fire Station Construction Completion – June-September 2017 Installation of Artwork – Fall 2017 Dates are subject to change except the application deadline of Tuesday, March 21, 2017. SALT LAKE CITY PUBLIC ART PROGRAM The Public Art Program, which commissions artists' work for City-owned buildings and public spaces, was established by ordinance in 1984. The Salt Lake Art Design Board is an advisory group of citizens representing different City Council districts, appointed by the Mayor and confirmed by the City Council, to oversee Salt Lake City’s public art program. They are selected for their related arts expertise and willingness to serve the community. The Design Board is directed, by ordinance, to select artists for public art commissions in Salt Lake City and recommend those artists to the Mayor for final approval. The current Design Board members include Libby Haslam, Jann Haworth, Alexander Huggins, Helen Peters, and Larissa Trout. The Design Board will consult with representatives from SLC Divisions of Engineering and Transportation to help inform their artist/team selection for this project. SALT LAKE CITY CORPORATION ADDITIONAL POLICIES The artist/team selected for the commission will sign a two-party Artists’ Commissioned Work Agreement with Salt Lake City Corporation. The City may accept Call for Artists (CFA) submittals as deemed to be in the public interest; proceed with further selection processes; reject any and all submissions; or may waive any

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irregularity, informality, or technicality in proposals received. The Mayor, based on the Art Design Board’s recommendation, will determine from the submitted information the most qualified Proposer to meet the stated duties as evaluated under the criteria set forth herein. The determination of the most advantageous proposal shall be final and conclusive. The issuance of the CFA and the receipt and evaluation of the submittals does not obligate the City to select a Proposer or enter into any agreement. A submittal does not constitute business terms under any eventual agreement. The City will not pay costs incurred in responding to the CFA unless specified in the CFA. The City may cancel this process at any time prior to the execution of any agreement without liability. The City reserves the right to revise the CFA evaluation process. Such revision will be announced in writing to all CFA respondents or short-listed teams, depending on the timing of the change. The City also reserves the right to reject any and all CFA responses at any time, or to terminate any negotiations implied in this CFA or initiated subsequent to it. If the Art Design Board receives a submittal it deems incomplete or ambiguous, it reserves the right to request additional information or to reject the submittal. The City reserves the right to, at any time and for any reason, discontinue negotiations with any initially selected Proposer, and to pursue negotiations with an alternative team. Proposers or their agents are instructed not to contact Art Design Board members, City officials or employees or attempt to externally manipulate or influence the procurement process in any way, other than through the instructions contained herein, from the date of release of this CFA to the date of execution of an Agreement resulting from this solicitation. City, in its sole discretion, may disqualify Proposers who violate this paragraph.

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~12'x50' EXTERIOR LOCATION, SEE 3D DEPICTION
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INTERIOR LOCATION
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~12'x50' EXTERIOR LOCATION - SEE 3D DEPICTION
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10'-6" TALL x 16' WIDE WALL
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4' DEEP x 16' WIDE CEILING
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ZINC METAL WALL PANEL
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DRYWALL, PAINTED WHITE
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CONCRETE PANEL
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FIRE COMM. PANEL, ARTWORK MUST NOT OBSCURE PANEL
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ARTWORK MAY EXTEND 4" OFF OF WALL, MAX
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ARTWORK MUST ALLOW FOR 8' CLEAR HEIGHT FROM FLOOR TYPICALLY
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ARTWORK CAN OCCUR ANYWHERE WITHIN DASHED VOLUME
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OPEN

OPEN

OPEN

OPEN

EXTERIOR HIGHPERFORMANCECEMENTITIOUS PANEL

2'x4' ACOUSTICALCEILING TILE

GYPSUM BOARD. SEECEILING NOTES BELOW

OPEN TO STRUCTURE

2'x6' ACOUSTICAL WOODCEILING W/ 6" VECTORTEGULAR TRIM

OPEN

ACT 2

WOOD 1

RS 1

GYP.

INTERIOR HIGHPERFORMANCECEMENTITIOUS PANEL

SC 1

POWDER COATED STEELPLATE - SEE DETAILS FORTHICKNESS

STL

1 1/2" THK METALGRATINGMTL 1

CEILING MATERIAL KEY

ZINC RAINSCREENPANELRS 2

CEMENT BOARDRAINSCREEN PANEL

CB 1

1/8" POWDER COATEDSTEEL PLATESTL 2

SEE AE113 FOR CEILING DETAILS.AT RESTROOMS, COORDINATE EXACTHEIGHT OF CEILING WITH TILE PATTERN -REF A5/AE212

2'x6' WOOD VENEERPANEL CEILING W/ 6"WOOD VENEER TRIM

WOOD 2C1 & C2

12.1

12.1

OPEN TO ABOVE OPEN

A5

VARIES

11' -

0 5/8"

11' -

1 1/2"

18' - 3 1/2"

15' - 7"1' - 11"

d a t e :

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r e v i s i o n s

s t a m p

The designs shown anddescribed herein including alltechnical drawings, graphicrepresentations & modelsthereof, are proprietary & cannot be copied, duplicated, orcommercially exploited inwhole or in part without thesole and express writtenpermission from Blalock andPartners, LLC.

307 West 200 South, Suite 4003Salt Lake City, UT 84101801.532.4940

architectural design studio

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1st Floor Ref.Ceiling Plan

AE111 1/8" = 1'-0" A41st Floor Reflected Ceiling Plan

NOTES:1. DUCTWORK PLACEMENT IS CRITICAL. REVIEW & COORDINATE WITH SECTIONS, INTERIORDETAILS & ELEVATIONS. COORDINATE WITH MECHANICAL, STRUCTURAL, ARCHITECTURAL,ELECTRICAL, PLUMBING AND FIRE PROTECTION CONTRACTORS PRIOR TO INSTALLATION. LIGHTFIXTURES, MECH. DIFFUSERS, DUCTS, GRILLS AND EQUIPMENT SHOWN ON THEARCHITECTURAL CEILING PLAN DEMONSTRATE THE DESIRED INTENT FOR INSTALLATION ANDMAY DIFFER SLIGHTLY FROM MECHANICAL AND ELECTRICAL DRAWINGS. CEILING MOUNTEDDEVICES OCCURRING IN CEILING TILES SHOULD BE CENTERED WITHIN THE TILE IT IS INSTALLEDIN. IT IS THE RESPONSIBILITY OF THE CONTRACTOR TO IDENTIFY ANY CONFLICTINGINFORMATION AND BRING IT TO THE ATTENTION OF THE ARCHITECT PRIOR TO SUBMITTING A BIDAND PRIOR TO INSTALLATION. IF A CONFLICT IS FOUND AFTER BIDS HAVE BEEN SUBMITTED, ITIS THE RESPONSIBILITY OF THE CONTRACTOR TO COMPLY WITH THE MOST STRINGENTREQUIREMENTS, INCLUDING BUT NOT LIMITED TO QUANTITIES OF ELECTRICAL AND MECHANICALCOMPONENTS.2. ALL "OPEN" CEILING TYPES SHALL BE COMPLETELY PAINTED, ALL DUCTWORK, PIPING, ANDSTRUCTURE (INCLUDING METAL DECKING).3. CONTRACTOR TO ENSURE THAT THERE IS 3' x (UNIT WIDTH) TO ACCESS ALL FAN COIL UNITS -REF. MECHANICAL DRAWINGS.4. WHERE GYP BOARD CEILINGS EXTEND ABOVE/BEYOND EDGE OF ADJACENT SC1 CEILINGSTHE GYP BOARD CEILING SHOULD EXTEND SO THAT THE THERE IS NO VISIBLE END/EDGE OFGYP BOARD WITHIN A ROOM5. CEILING TYPE WOOD 1 IS BASED OFF A TYPICAL 2'X6' MODULE, HOWEVER CERTAIN AREASEXIST THAT WILL REQUIRE ATYPICAL SIZE PANELS. CONTRACTOR IS TO ENSURE CEILING GRIDLAYOUT & CEILING TILE SIZES ARE SELECTED AND INSTALLED TO ALLOW FOR LAYOUT ASSHOWN IN DRAWINGS.

KEYNOTES1.3 EASEMENT LINE1.4 PROPERTY LINE1.5 SETBACK LINE1.6 BUILDING OUTLINE ABOVE3.1 CONCRETE SIDEWALK ON AGGREGATE BASE COURSE - SEE CIVIL3.3 CONCRETE SLAB OVER COMPACTED GRAVEL FILL - SEE CIVIL3.5 CONCRETE FOOTING - REF. STRUCTURAL3.6 CONCRETE FOUNDATION WALL - REF. STRUCTURAL3.9 ROLLING SLAB OVER FOUNDATION WALL - REF. STRUCTURAL3.10 CONCRETE SLAB OVER METAL DECK - REF. STRUCTURAL3.12 CAST IN PLACE CONCRETE STAIR3.13 CONCRETE PAD - SEE MECH.3.14 CONCRETE - CAST IN PLACE GATE PIER5.1 STEEL COLUMN - REF. STRUCTURAL5.3 STEEL BEAM - REF. STRUCTURAL5.6 METAL ROOF DECK - REF. STRUCTURAL5.10 1/2" PLATE STEEL, POWDER COATED5.11 HANDRAIL BRACKET - REF. DETAILS6.2 CUSTOM CASEWORK/MILLWORK6.3 5/8" PAINTED PLYWOOD SHEATHING - REF. STRUCTURAL6.10 1 3/4" X 1 3/8" SOLID WOOD HANDRAIL6.11 SOLID SURFACE COUNTERTOP, APRON AND BACKSPLASH6.12 PRIMED AND PAINTED MDF BASE, PAINTED TO MATCH WALL6.13 WOOD TRIM - REF. DETAILS7.7 4" RIGID FOUNDATION INSULATION7.9 4" MIN., 7" AVE. RIGID POLY-ISO INSULATION (R49 AVE.)7.11 FLEXIBLE WALKWAYS - INSTALL AROUND ROOF DRAINS, PV ARRAY PERIMETER AND TO A

BUILDING EDGE7.13 SINGLE PLY ROOF MEMBRANE7.20 ZINC METAL WALL PANEL7.25 4" MINERAL WOOL INSULATION - REF. WALL TYPES7.26 ULTRA HIGH PERFORMANCE CEMENTITIOUS RAINSCREEN PANEL, TYPE 17.27 ROOF ACCESS LADDER/ROOF HATCH7.30 STEEL PLATE, POWDER COATED7.31 COLLAPSIBLE ROOF LADDER7.32 FALL PROTECTION SYSTEM - REF. SPECIFICATION7.33 CEMENTITIOUS RAINSCREEN PANEL, TYPE 28.1 STOREFRONT WINDOW8.2 CURTAINWALL WINDOW8.3 SPANDREL GLASS PANEL8.5 THERMALLY BROKEN ALUMINUM FRAMED LIFT AND SLIDE DOOR SYSTEM8.7 1/2" THK TEMPERED SANDBLASTED GLASS8.8 MALLFRONT GLASS SYSTEM - REF. WINDOW TYPES8.9 HIGH PERFORMANCE ALUMINUM FRAMED GLASS OVERHEAD ROLLING DOOR- SEE DETAIL

B4/AE6028.10 HIGH PERFORMANCE STEEL FRAMED BIFOLDING GARAGE DOOR- SEE DETAIL B5/AE6028.11 ALL GLASS SHOWER ENCLOSURE8.12 MULTI-SLIDE DOOR8.13 4'X8' MIRROR, COORDINATE LOCATION W/OWNER9.1 PAINTED GYPSUM BOARD (5/8")9.4 ACOUSTICAL PANEL CEILING/CLOUD9.8 1'-0" TALL OPAQUE WHITE ADDRESS SIGN VINYL9.9 3'x3' ACCESS PANEL10.3 FULLY RECESSED FIRE EXTINGUISHER CABINET10.6 FLAG POLE W/ CONCRETE FOOTING - SEE CIVIL & ELEC.10.7 COUNTERTOP-MOUNTED CIRCULAR WASTE CHUTE10.8 LIQUID-SOAP DISPENSER, BY OWNER, CONTRACTOR TO PROVIDE BLOCKING IN WALL AS REQ'D10.9 ADA COMPLIANT GRAB BARS10.12 QTY (2) ROBE HOOKS - COORDINATE EXACT LOCATION WITH OWNER10.16 TOILET PAPER DISPENSER, BY OWNER, CONTRACTOR TO PROVIDE BLOCKING IN WALL AS REQ'D10.19 SURFACE MOUNTED PAPER TOWEL DISPENSER, BY OWNER, CONTRACTOR TO PROVIDE

BLOCKING IN WALL AS REQ'D10.22 PIN MOUNTED, POWDER COATED STEEL LETTERING, COLOR TO BE SELECTED BY ARCH.10.23 VINYL GRAPHIC, COLOR TO BE SELECTED BY ARCHITECT10.24 SOLID SURFACE SHOWER THRESHOLD10.26 SEMI RECESSED WASTE RECEPTACLE11.3 CONEX BOX- SUPPLIED BY OWNER, REF. ELEC.12.1 MANUAL ROLLER SHADE12.9 CONCRETE FILLED STEEL BOLLARD, PRIMED AND PAINTED22.1 ADA COMPLIANT DRINKING FOUNTAIN22.2 ADA COMPLIANT WALL HUNG WATER CLOSET22.3 STANDARD WALL HUNG WATER CLOSET22.4 ADA COMPLIANT URINAL22.6 ADA COMPLIANT LAVATORY WITH FAUCET22.7 FLOOR DRAIN - REF. MECHANICAL22.9 ROOF DRAIN WITH OVERFLOW DRAIN - REF. MECHANICAL22.11 FIRE DEPARTMENT CONNECTION, REF. MECHANICAL22.12 ADA SHOWER CONTROLS AND SPRAY UNIT22.13 CHILLED DRINKING FOUNTAIN W/ BOTTLE FILLER23.1 MECHANICAL AIR DIFFUSER OR RETURN GRILLE - REF. MECHANICAL23.2 MECHANICAL EQUIPMENT - REF. MECHANICAL23.3 MECHANICAL EXHAUST - REF. MECHANICAL23.4 MECHANICAL ENERGY RECOVERY VENTILATOR - REF. MECHANICAL26.1 ELECTRIC LIGHT FIXTURE - REF. ELECTRICAL26.2 ELECTRICAL EQUIPMENT - REF. ELECTRICAL26.4 TRANSFORMER - REF. ELECTRICAL26.5 ELECTRIC LIGHT BOLLARD, TYP. - REF. ELECTRICAL26.6 GENERATOR - SEE ELEC.26.7 ELECTRICAL CT - REF. ELECTRICAL26.8 PHOTOVOLTAIC PANEL W/ BALLASTED MOUNTING SYSTEM26.9 ELECTRIC SITE LIGHT, TYP. - REF. ELECTRICAL32.1 ASPHALTIC CONCRETE PAVING - REF. CIVIL32.2 CONCRETE PAVING OVER COMPACTED GRAVEL FILL BASE COURSE - REF. CIVIL32.5 BIKE RACKS32.6 CHAIN LINK FENCE (6'-0")- SEE SPECIFICATION32.7 TREES/SHRUBS - REF. LANDSCAPE32.8 TRASH/RECYCLE BIN ENCLOSURE TO MATCH PRIVACY FENCE32.9 PARKING STRIPING32.10 VAN ACCESSIBLE ADA PARKING STALL32.11 CURB AND GUTTER - REF. CIVIL32.12 PLANTED AREA - REF. LANDSCAPE32.15 GRAVEL MULCH, REF. LANDSCAPE32.17 6' TALL SOLID ENCLOSURE - REFER TO C3/AS401 FOR FENCE CONSTRUCTION32.18 AUTOMATED VEHICLE GATE32.19 STONE PAVERS32.20 STEEL FENCE POSTS AT GATES TYP.- POWDER COAT - COLOR BY ARCHITECT32.21 STEEL GATE WITH PERFORATED METAL PANEL - SEE SPECIFICATIONS32.22 PRIVACY FENCE - ADD ALTERNATE32.23 VEHICLE DETECTION LOOP - BY CONTRACTOR32.24 AUTOMATED VEHICLE GATE- ADD ALTERNATE -REF. ELEC.

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4'X16' CEILING SPACE FOR ARTWORK SHOWN DASHED IN RED
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1'x1' MECH. DIFFUSER
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CEILING PLAN IN LOBBY