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UNIVERSITY OR
lLL;NOIS LIBRARY
AT .URBAiMA-CHAMPMGN.MUSIC
GEORGE GROSSMITH and J. A. E. MALONE present
SALLYJ\ l?eu) musical Plap
IN THREE ACTS.
BOOK & LYRICS BY
GUY BOLTONAND
CLIFFORD GREY.
MUSIC BY
JEROME KERN.Vocal Score 12/6 net.
CHAPPELL & CO., LTD.,
50. NEW BOND STREET. LONDON. W. 1.
SYDNEY
T. B. HARMS CO.,
62-64. WEST 45th STREET.
NEW YORK.
COPYRIGHT MCMXX ft MCMYXI BY T. B. HARMS CO.. NLW YORK.
ALL RIGHTS RLSLRVED.
Thus droits rcsen-rs.
1-KINIh.U IN I Nl.LA.Nl).
The Play produced by GEORGE GROSSMITHyyi ^> 5 /.
SALLYCHARACTERS
(In on r of their appearance)
Sascha (Violinist at the Alley Inn
Jimmie Spelvin
Otis Hooper (Of the Anglo-American Vaudeville Agency,Squantumville)
Rosalind Rafferty (a Manicurist)
Sally of the Alley (a Foundling)
Mrs. Ten Brock (A Settlement Worker)" Pops " Shendorff (Proprietor of the Alley Inn, New York) . .
Constantine (Grand Duke of Czechogoviuia, a waiter at the
Alley Inn) . .
Blair Farquar (An only Son)
Admiral Travers (A Gay One)
Richard Farquar
Alta
Betty
Billie
Gladys
Janet
Emily
Rhoda Rhinelander
Vera Vanderbilt
Cissie Circle .
.
Bessie Bryant
Audrey AudubonMamie Madison
Billy Porter. .
Harry Barton
Footmen
Foundlings
Lady Visitors, Guests, etc.
Mr. Herbert FiremanMr. Seymour Beard
Mr. George Grossmith
Miss Heather ThatcherMiss Dorothy DicksonMiss Molly RamsdenMr. Alaric Arnef
Mr. Leslie HensonMr. Gregory StroudMr. Leigh Ellis
Mr. Ernest GrahamMiss Vanity Fair
Miss Mary Leigh
Miss Doris PatstonMiss Dorothy DeaneMiss Molly VereMiss Aileen GraceMiss Dorothy HurstMiss Dorothy Field
Miss Molly GilmourMiss Gracie TurnerMiss Grace BakerMiss Winifred ShotterMr. Jack BradleyMr. Derick GlynneMr. R. WilkinsonMr. Jack Glyn
ACT HI.—Scene
SYNOPSIS OF SCENERYACT I.—The Alley Inn, New York.
ACT II.—The Garden of Richard Farquar's House, Long Island.
I.—The Butterfly Ballet at the Follies Roof Garden.IF—Sally's Dressing Room at the Amsterdam Theatre after the Follies Premiere.
Scene 111.—The Little Church 'round the Corner.
" The Butterfly Ballet Music " by Victor Hi ki;i ki
Musical Director: John Ansell. Stage Director : Chari es A. Maynard
Dances and Ensembles by Jack Haskell Scenery bj Joseph am. Phil Harkek
SALLY*»
ACT I.
NO.
1 Opening Number
2 Song (Jimmy) and Chorus... "The Night Time" ... (It's the night walk that we love)
3 Song {Otis) ... . " On with the Dance ! " ... (In Squantamville, Maine) •••
4 Entrance of Sally & Girls
5 Song (Sally) "You can't keep a good
girl down" ... ... (Joan of Arc was on her own)
6 DUET (Sally and Blair) ... "Look fortheSilver Lining" (Please don't be offended)
7 Song and Dance (Sally) •• Silver Lining Dance ... (A heart full of joy and gladness)
8 Song (Blair) & Chorus of Men "Sally" (There's someone that I can't forget).
9 Eccentric Dance •••
10 Finale ... •• •• •• ••• ••• ••• (On with the dance!)
PAGE
1
7
14
20
23
29
32
39
44
47
ACT II.
11 Opening Chorus
12 Song (Sally) and Chorus of
Men ... '" Wild Rose"
13 SONG (Constantine)
14 Duet (Sally and Blair)
15 TRIO (Rosie, Jimmy and Otis)
16 Duet (Rosie and Otis)
17 Finale
18 Opening Number
18a Incidental Music
19 Finale
The Schnitza-Komisski"
' Whip-poor-Will
"
' The Lorelei"
' The Church 'round the
Corner"
ACT III.
" The Butterflv Ballet"
(To a celebration so remarkable as this) 54
(You'll pardon our intrusion)... ... 68
(I'm a Duke from a wonderful clime)... 83
(Mem'ry takes me back away) ... 87
(I remember reading) ... ... ... 92
(There's a church 'round the corner) ... 101
(Our anxious eyes) ... ... ... 106
117
123
(Dear little church 'round the corner)... 129
SALLY.
N? 1
Piano.$
Vivace.
/
:=
S
Act I.
OPENING NUMBER.
-aA
.Music by
JEROML KERN.
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N°2. SONG- (Jimmy) & CHORUS.
"THE NIGHT TIME'.'
Words by
CLIFFORD GREY.
Allegro marziale.A A
Piano.
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11
JIM.
GIRLS.
The night time.
J' J' irwhen the lights are
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a pleas- ant time is had. by all. It's the
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Words by
CLIFFORD GREY.
SONGr (Otis)
"ON' WITH THE DANCE'.
Tempo di Valse.
Piano.
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turn on the fam-'ly Vic - tro-la..
one of the like - Ii -est start-ers.
On danc-ing I'm keen.With a beau-ti - ful
I'll shim-my and shake, And I'll twist like aW iM Hi 3*i I I*=#
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queen I dance till I loos-en each mo-lar._
snake, Till I wrig-gle clean out of my gar-ters..
1 3^&I trem-ble and thrill to the
I'll find me a maid- en so
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On with the dance,
On with the dance,
On with the dance, Let me twirl in the whirl to - night.
On with the dance, Let me twirl in the whirl to - night-
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With some sweet lit -tie ba-by I'll roam;_
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As close as the gum to a
We'll lose our-selves on our way
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OTIS.#*&
night of ro
night of ro
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To some ba - by in
If your wife I should
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see,
Oh,
Don't
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Boy, what 111
trust her with
do At the dance;
me At the dance;
on with the dance I
on with the dance I
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N° 5.
~>3
SONG- (Sally.)
"you cax't reft a good gikl down.'
Words by
P. G. WODEHOUSE &CLIFFORD GREY.
Moderato
Sally.
Piano.
(hi tin manner of it toy inarch)
Seg 1 1 j I j s s ' p p p p
own When she was quite a child;
wash With soap - suds and a pail;
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. to fa
WThey_ thought her head wasShe— just cut out do
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hand - ed her the ic
the time, And
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ev - 'ry - bo - dy
still sh« was un
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1 ^fknew it; When kings and dukes kept
shak - en; She showed the foe some
m y
mak - ing flukes, She
tricks, yea bo! And
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said: Here, let me do it.'
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You
She was
wish I could be like Joan of Arc;
wish I could be like Joan of Arc;
m ip ?bet
"it"
that
right
girl
from
won
the
tinfp
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through,
start
-S
They
When the
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joshed her when she start - ed, But she nev - er got down heart -ed, And it
hired_ girl was bus^_v, Well it used to make her diz - zy, So she
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She wrote her
She loved to
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fiirht and when foe - men cairu in
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fame
.
si<rht.
And it
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i se^Though her Pa and Ma, poor
She would hand them Demp-sey
Tgained her
toast them
great
good
re
and
nown. _brown..
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used to keep their lunch -es, For you can't keep a
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;
a
good girl down I
good girl down!She wrote her
She loved to
down!
.
down!. 2. The
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N? 6.
Words by
BUD DE SYLVA.
Moderate
DUET- (Sally and Blair.)
"LOOK FOR THE SILVER LINING."
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r{Blair) Please don't be of -fend- ed if I preach to you a while, Tears are out of place in eyes
(.Sails/) As I wash my dish-es, I'll be fol - low-ing your plan, Till I see the brightness in
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Be
that were meant to smile. There's a way to make your ver - y big - gest troub - les small,
ev - 'ry pot and pan. I am sure your point of view will ease the dai - ly grind,
<9
"}
f^r
ME3
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^s i h J1 m ¥Here's the hap-py se - cret of it
So I'll keep re - peat - ing in my
Sf=
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27487
3(1
REFKAIX.
fejjlll ^ £Look for. the sil - ver lin - ing. When - e'er a
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S ^^ ^=£some - where. the sun is shin - ing,. And so the
JF^ #P*<Be jit2 ^^M f-r
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?=^S r p r p i ^^pright thing. to
ido is make it shine for you. A
A .A . A .A^* J-' "-J' j ; -~-fefeT3^ 171 t^TTTrs i 3n=t
27487
mheart fulL cl joy and glad - ness.
iWill al - ways
i j J J J
* f * f*~~T * T * f * fS ^E3 ^^
fe 3T a , mm ?== pban - ish sad - ness and strife. So al - ways
m ^=^t itBef f fr
Sf
955 ftJ'
33 i
TTr? n; j :rrr T
L, Ps ,^ :s
r r if J ^'pok for.
ffegg
the sil - ver lin - ing, And try to find the^^1
f » r;
"P F
rJ ~7tf
t f f
as ^ fey* *
I*
* s*1. '2.
¥$=3 ^^Hsun- ny side of life. life.
fegg P^j i*^£ Mr7
w t j hi J
Eff-ff im£§S*
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27487
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N? 7.
Words by
BUD DE SYLVA
SONG AND DANCE r( Sally).
"silver lining dance"
Modem to.
Sally.
Piano.
fer.fr * w
ir\
IS^/7\^^
SA heart full of joy and glad - ness.
m~T£EiEE3E
ry i tse^^s
i fif±=*=i
m m
i^f^Ffm:
J J
Will al - ways ban - i*h
m
^
i
xn
sad - ness and strife.
n:- <»-
3E
r^f
S %
#fJ J t 3 J
^ =±i J 3
f1
So al - ways look
;s£:
for.
£the sil - ver lin ing-
takm*
¥
F im^^
** s *_ And try to find the sun-ny side of life!
1
^PPr fHj4W
« tempo
Pf^i^^i
2-5487
33
FOX -TROT.
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f^rrttfy^ ffim KK^Jtl i vWgrj^*±±^ « ^i*
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fasiJ *fei f 1 < * « * 4
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27487
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A
B^iif^ PP5 s d—+ ^m m70- "T 12J 7* 1
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39
N?8.
Words by
CLIFFORD GREY.
™ Moderato.
ft
SONG. (Blair) & CHORUS OF MEN.
"SALLY."
Piano.Ia^^^
F
fffir^r r—
r
^-—« i
i
P
ai
1
%
ik*
Moderately fast.^ E J~J" J' J I h J^ :tV-
There's some -one that I can't for- get wher - ev-er "1 may be; ThoughShe's some-how dif- frent from the rest, I " can t des-cribe her quite. She
^g=#F
f1 pfPip f*=?
Jt? quasi staccato ^ #^P
sgs & S: Vs-
she
she
not of high
seems to mede - gree
just right;
all the world to me.
won my heart at sight.
ji ^ =JF p^pAIt
*?
S5Em & tm & & r-3 ne5=5 ^ I-
fr- h t*
to see.
her tight.
mod - est rose, un - known as yet, Still won-der-fulmat - ters not how she is dressed, I want to hold
Hippp
She
There
•47487
40
'»r r [Lef
J j) j i
J j i $is the dar - ling of my heart And I met her in the
is no la - dy in the land That is half so fair as
al - ley.
Sal - ly.
AndNo
IS J J Jffl^ m n E3Ef=^r mzzm*r»~
^g=m* m ppnco rit.
T.fc »
on some fu - ture_ day,
mat - ter what her_ name,
To
I
her 1 mean to_love her just_ the.
say:
same
.
S3 ? i^^
r p-r r r-5"
W^ ^REFRAIN.Moderato.
^"I 'pPPg'r ^ ' ! I
W 'g P'Dear lit-tle girl,_ I love you, Dear lit-tle girl.. Though the
Li) J> J £§PP 3^^i32
dress that you wear is a poor af- fair, You made me care.'L And I
ism^
es i=g ?
^
27487
41
3£ f c r r ?know some day that I mean to tell her all my gold - en schemes. We shall
iiHi f=yir r
jJm? =*
^^ ^ ^^^^^ s4 *
find the world of hap-pi-ness where the sun- ev - er gleams. And then^ J I J I If^TTT T~F~E2E# ? ^
££^111 take my Sal- ly a - way from the al - ley, To my won - der - ful
hr.
f I i 5^E^ g^3^ ^£1^£ f=f o
ff^3If=>=
1.^ i ^i
val - ley of dreams.J TENOR.
«*
She is the dar - ling of his heart, And he met her in the al - levTENOR. 6
i-I
(HO, ^ 1 g T* »
She is the dar - ling of his heart. And he met her in the al - ley.
BASJ;m i *=* i^m f f*i
f= sShe is the dar-ling of his heart, And he met her in the al - ley.m 3
%
* 1 :
3 J^PJr T^ Uwr m
* * 2
i f<* £ ^=3
27487
42
'
'2.
val - ley of dreams.TE>'OR.
P P P P,
TENORDear lit - tie girl,. I loVe you,
^=^m 9 mCHO.
5SBASS
,Dear lit - tie girl,
*I love you,
^PP i i toDear lit - tie girl I love you,
if="=? * C=§=
95EP ^^ ITr tTT
TT
-/rkfeit> p» p *^" fe#
7 p r i \
^Dear lit-tle girl. Though the dress that you wear is a poor af - fair,Q E Ss B£P=gCHO. E 3E3E
1*«—fit-
Dear lit-tle girl. Though the dress that you wear is a poor af - fair,
m m r-J
> r r ir m m iMmmt
Dear lit-tle girl. Though the dress that you wear is a poor af - fair,
iN^ 1 gg^gi ^r »=•^tirLf r? f * f *r
'st J r j g
.y
E P P B B gYou've made me care._
^And I know some day that I mean to tell her
F^fFg; mCHO. 2 £You've made me care.
n C e ^ And I know some day that I mean to tell her
j f f f 4I PP pt
p?V
You've made me care..
^
>:,k ^
And I know some day that I mean to tell her
i F IMNf=* :
=0
TJ • J=J=
^487
43
* ¥^£ ¥=? fcfm m
CHO.^all my gold - en schemes We shall find that world of hap -pi-ness where the
J' h J^^all my gold - en schemes We shall find that world of hap-pi-ness where the
m j f $ r=tT F i p I
? rf p
i
all my gold- en schemes We shall find that world of hap-pi-ness where the
*m Uf o ^tm=*
m^ fe«
r i r r- r 5^ ^
k d r1
1Tm:g^£3 E3E
isun ev - er gleams.. And then ' 1 11 take my Sal - ly a - way from the
£ SCHO. t 4 4-un ev-er gleams.. And then I'll take my Sal - 1y a - way from the
m i I'ffZBf^M m. PS*
sun ev- er gleams.. And then I'll take my Sal - ly a - way from the
f i i* ^ *=?EXTTT *T« <aB J r £
<c\_
P M - II^ * p-
al - ley, To my won - der - ful val - ley of dreams.
W "II
CHO. £ m -»-
£tal - ley, To my won - der - ful val - ley of dreams.
J J J J JSLm -€*-3E3E*
»
al - ley. To my won- der - ful val - ley of
•Y *.>
dreams.
-»7 jt -
7 * "*F^@+—&- S
o
^
o
27487
44
N? 9. ECCENTRIC DANCE.
|feiSlowly.
Piano. PP
^mum 1-
sf3^
-2«rf /|/A« <§fa -
Be P^pF f P^ P?
^ 0—
Be m Iy us 7 c* »
»
7 * i
27487
45
Melody.
$ i i i PPf fPPP ill*>: t^m M M tet
^ r ^ r f r ^ r
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w
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r r r27487
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3
-^m I ?—*
y j j
1 1=J
w 1*i a:^=J
I i
ir=i=i:
*?*^ a m
ms
7J>
27487
47
N910. FINALE- ACT I.
Words by
CLIFFORD GREY.
ROSIE (spoken).
You're won-der-ful, Sal-ly that's, all.
Tempo di Valse.
OTIS (spoken).
What a ri - ot you 11 be at the
Piano.'
1f"frr
mM
a— :
«
—
m-
A A A A A A
BA A
fW *^H^
ball. (Sasha plays Violin.)
rail. (Dialogue through music)
*vtrr|gg
j^rr Iwff JTJ'^Pr?S3E
r^rf/3^£
I
s
•EFf?3
*W27487
48
O.&R
ModerateOTIS £ ROSIE.
w B p ' r j» jDont youOn with the dance, On with the dance!
frHH—
^
J:1 s
it i^^ F^ rniif'V
I'M [J I^* Io. * R,
know it's your one big chance?.
J 7f J •' £fL_f £f E_f
:h h •> J 1
i fSALLY.
SAL. *=} £=£? £1 11 be a won - der - ful star.
m *E *f^f
"/ ^E ^Stt f ^ £
^*SAL. £-I
Real - ly, how clev - er you are!
tm fv m j ppfcresc.
'h b ^E3F t^ w^ 3£
274 87
4i*
SAL tim p E£ 1 E£
111 be
M3
su - preme:
J:
/^Is this
K.
•. »^ y
a dream? Ev - 'ry
i I1*
*psfc-
t=Rt P3SAL
heart there I mean to en - trance. Twill be
m t £
m # <+*+- * ^MfH
£ ^i£SAL. £ £ Esim - ply di
£ S
vine! Oh, how I will shine At the
t
I I W: l±EE$
t ^ _« *^
IrF
iALL.
SSAL.
P T Pdance. So on with the dance!.
m m \ A A A A A
** m^/rit.
i_ .i. A A .1. A^^^^^^ <>
27487
oO
ALL.
A la Fox-Trol.
*XE
fas e r . «i. JITItsOn with the dance.
[$F*v
On with
# te§3
the dance! a won - der - ful
±2*—& *
poco pin f
^^(Spoken)
P p ^ r>r^ I
r*r> r>- h [) ^ r^£ s=s
ALL.
big ro mance. She'll hit 'em good and pro -per, Not a thing is going to stop her;
^ ^^if IT
5i {E 2=*E
(Spoken)
h f D1 D f' [' | I I D I
fc=t=t=tziALL.
We've on - ly had half a glance. But we are cer-tain Sal-ly Knows the way to lead a bal-let;
n J § »£=s p 3^E5~£
jEf^ -/1 I i r=^=rf a
ALL. * i jo.
O *&apgShe's bound to make some ad - vance.
-y—
7
5 Ii^=|
as i
i •tfep-
^N
ife3t
&2~487
51
SAL. mmSALLY (while Sas/ia plays and exits).
M^ $
I cant de - ny pp£
I mean to try, rbr I must make the most of my
SAL.
Iifc
OTIS.
IP/T\
s
chance.
Ia ,i.—
[ ,j mWhen the peo-ple see you, Pav - lo - va na - poo! At the^
*mwm
rrr
i
^*=£ i
-j^\
femf I i
i i i^N
r3
OTIS.
3IBLSI
TEN.
ROYS
BAK.BASS.
Ijjv"
'
i
1 n 'r^,'
u&Ov Moderate^ 5J=
dance. So on with the dance
!
mSo on with the dance!
P ; * ^lft ? t
So on with the dance!
^^ SModerate (Me/os)
^
^
27AN7
64
SAL.
I*SALLY.
J> $ J>
She wrote her
5SS W=W ^^ ^
ftJ J'- J i J> ^^ SSAL.
name on the na - tion's roll of fame. And it gained herm a7 & 7 J
5 ^ aSSgE
txt fcj* c-T7 # 7
^ft s r r f $f
ftp I
i> ^ J' JI
E^feSAL.
£great re - nown. Tho' her Pa and Ma, poor fish-es, Tried to
;^N=i ± ^^ ^H^ ^#figP^^ ¥iyy^?ft^ g§ f I to
ttl } ) )j !ee£ ^ H^fSAL.
keep her wash-ing dish - es. But you can't keep a good girl
* m i ni 1 $r a w^
fn CZFw//.
as T33
P fc
27487
53
Allegretto.
SAL.
SAL.
p } ,1 H
lin
^i «fr l I IE{Curtain)
SAL. f w «
And try to find the sun-ny side of life.
«U.
/CN
B(Toy Tpts.)
*ss i AB^>K
*ip/O
£^1 1 •)
f r^ V-
f>
mt ts£E3E 3E£^ '!-«
!7487 END OF ACT I.
54
N? 11.
Act H.OPENING CHORUS.
Words by
CLIFFORD GREY.
Allegretto moderato.
fBai Pit?Pi "W.PIANO/
2*.
/* * TT
^^ :i. Ji 2^ J^^#
i.i a-—nr? i
'
T *-
f J
W fU^-r ii^1 d ''
j J *n ^
wml^u A±£ W~m trii ir~$Ld—4—=F* :K=^i in: TT9— *
j l^f'j'ii;U^iMPI
«
IB fe fT. £ J fe|i §^E
s H»jl3_1 s ±J*i fa: *:
* -r m - itfJ« #
l^'iTri U-Ki
55
Moderate (Flunkeys make announcement.)
^fc«/ r^
m, t>•=^=.^
^fe#
rM f
* j *
Andante raoderato.
GIRLS.
y , . j ^ i>p p p > p i e^ EP M J
To a ce- le-bra-tion so re- mark- a - ble as this, Of course we're all in
TENORS.
i HO. fm £ ^rzz
We
BASSES.
are glad that we've been in
m g^fcs«¥ ac^ ^We are glad that we've been in
s ^wffi
'M i j_^L i—
+
»NPT1
J
*I
J1 ^ ^ p p p
>''p 1
P Hipavi - ted. Such an in- vi - ta-tion we could not af- ford to miss, So
mCHO. wmm ^ted. Not half bad; In
wm\
mted. Xot half bad; In
'? ^m m JI
~£_T r
Wi, j J
i
—
J * vi *b
27487
56
'$$ JPMJ j'j'U j t-j j i ^r r » r i rh
r ^mCHO.
we are quite de - light - ed. Ev-'ry - bo-dy who is some-one, Who wants to keep in
P rVp jiji
J J i|J J m r=Efact_ we're de - light - ed. Ev-'ry- bo-dy who is some-one, Who wants to keep in
m KZ=K ^ ^ 1 v r < r i rV *e==e=i
fact— we're de - light - ed. Ev-'ry- bo-dy who is some-one, Who wants to keep in
j1
'
1 J nB P ^ J
r«:—
»
^f^£=P I F
£
jJ-|'U j
P
pl»J» l|J l>j
» =
libfcA
iS1©-1- ^ i r r > j p j
i rEfe
Has to call h«rt; So we're all here,
CHO. v\, ? [Upir^view, IHas to call hen-
* M i rSo we're all here,
^r ^ i
f r > ? p ir^s
view, Has to call lvre; So we're all here,
m m? m r ri
r ip i
CHO. t^T £
WVro ve - ryglad to think that we're in - clu - ded too. For it's
^ i r r j i A 4 \i * *Wf^ P=9=^
w^^s
We're ve- - ryglad to think that were in - clu - ded too. For it's
* ^ r=£^
SE * f m:
We're ve - ry glad to thinkthat we're in - clu - ded too. For it's
m ^^ PPPPiP-rhgfe g§
1C?=*p
-zr
27487
67
ff^Ff P ===*=^^nice to know you count in the ex - clu - sive few!.
itS * r * P=^THO.
nice to know you count in the ex - clu - sive few!.
^4, J . JWWI
fc*tr i r « r
*i pi=5*
SE T*=?nice to know you count in the ex - clu - sive few!.
P I Jiii" ^1 j j^j j
f* m » pa * c*U
"f
gig a—i> f J £ «^gi #9 & ^
GIRLS. SBe Pf=3Does-n't she look thin, dear?
am *w ^* i I (H>-
LUfAr '^"i prfM * J
iot^ TS £ P^f (5
»/i i
TENORS. m*a?^t j p 1
1
&CHO.
How did he get in
BASSESL
hi-re?
VV'i, 7P ^ J J ^^^^^ W^\ How did he get in here?''
m§HT ft.wq^dj
m i 'tirJ^om rf;«/.
iHi #&riA
i* §§^^^ I^" ftf m 1
27487
5S
CHO.
Allegro vivace.
GIRLS.
A rt li UAA ¥•p p 7 ? 1 1)
-h J 1 jm p I * I i jj
^ U_—„ . .^.. L«„.-,| (t.i4 f/^ tVia. T>nl-^ w^Vo n-ninn- *r» ha r>ro _ conHave you heard that to the Duke we're going to be pre - sen - ted
Have you heard that to the Duke we're going to be pre - sen - ted?
BASSEV? ft , r 1 7 c p g i?F C M IP P^=S **£
Have you heard that to the Duke we're going to be pre - sen - ted?
J?
h=
nk i c » 9- f
i i i I I i I i
1
s I
r ^>
:*&Pn i'JU) 7 M.J) > t> J'
I B p=piij(
CHO.*l
'Pon my word. hoV splen-did that His High-ness has con - sen - ted!
a j j> j. |. J' J J'I |1 P p=f
'Pon my word, how splen-did that His High-ness has con - sen - ted!
;>% n H i p i-o p P Pi^ ^ 'P
i
f rP^i**m -
1'
'Pon my word, how sp!en-did that His High-ness has con sen - ted!
CHO.
%*h P P p pI P P J' ^
I p i? J J -k-They say he's a ref - u - gee from some ro - man - tic place.
*h / i-)
. J =m mHe hit
" "h r r i
p eHe led them a
some pace.
^ i
f=mer
$&4ry
SWF
r T"
P
chase. They've
r
27487
59
'f"S p p p-p i
p-p p- p i f p ^ p n
.
j^ .J* i i H
Is it true? oh, tell us, do, The gos - sip of the case.
m * j .j j ±j
i»m f faCHO.
Left with
as ii
out the slight
i 4est
-J-
trace Yes, he's
ii tcf fifi^¥
HOt
#^since seen his face Yes, he's
H «:^=^ J Ej
*A3-«
£r- -r^r r^^rs i^* PF^f mpP3 i ' i
f
^ *i(TENORS)
r 1. J' ii J^ 5 i i J>-^—^-
¥?=* ^-*T
CHO.real - ly a Duke. But it's dis - closed,
m M p pi *
\ .,...1 i„ „ r,'i._
P^real- ly a Duke. But it's dis - closed,
Ilit
i ' ' J M f^f V j'T? i !-
m'»" lU J ^M a J'r J* J* J> J y ^ J> ^ >
/;. SCHO.
Not long a - go
.
M c P
Itj was his fate to be de - posed.
A$m feg£ UP P VI
£ £Not long a - go
.
**
It was his fate,
A
to be de -posed.
m3^: af J
j, :
spi
*•—#•-
§M isu
p ^^27487
bu
CHO.
GIRLS.
Uh J'^j» j> J 1 a J. u .e=£Oh.what a shame! Who was to blame?.
TENORS.
\it yj j' j
CIIO.Well, such is fame!
BASS.
tW M F
Well, such is fame!
a ^F^ I ^Czeck - o - go - vin ia, That's the name.
^m p ei
f!
p m^ ^
•j
Czeck - o - go - vin
A
ia, That's the name.
•mm m^q;
zm a rm fOJ ii£@
*GIRLS.
HI 4 p^ip r p
CHO.
For in that fo -reign state he made
^'"p r p
im
^^# « * I I p
1^ J- J
s m**=*=
-M m 0-
His
r i r
fry.
For in that fo- reign state he made
*—
f
-
His try.
-X
For in that. fo -reign state he made
A A A
His fry.
*3^
n rn
m:5
27487
61
*/
p r pHe is some
T' p r
po - ten- tate
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;
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po - ten - tate full of mys - t'ry;
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t? 0-
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62
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63
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day you'll keep your eye on A - ny like - ly so - cial li - on;, Find a
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love - ly fo - reign la - dy, — Who is pic - turesque - ly sha - dy. She will
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CHORUS, (in unison)iRI
a PS f lr PJIM. £* d *
on - ly thing to do is to show them some- thintr new. In So
j^ m i j ^J J i
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p
p «r g r p 8 «r i «J ^iyP
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- ci - e - ty va - ri - e - tys the key to no - to - ri - e - ty. A
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Duke will bring you lots of fame; He's a
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And we're
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68
N? 12. SONG.- (Sally) & CHORUS OF MEN.
"WILD ROSE?
Words by
CLIFFORD GREY.
Voice.
Piano.
IAllegro con brio.
TW^
iS3P, •» » 1
—
r*
^
A A* M.
WB 1** B^i
MEN.*
£You'll
^fP*mA AV
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•
^ P' P P P 1 P' f P P I P' P PH PMEN.
I
par - don our in tru - sion, our con - fu - sion is sub - lime; We've
!~1 J E &a frt^
^5m. « *
|£ i * ^ !
p
SALLY.
p£MEN. £zt
nev - er seen a girl at all like you..
i*
m ^gg£ J-i r^ 2T^^-
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SAL.
I h J' J' ^ p I
J' J '
J'
P
MEN.
mSAL.
type that must ap - pear as ul - tra - new. You're
^ $ JJlis p ^E
S ffff-T^ ^ J cJ
JAJ' p p MP' \ 1 PIP' ^ IMEN. F~
like a sp]en-did flow - er, not from our do-mes - tic clime; An
I:>, 1
'igTi n ^s is
m
^ ^ SALLY.^ wmMEN. ?=*=*or - chid that can thrill us with de - light.. A -
h * •> J ^^v^=\ ^W5^ W
mF^ iLJ ' pj j
r-—
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r27487
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SAL. ^ i>ii
r ^ i .
^
i jii
jI,
.h J' i *p- p s
las, I'm nut a bios- ^om so or i - gi - nal;
.
An
Jill J 35 J i -
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aag*,y '4 f
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p
SAL. I fe fcj'J' I I
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MEN.ft
or chid bloom will not des - cribe me quite.. You'rt-
gg^ 7 7:U
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MEN.iI b P c r * ^
no - thine tame, You're like a burn - in? flame, We
Pn^rrgpp ?
t=»=t>r f
^ J J
&*?
^rt^^
SALLY.
™\lh p il.J' J_ J J1
^ J' ^^ P^fcknow your name.. But all the same,.
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T 7^"
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27487
11
feiREFRAIN.
SALLY.
SAL. ^££"
I'm just wild rose,
* ± i7, ;>SeJ^E
7f L_U
sg _tiaf—'sv \> % -3 « 1
ffi Z2=SAL. £
Not prim and mild ri^e.
h; J . Ja ^=^ ± i^=f- t— »—
^
Sfc^
* ia jbSAL.
Tamt; mi you can; m a
^m i \r
^=17 'r
P=£ 1^»7 r 7
1WC3. ^ ^
SAL. *a ^ ?•p i
rose to suit a - ny man..
;^^^
^ 3= Jri ©
^^^
27187
r&
SAL.
i
mmSome
&mL.LJs
ppas - sion flow
±
mer,
*SAL. BE £This is my hour;
I^=^ Jmm a& ^^ ^^
SSAL.
r 4 " ^
SAL. tfefewild, wild rose!
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t
i
7 i
W27487
73
MEN. m MEN.
Sht just a wild
A
rose,
if p *a 5 P 5^-f ^m * 4- m*
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*~
- i^ ^BEMEN. P
Not
I i LLCJ i
prim and
o^
LilJu
mild
i
rose,
S3
asg^gg 4—
*
J A=65* ^ =£3*
i ^HaMEN.
Tame her if you can; She's a
mi i
i n $ $,
A.A
i^P3* *:
I BeP p Hi
MEN
rose to suit a - ny man.
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37487
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MEN J
I
m ¥Some
I
pas sion flow
A
er.
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men] ^??
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& £This is her hour;.
A
s si a JTi isp*&y^t
WA [J =£3
menM ti m u 1-^"' a —p p I I
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Shes such a
PWho'll get her No - one knows.
^EEEEEjfEl *
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EE^FJ^ £= £ ^ £
me:
2-487
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SAL '-
SALLY.
H' 7 J 1 J' ^ f^ft* ^ ' PP T J' J' J' & » J ^ Jl
I'm Iran -tic
-
ro-man-tic, Ex-cit-ed- de-light- ed. It's thrill-ing-
^ * j' j ;, h p pJ'
I
• J' ^ 53^mSAL.
just kill- ing; I'm will- ing to play my part
>'l> * J J 1 F»Shall I lose my heart?.
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? tv p * J1
t?.:
tt^^p? ZZ1
p''
p p p p p ps.\ L. E^
_ Well, who can tell? It's a ma - gic spell. en - chant- ing.
Se7
pT
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MEN.3 mm *a » 3=5 E=£^5J' I
7 Ji J'You're charming- a- larm-ing, So slen - der- so (en- der, Ca - pri - cious-A! '
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70
j th. T°> ji j^ h p P g i j i.J^ ^^
de - li - cious, We love you- You're just com-plete; We are at your
BARITONE.
P plJ' I lJ' J^CHO. ^ r } Ji h
P P P Pde - li - cious,
BASS.
^We love you
_# k
You're just com - plete; We are at your
P C *c u Jf r§ Be £^beb fe2 I I PV
de - li - cious, We love you- You're just com - plete; We are at your
m^3 ^*=?-ti_
f % rf#§5iEEE ^3 "£3
P f jB Pi
ffefeet>_ You're such a wild, wild rose!
ttP P P p
CHO.«<-
feet,
.
You're such a wild, wild rose!
m p p p p
feet,. You're such a wild,
J
wild
£
rose '.
A A
SEfc
s £^g:= a A A
J^A A A
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She's
MEN in UNISON.
just
m mwild
*
rose,
«(2
Not a prim and
//
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^ Pi~i\m
77
MEN£ ffi £ ii
f S*£
mild rose, Tame her if you can;.
f4*
f
yIP
She's a
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s ^^MEN. * frose tr^ suit an - y man. Some
h I IkB £ ii J.
pas - sion
M It=\ P- 3*:
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ifem i: n £ £
I
flow
Se
er, This
8:
is her hour,-
-
s ! i *EJ
Si* 7
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ME N.I s1 3 P I ip E^fr
Who'll get her? No - one knows. She's such a wild rose!
27487
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81
ALL.
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Czech - o - ga
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ALL.m i
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Wel - come his High - ness here. Wei
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'DIALOGUE.
r«nipo di Valse.
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83
N? 13. SONG-(Constantine)
"THE SCHNITZA-KOMISSKL
Words by
CLIFFORD GREY.
Constantine
Piano.
&Moderato.
M£3%gj^t
*r *PT
*
4 t-J
r
p
i
Im a Duke from a won -de r - ful
The tel - e - phone there is a
There's no ser - vant prob-lem out
t
^mTf
m
rrr
clime,
joy. —there,.
mrrr
^5Where 1 ve had a re
Not mere-ly a
We've house-maids e
rrr£
f f
imark - a
trou - ble
nongh and
f=»
^W
ble
someto
FT
time;
toy, _spare,
^FT
MyAThe
H£
T=f
peo - pie are
call is - n't
cooks and do
m
•-•7487
84
t £splen-did, but
Sim - ply a
mes - tics are
±=±
ra - ther u
mat - ter of
al - so u
nique; Theychance; You
nique; They
like rev - o
don't have to
work like the
ilu - tions at
write them a
dick - ens for
fttn i tm^=f Tt n
a^m
t **^ pm IZZ
least once a
week in ad
five bob a
t
week, On
vance, Theweek, To
Sun - day you
girls are so
stick in one
may bo a
sweet and poplace is their
h #J J
King;.
lite;
pride;
feS 1rr? T7T nry <TT'•
V f m
27487
85
REFKAIN.
| I J J I
JLf
On the
On the
On the
banks
banksbanks
i i iof
of
of
the
the
the
Schnit - za
Schnit - za
Schnit - za
KoKoKo
mis - ski,
mis - ski,
mis - ski,
They're
All the
We
$all just as
rents are as
haven't a
wild as can
cheap as can
liq - uor con
mbe,_be,
trol,
P^3 -Str-
A - ny
Plum-ber's
When you
time_mates
dine
with - out
do not
you can
* £rea - son or
stay out to
just swim in
S
rr
rhyme.You maylunch,From e
wine, And at
i
fc
rr
i i -©-1
find it far
lev - en o
break-fast get
1FT
wis - (T to
clock un - til
clean up the
P
flee. .
three,
pole.
^s£
In the
For a
All the
Ppn*
27'i87
8<>
t
m
night-flat _drinks^
^TT
3=^ ¥they may rouse you and chase you, And prod you with bay -'nets like
there'sno pre - mi - urn there, And if land-lords op - pres-sive should
have a won - der - ful kick For they like 'em as strongas can
f f
P
0 ; J
i ; u
i #^
=£*
^7# fc£
f ^
PP £ £ P^PAnd they'll cut down in haste All your Gov-ern-ment waste,Where the
While the po - pu-lace cheers They just lop off their ears, Where the
There's a cute na-tive brew Made from vit-rol and glue; Where the
*T?*¥=*
*-» tr"
==" :
,M-J-fe
4=ii
±^fef=
^=^
^ir£=ip
#l.
mSchnit - za flows down to the
Schnit-za flows down to the
Schnit -za flows down to the
sea!,
sea!,
sea!
JLir
m mUn the
On the
On the
sea!
|^^1
ZlkHl
87
N914. DUET.- (Sally and Blair.)
"WHIP-POOR-WILL."
Words by
BUD DE SYLVA.
Con moto.
Voices,
Piano.
a \f 9
J'
gbALLY. 1. Mem-'ry takes me back a
BLAii<.2.\Vhilc the dusk-y night-bird
I £P' P = P
TT-*>-
- way
flew
To an ear - ly child - hood
To the eve - ning ren - dez
r •
day,
vous,
^ BN11l" t V
tfLiLir ,j:X
r-far
m if
i Fi^ 1 J> i,J J A < Ji A Ji^^ « ' wtt
When I stood_ with - in a lit - tie wood As day was
In the dell . I've heard the ves-oer bell So soft - ly
mw w s
S 9
27487
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#- ing-
- ing.
£^8* f * f
L^"
J * j
W sS=£I re - mem - ber oh, so
As its mu - sic died a
well
way,
PI ^=£3" ^ r
^ £=£Stroll -ing in the dusk-y
And the sky be - gan to
ft
p'p mm m
dell,
gray
I would thrill be-cause the
All was still and then the
vr ^~lJ
an
rP g H i
SP3
f~r«~
r r
t; '
P'^p rl-'P P^ -o- -o-
whip -poor - will Was ser - e - nad -
whip -poor -will Would start his sing -
J-73 i-nn
mg;
ing
t
r^ T
.9^*>-
«r * r
^fT*7 *
£li
both. Tril - ling while
both. Tril - linar while
=8=
TT
Ifc=E
P ? lEEEEi^SE^stars were rap - id - ly
stars were rap - id - ly
afill - ing the
fill - ing the
27487
osky.
sky.
»9
^ REFRAJNt/ijj
^ ppWhip - poor - will,
A
I i
1 1 m l !
* 1 1 1 j } f I
'
J\ Ji ^ ^ J K- JI u«ed to love to hear vou
—""3h- J ^i
3*f
call to me.
^^
^Vhip - poor ivill,
A
r^f^^^
^ J , J
nr * f
J , J If f ^
•
Jl J'- Jl J'. J lj'- J'
I know he meant the world and all to me.
m ^ 9 r P'
When the sun had gone to rest,_
,»
.S
^^-J=
i r f f
I could hear you
J J J J
27487
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i^3E K-• &- i& £from your nest
i '''
J J *
Whip - poor - mil,
A.
You used to whis-tle ten-der-
i5t
r PFf v- <\i-'
m $ S a-nrf
—(9- M mi
m & #ie=EK ^«7 T5-
- ly. And when the
fc^iJul
moon would swing—A
jf=jj 9*3 ^Z^fefc
or
P=^=^ a i« £ f f^
j* rJi A Ji i
,J'- Ji|J'- J —
o
-bove,A - cross the branch - es of the trees
m fi-p-r 7TX7e i=f=i P^Nf f f
dfc
J ^ J P FW^^ ±=
You would sing
A
P^^"'
j r j r
Your plain -tive lit - tie mel - o - dies of
±= T J • 3 iJ • PI
* f *
* f * f
27487
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pnc
love.
mm m
$ fed jaj j
=r^ ENow, though you're_ no long- er near,.
A
f^P3 f f
*ft=* i3:
p r P r f5 h- W^* m k
In my dreams I still can hear Whip- poor - will.
t^m $ 4- J H j
}jL-j*
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ra//. 1.
P P pJ£
Ev - er
**M>
call ing to
fe w i
f7^
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i tempo
f
* **ir^T^ -o-
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27487
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N915. TRIO- Rosie, Jimmy and Otis.)
"THE LORELEI."
Words by
ANNE CALDWELL & CLIFFORD GREY.
Andantino
Jimmy.
Piano.
^m JIMMY.
-=f» &=$> ¥ i T-
1
.
I re - mem - ber read - ing in an old myth - ol - o - gy,
2. Now - a - days a rest - ful rock is ve - ry hard to reach,
JHM *k
agp
m
?=¥.^
' iJ i
£
* r r f
p-
J1M. # ^ P=fOf the love - ly, lur - ing Lor - e
Sail - or - men not ea - sy to re
gp J 0»j 4=5*
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r j r
?3 ii» 'j
ro-
lei.
cruit.
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^
^ s
27487
93
ROHK
In the old - en times she was a si - ren of the sua;
Maid - ens of to - day can on - ly pose up - on the beach,
tte£ m i
MC f f.aii
v Hr i
#
« *=! ^
ri
'JOSIF# isThe - da Ba - ra
In a snap - py
P k* 1
uI*
f^ IE"of the days gone by._
one - piece bath - ing suit.
T^f m**
m£
«
-zJt
£
~Ti~
JIM ROSIF.
^sil - ver stars were jeal - ous of her
Bri-tish Tar from Portsmouth Town, whogleam - ing gold - en hair;
sight - ed her at sea,^ f^l
She
Said
r-prr
^f f f
HOMK ** J J J Iwon the heart of ev - 'ry man who saw her beau - ty rare.
'I'm no swank- er; heave my an - chor! Here's the lass for me!
#«^fm f
#^ l^ff t
p
OTIS.
iSheI'm
27487
U4
OTIS. •* ^3 T^ iwas a cho - nis
ve - ry glad I've
la - dy,
met you;
with
but
rep - udon't let
ta - tion
Ep - stein
sha - dy.
get you.
She
He'll
M * i i if* i*
B -*»- 3E f
^^REFRAIN.
ALL.
^^OTIS ?dress'd like Eve, with
put you as a
out the what . nots
stat - ue in his
E - va used to
fa - mous gal - ler
wear.
* 1 1;J ^ J j.
UpUp
itf*T&
m 1fSE
-*»- ^o~
%=^ALL.
on a rock she
on a rock she
sat all day, the
sat all day, the
4rf £
love - ly Lor - e
love - ly Lor - e
4l- zk
lei-,
let;
&£
NoNo
£m mf f f f
m *OTI'
ALL
sail - or - man whosail - or - man who
*=£
saild her way could ev
sail'd her way could ' ev
i
er pabs her
er pass her
a.
by.
by.
If
She
i il
!s f I f sA *
f i i27487
95
AM..
Ul\< £ ^m monce he heard her call - ing,
loved to tan - ta - lize 'em,
3
lor her hed soon be fall .- ing, The
and then she'd soon cap - size 'em, The
AM.
DANCE.
ihp jp p
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£ i
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27487
i)6
Audantino
*JIMMY.
m i ~n-£ ^^ ^
3. Such a love - ly Lor - e - lei you ought to learn to bt
ijfe i^ i!«LJ l
=«**=
T—TTy<ii» J i
rzz:
$JIM.' <H
' '' ^
Jjt f
All the na - vy men for you would fall.
<P Jn»J
ljl p^ ^F ^
^'nr
r ^ r ^^^ ?ROSIE.
r r n'-ȣ :ttr ' r
An - y man who her when he went to see the sea,
:to i a* # l=i« ^M £=& r r i
ifi£* SI/7S
HigR0S1K. isi «*=*
;#
Nev - er came home to his wife at all.
rrrS^1^ »J j
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ggp^
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"tr
37487
97
iJIMMY.
4 * ^~gn~
A fel - low on a li - ner, full of ten - der heart -ed - ness, Cried
m i ^^if r^rP^ ? j
'»* J ? * J i * J tw? =?
tte£OTIS.
JIM.
Through my glass 1 see a lnss who's lost her bath - ing dress. Left
P ' j Jj I
Jj f ^^
n ,t j > * j j * j ij f f
i =£=^1ori- £
go to her as - sis - tance; for judg- ing at this dis - tance, I
1^>J J V &mC TY TT 1ST
^ fREFRAIN.
ALL.
1OTh P^-^ *
real - ly think it is a Brigh-ton flap -per in dis - tress
""^Up
Pm
:¥
-»-
TT
f
if
to
* • INat48?
38
AM. fe£ ^PP^- on
14-
;^
a rock she
22
sat all day, the love - ly Lor - e
> ^ £^=te
lei,
ii-
No
£= *
m f f ^ tOTIS.^ i Ii^
sail - or - man who sail'd her way, could ev - er pass her by. She'd
*rf ± tf tf I d* if g
^ j r j ^M tamif tALL
OTIS. £ £ $fon - die 'em and pet 'em, and then the shrimpswould get 'em; The
i ib=t£ Lr,r £
Jutaij
». i J iJ
-J i J J ^ JsALL » r. r.
rrr rr rr i
r
rr
rfr rr (i
love - ly, lur - ing, ly - ing Lor - e - lei DANCE.
pimm j j.
i J i i
m m *
£ Hfc27487
99
pes — — »
a j f j i £
=:=±£p:
ptani*RI
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loo
REFRAIN.ALL
h r I J J P^iUp - on a rock she sat all day, the love - ly Lor - e - lei, No
fee
^m
&— A
f
±-—t-
a :£
? iiii
>,f -
>
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t
*==t
^ i
OTIS.
all. 35F5te£ I £m~^" P
sail - or- man who sail'd her way, could ev - er pass her by. She'd
th J *f
:s* S T -t
f
i
-ff *; f
f
^ = h
^
i J
OTIS.mALL.
P^fon - die 'em, and pet 'em, and then the shrimps would get 'em, The
ALL.
I'M1
'
'
'!
l
!
'
!
' 'love - ly, lur - ing, ly - ing Lor - e
$* j j n
27487
101
N? 16.
Words by
1'. G. WODEHOUSE
and CLIFFORD GREY.
DUET- <Rosie&Oti>>.
THE CHUKCH 'ROUND THE CONNER'.'
Tempo di Valse
Voice.
Piano.
p ROSIE.
HOriMV
vi=^=f=i
church'ruund the cor- ner that's wait - inp fur us, It's just a - bove Mad- i- son
won- der - ful churchwe will go, you and I; We'll be quite the hap - pi - est
S
S Wt—%
5
y
—
P
£ m -m—0-^m i
Ri'X 4^1' ft
Square,
pair. _
TT=i
*mfe
OTIS.
SiMr r r i r r
Ve - ry soon to the al - tar, my neck in a hal - ter, My
My fate I must meet it, there's no time to beat it, Be
Pi
P^=E
umrf i M
'.'7487
104
OTIS £w£ iHOSIK. ^ £
love, you'll be lead- ing me
-sides it's my du - ty— so
mthere,
there.
All the bells will be ring- ing, so
I feel so ex - ci - ted, I
>h^*PW i s=J=mf
s ^ ^ /ZZI
ft ^
i ^f^ ^OTIS.
^rV^Mpuos. £don't make a
just want to
fuss; Just
die, ni
fan - cy how
nev - er get
hap - py we'll
left on the
be. _shelf:
&h i,J J J
TmI'll
i i*#^rrr TTT 7 77 r
(5^=-
9^=» S>~i~ i?^fcft £
4^" r r r r r r i r rOTIS. I
sure I amlook so se
pluck - y, and
raph- ic, I'll
youre ve - ry
stop all the.
luck - y To top such a
traf- lie. They'll think I am
Is n J j=f ** ^^*f=s tS-=- §e
OTIS.is p £ 3EEEE
fe
W?f3
bride - groom as
Cu - pid him -
me..
self.
I* i ?t wm/
f ^ii^ P7
*±i M27487.
103
BOTH.feREFRAIN.BOTH.
J i, J J| | M
?EZ3rg
1^ ^
Dear lit - tic, dear lit- tie church'round the cor - ner, Where so ma - ny
Dear hi - tie, dear lit- tie church'round the cor- ner, Where cou - pies run
U t -fee 3—e^M-l
^ ijw £ i
t
T# « •-
N"P*=Jfc
BOTH. S&E
,*
lives have be - gun.
off to be wed.
4-'
Se
^^ #-^t
KOSIK.
w^m 3e$
OTis.
±±
a
Where folks with- out mo-ney See no - thing that's
I'll swear to be ten - der, And if I sur-
1
IB
I
±^)=j=
*=t=r
i
^=j=±r rr
$ ^motis. a n J J ^pfun- ny In two liv - ing cheap-er than one..
-nn-der, Will you bring my break- fast to bed?_
<i:osie.) Of dull care, of
'otisj Let a smart Mai - son
feROS. ^^ m E*EE5course, I'm a
Lew - is a
scorn - er_
I ^ 't r. r
w^i u
dorn her,
.
* ii
'otis.) We're bust - ed, but what do we
irosie.) My mous - lin de - soir I must
i
irj • m* jE
E
l v4 *U
27*87
104
OTIS.tmcarei*.
wear.
.
m^^ =?
ROMtb^ Otis, a*
r i r r r i
r$a J
i ^ rJ
i MB4+TH.
Ill be dieted all in white, I'll he dy - ing of fright, At the
All the peo-ple will think, Here's an - oth - er poor gink, At the
±E± ^^^r=r?'
mm^TT&=-
mY-
Z.ZZL
BOTH. *i£E i * s i g
i
chiiich'roundthe cor-ner, It's just 'round the cor- ner, the cor - ner of Mad- i - sun
thurch'roundthe cor-ner, It's just 'round the cor-ner, the cor-ner of Mad- 1 - hon
—^—&
i/iinai Organ.
V *^ # p
*^*wm «-*-3 31-=3^ *——
~:
*1.
Se 3=1=BOTH.
Square.Square..
^m %u **#1>W * + w*H, 1 * I s
s ^ a i ia F*?
8
i * * J .H ISe £e£^
^^a s—t-Wf Wf *=t-- m2. To that Square.
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AC. £»
2-7487
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DANCE.1U5
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31487
106
N? 17. FINALE- ACT II.
Allegro moderate
Piano.t^ffiff
ii
^mrii?
m? I Pi Trrt Pwi
ffiE
ALL.
> ^eid b r i p n r p
Our anx-ious eyes a-wait this
i 7 t> i];«=^a=r:^=*: ^MSfjsr
w=*
gsplJ^L XJ
?=jr^?—7-r13?
li^ MEN. . .
JB I ^JJJ^MP—
t
^ALLF
great sur - prise. She is not here; will the ap - pear?.
;
<to ifjH mi $m i 4 p I
.PSJ"3 J-
WF* *T71 1 ji j-—mi LP
7
? 7 *•- 7
^^S27487
107
•fl
I
GIRLS-
*= ^ £ ir ' t
Where is this wild rose?
M VmT35
95saS¥
^H7
.She's no prim and
il-.^F=.e 0=
±EiE5
^sr
^^ S3mild rose.
CHO.
i
Tame her if you can;
MEN.
*£=m VJ'J^ JOWe are glad we have
ga p p p P p^
-J Ak "^ ^^
108
>
?=£^^^
#fcS
Soon pas - sion flow er; This is her
HEEj; fr I h . N IV-hCHOI
won
?^Nev - 'ry heart. We can't for-get her. This is her« r
p ' p 7 p p=
We can't lor- get her."\
won ev - 'ry heart.
&frVm i 3
This is her
I t
=3^t CT ^^7 C 7 #
Hiy 1=1
>*55 P 3 fc^
hour. Who'll get her, no one knows.
m iCHO. 1hour.
.
1»%kWho'll get her, no one knows..
-IBE^EE/ho'll se\
§hMhour
{Sally enters.) u£Who'll get her, no one knows.
a1 "« t
sf=^« it
li ^ P
#* «~
—
*—
«
v4A>" J J' J> J' te
^ Allegro.
HKyrJ^
7 *
Shes such a wild, wild Ro-e!m m u •> iCHO. e^fpShe's such a wild,^MM i V
wild Rose!
&g ^ ^ *
She's such a wild,
PpfPfW r r I
*3
"^~
wild
-s-
Rose!(During this music Sally descends tie steps!)
Allegroj, l a negro. m sSavage
2*487
109
f=f
*
(SAe dances)
Broad, (a la Czardas.)
I
wm U*I in
«Jlflj-ff
§sp^ i f tf*f v r
3
PTFF^ * 3
Furioso.
fe^i i ^ :« TA.H3
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*Broad.
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sp? ^•nt-lMF^PI ^
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accel.
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Allegro. A
kwc-f r I
27487
110
(BLAlR)"Stop
Andante. Dialogue.
m=^B^
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fe^
—
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£-Ik
2=
f
ft*£is
ft
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Allegro moderato
.
j*! 1 . J f= ^=^»J I If
^^ ^£^=£ i^g jR=^* sfc
f
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Lento.
mw 3-
5fe£ ^9t^^^^Jl33ee£
^=&=± gii
r" t—-r t=—-r T—r27487
mmAllegro con fuoco.
ALL. (addressed to Salty.)
Ill
» i r i tv mWe
wGet on with the dance, We have had but the mer - est glance.
I^fltmsf
^m
* m/
m
GIRLS. (/o o«« another)
^~5
MEN. Tenors& Basses.
JjlJ J"P 3 41 J j J 1
^,
1 M'lf TrHAMb
CHO. Why is she wait-ing like this?-
HSomething is clear-ly a - miss^
ITi s ^^Something is clear-ly a - miss.
^^nmm
^FE
W fl Wf
*??
f PJOtsif^W^
f
i*Ha*
Dialogue
JU^4-44
li^'
*£ ag
*£
ff ffl
^7Tt ; ff
si—IS^
=ep Jw at
£^
27487
112
m + -L-X
ca •
33?WWE
. m ~
* ^£3FfPF
yy
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£*Tf
siM^E
Sp^T
^sf£^
1^-
* w*fgi
-o
(CONSTANTINE.)
^^ll
On the banks
t
m gJ
r^
of the Schnit-za - Ko - mis - ski, My dar - ling, you
FTF?
i p* *
#5fet
rrrr p 1
1
P^f
f^*-^wander d with me;
t fc=f=f
f?
mPi J |J «j i
Jr i
Till the niirht,.
I f T
5
irn ^* ff
when the big shin - dy
J ^ #3* t~tt
#^ 4*t«
start-ed, We thought it was bet - ter to flee.
i**W j j j m ~w~
' <»y. \*= ^
£^You re - call
IT ftf
how they
*
27487
113
CON. ^ 1 3 ?roused us and chased us. You fled a - long my bal - con -
:*l—>* ? J
* g'
*
•t-f—
IE^f^
^*=f r
#=*
*—
>
^
:on. * i iM' ' r
When you
*E=
FT5;
ran thro' the
J J J
jp
i=y
trees In your best B. V.
E±
^7 I
xP
f4=iP
AM..
CON. m t < =* ^D's Where the Schnitza flows down to the sea.
i
On the
r*«=* i
1—g"^ *
—
m-
i t i
¥
A LL,* i Pbanks. of the Schnitza - Ko - mis - ski, My dar - ling, you
fTTfv j r * r ft* r fr> j
PP
*i7487
114
ALL.i Ji r
^ i ? gwan- der'd with me. 'Till the night, when the big shin - dy
m * vrj • fefe^ F^fFF *—
*
is M3^5
ALL.
Moderate Dialogue.
(f3=F^ IALL.
flee. M i^ #*> f-
s u ** *
mitt m$m B«E tt
i 2-^ A
j^fl J^J
g^^^iTh
^§Sfli
rrPfP IE
fcrfc E^
V » d d d ^-p-g>Mf- -P '*
27487
DANCE.Piu animuto.
115
f4 J U J 4 J 'i J 4f f f r
jll iff ?H[J^
Pfig^gcu •'< r r r ?
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f-x ^ 't .lt <
jj
j.i ij i pi \^i n^i
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Dialogue.Andante.
^TrrrffW^
27487
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(l^piinpfttorrrr^M ife
/rrr
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&
Lento._ -o-
F<zz: ^ ;**=
i'Ps i~o~-»-
r *
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"
P ALL.
E=SPWho she is, no one knows.. She's such a wild,
-flA it"^ zrc
wild
3&1=35^3*- tj^
ff*'*' broad
^SP"
:iytLjLff i 9 #»* « i T^
^
ALL.
Rose!.
(Curtain.) .—
^
/Tv
f^H ^ff
mSe E Jl J J>
*=£?
5fe=£
r
£=^if
s
j >< j j>
^
-.«— Sns^3£JU
^?^ u^>—END OF ACT. II.
2~'i87
Act m.117
N? 18. OPENING NUMBER.- BALLET.
"THE BUTTERFLY BALLET."
Maestoso.
r~*r I ¥
Piano.
J£=£*=§i
3 3 L
VICTOR HERBERT.
5
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27487
118
^See^trtm
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MLkJ[;s ^i p^g^^ ^y*^—^^*^-
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-fe=^
tk=&4 Olfr^5^ £3Tempo di\^l&e. ' .?
mdkm m m*m ^^
fe is H feJ3 g P p v E
7r s^:
• ENTRANCE OE BUTTERFLIES.*
M * v tR; ^ 7 p 7 ^^
^ j -r p 7 J' v y | J
ft1 P
ffik<S-^ P^
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m j' ^jJ ?H j' i gnli i jj ^l£^i lMM r>
s/i 8*5 «/S*—J P 5 I *
27487
119
Valse lento, (molto moderato.)
m ^jjmj^M^
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1
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fai£ £
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27487
120
Moderato.
Mei^Pfp
a^y^>^^#f§^^s
1*&£
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IJrJt-.J;.tW -
-CJT CT SB
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"ENTRANCE OF MOTHS'.'
Anim ato.
w-r
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1^4^J/* *//*
^»^^^^^^A«
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27487
121
"DANCE OF THE MOTHS!'
r
m
t^^^ i f^rfrttoN«*/•
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*4-*-±- fn ti »
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7 * J>7 * s20 *f*
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' j in nrnr ^p3=e ^E^S K27487
122
DUO DANCE. "THE MOTH AND THE FLAME!'
Tempo di Valse.
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