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The Autumn 2008 issue of Rust and Moth Literary Journal.
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Michael Young walk. early evening.
crash! ambition dreams but it cannot match the webs of lightning unfolding above
the power lines. as the daylight leaves the brick and the stone, electricity floods the
interior world, peeking out at the interstate through windows. each would tempt me,
call me inside, if it weren’t for the scattered appeal of all the others. a wealth of riches,
lightbulbs, filaments. two sides in a war of roses, glowing either amber, for comfort,
or fluorescent bright, for a night of clear thoughts, textbooks, and venn diagrams. i’m
walking. breathing in. the sky, with its misty watercolors spilling out onto the streets.
the radio towers in the distance. the birds chirping thunder to one another. a storm
has passed, a new storm gathers its forces against us, on a cold day, when the future
rises from inside of you like steam. i drown, briefly, in the wind, in possibility. when
i return, my thoughts make for better friends. they feel. new, crisp, like bright leaves
floating in the gutter. and the sky, so empty and boring the day before, is now com-
plicated with cirrus and nimbostratus. my thoughts reach up, and out of this place.
complicated like the heavens.
Claire Payne Hammers and Nails
Yeah.
I see you all on that hill.
Crucified.
Crying out in agony.
Calling on God
As if you were martyrs.
Well.
I don’t pretend compassion.
You make me sick.
You put each other up there.
You crucified yourselves.
Forging by night
Hammers and nails.
Spinning our words into nets
To throw over you.
Yeah. Well.
I hope you writhe and die.
You viruses.
You are not welcome.
Suncerae Smith I Never Knew
I never knew,
those things I always liked about you,
those things that made you different
from everyone else,
that if you had the chance,
you’d change them
so you could be like everyone else.
Suncerae Smith We Followed Them
The bus stopped at Speedway and Dean Keaton.
All of us whose destination was campus
Unloaded and walked to the intersection.
The light was red.
The orange hand cautioned us not to cross.
One man looked both ways, saw no cars,
And walked across the street.
What a deviant!
Two more men subsequently followed.
I was in no hurry to cross the street.
I had no reason to run to work.
So I waited. And I looked around.
Every person patiently waiting
Was a woman.
All the men had already crossed.
When the light turned,
We followed them.
Suncerae Smith Gods of My Age
God is not a woman.
He abandoned us at birth.
We grew up alone.
Unprotected.
Hating him for it.
Then, before my eyes,
You were inspired.
And began to create.
But you were not satisfied
With one story
So you wrote another.
And another.
Until one day
You couldn’t remember
The name of the first story
You wrote, so long ago.
I am amongst the gods of my age.
They fight for meaning
In stories and songs
That they will inevitably forget.
Suncerae Smith Transported
This morning I caught a whiff
Of a passing smoker
And my mind drifted to a place
Where strong seasoned men
With big arms
Talk about the weather.
If that’s not romantic
I don’t know what is.
Dustin Stonecipher Words Words
It’s 5:38 in the afternoon
and the back of my neck is ripe
from the blisteringly beautiful sun
that makes everyone glow
like we’re in heaven
and makes the grass so bright
that it’s not really green.
It’s something better than green.
I love words.
Words are the whores of
everything beautiful.
Cheap imitations of the things
that make you sit back
and catch your breath.
Speechless.
Words can’t help me tell you
about my father’s funeral
when I stared at his five by seven portrait
and wished
that I didn’t have his clear blue eyes
or his button nose
that you find so adorable.
Words won’t even let me tell you
how much I hate your lip gloss
but how badly I want to kiss you anyway
because when my face
is in your face
and I breathe in
when you breath out
you keep me alive.
Dustin Stonecipher How to Build a Universe That Falls Apart Two Days Later
Get trapped in a dream.
Make sure that when you wake up
you don’t wake up.
That is the most important part.
Sit in your fortress,
you man in the high castle,
and wait for what’s coming.
Don’t mind the vultures that hover
like black thoughts
across blacker skies.
Don’t mind the confusion
of knowing or not knowing
whether you are authentic.
Find some form of understanding
to be your constant,
to pull you through a cosmic slit
and to make you real.
Real enough.
But, if you don’t like this world
then just make another.
Dustin Stonecipher Blues Blossoms at the Elephant Lounge
Bump.
My backbone bounced
to the bass beat.
Breathless, every heart
in the tobacco-charred
liquor-soaked club
matches rhythms with the
a caustic cadence.
Bump bump.
The bass man’s calloused fingers
sculpt reverberating
notes
while the nicotine fog
smoke tendrils
caress my cheeks
and fill my lungs
with second-hand sparks,
and cigarette ghost fingers
pick their way into
my brain
diffusing the
soft, strange lights of the stage
until all I see are
translucent specters
swaying to the pull of the bass man
whose fingers
slick with sweat
and rough from years of the
pluck slap strum
slide down the strings banded backs
until they scream.
Jeff Smajstrla Solitaire
Jeff Smajstrla Budding Beauty
Mark Twombly Untitled 1
it hums.
behind this. all thoughts.
humming.
else look. everywhere else.
behind thoughts humming.
there always. here I mean.
it hums.
i think it is.
humming.
Mark Twombly Head Explodes
head explodes/too much to take.
idea-ology. rewind. mind all over.
colors. (red) colors. loud.
thoughts leaking out. all over the floor.
screaming.
scatter-brained.
Mark Twombly Untitled 2
Unsure Upon the whetted edge
of apprehension Without
the dignity of comfort Searching
for hope of certitude Trembling
Mark Twombly Untitled 3
how-should-we-carry-on bent-memory-recurse-off-course
insight-inside-motion-and-repose
remembering-of-course-we-cannot-forget
this-was-is-still-in-the-fading-silence-of-the-past
i-was-am-someone-else-than-right-now-before
changing-the-same-way
Mark Twombly The Night Watch
When you wind me up
I’m a stopwatchman
a nighttimepeice
tick-tock-tick-tock-ticked off
‘cause I still can’t sleep
(Be)cause and effect
THIS is lucid waking:
aware of my predictament
following the dotted line of my ellipses
and looking for the last one
the one that puts a period on my day
and ends this long period of wakefulness
I just keep clockworking away the hours
my pen-dulum swings back and forth across the page
the gear and cog-nition process keeps going
I wish I could (verb-) brain my (noun-) brain
chronic chronometric insomnambulism
Mayapriya Long A few weeks of pain—and after—September, 1991
It’s an early fall Carolina morning. There’s a chill in the air and the dew hangs heavy above the pond. With a disdainful
glance, a houndog slowly raises his tired old body from the middle of the gravel road and lumbers to the side as I pass
him, road-dust billowing behind my silver, Mazda pickup. I’m heading to my first day back to work.
Life, on the surface, has returned to normal.
This is rural North Carolina. Here a girl marries her high school boyfriend and moves into a trailer across the road from
his mamma on land that has been divided and passed down for generations. And her children will likely not wander
much further than a country road or two from her.
I have experienced a spark of envy on a few 4ths of July, or Labor Days, when driving by their houses, I see yards full of
pick-up trucks (though they all surely could have walked) and family sitting under a shade tree, talking and laughing.
Today I wonder, “Why did we all move so far from our home?” I miss my childhood—my extended family. I think about
our family reunions, the security of life as a youth.
I don’t know what security feels like anymore. My world is not the world it was even a few short weeks ago. I’ve lost my
strongest advocate and it makes me feel like a small boat whose rope to shore has been cut. I’m driving to work, but I’m
slowly drifting out to sea.
Andrew Davidson A Lasting Peace
There was a small checkered
puzzle in my grandmother’s
table drawer.
When I was a young child,
I used to love kneeling down
on that plush lime green carpet
to start that checkered puzzle.
My grandmother would sit
whistling through her teeth
and watching with delight
that the genes
she had passed down were
engaged in a piece of her life.
It was a lasting peace.
Sadhu Sadher My Close Relatives
I woke up by my bed site with day dream like heaven
and red angry sea,
ignored the natural call to forget,
and thought, played the backward walk in memory,
on the pages I grew up in my early days.
The backward walk in memory of many dreams
brings back to mind the childhood images of my
human-misery
(and how wonderful my relatives have been).
Back at the exile house,
I often feel amazed the emptiness created by their
absence,
hanging mirror, welcome photographs opposite the
doorway,
expressing respect and mutual understanding.
I care for them both.
Luke Langsjoen The Uberpsyche
The wind brought me a reminder.
The world bends to our will.
As creatures of creation,
we possess the power
to round 0.5 up to 1.
If done consistently,
you may operate the world
by your own rules.
I remember this clearly
from when I sat at our computer
beside my parents’ bedroom.
I saw that the inexplicability
of the Universe
may be overcome
by a kind of counterfeit.
Jens Langsjoen A Desperate Moment
another catastrophe.
logic destroyed, ignorance extrapolated, beauty buried,
self indulgent degradation,
almost to the point of having nothing left to lose.
a world that doesn’t speak your tongue.
a voice that doesn’t trust itself.
a wretching that leaves you empty inside.
b efore this ends I must construct a planet.
b etray the tendency to fall apart without a form.
b ecome the life embodied force of nod.
c ontain me, I am rampant.
c oerce me, I am yours.
c ontain me, the seeping sap of god.
Jens Langsjoen Jellyfish
Jens Langsjoen Red Sky
Frederic J. Greenall Look Up
I look towards a starry sky
The vessel of a million lights
And with my inner eye perceive
A multitude of silver threads
They join each diamond sparkling bright
In place on that black velvet cloth
And with a sudden trembling awe
I see the hand that set them all
How much like a jewel-encrusted sword
It would appear to those who saw
His needle stitch light to the stars
And hang this shroud above our fathers
Sandy Benitez Old
Grandma's nerves
are an aging fault line;
thirty years
her spinal column
a bungalow of bones
that rattle
whenever buses or trucks
drive by.
Squatting on a hill,
her brain, a Victorian Manor.
The wiring tangled up
like twisted barb-wire.
If you look in her eyes,
you can see lights
blinking on and off.
The switch never to be found.
Hidden somewhere
in the trembling walls
of her memory.
Shane Greb You Are Wiser Than I
You are wiser than I.
Your eyes see further than mine.
You cast your will to the winds,
And they carry you further away
From me,
But closer to happiness.
I envy your spark.
Your course is uncharted,
Whilst I sit here,
Apart and away,
Charting a map in murky waters,
Bogged down by pride and greed.
I am chained
And you are free.
For you to touch me
The same fate falls on you.
I must become the stuff of dust
Or become the winds.
Dane Langsjoen I Inhaled Chloroform But That Doesn’t Explain the Dreams
I
a state of paralysis
the senses made me ill
and the faceless men would not tolerate interference
lucid enough to feel and struggle but not to control
i watched his limbs snap and heard him howl
the captor was hate for he had been wronged
treachery too awful, even for a dream
a demon in the shadow, bloody sneakers in the crack of a closet door
i vomited in the dark
he was dead
II
the storm was coming and we armed ourselves
the sun died and great sick eyes were outside the door
i was stabbing downward trying to save kin
but i was the only one
the rest had transcended and the horde existed only for me
i felt peace when i woke
Dane Langsjoen Untitled
the jealous watchmen is duty bound and his madam’s lips are dry
Dane Langsjoen Ad Nauseum
it is incessant
a shadow that knows its own name
it follows the sun
meekest at the highest
second to the soul
and tallest at the fall
at dusk they share hands
and lay claim to the land
no longer prisoners of flesh and light
the pallid earth can no longer amuse
inward and upward
the mind is ripe
and the furrows are deep
impossible to defend
a nightmare is born
Steve Meador Pinus Palustris
The longleaf is shedding
its needles, weaving a soft
bed for me to sneak up
on you. Something I could
never have done before,
even while you slept. Soon
the tired bark will blister
like baklava, spread confetti
to let you know when I am
near.
Steve Meador The Brown Anole
For several months
he has guarded our postal
bastion. At first, either darting
through a slot, to be buried
by the bills and take a happy
crap on the junk mail,
or, courage dismantled,
jumping to the nearby tree.
The gargoyle now remains on top,
even when I open and close the lid.
Tan to dark brown to a blotchy
in-between, depending on his views,
the quirky anole tests me
by doing his jerky pushups
and tilting his head slightly
to read my mood. I move, his eyes move,
I blink, he blinks - a macho Morse code.
Defiantly he hangs and flashes
his bright red dewlap. If I could only
trust him,
train him,
I would never have to raise the flag.
Steve Meador Chasing Tails
There was nothing you could do but pack up the dog and leave.
Was there nothing? You could do nothing. Could you leave?
Nothing could leave you, but you could leave. Could
you pack up nothing? Could the dog leave there?
Could you? Do you? Nothing there. Pack and
do leave. The dog could leave you there
but pack you up. You do, do you? Do
pack up the dog and leave nothing
up there, could you? Nothing but
the dog. You? There was the
dog, but there was you
and nothing. Pack up.
Leave the dog.
Lauren Langsjoen For Kent
Brother you walk a dusty trail,
On either side snared by thorns.
Brother you walk a fiery trail,
The sun beats down upon your head.
Brother you walk a lonely trail,
With no one in sight ahead of you.
But Brother remember, remember these things:
You have your boots, which oppose those thorns.
You have your hat, which blocks those rays.
But above all else, that which protects your way
Are the ones behind you, we who will defend you.
We who will always be there to run, to fight,
To love you forever, always near to your sight.
You can cross this ravine.
You can climb this mountain.
You can thwart this day of suffering and pain.
You can look up to the stars and find the truth,
The truth that has always been there, waiting for you.
You can meet this challenge with determination of mind.
You can conquer the end with a power untold.
You can hail the dawn with a purity of angels.
Because, you have felt more than any of us can imagine,
And you have walked further than we can fathom,
And you have seen deeper down into the valley of death.
Yet in the end you arose, cleaner and wiser.
So I praise you for that, your labor, your hardship.
And I love you for you, my steadfast Brother.
Suzanne Field-Rabb The Day and Night of the Healing Heart
The darkness and stillness of the night moves slowly and purposefully
into my heart
I watch as she effortlessly and gracefully penetrates the boundaries of
my soul
She erases the world with gentle movements and pulls me
into her silence
She and I are one; emptying into one another
we heal
The brightness and fullness of the day moves joyfully and purposefully
into my heart
I watch as she effortlessly and gracefully extends the boundaries of
my soul
She sketches the day with blissful movements and draws me
into her song
The pleasure, and joy, the promise and faith, speak
of love
She and I are one; filling one another
we heal
Daniel Payne Montalto Tour
Keith Prather Perhaps Tomorrow
My heart
has enough lead
to fill the chambers
of a thousand guns.
Perhaps tomorrow
it will go back
to being a heart again.
Just simple.
Keith Prather Untitled
Michael Young what follows is an experiment.
i twist a bloody knife through the ribs of anyone who’s ever kicked an
animal, through the neck of every schoolyard bully, and through the
predatory balls of any man downtown who’s taller than me or less of a
gentleman. i’m a suicide bomber. i come strapped with screws in every
wrist and knee. my mouth is full of tin, and my pockets are a gnashed
up mess of aluminum cans. you want some of me? i don’t need to be
six feet tall to exact my revenge. i’ll come at you like a drunk man. i
rattle like a can of spray paint on my approach. my sudden sobriety
will ferment into a sour mash of softspoken hurt. modern violence is
the skillful administration of the least amount of metal into the softest
and most unexpected facet of the human body. a face will materialize
from the crowd. who was that? i have come to ease your passage into
the next world. your gin and tonic suddenly tastes suspiciously like
blood from your own mouth. a fistful of razorblades, skillfully applied.
the other hand comes packed with sand, a southpaw explosion, a deft
cloud in your vision, a red streak of paint across your neck. unngh.
why you lying on the floor? awwww, why ain’t you gonna fuck with
no one no more? face down on the canvas. i left your dead fish wanna
be corpse in my wake, slicked up with oil from my greaser blade. you
paid. then we both left that scene in a state of grace. you into outer
space. me to some place, a dirty room, where the cops can’t find me,
with a tv and a bed. watching the ten o’clock news for your last words,
the last thing your girl heard from your lips. the reporter always
sounds happy when someone dies. i never know how to pronounce
the names of foreign leaders until they get assassinated. i keep spray
painting the back of my throat, to help me forget that some things just
happen. i was reading just a few days ago about this little girl who got
a bike for christmas, and took it out into the street for the first time,
bright smile smiling. and she was gonna grow up and be a wonder-
ful person, a doctor. or no, she was gonna go to work for a non profit,
and get married twice, lovingly, and she was gonna love animals and
jazz, and have all these beautiful friends, who will never get to call
her because she got hit by a fucking pickup truck. the mother’s heart,
swelling with pride at her little baby, look how happy she is! look
how happy i made her! it’s like she’s flying, look at her, she’s HONEY
NOOOOO! NOOOOOOOOOOOOOOOOOO! BABY, NO! CALL AN
AMBULANCE! AHHHHHHHHH! and that is what christmas is like
for this one family, who will never be happy again. you need to pause
when you come to a sentence like that. it’s a death sentence. never.
be happy. again. there are sirens outside my window all the time,
and they roll for me, but one day, everyone will know what it’s like to
be ripped from your bedroom forever, strapped into restraints with
a fucking plastic tube going down the back of your throat. whatever
good deeds i do, i just hope they’re enough so that when i die, it won’t
be through suffocation. i don’t care. i will shoot myself before i can’t
breathe. if my last breath is the one that pulls the trigger, then my
lungs have done their job. so ask not for whom the sirens roll. they
roll for thee, down a street you used to live on, when you were in your
twenties and your masterpiece could wait, a least a few months cos
i need to pick up some extra shifts, and me and her and you and the
whole crew are gonna go see a movie later, it’ll be a time, i don’t want
to get to the end of my life without watching a whole fucking bunch of
movies, so that when my life flashes before me, it won’t be painful to
watch because it won’t be mine. paint contains dust. it’s time for me to
make preparations. i have a crazy drunk pianist phase to go through.
the one where i never change my shirt, figure out what my greasy
head is capable of, don’t wear pants, and wander around in the park
at five in the morning, making adjustments to a theme. chewing pills.
making myself and my work fucking ill. when the drunk man yells at
me, my heart switches from 3/4 into 45 rpm. is it fight? is it flight? it
is what it is. whatever it takes to paint the picture. to immolate life.
paint. paint. paint. out of breath. done. sleep.
© Rust and Moth Autumn 2008
Layout and Design by Josiah Spence
Edited by Matthew Payne, Michael Young, Suncerae Smith, and Josiah Spence
All contributers maintain individual rights to their work upon publication.
Thank you to all of our contributors and all of our readers.
rustandmoth.com