R&S®VENICE The ingest and production server - dvs.de€¦ · The ingest and production server ... 6 Audio routing feature helps ... Both signal and file ingest support frame-chase

R&S®VENICEThe ingest and production server

The ingest and production server

“In addition to realtime ingest and studio playout, VENICE’s playlist has significantly improved our workflow. Handling large amounts of clips has become a true breeze. Thanks to VENICE’s intuitive GUI and its seamless collaboration with DVS’s SpycerBox, CG produc-tion has gained enormous efficiency, especially with numerous designers working at the same time. DVS’s integrated solution is now at the heart of our workflow.”

Masaaki Watanabe, Sports Graphics Designer at TV Asahi

VENICE is well-positioned as a future-ready ingest and production server for highly optimized file-based TV pro-duction workflows. VENICE manages classic video server tasks such as HD-SDI ingest and studio playout combined with intelligent file-based features like file ingest, trans-coding, and media transfer operations for distribution. VENICE will streamline your production from ingest to distribution.

Its bridge-building capabilities gave the ingest and pro-duction server its name. They also form the basis for its ability to integrate seamlessly into any infrastructure. Using VENICE you can simply adapt your workflows to your actual requirements without being tied to a specific manufacturer.

VENICE – the art of bridging between:

ıStudioandpostproductionaswellasbetweendifferentconfigurations: ∙Flexibleandindividualconfigurationofeachchannelaswellasassignmenttodifferent studios

∙Opensystemarchitectureregardingstorageconnectivity,directfileaccessviaFTPorSAMBA

∙Hugevarietyofsupportedproductionformats,suchasXDCAM®,DNxHD®,AVC-Intra,ProRes,andXAVC®

ıDifferentproductionenvironments:ExtensivebridgetoAvid®environmentswithAvidISIS®andInterplay®productionassetmanagement(PAM)allowseasycontentingestandoutgestandthereforeefficientproduction

ıDifferenttechnologies:Supportofinnovative interfacessuchasFIMS(FrameworkforInterop-erableMediaServices)andMOSaswellas classiconessuchasVDCP

ıThetraditionalfile-basedandSDIworldwith itsinnovativefileformats

ıAndlastbutnotleast:VENICEeasesyourdailybusiness.Itcomeswithaneasy-to-useandintui-tivesoftwarepackageaswellasanextendedfeatureset.Itsbrowser-likelookandfeelenableseditorstogettoworkimmediately

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IngestduringstudioproductionUtilize VENICE to cover the recording of SDI signals from cameras and video mixers during show or news productions.

ContentingestVENICE enables you to load footage data from tapes and satellite feeds for subsequent editing or from tapeless camcorder media such as XDCAM® and P2 cards.

Storage

Satellite receiver

File delivery / MXF

Outgest

VTRFiles

Newsroom/editing

Studio

SDI

SDI

Camera Camera

Ingest

Isolated cameras

Program

Program

Studio Playout

Camera

Switcher

VENICE

VENICE

VENICE

VENICE

VENICE

Editing

Make use of VENICE’s versatility to bridge diverse production environments:

StudioplayoutVENICE facilitates studio playout since edited segments are returned to the studio in the shortest possible time. One example is in news production, where speed is critical.

DistributionEven the distribution of segments – for example via VOD or OTT platforms – is a breeze with VENICE. An integrated transcoder is available for this purpose.

Every application benefits from the ability of VENICE to access practically any storage system available on the market. VENICE extends the conventional video server functions to include essential features which permit file-based workflows in a streamlined TV production environment.

VENICE

VENICE

VENICE

VENICE

VENICE View for monitoring

Ingest control clients

Ingest control clients

VENICE View for monitoring

VENICE Play for studio playout


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Centralized content ingest and distribution With its ability to handle baseband and file ingest, its format-independent SDI video channels, its powerful metadata handling and proxy file generation as well as its vast number of other features, VENICE is the ideal foundation for cen-tralized content ingest. The integrated hardware scaler for

realtime up- and down-conversion ensures your material is available in the resolution needed. Its codec variety (supporting, for example, Avid DNxHD®, Apple ProRes, Panasonic AVC-Ultra, and Sony® XDCAM® in real time) and its openness provide users with maximum flexibility to organize their workflows. VENICE accommodates each and every scenario – even mixed environments with Avid Media Composer®, Apple Final Cut Pro®, and Adobe® Premiere®. Since VENICE also allows for integrated file ingest of P2 and XDCAM files including metadata editing, there is no need for additional equipment.

ıIntegrateduserinterfaceprovidescontroloverupto12channels,includingscheduledingest

ıInstanteditingoftime-sensitivecontentjustafewsecondsaftertheingestprocesshasstarted

ıProxyfilegenerationparalleltohi-resingestwithouttheuseofadditionalhardware

ıIntegratedfileingestofP2andXDCAM®mediaincludingmetadataediting

ıTranscodingcapabilitiesforingest,filedistribu-tion,contribution,andsupportforthelatestfileformatssuchasAS-11,thesubsetoftheMXFfileformatfordeliveryoffinishedprogramming,etc.



Centralized content ingest and distribution

VENICERecordSchedulerManaging your recording jobs becomes a breeze with the Record Scheduler. Integrated into the content control software R&S®Spycer, the Record Scheduler lets you handle different recording tasks with just a few clicks. This way you can even manage several channels on different VENICE systems easily.

When reaching the set time, VENICE will start recording automatically – while you are already busy with your next task. No overlapping, no other tasks blocking the channel – everything runs smoothly.

The SOAP protocol, with the award-winning FIMS standard, is used for recording.

1 Smooth switching between ingest, playout, and transform mode

2 Video overlay helps you speed up the video display

3 Overview of modes: Crash, Auto Edit, Batchlist, Batch Selection

4 Configurable presets for easy selection of file formats

5 Extra window to add valuable information on metadata

6 Audio routing feature helps you reassign audio channels with ease

ıEasyhandlingofyourrecordingjobs

ıComprehensivegraphicaloverview

ıManagementofallchannelsevenon differentVENICEsystems

ıRecordingjobsremainsecurely scheduled,nodataloss

ıBasedonFIMSprotocol(capture)


Jobstatus

Available

Mediabrowser

Planningwindow

Blue = Completed jobs Red = Current jobs Orange= Scheduled jobs

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Content distribution


1 Preview for easy identification

2 Progress bar to visualize the status of ongoing operations

3 Configurable presets for easy selection of file formats

4 Batch transforming to facilitate and accelerate transforming processes

5 Extra window provides information on file format settings

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With its ability to handle baseband and file ingest, its format-independent SDI video channels, its powerful metadata handling and proxy file generation as well as its vast number of other features, VENICE is the ideal foundation for cen-tralized content ingest. The integrated hardware scaler for realtime up- and down-conversion ensures your material is available in the resolution needed.

Its codec variety (supporting, for example, Avid DNxHD®, Apple ProRes, Panasonic AVC-Ultra, and Sony® XDCAM® in real time) and its openness provide users with maximum flexibility to organize their workflows. VENICE accommo-dates each and every scenario – even mixed environments with Avid Media Composer®, Apple Final Cut Pro®, and Adobe® Premiere®. In addition, all major file formats are supported: MXF OP-Atom, MXF OP-1a, QuickTime®, MPEG transport stream, and GXF. Thanks to its open software design, future implementations of new codecs and containers are easy to integrate.

Since VENICE – in combination with the R&S®Spycer control content software – allows for file ingest of P2 and XDCAM® files including metadata editing, there is no need for additional equipment.

DistributionandtransferVENICE helps you prepare and distribute content efficiently. The production server allows smooth and fast file conver-sion (transcoding and transwrapping) as well as rough-cut editing for content delivery. Moreover, finalized contribu-tions can easily be transformed into deliverable formats such as AS-11.

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P2 Card readerXDCAM®

Avid Interplay® (PAM)Avid ISIS® storage

Live feed

VTR

USB 3.0

VENICE server

AvidMediaComposer®

Avid® workflowoption

Live feed

Program feed

10 Gbit/s Ethernet

HD-SDI

Spycer® with gateway processing

Spycer®VENICE software


“As a systems partner, it was particularly important to make integra-tion easy for TeleZüri. DVS equipment allowed us to meet this aim and equip our important Swiss customer with high-end technology.”

Michael Jordi, Managing Director of Jordi AG Communication

EfficientproductioninAvid®environmentsThe Avid® workflow option lets you realize fast user-friendly workflows with Avid’s shared storage solution ISIS® and production-asset management system Interplay®. HD-SDI sources and their metadata can be ingested directly into ISIS® with Interplay check-in.

In addition to signal ingest, the Avid® workflow option also provides the opportunity to ingest file-based media directly from Panasonic’s P2 and Sony’s XDCAM® by simply dragging and dropping the content into Avid ISIS® and Inter-play®. Both signal and file ingest support frame-chase editing in Media Composer® enabling immediate browsing and editing of content.

The new outgest functionality facilitates the fast outgest of clips and sequences from Avid ISIS® and Interplay® for im-mediate playout and file distribution. Sequences containing a variety of audio and video clips are intelligently stitched together using enhanced transwrapping technology to ensure rapid transfer and immediate playout – especially helpful for covering breaking news.

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ıUser-friendlyGUIforprogramandmulti-cameraingestaswellassophisticatedmulti-channelstudioplayout

ıEnhancedprotectionforhigh-valuecontentthankstodual-recordingfeature:Contentisrecordedsimultaneouslyandindependentlyontwodifferentstoragedevices

ıBreakingnewscoverage:Contentcanbeplayedoutwhileitisstillbeingtransferredfrompro-ductionstorageorproprietarysystemssuchasAvidAvidISIS®andInterplay®

ıEnhancedreliabilityforlivestudioproduction:Redundancysetupwithclientmirroring

ıEasilyadaptabletochangedproductionenviron-mentsthankstoversatilechannelassignmentandconfiguration

Use VENICE to streamline your workflow by reducing the number of systems. With the ingest and production server, you can comfortably combine several production steps. In addition to hi-res ingest, proxy files can be created in parallel to meet proxy file-based workflows.

Thanks to its dual-destination recording feature, VENICE helps you protect your valuable content. With VENICE you will never miss a single shot again. Thanks to its versatile setup, its huge variety of supported codecs, and its flexible channel configuration, VENICE can respond quickly to your customers’ changing requirements.

Studio live production


Studio live production


Multi-cameraingestVENICE paves the way for multi-camera ingest, simplifying studio production work. The integrated GUI is easy to use and allows multi-camera recording. Operators can save entire production “scenarios” – presets which include all the required servers and settings. This facilitates the production of weekly shows, with the scenarios containing all acquired channels, modes, projects, and channel presets.

The dual recording function also offers enhanced redundancy: One channel can now record on two different storage systems independently, such as production and internal storage systems.

ChannelgroupingWith the new channel-grouping feature, VENICE offers parallel recording as well as frame-accurate starting and playout of multiple grouped channels. This is extremely useful, especially in multi-camera production scenarios where you can create a single channel group to ingest or play out several channels simultaneously.

Channel grouping can be used via an RS-422 or TCP/IP connection. Simply use your existing Ethernet network to link one or more VENICE channels, regardless of whether they are on the same server or on different ones. This lets you create a large cluster of ingest or playout devices. In addition, channel groups can be stored and reopened.

SafeandreliableThanks to its dual-destination recording feature VENICE is able to save HD-SDI signals in parallel and independently of each other in two different storage environments per channel. This ensures important live material is recorded reliably especially in hectic circumstances. The new studio playout GUI’s client-mirroring function is another part of the latest redundancy solution in VENICE, which additionally offers increased system stability under live conditions.


Studio playout


EasiestcontrolandoverviewThe intuitive software is specifically designed to make your life easier in hectic live situations. VENICE allows you to con-veniently and easily configure and control multiple channels at the same time. This lets you allocate the available channels between different studios flexibly, enabling you to assign them to tasks and studios as needed. A redundant setup is made possible thanks to client mirroring. In combination with the Avid® workflow option, content can be played out directly while it is being transferred from Avid ISIS® and Interplay®.

The new VENICE Play software is another part of the approach for easy playout. It allows you to bundle multiple channels in one playlist, providing you with a comprehensive over-view. Its clear and simple design with large progress bars and timecodes helps you keep control at all times.

It is extremely easy to organize your clips: Choose between organizing them in rundown lists or stories. A/B playout and auxiliary playout channels can also be displayed and controlled at the same time.

Thanks to the combination of VENICE Play and the integrated Spycer® browsing features, content management becomes a breeze. It helps you create a transparent network that makes the content of all connected proprietary systems available for viewing and editing by means of a wide array of tools. Browse content throughout your network, create playlists, easily rename clips, and perform various media operations while the content is being played out, etc.

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1 Comfortable browsing including copying features

2 Precise overview of timecode and progress bar

3 Clips can be organized in rundown lists or stories

4 Comfortable selection of channels

5 User-defined text

6 Comfortable setting of in and out points

7 Playlist with A/B channel assignment

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Clips can be edited while the rundown list is playing


The ingest and production serverOpenphilosophyRohde & Schwarz DVS realizes you are faced with the unique demand for both time-sensitive and high-quality content delivery, which is why we share your need for open systems with our philosophy of openness. VENICE offers an open file-system supporting all relevant IT inter-faces for direct access. Moreover, the completely open system architecture lets you design workflows individually, including editing clients, e. g. Media Composer® and Final Cut Pro® systems. Integrate VENICE freely into any existing network structure and expand your storage via common interfaces such as Fibre Channel.

VENICEremoteuserinterfaceVENICE provides a comprehensive software package which runs on a Red Hat® Enterprise Linux® platform. The full version of R&S®Spycer data management software is pre-installed on the system to provide all content informa-tion for the remote user interfaces. The remote client is an efficient and effective tool, tailored to your needs: Control the ingest and production server from your own desk, arrange, and coordinate server jobs. The remote user inter-face is available for Windows®, Mac OS® and Linux®.

OpenstandardsforautonomyandflexibilityVENICE can be integrated into every production environ-ment thanks to the use of open communications standards and its web-service-based architecture; it also supports all conventional broadcast file formats and codecs. Support for manufacturer-independent interfaces such as MOS and FIMS allows for workflow flexibility. Rohde & Schwarz DVS was among the first companies in the world to integrate the open, web-service-controlled framework for interoperable media services (FIMS) communications standard into one of their systems: VENICE.

VENICEView–theperfectoverviewofallyourcontentMonitoring all your VENICE video channels becomes a breeze with the new VENICE View software solution. VENICE View allows you to assemble an overview of all VENICE channels in your facility on a single system. This is where VENICE’s bridge-building capabilities come in again: Based on its open philosophy, there is no need for extra

multi-viewer equipment. VENICE View offers monitoring of video overlay, channel name and status, timecode informa-tion, as well as the audio peakmeter of every connected VENICE video channel. VENICE View uses a sophisticated IP-based software architecture which can be utilized in existing IP networks without the need for extra SDI cabling and expensive multi-viewer equipment.

PLAYOUT_1

/VENICE-VOI0/00_VENICE_B_TRAVEL_EMBLEM_XDCAMIMX50.MXF

/VENICE-VOIO/TRAVEL_SUNSET/CAM_1.MXF

/VENICE-VOIO/TRAVEL_NYC/CAM_1.MXF /VENICE-VOIO/TRAVEL_NYC/CAM_3.MXF/VENICE-VOIO/TRAVEL_MAL/CAM_2.MXF /VENICE-VOIO/TRAVEL_NYC/CAM_4.MXF

/VENICE-VOI0/00_VENICE_B_NATURE_FLOWERS_XDCAMIMX50.MXF

/VENICE-VOIO/TRAVEL_LOCK/CAM_2.MXF


/VENICE-VOIO/NATURE_WOMANCAM_3.MXF


/VENICE-VOIO/TRAVEL_LONDNO/CAM_4.MXF

IRD5

CAM1

VENICE

VENICE

VENICE

VENICE

VENICE VENICE

VENICE VENICE VENICE VENICE

PLAYOUT_2

IRD6

CAM2

PLAYOUT_3

AUX1

PLAYOUT_4

AUX2

/VENICE-VOIO/TRAVEL_NYC/CAM_3.MXF

Theartofbridging

To sum it up: VENICE’s bridge-building capabilities not only gave

the ingest and production server its name, they also form the basis

for its ability to integrate seamlessly into any infrastructure.


Keyfeaturesı Ingest and production server for editorial or live studio

production

ı Scalable multi-channel system (2 or 4 channels per unit, multiple units can be clustered)

ı Ingest, playout and transcoding in one single box

ı Support of all broadcast-relevant file formats

Open system architecture enables easy integration into broadcast environments:

ı Open file system (internal storage can be accessed)

ı Storage connectivity

ı Proprietary storage can be accessed easily

ı Flexible and individual configuration of channels

ı Support of open standards such as FIMS, MOS, and VDCP

Integrated software for:

ı SDI ingest (live, tape, and scheduled recording)

ı SDI playout (studio playout, visual QC, and archive-to-tape)

ı Transcoding (rough-cut editing, creation of deliverables, mastering)

ı Control control (file ingest, outgest, and metadata editing)

ı Monitoring (channel and job status)

Remoteuserinterfaceı Easy-to-use remote user interface for Windows®, Mac OS®,

and Linux®

ı VENICE Play software for studio playout

ı Fast video channel selection and operation via network connection

ı Scenarios, projects and presets for defining settings used on a daily basis

Ingestmode

ı Channel grouping for multi-camera ingest

ı Dual-destination recording

ıHardware scaler for up- and down-conversion in real time

ı Proxy file generation in parallel without usage of additional hardware

ı VTR control via Sony 9-pin (RS-422) per channel

ı Batchlist recording (including EDL and ALE support)

ı ANC data support (SMPTE 436M)

ı Clip chunking (split on duration or time code break)

ı Avid® workflow option to connect to Avid ISIS® and Avid Interplay® production asset management (PAM)

ı Sony XDCAM® DV 25

ı Sony XDCAM® IMX 30 / 40 / 50

ı Sony XDCAM® HD 18 / 25 / 35

ı Sony XDCAM® EX 35 Mbps (OP-1a)

ı Sony XDCAM® HD 422

ı Sony SR Lite (only playout)

ı Sony XAVC (Intra 50 / 100)

ı Apple ProRes 422 / 444 (Proxy / LT / HQ)

ı MPEG-2

ı H.264 AVC (high profile 4:2:2)

Supporteduncompressedformats

ı DPX 8 / 10 bit RGB 4:4:4

ıDPX 8 / 10 bit YUV 4:2:2 or RGBA 4:4:4:4

ı TGA (Targa, including alpha channel)

ı QuickTime® 8 / 10bit YUV 4:2:2

ı WAV, AIFF

ı RF64: Extensible wave format with BWF extension (>4 GB)

Proxyfileformats

ıMPEG-1

ıMPEG-2

ıMPEG-4 (AVC, baseline or main profile) .mp4

ıMPEG-4 (AVC, baseline or main profile) .m2t

ıMPEG-4 (AVC, AFN100) .MXF

SupportedresolutionsSD

ı525i / 29.97 (NTSC)

ı625i / 25 (PAL)

HD

ı1280 x 720 p / 23.98 / 24 / 25 / 29.97 / 30 / 50 / 59.95 / 60

ı1920 x 1080 i / 23.98 / 24 / 25 / 29.97 / 30 / 50 / 59.95 / 60

ı1920 x 1080 p / 23.98 / 24 / 25 / 29.97 / 30

ı 1920 x 1080 p / 50 / 59.95 / 60 (one channel only)

2KSDI(ONECHANNELONLY)

2048 x 1080 p / 23.98 / 24 / 25

SystemVideoI/O

ı Autodetecting 1,5 / 3 Gbit/s single-link SD / HD-SDI input and output

ı Dual-link SD / HD-SDI input and output (up to two channels per unit; for keying or 4:4:4 operations)

Transformmode

ı Batchlist transcoding (individually or all in one)

ı Clip trimming

ı Rough-cut editing

ı AS-11 (DPP) mastering

Playoutmode

ı Dynamic playlists

ı In and out points for clips

ı Archive to tape (including VTR control)

ıHardware scaler for up- and down-conversion in real time

ı Alpha channel support

Studioplayout

ı Intuitive user interface for live productions

ıControl of multiple playout channels

ı Dynamic rundown lists with stories and items

ı A/B playout mode

ı Comfortable channel configuration

ı Integrated content browsing

ıRedundant client set-up

ı Clip trimming

ı Loop mode for items or stories

SupportedfileformatsContainerıMXF OP-1a

ıMXF AS-11

ıMXF OP-Atom

ıMXF OP-Atom (Avid®)

ıMXF P2

ıQuickTime®

ıDV-DIF

ıMP4

ıMPEG-PS

ıMPEG-TS

ıGXF

ıLXF (only playout)

Codecs

ı Avid DNxHD® 36–440

ı Panasonic DVCPRO® 25 / 50

ı Panasonic DVCPRO® HD 100

ı Panasonic AVC-Intra 50 / 100 / 200

VENICE2U VENICE4U

Functionality options

Standard

(playout mode only)

Standardwith ingestoption

(adds ingest mode)

Standardwithingest+transferoption

(adds ingest and transform mode)

Availableamount ofChannels

ı2 Channel • • • •

ı4 Channel • • • •

Mediastorage

ı none (with Fibre Channel interface) • • • •

ı 3000 GB optional optional optional -

ı6000 GB optional optional optional -

ı 9000 GB optional optional optional -

ı4200 GB - - - optional

ı 6300 GB - - - optional

ı 8400 GB - - - optional

ı HPE option (NLE attachable)

- - - optional

Connectors

ı HDMI output optional optional optional •

Sofwarefeatures

ıFile ingest - • • •

ıProxy generation - • • •

ıBatchlist recording - • • •

ı Transforming - - • •

ıBatchlist transforming - - • •

ıHead and tail cutting - - • •

ıVENICE Play server license optional • • •

Workflows

ı Avid® workflow optional optional optional optional

FormatsıSD • • • •

ıHD 720 p / 1080 i • • • •

ı1080 p 50 / 60 - - • •

ı2K - - • •

ı4 : 4 : 4 - - • •

ıUncompressed file formats - - • •

i Please note that some features may be optional. i Please note that there are hardware limitations regarding the in- and output of 2K, 4:4:4, AVC-Intra and some uncompressed video material. On some VENICE hardware variants the channel number supporting simultaneous in- and output of these contents may differ. Not all container formats can be combined with all codecs.

ı HD / SD genlock input, 1 × BNC

ı HDMI output (optional)

Audiointerfacespervideochannel

ı 8 channels digital audio AES / EBU

ı 16 channels embedded audio at SDI connector

Controlinterfaces

ı RS-422 remote, 1 × DSub 9 pin

ı LTC input and output, 1 × XLRf and 1 × XLRm

Controlprotocols

ı VDCP and Sony 9-pin protocol via RS-422

ı MOS 2.8: profiles 0,2,5

ı Web-service API based on ∙FIMS 1.07: Capture, Transform ∙ MOS 3.8: profiles (0,2,5)

ıSpycer® content control

System

ı 2U 19 ” rack mount with rack mount rails dimensions: 480 mm (W) x 88 mm (H) x 640 mm (D) or 4U 19 ” rack mount with rack mount rails dimensions: 480 mm (W) x 176 mm (H) x 655 mm (D)

ı Linux® (64 bit) operating system

ıGraphics adapter with DVI and DisplayPort

ıDVD reader / writer on 4U model

ı Redundant power supply (1500 W + 500 W 4U model, 2 x 750 W 2U model)

ıPower supply A-C 100-240 V 50 / 60 Hz

ı IPMI 2.0 (Intelligent Platform Management Interface) for remote system management

Storage

ıSAS drives (RAID-1) for operating system and metadata

ıUp to 9 TB SAS drives (RAID-6) for content

Interfaces

ı8 × USB 2.0 (two at front, six at rear on 4U model)

ı1 x USB 3.0 at front, 2 x USB 2.0 at rear on 2U model

ı2 x 10 / 100 / 1000 Base-T Ethernet

ı2 x 10 Gbit Ethernet (optical) on 2U model

ı 1 x 1000 Base-T Ethernet for remote system management access (IPMI)

ı10 Gbit Ethernet (option on 4U model)

ı8 Gbit Fibre Channel (option)

2 / 4 x AES / EBU in / out

2 / 4 x HD-SDI out

2 / 4 x HD-SDI in

1/ 2 x LTC out

2 x USB 2.0

2 x 1 Gbit Ethernet

2 x Power supply unit

2 x 10 Gbit Ethernet (SFP+)

1/ 2 x LTC in

2 / 4 x RS-422

Graphics adapter

2 / 4 x HMDI out (optional)

Expansion slot (for optional Fibre Channel HBA)

1/ 2 x Ref in


Rohde&Schwarz| R&S®VENICE 25

ServiceOffering superior service for our entire product portfolio is integral to the Rohde & Schwarz DVS philosophy. Our support and service team is comprised of engineers who consider first-class, professional customer service their first priority.

We offer optimum support and service, with service packages tailored to clients’ specific needs. Our service team can assist onsite or perform services quickly and reliably via remote control. Rohde & Schwarz DVS also has a service website, com plete with detailed technical documentation to provide current updates, upgrades, and relevant information.

Our services reflect the quality of our products: Our clients benefit from individualized support and reliable service.

Ourserviceteamisavailabletoyouat [email protected]

TrainingLearn in-depth about your product from Rohde & Schwarz DVS. With our comprehensive training program, we offer the opportunity to become completely at home with your equip-ment. We’re also happy to support you with the implementation and setup of your system.

Our authorized Education Center offers individual training programs onsite and is ready to assist you with relevant information on each workflow. We’d also be happy to welcome you at the Rohde & Schwarz DVS headquarters for a hands-on training session with your new equipment. You will receive concise training courses for various product updates, allowing you to immediately familiarize yourself with new developments.

Our professional training courses provide you with the detailed knowledge to make the most of your equipment.

Askaboutourtrainingpackagesat [email protected]

Rohde&SchwarzDVSGmbH

Krepenstr. 8 | D-30165 Hannover

Phone +49 511 67 80 70 | Fax +49 511 63 00 70

E-Mail [email protected]

www.dvs.de

Rohde&SchwarzGmbH&Co.KG

www.rohde-schwarz.com

Regionalcontact

J Europe, Africa, Middle East | +49 89 4129 12345

[email protected]

J North America | 1 888 TEST RSA (1 888 837 87 72)

[email protected]

J Latin America | +1 410 910 79 88

[email protected]

J Asia/Pacific | +65 65 13 04 88

[email protected]

J China | +86 800 810 8228 /+86 400 650 5896

[email protected]

R&S® is a registered trademark of Rohde & Schwarz GmbH & Co. KG

Trade names are trademarks of the owners | Printed in Germany

September 2014 | Data without tolerance limits is not binding

Subject to change | © 2008–2014 Rohde & Schwarz GmbH & Co. KG

81671 München, Germany

AboutRohde&SchwarzDVS

For more than 25 years, Rohde & Schwarz DVS GmbH

has been very successful in the professional film, video

post production and broadcast markets. The specially

developed and manufactured hardware and software are

applied to the production of popular TV series, Holly wood

blockbusters and in Digital Cinema. R&S®CLIPSTER was

the first system in the world to make realtime 4K processing

possible. The future-proof ingest and production server

R&S®VENICE offers a flexible solution for modern, file-based

workflows in broadcast environments.

Documents

R&S®VENICE The ingest and production server - dvs.de€¦ · The ingest and production server ... 6 Audio routing feature helps ... Both signal and file ingest support frame-chase