RPWG syllabus

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    RADICAL PEDAGOGICAL WORKING GROUPBHQFU 33 34th Street Brooklyn, 6th FloorSpring 2016 Wednesdays 7-9pmhttps://radicalpedagogy.wordpress.comJarrett Earnest

    The one thing that an art school never tells you is that they cannot teach you how to be an artist. Robert Gober

    Teaching art is difficult because making art is so personal. Over many years of being a teacher, Itried to discover ways of addressing this crucial problem. I was always determined to teach in away that would not encourage anyone to make work that looked like or deliberately emulatedmine. What interests me was in influencing how students thought about their work, how theyapproached it, not what it looked like nor what its contents might be. I wanted to be as non-prescriptive as possible, to acknowledge the infinite diversity of art. Michael Craig-Martin

    RPWGis an open seminar for re-envisioning art education, addressing the basic question: Is itpossible to teach artists at all? The fact that artists write lectures, compile reading lists,assemble programs and found schools, proposes an array of possible answers. Every week wewill focus on texts created as pedagogical tools by artist-teachers, discussing content whileanalyzing the strategies and underlying philosophical program. We will also be joined by guestspeakers to discuss their experiments and experiences in the classroom.

    WEEK 1 March 2nd Hans HoffmannREADING:Hans Hoffmann: The Search for the Real; Painting and Culture; Terms.Harold Rosenberg: Hans Hoffmanns life classGUEST:Josephine Halvorson

    WEEK 2 March 9th Johannes Itten & Josef AlbersREADING:Johannes Itten: excerpts from Design and Form; Josef Albers: introduction,1-2 and Interaction of Color iPad App.GUEST:Anna Betbeze

    WEEK 3 March 16th Laszlo Moholy-NagyREADING:Lazlo Moholy-Nagy: preliminariesa new vision; new educationorganicapproach.

    WEEK 4 March 23rd Joseph BeuysREADING: Joseph Beuys: Introduction (1979); Manifesto on the creation of a Free

    International School for Creativity and Interdisciplinary Research (1973); I amsearching for field character (1973); Speech upon receiving an honorary doctoratedegree from the Nova Scotia College of Art and Design, Halifax (1976); I put me on thistrain!interview with Art Papier (1979).GUEST: Joan Waltemath

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    WEEK 5 March 30th John CageREADING: John Cage: Composition as Process: I. Changes / II. Indeterminacy / III.Communication.

    WEEK 6 April 6th William KentridgeREADING:William Kentridge: Drawing Lesson OneIn Praise of Shadows; Drawing

    Lesson ThreeVertical Thinking: A Johannesburg Biography.GUEST:Nancy Goldring

    WEEK 7 April 13th Adrian PiperREADING: Adrian Piper: My Art Education; Notes on Funk I-IV; Food for the Spirit;Some Reflective Surfaces I & II.

    WEEK 8 April 20th Yvonne Rainer / Anna HelprinREADING:Yvonne Rainer: Looking Myself in the Mouth; Yvonne Rainer interviewsAnna Halprin.

    WEEK 9 April 27th Simone FortiREADING:Simone Forti: Handbook in Motion.

    WEEK 10 May 4th Pablo HelgueraREADING:Pablo Helguera: Education for Socially Engaged Art.GUEST:Christy Gast

    BIBLIOGRAPHYAll readings will be available as PDFs via the class website:https://radicalpedagogy.wordpress.com

    Albers, Josef. Interaction of Colors (Yale, 1963).Beuys, Joseph. Energy Plan for the Western Man: Joseph Beuys in America (Four Walls Eight

    Windows, 1993).Cage, John. SILENCE(Wesleyan, 1961).Forti, Simone. Handbook in Motion. (NSCAD,1974).Itten, Johannes. Design and Form. (Thames and Hudson, 1975).Halprin, Anna. Yvonne Rainer interviews Anna Halprin Moving Toward Life: Five Decades of

    Transformational Dance (Wesleyan, 1995).Helguera, Pablo. Education for Socially Engaged Art: A Materials and Techniques Handbook

    (Jorge Pinto, 2011).Hoffmann, Hans. Search for the Real(MIT, 1967).Kentridge, William. Six Drawing Lessons (Harvard, 2014).

    Moholy-Nagy, Laszlo. The New Vision and Abstract of an Artist (Wittenborn, Schultz, Inc. 1947).Moholy-Nagy, Laszlo. Vision in Motion (Institute of Design, 1947).Piper, Adrian. Out of Order, Out Of Sight: Volume I: Selected Writing in Meta-Art 1968-1992

    (MIT, 1996)Rainer, Yvonne. Looking Myself in the Mouth OctoberVol. 17 (Summer, 1981).Rosenberg, Harold. Hans Hoffmanns life class Portfolio and ARTnews Annual(1962).