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Rosalind Poerwantoro Interior Architecture Folio

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Rosalind Poerwantoro Interior Architecture Folio Australia +61 434 589 759 Indonesia +63 81339178307 email: [email protected] website: www.rpspatialdesign.com

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Page 1: Rosalind Poerwantoro Interior Architecture Folio
Page 2: Rosalind Poerwantoro Interior Architecture Folio

B A C K G R O U N D

Rosalind joined Woods Bagot in 2010 after working with Grant Amon Architects as a student, with experience ranging from workplace to hospitality.

Rosalind has a passion for a strong conceptual approach to design, exploring forward thinking spaces with a firm technical foundation. She is constantly seeking new inspiration to help evaluate her work to find creative solutions for spatial challenges. Her experience ranges from a small and large scale projects. Enabling her to delivery in the many phases of a project from conceptual design, design development & construction documentation & administration.

Rosalind is passionate about strong rational design concepts underpinned by a solid technical foundation and is committed to the successful delivery of exceptional projects.

E D U C A T I O N

• BA Interior Architecture (Hons) Monash University, Melbourne 2010• Monash University Fine Arts Exchange Program Prato, Italy 2009• Brighton Bay Art, Design and Photography Program 2005• Victorian Education Certificate at Presentation College Windsor 2004.

S K I L L S

Revit Architecture, Auto Cad, 3D Studio Max, Aconex, Sketch-up, Rhino, Grasshopper, Adobe Illustrator, Photoshop & Indesign.

V I S A / W O R K P E R M I T S

UK 2 Year Youth Mobility Visa

R O S A L I N D P O E R W A N T O R O

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R E F E R E N C E S

Simon PolePrinciple, Woods [email protected]+61 438 659 840

Kathryn EllisAssociate, Woods [email protected]+61 449 654 193

Sarah Dickens (former colleague at Woods Bagot)Senior Interior Designer, Hirsch Bedner and [email protected]+61 420 437 773

C O N T A C T

UK: +44 7463 010 840email: [email protected]: rpspatialdesign.com

Page 4: Rosalind Poerwantoro Interior Architecture Folio

H A S S E L L A R C H I T E C T S

R I O T I N T OG L O B A L H Q L O N D O N

J o b T i t l eTypical Workfloors & Executive Suite:Interior Designer

P h a s e i n v o l v e m e n tConcept Design

S i t e A d d r e s sSt James Square

A r e a7,000 m2 C o m p l e t i o n D a t eDecember 2014 C l i e n tRio Tinto

“ c r e a t i n g a u n i q u e R i o T i n t o c o r p o r a t e s i g n a t u r e i d e n t i t y f o r t h e S t J a m e s H Q . . .

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ExECUTIVE SUITE- BOARD

DINING ARRIVAL LOUNGE/

CONCIERGE

W o r k p l a c e A r r i v a l V a l u e a d d e dW h a t ’ s i m p o r t a n t f o r R i o T i n t o c l i e n t s s t a f f & v i s i t o r s

- Service orientated, People focused- Desirable place- Comfortable- Engaging- Connection- Professional- Supporting work styles- A like minded co-working tenant community- A Statement with a unique continuous building identity with two distinct arrival points

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babmaes lifts

courtyard below

st james lifts

terrace

terrace

chairman private terracedining room

exec lounge

boardroom

exec suite

exec suite

local British context

Well crafted British details

“ A b e s p o k e i n t e r i o r t h a t c e l e b r a t e s a c r a f t e d a p p r o a c h t o d o i n g b u s i n e s s ”

Unique Rio Tinto corporate signature identity“Tailored to suit”A place to work

LEVEL 4 AxO

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m a t e r i a l p a l e t t e a n d c r i t t a l r e f e r e n c e

ST JAMES SQUARE RECEPTIONLEVEL 4 AxO

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LEVEL 4 AxOLOWER GROUND CAFE

cafe kitchen/servery

babmaes lifts

st james lifts

internal courtyard

cafe seating

R i o T i n t o r e d r i v e r m a t e r i a l p a l e t t e

Page 9: Rosalind Poerwantoro Interior Architecture Folio

LEVEL 4 AxO LOWER GROUND CAFE COMMUNAL TABLES

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W O O D S B A G O T A R C H I T E C T S

N A B D 2H E A D Q U A R T E R S

J o b T i t l eTypical Workfloors & Concourse:Fitout Design & Technical SupportGeneral Project:Revit CAD Manager

P h a s e i n v o l v e m e n tConcept Design to Construction

S i t e A d d r e s s700 Bourke St. Melbourne 3008 VIC

A r e a63,000 m2 C o m p l e t i o n D a t eMay 2013 C l i e n tNational Australia Bank / Cbus Property

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V i s i o n ‘ T o c r e a t e a n a u t h e n t i c w o r k p l a c e t h a t e n a b l e s N A B t o r e a l i s e t h e p o t e n t i a l o f t h e i r p e o p l e , c u s t o m e r s a n d c o m m u n i t i e s ’

700 Bourke st is a unique building on a triangular site in the Docklands, Melbourne for Cbus Developers with a fully integrated fitout for National Australia Bank as sole occupier.

Located at the gateway to the Melbourne Docklands, adjacent to Southern Cross station and Etihad stadium, the new development features 63,000m2 of open and flexible workspace over 15 levels, a childcare centre, a selection of retail and large open public spaces.

TYPICAL WORKFLOORS

L04-L13 & SOCIAL SPACES NEAR ATRIUM EDGE LEVEL 11 TYPICAL WORKFLOOR GENERAL ARRANGEMENT PLAN

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FLOORPLATE DIAGRAM ILLUSTRATING THE CONNECTION BETWEEN LEVELS THROUGH TEAPOINTS AND SOCIAL SPACES

VIEW FROM SOUTHERN CROSS STATION

CORPORATE OPERATOR

SEATING

VEND

TEA POINT - SMALL

PANTRY - L02 CORPORATE &/ OR COMMERCIAL OPERATOR

KITCHEN

TEA POINT - LARGE

CITY

0403 05

COMMERCIAL OPERATOR

CORPORATE OPERATOR

CAFÉ

PANTRY - L02 CORPORATE &/ OR COMMERCIAL OPERATOR

KITCHEN

THEATRETTE

TEA POINT - LARGE

00 01 02

CORPORATE OPERATOR

CAFÉ - L08 GRAB & GO - L14 SUPER CAFÉ

LOUNGE

SEATING

VEND

TEA POINT - SMALL

PANTRY - L02 CORPORATE &/ OR COMMERCIAL OPERATOR

TEA POINT - LARGE

0706 08

CORPORATE OPERATOR

LOUNGE

SEATING

VEND

TEA POINT - SMALL

TEA POINT - LARGE

09 10 11

CORPORATE OPERATOR

CAFÉ - L08 GRAB & GO - L14 SUPER CAFÉ

LOUNGE

SEATING

VEND

TEA POINT - SMALL

KEY

KITCHEN

TEA POINT - LARGE

141312

ATRIUM VIEW OF LARGE TEAPOINTS AND SOCIAL SPACES.

INTERCONNECTING LEVELS

T e a p o i n t a n d s o c i a l s p a c e s The catering facilities and teapoints are designed to create diversity to offer an environment to encourage movement throughout the building, and to offer areas for collaboration and incidental meetings. These spaces generally centre around the atrium and main central vertical circulation.

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WOODSBAGOT.COMPRELIMINARY ONLY - WILL BE SUBJECT TO DESIGN DEVELOPMENT AND IS NOT TO BE USED FOR TENDER OR CONSTRUCTION PURPOSES

Catering Strategy - Teapoints 16/06/2011 PAGE 4

01.00 Catering Strategy Building Section Diagram

TEA POINT

SOUTH EASTL00

L01

L02

L04

L05

L06

L07

L08

L09

L10

L11

L12

L13

L14

L03

Bourke St Entrance

CITY 04

KITCHENPANTRY

KITCHEN

TEA POINT SEATING

PANTRY

TEA POINT

LOUNGE TEA POINT

SUPER CAFEKITCHEN

CITY 03

CITY 02

CITY 01

SEATING VEND

VEND

SEATINGTEA POINT

TEA POINT

TEA POINT

TEA POINT

LOUNGE

LOUNGE

GRAB & GO CAFE

SEATING VENDTEA POINT

SEATING

TEA POINT

TEA POINT

TEA POINT

TEA POINT

TEA POINT

SEATING

TEA POINT

TEA POINT

TEA POINT

VENDPANTRY SEATING

SEATING

PANTRY

TEA POINT

TEA POINT

TEA POINT

CAFE

TEA POINT

RESTAURANT

KEY

LOUNGE

CAFE - L08 GRAB & GO - L14 SUPER CAFE

CAFE

SEATING

VEND

TEA POINT - LARGE

TEA POINT - SMALL

RESTAURANT

PANTRY - L02 CORPORATE &/OR COMMERCIAL OPERATOR

KITCHEN

KITCHEN

COMMERCIAL OPERATOR

CORPORATE OPERATOR

BUILDING SECTION DIAGRAM

TEAPOINT & SOCIAL SPACES CONCEPT SECTION

LARGE TEAPOINT & ATRIUM

VIEW FROM SOUTHERN CROSS STATION

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VIEW OF 2P CORNER BOOTHS FROM THE SW PERIMETRE STAIR

SW ‘PEBBLE’ ELEVATIONS- CONSISTING OF 2P/4P OPEN BOOTHS AND QUIET & GROUP ENCLOSED WORKSPACES

THE ‘CITY’ WORKSHOP & PERIMETRE STAIR ELEVATION - A MULTI-USE SPACE THAT ENCOURAGES SOCIAL INTERACTION, COLLABORATION AND VARIETY OF SPACE

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THE ‘CITY’ WORKSHOP AND FORUM SPACE SURROUNDS THE ExTERNAL FISSURES

THE ‘HUDDLE’- EACH SPECIFIC PROJECT ARE ALLOCATED TO A HUDDLE. AN ANCHOR POINT WHERE EMPLOYEES CONGREGATE, MEET AND COLLABORATE

S p a c e s f o r R e t r e a t Retreat areas to recharge and collect thoughts provide a “change of scenery” and a sense of comfort, and offers;- A connection to the exterior environment. Human physiological and psychological processes are based on biorhythms directly linked to daily and seasonal cycles of light- A positive sense of space through changes the interior scale, interior planting, and access to a broader field of view. - A sense of community

E n a b l e d S p a c e sFlexible spaces with integrated technology and varying ergonomics that can accommodate a variety of settings, enable a positive work environment, and can;- Foster work and social interaction- Create a sense of autonomy through choice of work environment- Create a personal sense of place- Provide sensory variability through changes in colour, temperature, air movement, textures and light

Hub 01

Hub 02

Hub 03

Hub 04

Hub 05

Hub 06Hub 07

Hub 08

City

HUB UNASSIGNED ZONE

HUB ASSIGNED ZONE

FLExI

CITY AND FORUM

HUB CENTRE (TEAM HUDDLE)

HUB DIAGRAM LEGEND

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MEETING 02

MEETING 0

GARDENS

MEETING 05

MEETING 08

SQUARE

MEETING 03

MEETING 07

C0RE

NW ENTRANCE

NE ENTRANCE

MEETING 06

MEETING 04

MR

CR

NOITCURTSNOC DOP YLPETTEUQNAB 20 GNITEEM

NOITCURTSNOC DOP YLPSRUOLOC ERUSSIF

N A B V I L L A G E / C I CI N F O R M A L M E E T I N G S P A C E S

W O O D S B A G O T A R C H I T E C T S

J o b T i t l eTechnical Design Leader

P h a s e i n v o l v e m e n tConcept Design to Construction

S i t e A d d r e s s700 Bourke St. Melbourne 3008 VIC

A r e a600 m2

A p p r o x i m a t e V a l u e$450,000 AUD C o m p l e t i o n D a t eDue Oct 2013 C l i e n tNational Australia Bank

NAB VILLAGE GENERAL ARRANGEMENT PLAN

‘ T o c r e a t e a c o l l a b o r a t i v e , i n n o v a t i v e a n d c r e a t i v e m e e t i n g a n d w o r k i n g e n v i r o n m e n t c o n n e c t i n g N A B c u s t o m e r s , c o m m u n i t y a n d i t s p e o p l e ’

Page 17: Rosalind Poerwantoro Interior Architecture Folio

THE GARDEN

SQUARE

GARDENS

Page 18: Rosalind Poerwantoro Interior Architecture Folio

The Village intends to create a central pop-up style meeting place, full of activity and energy. The space offers a series of meeting, informal work and drop in zones.

The design allows NAB customers, community partners, NAB people and visitors to utilise these spaces without having to pass through security therefore maintaining the ability to come and go. A n i n f o r m a l a n d w e l c o m i n g e n v i r o n m e n t w i t h i n t h e p u b l i c r e a l m f o r N A B c u s t o m e r s , c o m m u n i t y a n d i t s p e o p l e w h i c h :

The myriad of different gives opportunity for the users to meet, collaborate and connect with each other. Allows its users to innovate, learn and share knowledge/ideas.

The space enables flexible working and offers areas/ surfaces outside of the secure zone, used for telling stories of NAB’s customers and community and core values.

INITIAL CONCEPT SKETCH - VARIED MEETING AND SOCIAL SPACES

VILLAGE SQUARE & GARDENS - WORKING RENDERS

VILLAGE POD - ELEVATIONS

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CIC - CUSTOMER

INTERACTION CENTRE. PLYWOOD/ GLASS

HOUSE, AN ENCLOSED SPACE WITH VISUAL

POROSITY

CIC KEY PLAN

SQUARE

CIC

GARDENS

SQUARESQUARE

SQUARE

GARDENS

SQUARE

GARDENS

Page 21: Rosalind Poerwantoro Interior Architecture Folio

SQUARESQUARE

SQUARE

GARDENS

SQUARE

GARDENS

SQUARESQUARE

SQUARE

GARDENS

SQUARE

GARDENS

SQUARESQUARE

SQUARE

GARDENS

SQUARE

GARDENS

SQUARESQUARE

SQUARE

GARDENS

SQUARE

GARDENS

Project number Revision

Status

Rev

CopyrightWOODS BAGOT

Description Date App'd

NotesCONTRACTOR MUST VERIFY ALL DIMENSIONS ON SITE BEFORE COMMENCINGWORK OR PREPARING WORKSHOP DRAWINGS. DO NOT SCALE DRAWING.

Drawing number

Checked Approved

50mm on original

Drawing title

Project

Scale

Client

@ A1 sheet size

TM

AUSTRALIAASIAMIDDLE EASTEUROPENORTH AMERICA

800 BOURKE STREET, DOCKLANDS, VICTORIA 3008 AUSTRALIA

Project Team:

700 BOURKE STREET, DOCKLANDS, VICTORIA 3008 AUSTRALIA

C

SPATIAL DETAILS - CIC

NATIONAL AUSTRALIA BANK

NAB VILLAGE

130067 ID-4510

AH KH

FOR TENDER

SCALEPERSPECTIVE - ENTRY - CIC1

SCALEAXONOMETRIC - CIC2

SCALEPERSPECTIVE FROM MEETING ROOM 01 - CIC3

SCALEPERSPECTIVE VIEW FROM GARDEN - CIC4

SCALEPERSPECTIVE VIEW TOWARD MEETING ROOM 08 - CIC5

A FOR INFORMATION 11/06/13

B FOR TENDER - CIC TENDER OPTION 19/06/13

C FOR CONSTRUCTION - CIC TENDER OPTION 26/06/13

Project number Revision

Status

Rev

CopyrightWOODS BAGOT

Description Date App'd

NotesCONTRACTOR MUST VERIFY ALL DIMENSIONS ON SITE BEFORE COMMENCINGWORK OR PREPARING WORKSHOP DRAWINGS. DO NOT SCALE DRAWING.

Drawing number

Checked Approved

50mm on original

Drawing title

Project

Scale

Client

@ A1 sheet size

TM

AUSTRALIAASIAMIDDLE EASTEUROPENORTH AMERICA

800 BOURKE STREET, DOCKLANDS, VICTORIA 3008 AUSTRALIA

Project Team:

700 BOURKE STREET, DOCKLANDS, VICTORIA 3008 AUSTRALIA

C

SPATIAL DETAILS - CIC

NATIONAL AUSTRALIA BANK

NAB VILLAGE

130067 ID-4510

AH KH

FOR TENDER

SCALEPERSPECTIVE - ENTRY - CIC1

SCALEAXONOMETRIC - CIC2

SCALEPERSPECTIVE FROM MEETING ROOM 01 - CIC3

SCALEPERSPECTIVE VIEW FROM GARDEN - CIC4

SCALEPERSPECTIVE VIEW TOWARD MEETING ROOM 08 - CIC5

A FOR INFORMATION 11/06/13

B FOR TENDER - CIC TENDER OPTION 19/06/13

C FOR CONSTRUCTION - CIC TENDER OPTION 26/06/13

Project number Revision

Status

Rev

CopyrightWOODS BAGOT

Description Date App'd

NotesCONTRACTOR MUST VERIFY ALL DIMENSIONS ON SITE BEFORE COMMENCINGWORK OR PREPARING WORKSHOP DRAWINGS. DO NOT SCALE DRAWING.

Drawing number

Checked Approved

50mm on original

Drawing title

Project

Scale

Client

@ A1 sheet size

TM

AUSTRALIAASIAMIDDLE EASTEUROPENORTH AMERICA

800 BOURKE STREET, DOCKLANDS, VICTORIA 3008 AUSTRALIA

Project Team:

700 BOURKE STREET, DOCKLANDS, VICTORIA 3008 AUSTRALIA

C

SPATIAL DETAILS - CIC

NATIONAL AUSTRALIA BANK

NAB VILLAGE

130067 ID-4510

AH KH

FOR TENDER

SCALEPERSPECTIVE - ENTRY - CIC1

SCALEAXONOMETRIC - CIC2

SCALEPERSPECTIVE FROM MEETING ROOM 01 - CIC3

SCALEPERSPECTIVE VIEW FROM GARDEN - CIC4

SCALEPERSPECTIVE VIEW TOWARD MEETING ROOM 08 - CIC5

A FOR INFORMATION 11/06/13

B FOR TENDER - CIC TENDER OPTION 19/06/13

C FOR CONSTRUCTION - CIC TENDER OPTION 26/06/13

Vision - Showcase National Australia Bank’s Digital Leadership to our Customers i.e. how NAB is using Digital and social media across its business. To showcase “we see Australian business” theme to life.

The CIC aims to be Customer focussed, screens within the interior and exterior plan to showcase a facet of our Customer’s business e.g. financial data (using NAB Trade), marketing data (ads, You Tube clips), competitor data, social data, etc – most if not all would be publicly available.

T h e s p a c e h a s a v i s u a l p r o m i n e n c e , w h e r e t h e s p a c e a n d f u n c t i o n i s ‘ s h o w c a s e d ’

Materiality and porosity through the space becomes a main driver within the design.

CIC ExTERNAL ELEVATIONS AND WORKING PERSPECTIVES ILLUSTRATING SPATIAL AND

MATERIAL CONNECTION WITH THE INITIAL SCHEME

Page 22: Rosalind Poerwantoro Interior Architecture Folio

CIC - CUSTOMER

INTERACTION CENTRE. PLYWOOD JOINERY &

ADJUSTABLE MEETING TABLE. OPEN DISCUSSION/

FORUM

CIC KEY PLAN

SQUARE

CIC

GARDENS

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VISITORS CENTRE

RECEPTION & WAITING AREA

Q A T A R P E T R O L E U M Q P P O D I U M F A C I L I T I E S

J o b T i t l eTechnical Design Leader

P h a s e i n v o l v e m e n tConcept Design to Design Development

S i t e A d d r e s sDoha Business District

A r e a2, 500m2 of a 900,000 m2 fitout total area C l i e n tAecom for Qatar Petroleum

W O O D S B A G O T A R C H I T E C T S

Page 25: Rosalind Poerwantoro Interior Architecture Folio

25.06.13 QPPF - SCHEMATIC DESIGN REPORT REV BPage 12

02.05 Visitors CentreCarpark Concept Render

N a u t i l u s s h e l l & p e a r l c u l t i v a t i o n

QPPF – Qatar Petroleum Podium Facilities mainly consisted of BOH areas including recruitment offices, facilities management offices, site security and tendering offices & the Visitors centre. Forms and materials are maintained and directly connected to the main public podium level. The podium level was overall based on the QP district masterplan layout and building geometry inspired by the golden spiral geometry as seen in the nautilus shell.Nautilus shell

Ultimately the Interior design concepts throughout the towers and podium levels became about the “pearl cultivation” industry

GENERAL MATERIAL PALETTE

HIGHLIGHTED AREAS OF QPPF SCOPE

QP DISTRICT MASTERPLAN

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VISITORS CENTRE

RECEPTION & WAITING

AREA

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The Visitors Centre is the main access point for visitors to the QP district who are arriving via the carpark. Activities in this area are general information, waiting area, intranet access, visitor sign-in/ pass office, banking counters, security check, tender and contracts submissions.

KEY SECTIONS THROUGH THE VISITORS CENTRE LOBBY

Page 28: Rosalind Poerwantoro Interior Architecture Folio

W O O D S B A G O T A R C H I T E C T S

1 W I L L I A M S TQ U E E N S L A N D S T A T E

J o b T i t l eFitout Design & Technical Support

P h a s e i n v o l v e m e n tConcept Design Atrium Stair

S i t e A d d r e s s1 William St, Brisbane

A r e a77,556 m2

H e i g h t266.76 m C l i e n tQueensland State Government

VIEW OF PROPOSED STAIR FROM BASE LEVEL

Page 29: Rosalind Poerwantoro Interior Architecture Folio

1 W i l l i a m S tT o w e r C o n c e p t

The Tower concept has been based on the continuous space of the Möbius strip. A Möbius strip implies continuity and its simple device has been selected to represent the horizontal and vertical connectivity that will exist within the worklife spaces.

A t r i u m a n d S t a i rC o n c e p t

The Atrium and Stair design is proposes to connect the design of the stair with the architectural design concept of a continuous Möbius ribbon that moves from the ground plan through the landscaping, up the building and into the interior Atrium voids

BASE BUILD INITIAL SKETCH OF CIRCULATION AND GROUND FLOOR CONNECTION

WORKING MODELS SHOWING PROGRESSION FROM BASE BUILD STAIR

BASE BUILD RENDER- SOUTH GARDEN FACADE

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N

EAT

EAT

EAT

COLLABORATION

QUICK MEET QUICK MEET

FLEXIBLECOLLABORATION

QUICK MEET

QUICK MEET

Atrium Void. Plan Level 02

Atrium Void. Plan Level 01

Atrium Void. Plan Base Level

FLEXIBLE

COLLABORATION

QUICK MEET QUICK MEET

Eat

Quick Meet

Flexible

Collaborate

BalustradeTimber Battens/ Aluminium RHS

Hand Rail Stainless Steel

Underside of StairPainted Plasterboard

Lighting Recess Underside of stair & Between Battens

Tread (& Riser)Terrazzo

‘ E n h a n c e t h e u s a b l e s p a c e o n e a c h A t r i u m f l o o r l e v e l a n d b e a p h y s i c a l r e p r e s e n t a t i o n o f ‘ C o l l a b o r a t i o n ’ . C r e a t e d i s t i n c t s p a t i a l z o n e s a n d d e f i n e t h e c i r c u l a t i o n p a t h w a y s t h r o u g h t h e A t r i u m v o i d ’

SPACE PLANNING DIAGRAM - 3 LEVELS OF ATRIUM STAIRS

STAIR CONSTRUCTION SECTION SKETCH

Stair BalustradeTimber Battens /Aluminium RHS

Atrium BalustradeTimber Battens/ Aluminium RHS

Atrium EdgePainted Plasterboard

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VIEW FROM CORE LIFT LOBBY TOWARDS THE BRISBANE CBD

Page 32: Rosalind Poerwantoro Interior Architecture Folio

L K J E W E L L E R YC R O W N C A S I N O

J o b T i t l eFitout Design & Technical Support

P h a s e i n v o l v e m e n tConcept Design

S i t e A d d r e s sMelbourne Crown Casino Complex

A r e a75 m2 C o m p l e t i o n D a t eMid 2012 C l i e n tLK Jewellery

W O O D S B A G O T A R C H I T E C T S

LK JEWELLERY FACADE - A COMBINATION OF EARLY CONCEPTS OF LINKS AND BEVELLED JEWELLERY BOx

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L K J e w e l l e r y - A s h o p p i n g e x p e r i e n c e f o r a t t a i n a b l e l u x u r y

LK Jewellery were looking to relocate to a prominent luxury retail experience within the Melbourne Crown Casino Complex as well as re branding. Their brief included:

- Being accessible and welcoming to everyone without losing a sense of luxury

- LK Jewellery to have its own identity whilst sitting alongside the high end brands it has on offer

CONCEPT ELEVATION - REFLECTIVE VIP JEWELLERY BOx & BEVELLED FACADE

CONCEPT ELEVATION - WATCH LINKS

LK JEWELLERY INTERIOR

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1 S H E L L E Y S T M A Q U A R I E B A N K U P P E R L V L S

J o b T i t l eFit Out Design & Technical Support

P h a s e I n v o l v e m e n tConcept Design

S i t e A d d r e s s1 Shelley St,Sydney

A r e a6,000 m2 C o m p l e t i o n D a t eEarly 2012 C l i e n tMaquarie Bank

V a l u e P r o p o s i t i o n :One Shelley street was created to allow a flexible platform for major business and workplace transformation.

The client’s vision was a workplace that would assist in delivering ‘speed to market’, collaboration, and enhance client service and support with its mobile and wireless workforce, technology innovations, tailor made settings and environmental building systems.

STACKING DIAGRAM- GREEN LEVELS INDICATE THE ADDITIONAL THEMES IN 1 SHELLEY ST

W O O D S B A G O T A R C H I T E C T S

Roof Top

Art House

The Lounge

Coffee House

Tree house

Dining Room

Playroom

Library

Garden

The Street123456789

10

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L l 08 Th LLevel 08 The LoungeLevel 08- The LoungeLevel 08- The LoungeLevel 08 The LoungeggS hi T iSushi TrainSushi TrainSushi TrainSushi TrainSushi Train

PlPlanPlan

WOODSBAGOT COM P 8WOODSBAGOT.COM Page 8g

Level 08- The LoungePlaza01 Plaza01

WOODSBAGOT.COM Page 6

L l 08 Th LLevel 08 The LoungeLevel 08- The LoungeLevel 08- The LoungeLevel 08 The Loungegg

P 5Page 5WOODSBAGOT COM

gWOODSBAGOT.COM

The extension on Level 08 & 09, allowed Woods Bagot to challenge the initial concepts of Activity Based Working and respond to specific user requirements outlined in post occupancy studies and design focus groups.

In the upper floors the initial planning philosophy was re-interpreted to allow for more contiguous working space and larger neighbourhoods. Work styles were reviewed to create solutions specific for project teams and call centre employees. This resulted in a range of spaces, work setting and furniture, unique to these floors which complement the existing menu and increase the diversity of spaces.

Level 08 is known as ‘The Lounge’ and accommodates Private banking and Level 09 is known as ‘The Art House’

LEVEL 08 GENERAL ARRANGEMENT - THE LOUNGE

LEVEL 08 - SUSHI TRAIN ELEVATION

LEVEL 09 GENERAL ARRANGEMENT - THE ARTHOUSE

LEVEL 09 - THE ARTHOUSE CONVERSATION PIT JELLYBEAN WORKSETTINGS

L08 THE LOUNGE AxO

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I L L O N A S T A L L E RR E S T A U R A N T A N D B A R

G R A N T A M O N A R C H I T E C T S

The project has essentially been an interior design process that is concerned with rejuvenating an old Art Deco bank building with many original features and providing a new ‘sister’ venue for St.Kilda’s Cicciolina restaurant. Whilst context, history, memory and locale influenced the design, it was as much about the notion of interpreting new opportunities for a 20 year single operative establishment that has been tucked along a small lane in Acland St.

A c h a n c e t o c o m b i n e i n t e r i o r d e s i g n w i t h a n i c o n i c b u i l d i n g , c l i e n t w i t h c o n t e x t , n o t t o

m e n t i o n t h e p a t r o n s

A lounge, a salon, a cocktail bar or fine dining restaurant, where the main inspiration comes from the real life of the burlesque dancer Ciccionlina whose real name was ‘Illona Staller’

J o b T i t l eInterior Design Intern

P h a s e i n v o l v e m e n tConcept Design

S i t e A d d r e s s282-284 Carlisle StBalaclava, Melbourne

A r e a100 m2 C o m p l e t i o n D a t eDecember 2010 C l i e n tCicciolina

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The project has essentially been an interior design process that is concerned with rejuvenating an old Art Deco bank building with many original features and providing a new ‘sister’ venue for St.Kilda’s Cicciolina restaurant. Whilst context, history, memory and locale influenced the design, it was as much about the notion of interpreting new opportunities for a 20 year single operative establishment that has been tucked along a small lane in Acland St. for what seems like forever.

A c h a n c e t o c o m b i n e i n t e r i o r d e s i g n w i t h a n i c o n i c b u i l d i n g ,

G R A N T A M O N A R C H I T E C T S

B L U E B O T T L EA T T H E O L S E N H O T E L

J o b T i t l eInterior Design Intern

P h a s e i n v o l v e m e n tConcept Design

S i t e A d d r e s s637-641 Chapel St,South Yarra

A r e a80 m2 C o m p l e t i o n D a t eLate 2011 C l i e n tBlue Bottle Restaurant

The Bluebottle restaurant is located at the base of the boutique Olsen Hotel, which is apart of the Art Series Hotels throughout Melbourne. Named and inspired by one of Australia’s greatest artists, John Olsen.

First impressions of the bluebottle restaurant is the voluminous double height space featuring the ‘calamari’ inspired oval shaped main bar with its translucent curtain shroud suspended over it.

Evocative images of cooking, food and fish penned by Olsen, in particular the painting ‘Popping Bottles’ are inspirations for the project. Striking cane and metal ‘lobster pot’ lights hang from the main mosaic tiled central columns. An inspired seafood based restaurant and bar that depicts Olsen’s fascination with water wine and food coupled with a passionate restaurateur has evolved in a signature of the Olsen Hotel.

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F O L D E D H O M ER E D C R O S S E M E R G E N C Y S H E L T E R E x H I B I T I O N

Job TitleProject Designer

Phase involvementConcept Design to Construction

Site AddressFederation SquareMelbourne

Area20m2

Completion DateMay 2013 ClientRed Cross

‘ F o l d e d h o m e e n a b l e s d i s p l a c e d p e o p l e t o c r e a t e a s p a c e t h a t r e f l e c t s t h e i r o w n p e r s o n a l s i t u a t i o n a n d i d e n t i t y ; a h o m e , n o t s i m p l y a s h e l t e r ’

W O O D S B A G O T A R C H I T E C T S

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Construction of the shelter is based on the inherent stability and flexibility of the triangle. The triangles can be folded and joined to create a structure that responds to the situation at hand.

Able to be contained within a purpose-built, oversized ‘backpack’ and made from lightweight material, the shelter can be transported easily by an individual based on their needs.

It can provide immediate protection from the elements and, when transported to an emergency evacuation centre, can provide privacy and a sense of territory. The shelters can be grouped together with neighbours, family and friends to create a sense of mutual comfort and community.

FLATPACK AND BACKPACK INITIAL CONCEPT SKETCHES

h o u r 2 4

h o u r 1 0

Standard sheet of Corflute defines dimension

(Roll)

Each square is cut to allow folding

Triangles fit in backpack whilst still allowing leg movement

h o u r 1

shelter + identity + comfort + ownership + territory + community

h o m e =

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13

Site Plan361 Little Lonsdale St

Melbourne

M O N A S H U N I V E R S I T Y

p A R T i c i p a t i o n s p a c eH O N O U R S Y E A R T H E S I S P R O J E C T

S i t e A d d r e s s361 Little Lonsdale St,Melbourne

A r e a2,000 m2

INTERACTIVE LANEWAY - LEADING OCCUPANTS INTO THE SPACE

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55

Tech Controls

Studio 02

Studio 03

Toilets

First Floor Plan

Floor plans illustrate the proximity between spaces and how selected studios are able to open up to transient and experimentation spaces

54

InteractiveLaneway

Experimentation 01

Studio 01

Staff / Storage

Experimentation 02

Intermission space

Toilets/ Change Rooms

Ground Floor Plan

Site chose is Located on 361 Little Lonsdale St, Melbourne CBD. Currently running as 1000 Pound Bend, a gallery/ café space. The scope of works includes the warehouse space, adjacent laneway (Heaps Crt) and the unused rear shed

The Factory proposes an alternative creative space for performance, installation and archival based artworks that circulate around the idea of Participatory art.

‘ T h e p r o p o s a l q u e s t i o n s t h e r o l e o f t h e i n s t i t u t i o n , m a k e r a n d v i e w e r ’

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FRAMING

VOLUME

INTERLOCKING

STUDIO 03 & ExPERIMENTATION 02STUDIO 02 & STUDIO 01

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The Factory is a space that explores collective dimensions of social experience. Artists are encouraged to let go and exit the role of author and creator, ultimately sharing this with other participants.

F l u x o f D i s t a n c e The emphasise of relationships between the occupants motivated the programming and interventions of the space through- Exchange and convergence- Fluctuation of density and distance. Compression and expansion of space- Framing views and accentuating volume- Obscuring ownership/ authorship- Participation with the other and inter- subjectivity

CENTRAL ORGANISATION OF THE SPACE

CONVERGE

TENSION

ExPERIMENTATION 02

ExPERIMENTATION 01

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102

East section - Exterior Intermission space

A requirement of the Final thesis year was to development of a 1:1 scale material. This lead to explorations of materials of different porosities throughout the space used to divide areas and emphasise distance/ proximity between occupants.

‘ T h r o u g h c l o s e r i n v e s t i g a t i o n t h e m a t e r i a l s t a r t s t o a r t i c u l a t e c y c l e s o f a w a r e n e s s o c c u r r i n g w i t h i n t h e u s e r s o w n c o n s c i o u s n e s s a s w e l l a s t h e o t h e r ’ D a n G r a h a m

The dialogue between spaces influenced the materiality. Interlocking zones through alternating materiality and form, where boundaries spaces become ambiguous. The introduction of alternating materials through the main Experimentation space creates a boundary that starts to disintegrate.

EAST SECTION

1:1 - a woven piece of fabric

consisting of perforated one was vision film and a reflective/ transparent

vinyl. These images show the experimentation of

materiality.

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INTERMISSION SPACES THROUGHOUT THE SCHEME ALLOWS FOR OCCUPANTS TO BREAK AWAY

ExPERIMENTATION 01 & AN ENCLOSED STUDIO 01 SPACE IN ExHIBITION MODE

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L O S T A N D F O U N DI N T E R I O R A R C H G R A D S H O W

J o b T i t l eExhibition Project Manager

S i t e A d d r e s sMonash University Caulfield,Art and Design Gallery

A r e a35 m2

M O N A S H U N I V E R S I T Y

TRACING PAPER CEILING INSTALLATION UTILISES THE HIGH CEILINGS WITHIN THE GALLERY SPACE

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ACCESS & EGRESS

ZONINGspace onespace two

PROJECTION - inside & out PRESENTATION ZONESPROJECTIONMODELSPRESENTATION BOARDSTHESIS BOOKLETSMATERIAL STUDIES

FOUND PALETTES, PAPER TUBE PLINTH LEGS & TIMBER TOPS.

DIAGRAMS SHOWING THE MOVEMENT AND ZONING WITHIN THE TWO GALLERY SPACES

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ROSALINDPOERWANTORO

BA INTERIOR ARCH (HONS)

UK +44 7463 010 [email protected]

RPSPATIALDESIGN.COM