Ritual - Cirilio Bautista

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    Ritual

    1. In the mountains, they call it Going Beyond. The way they pronounce the Words endows

    the sound with a hushed finality as though the meaning had nothing to do with the

    syllables, the lips just a bit parted, afraid to release The Words altogether. The head is

    bowed during the utterance, signifying both the solemnity and the apocalyptic nature of

    the occasion. If you had been there then you would have seen how the men, baskets of

    cabbages and green bananas on their backs, would meet on the muddy trail and whisper

    to each other. You would have understood from the contour of their lips that The Words

    were said; and these having been said, they would pursue their individual ways one,

    perhaps, to wend his way to the Market, the other to wait by the Highway for Tourists to

    purchase his vegetables at a paupers price. Women sitting on the cold bamboo benches

    before the village store would suddenly interrupt their conversation by an ominous

    silence: you knew they were thinking of The Words; they did not have to say them. In

    fact saying them would be only anti-climactic, because deep in their minds lurked images

    that could not be collapsed into a mere couple of sounds. A father queried about the

    whereabouts of his son would whisper The Words, raising his arms in the direction of the

    Mountains, and you would be a Fool if you thought he meant his son had gone away to

    live in another place. The raising of the arms is supplementary to the meaning of The

    Words, at times it means more than The Words. Hes gone beyond, the father would

    say. No, hes not dead, but hes gone beyond. Beyond is more than the physical

    boundaries of the village, more than the physical boundaries of the Mountains, more than

    the Sea and the Sky and the Land put together. Yes, it is not Death. It is not Life. It is not

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    Life and Death put together. You may give it any name you want, you may declare the

    people mad, but in the Mountains, they call it Going Beyond.

    2. The trouble with you, Roy said, is that you are a coward.

    3. I looked at him framed by the last glow of sunset that managed to pour through the

    misted windowglass. He had just arrived from the City which, from the vantage point of

    this far-flung Village, was on the other side of eternity. His single bag (I like to travel

    light) lay beneath the army cot that stood parallel to the wall; this and the other one I

    called mine touched ends to form an ell, with the two windows dotting their extremities.

    It was a small room, though it was room enough for me. Even in the rare event when I

    had an overnight visitor there was still sufficient space to spare.

    4. The trouble with you is that you are a coward, he said again turning to me after

    quaffing the last drops of his drink. Imagine coming here, living here with God knows

    what kind of people. This is not the place for you.

    5. He walked to the table in the middle of the room to refill his glass; the moment he was

    embraced by the light, the single light that dangled from a single cord from the ceiling, I

    saw the years had not altered him. I do not mean that he had not grown old; I mean that

    his soul had not changed: he was still Roy, my big brother, my friend trying to save me

    from the distress most of which he had only imagined. Or I may be wrong. Perhaps he

    had changed, only I was too ensconced in my new world to notice the realities outside it.

    6. Hows Luisa? I said. I had not moved from sitting on my cot.

    7. Shes going to have a baby. You cannot expect a woman like her to remain alone

    forever, Roy said.

    8. And the man

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    9. She cant ask for anyone better.

    10. Im glad shes happy.

    11. Its not a question of happiness, he said moving back to the window. A lot of people

    die not knowing they are happy. Its a question of knowing someone is there for you to

    turn to when you get sick of being with yourself or punching the same infernal machine

    day in and day out.

    12. I did my best, I said, but my mind was groping for some more definite words.

    13. You did what you thought you had to do. As to whether that was the right thing to do

    14. He respected my feelings. That one thing kept our friendship alive; I could not help

    thinking, however, that the sentence would have ended with an undertone of reproach.

    15. You kept away, for sure, he said, and I must say you did it magnificently. It came at

    last. He swept the room with a wide gesture of his arm, a gesture that encompassed the

    whole village. But I came not to speak about that. I know you dont want to speak about

    that. I came

    16. Yes, why did you come?

    17. He was silent for a moment. Then he said, Come to think of it now, I dont know why I

    came I wanted to see you. It has been two years after all.

    18. Two years! How could two years have passed? Probably the Mountains had something to

    do with it: Time that ordinarily knocked on the doors in the City, that pushed one to work

    and back to home again, Time that stole but never gave, was here a non-entity, or, at most,

    an ignored presence: the Mountains levelled it, the winding roads and the cool trees

    tempered it, so that when it finally arrived at the doorstep, it was all haggard and hungry

    and begging for a lodging. As to what two years had done to me I did not know; when

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    you do not bother time it stays away from the fringes of your memory and comes to you

    only in the guise of images not brilliant in their broken-ness, which you can easily push

    into that cave of darkness of Mind; the Mind, no more than Time, reposes when the

    muscles repose: both speak the same language.

    19. Two years. This morning I received a letter from Dayleg, the import of which struck me

    only when I came to the last passage. Dayleg of the dikas and the downy cogon grass.

    Dayleg of the dancing uninhibited, Dayleg the devotee turned defiant, Dayleg of the

    broken skin and white teeth, had spoken at last. Remember the hunt we had two years ago,

    he wrote, how we crossed the line between heaven and hell in pursuit of the white boar? I

    remembered. The sacred grove was hardly a forbidding sight: it was like any mountain

    hunting ground, though there was a sharp tang in the air while the frail twigs crackled

    louder as we stepped in between the willows and the pines. But then perhaps we really

    were just half-aware of these, our senses attuned only to the presence of the quarry.

    20. Father says this place is a thousand years old, Dayleg said. By the way we are

    trampling all over it we deserve at least fifty years in Hell.

    21. You can start your penance now, I said. Surely the gods will accept contrition by

    instalment.

    22. Its down by the stream. Lets encircle it.

    23. The profound significance of the moment sprang before me while I moved as Dayleg

    directed. We were on forbidden grounds tracking an equally forbidden animal. The fact

    that I was an outsider did not alter nor lighten the gravity of my involvement. Even as we

    were encircling the animal a network of guilt was weaving tiny holes of pain in my

    conscience. By consenting to the hunt I was sharing in the malevolence of a conspiracy.

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    24. When I arrived by the stream Dayleg was already bending over the dead animal. A single

    arrowtail protruded from one side of its neck, the arrowhead having shot clean through

    the other side.

    25. Its not white after all. Dayleg was disappointed. They had always told me it was pure

    as the clouds.

    26. What shall we do with it now? I said, eyeing the animal. It was about three feet long,

    its body covered with thick grizzly hair; mud and blood glistened round its throat. Its two

    tusks were ivory in the fading light. In cold repose the boar seemed to cling to its mythic

    holiness as long as it could.

    27. Well bring it to the village and show the elders the lie theyve been handing us all this

    time.

    28. By the light of the fire we had built against the cold I could see Daylegs face as he spoke.

    It had turned bronze; his eyes shone as though relishing the wickedness of what he had

    planned to do. His dark slender trunk covered with a dirty G-string was damp with sweat.

    29. But wouldnt that be the height of sacrilege? You asked. You could not hide the shock (or

    was it fear) in your face. I could not understand your concern for the whole thing. All you

    had to do was pack up and go. The gods would have a hard time finding you in the city,

    crude and walking as they are, if ever they have the mind to meddle in the affairs of a

    foreigner. Their sovereignty is confined to the mountains.

    30. The mountains swelled in darkness as we started our descent to the Village. Dayleg, his

    sturdy legs punching the sward, the sacred boar straddling his neck, moved easily down

    the mountain side while I picked my way, stumbling now and then on the rocks or

    slipping down the moist grass.

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    31. The cat would eat fyshe but he wyll not weate his feata.

    32. What? I said. I could barely catch up with his steps.

    33. English proverb, he said. A lot of them in the books. Very good for the mind.

    34. We walked in silence most of the time. In spite of the cold night, perspiration soaked my

    clothes. The knapsack grew heavy on my back. I wiped my face with the sleeve of my

    shirt. A true son of the Mountains, Dayleg never slowed his pace but even whistled once

    in a while. Looking at him naked save for a piece of loin-cloth I could hardly believe that

    he was one of the most intelligent men I had met. When first I came to the Village, the

    first person I saw was a young native squatting by the roadside and cleaning the tip of a

    ten-foot spear. The spear was a common sight in the place, I had been told earlier, for it

    was both a means of tilling the soil and, during a tribal feud, of disembowelling the

    enemies. Occupied by what he was doing, he hardly responded when I asked him for

    directions to the village school. But the word school made him raise his head. He

    surveyed me from head to foot before giving me the directions I wanted.

    35. The school was a four-room structure of wood and galvanized iron located in a small

    piece of flat land the people called The Valley. Big pine trees that protected the

    structure from both sun and wind gave it a quality of idyllic serenity usually associated

    with monasteries. You climbed three steps to find yourself in a kind of balcony that

    overlooked the whole schoolground.

    36. Of course one can get terribly lonely here, and one usually does, the principal, Father

    Van Noort from Belgium, said. I knocked on the door of his office at the back of the

    school building and was met by an old man with greying hair and a brownish soutane that

    used to be white. Like most of the missionaries I knew, he had a fondness for native

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    cigars. The office was a small room in which were miraculously accommodated a roll

    top table, a rattan chair, a wooden bed with a feather mattress, a table with several dirty

    pieces of cutlery, two chairs to the table, bookshelves, books, wastecans, a table lamp, the

    sculpted figure of a mountain warrior holding the severed head of his enemy in one hand

    and his sword in the other.

    37. Father Van Noort brushed the ashes from his sleeves. As I mentioned in my letter, youll

    be in charge of the fifth class. Literature and language.

    38. There was a knock on the door followed by the entrance of a dark-skinned man carrying

    several books. His white trousers and white shirt were spotless; the electric bulb was

    reflected on his shoes.

    39. Carlos Dayleg, in charge of the fourth class. Father Van Noort said to me by way of

    introducing the newcomer.

    40. I think weve already met, Dayleg said, extending his hand. It was only then that I

    realized he was the man I asked directions from a few hours ago. He must have noticed

    my surprise. Yes, we met this morning. In this place it is not uncommon for natives to

    change to more civilized attires. As for me, I do it only on special occasions.

    41. And school is a special occasion, Father Van Noort said.

    42. After classes Dayleg invited me for a drink. A few minutes walk from school, down

    winding paths that led past the native huts squatting on hard-packed mud, past the curious

    structure of a cogon roof placed right on the hard-packed mud, the remains of a bonfire in

    the very center of the space which one could enter only by crawling on all fours, past this

    nest of love by trial, past half-carved coffins drying in the sun, emerged Daylegs hut. We

    climbed a steep ladder to the center of the room.

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    43. Make yourself comfortable, Dayleg said. The old man must be in a feast somewhere.

    The clang of brass gongs filled the hut, reverberated against the rafters, seemed to seep

    down through the bamboo floorings and settled on the ground below. Dayleg took an

    earthen jar from a corner. He placed two plastic glasses on the low table. With a groan he

    sat down beside me. The heat of the rice wine snaked through my throat that was the

    first time I ever drank it, and the taste was both strange and sweet. Here we ferment rice

    into wine, Dayleg said. The longer, the better. Of course if you overdo it you get

    vinegar.

    44. That night we talked about many things. I learned that Dayleg had finished a course in

    pedagogy and philosophy in a university in the city, and that he had come back to his

    village to do his part in the education of my people. But the rest of our talk came to me

    now in images and impressions that flitted in my brain like cinematic associations, the

    focus always changing. A jar of rice wine does so much to blur the memory, though the

    pictures are nevertheless recognizable: Dayleg, sixteen years old, sitting before the

    Council of Elders, being reprimanded for shouting at the village High Priest; the smell of

    pig roasting, its smoke wafted through the pores of houses, everyone poking his head

    through the window, straining to smell the meat and to hear the familiar sounds, for this

    feast was for Lumawig, He Who Sends Fruition to the Earth, the men and women woven

    into a circle, the fire in the center, swinging to the rhythm of the gongs which constant

    use turned golden, like the bright deathmasks of ancient mummery, dancing and chanting,

    amongst them Dayleg handsome in his nakedness; the circle widening with the shouts of

    combat, in the center Dayleg with a spear in a stance ofsciamachy, fearless as a man for

    whom death had no meaning, resolved only to redeem the honor of his tribe while the

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    circle metamorphosed into many pointed lances; Dayleg alone in the spot, a bloody

    wound in his thigh, the circle broken; myself with eyes bloodshot pouring wine into my

    twenty mouths when Dayleg tipped the jar and the floor bloomed into a hundred wet

    pieces of clay; a graduation photograph left to right, third row Manuel Pantig, Jose

    Arcana, Roberto Galdon, Lauro Canlas, Antonio Morte, Lorenzo Peron, Carlos Dayleg,

    Mario Tarsus; a dark face lined with the furrows of years, saying Hardly were the feet

    cold that followed your mothers coffin than you should break her jar. Ale, I tell you ,

    Son, this house will know peace no more!; the clash of cymbals in a nameless place as

    warriors without faces whirled up and down in air till one of them, naked, plunged

    backward shattering his spine against a giant monolith.

    45. Its not because my people are uneducated that they cling to ancient traditions, Dayleg

    said as we walked around the schoolyard during recess the next day, but its a reason

    civilized men like you dont and cant fully understand. Ars longa, vita brevis. As your

    philosophers say, yet something longer than art governs the very consciousness of these

    people. It goes to the very bone of their existence. Lumawig, Creator of Earth, permeates

    their lives, my life, and these traditions are but extensions of His Being. When one turns

    his back on these he forfeits glory in the afterlife.

    46. Then youve already lost a great part of that glory. I said reminding him of the wine jar.

    47. That is pardonable under the circumstances in which I broke it, he said. He shrugged

    off the matter. But what must be obvious to you is that I do things to break these

    traditions. I believe its about time some of them were challenged.

    48. I could hardly understand him for the contradictions in what he said; perhaps he was not

    aware of them, but on my part the more I got to know him the more complex he became,

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    until an incident that disturbed the elders provided me with the first insight into his

    character.

    49. He had gathered thirty of the old villagers, marched them to the schoolhouse where

    before the blackboard topped by a picture of a severe unsmiling Rizal he lectured them

    on the advantages of forsaking Lumawig and adopting the ways of the Christians. His

    listeners sat with passivity of a people used to the hard exigencies of mountain life, their

    faces stolid as the rocks the school was perched on, neither nodding nor shaking their

    heads, for they could not follow the ramifications of this strange exotic dialectics, taking

    in the words more out of respect for this young man who had been to the university than

    out of interest for what he was saying; a few of them appeared confused, who had come

    only thinking there would be planning afoot for a forthcoming feast. While he was thus

    intent on his mission of conversion a procession was heading toward the school. His

    father strode into the room with his army boots clacking on the loose floor boards

    followed by ten of the village elders. Surprise and anger were written on their faces. They

    surrounded him with the combined smell of sweat, tobacco, dust, and breath the basic

    ingredients that had kept these people alive in this remote chunk of earth.

    50. Know what youre doing? his father said in his face. He raised his arm as if to strike his

    son, but it fell limply on his side.

    51. The devil has charmed his tongue, one of the elders said.

    52. And his eyes, another said.

    53. I can do what I like, Dayleg said.

    54. To make your mother turn in her grave?

    55. To bring my people light.

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    56. It has not fallen upon your shoulders.

    57. Thats what I went to school for.

    58. You are young, a white-haired elder said, obviously the leader. We can still forgive

    you.

    59. I dont see anything for you to forgive, there was recussancy in Daylegs words.

    60. Stung by this insolence, the leader turned to his companions.

    61. There is no question but that we should hold a council, he said. The rest of you go

    back to your work. With a last glance at Dayleg he led the group out of the room.

    62. The Council, of course, condemned Daylegs action; it ordered him to refrain, under pain

    of expulsion from the tribe, from expounding foreign philosophy to the natives. If Dayleg

    was hurt by this decision he did not show it. He was one who would not make a martyr of

    himself even though martyrdom danced before his very eyes. Consequently, there was a

    change in the peoples attitude toward him: they were more careful in mentioning his

    name. They did not avoid him outright though they took the precaution of not being seen

    talking to him.

    63. When we reached the Village, it was midnight. Arriving at his fathers house. Dayleg

    groped in the darkness under it looking for a suitable depository for the boar while I sat

    on an old tree stump to catch my breath. The moon had come out from a layer of clouds

    to provide the only illumination in the place, the big, pot-bellied moon which on other

    nights I might have found romantic but which now enwrapped me with a feeling of dread.

    64. Tomorrow we hold the sacrifice, Dayleg said sitting beside me. We sat in silence. I

    listened to the shadows moving across the houses, listened so hard that after they had

    vanished with the moon that sailed right through the door of the sky I could still hear

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    them scraping against the corner of my mind. I was afraid, to say the least, and was now

    beginning to shiver from the cold and from hunger. When I turned to Dayleg I saw he

    was fumbling with something.

    65. You must be hungry. Here, lets start a fire and roast some meat, he said. He had gone

    up the house and secured the food without my noticing his leaving my side. The odor of

    roasting whetted my appetite. He had also brought a jar of rice wine which, together with

    the meat, eased my hunger. But my muscles were still taut in tension; I was fearing some

    thought that had not completely taken shape.

    66. Dayleg ate without saying a word. Now and then he would glance under the house as

    though in spite of the darkness he could see the boar, as though in spite of the darkness he

    could read some cabalistic calendrics on the skull of the boar. Three school terms I had

    worked with him but I knew nothing about him, except his preference for canned food,

    his indifference to women, his love for the rice terraces. Not that he was reserved or

    aloof -- he was sociable but his sociability revealed merely the outer encumbrances of

    his personality, much as the sphinx revealed the outer characteristics of its animalism, but

    the mystery that shrouded it amidst the burning desert sands few could untangle: Perhaps

    the metaphor was far-fetched, perhaps he was enigmatic not because I could not

    understand him but because I was analysing him from an irrelevant angle. Luisa had told

    me that I was always inclined to be poetic. You see things only after your imagination

    has colored them. You wont look at them as they are, she said. And Roy accused me of

    being a poet as though that was a crime. He pointed out that poets were an anachronism

    in an age of practical realists who regarded mankind with precise scientific minds in

    search of solutions to its problems. Perhaps I saw Dayleg from a wrong perspective. My

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    own life with Luisa was an out-of-focus affair. We had known each other for three years.

    She was secretary to an oil executive in the City and I was a reporter for an afternoon

    paper. Because of the nature of my work I saw very little of her -- yes, we would go on

    dates on Sundays, to the cinema, the beach, but most of the time we did not know what

    the other was doing. Not that it was necessary to know that we loved each other;

    sometimes, however, one needs some form of assurance that his beloved is still alive or

    faithful. I guess I was the possessive type for I insisted that we got married. After all we

    had been planning that for the past year, only we were afraid we could not live decently

    on our meager income. I asked for a weeks leave from my editor and she did the same

    from her chief. We got married in a simple rite with only the priest, Roy, and Blanca

    Luisas best friend in attendance. After that we had an inexpensive dinner, bade Roy

    and Blanca good bye, and off we were to our honeymoon in the Mountains. It was, I can

    say, a happy week we had together. Watching Luisa cook, take care of the house and

    attend to my needs I thought I had found the most wonderful woman in the world. It was

    when we came back to the City that life did not fulfil what it promised in the beginning. I

    had wanted to be the breadwinner in the house but Luisa did not want to give up her job. I

    could not accept the knowledge that she was earning more than I was, that some other

    men command and reprimand her. Roy said this was unfair of me. You are selfish. Soon

    youll have children and your wifes earnings will surely help, he said. When I told him

    I did not intend to have children he said I was crazy and should not have gotten married

    in the first place. I admitted that I had not given that any thought before having

    children and that my sole aim in rushing Luisa into marriage was to possess her. I was

    jealous of any man who as much as looked at her. Having been poor all my life, I

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    desperately wanted something to call my own, yet I was suddenly afraid to face the

    responsibilities of a married man. Three months after our marriage I packed my things

    and headed for the Mountains after writing Luisa a note. There I learned later that she had

    asked for an annulment of our marriage which the Church granted. On what grounds I did

    not know, nor care. I was glad to forget my failure as a husband.

    67. A ripple of noise cut my sleep: the ripple became wider until I found myself sitting

    greatly awake, looking around in the room. It was early morning. Dayleg was asleep in a

    corner near the post. I could hear excited voices emanating from below the house: they

    had discovered the boar.

    68. Soon Dayleg too was disturbed by the noise. He sat upright, listened for a while, then

    rushed out of the room.

    69. When I got downstairs a thin blinding light pierced my eyes; momentarily I stood there

    till the light flashed out of my sight. Thrice it flew up and down then ended in a silver

    strip that was a machete. Dayleg was brandishing it, no, gesticulating with it as he was

    confronted by the elders. A crowd had gathered near the house after someone saw the

    boar and informed the elders; they came some of them still shaky from interrupted

    sleep, some uncertain of what the disturbance was all about more than a hundred brown

    and shiny skins. Dayleg stood tall and looming over the animal as though trying to

    protect it from any sudden snatcher; he held the machete high above his head, its blade

    pointed upward and catching slivers of sunbeam. His face was granite, inscrutable.

    70. The curse of gods upon us! an old woman cried. Many a year I have lived here

    wishing that at my death I could see the sacred boar running. Now I see it dead. The curse

    of gods upon us! She was joined in her wailing by other women who had nurtured the

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    same hope. The others became more excited: they pushed and jostled each other to get a

    better glimpse of the animal and, when the profundity of its violation occurred to them,

    entered with the women into a state of general moaning.

    71. The grove has been defiled!

    72. The infidel!

    73. The village shall be without light!

    74. A thousand droughts shall stalk the terraces!

    75. The curse of gods upon us!

    76. Who would believe it our own man

    77. Somebody pushed through the thick circle of bodies and stood facing Dayleg on the

    opposite side of the cabbage crate on which the boar spread, its body outlined by a pool

    of coagulating blood. It was the leader of the elders. Anger that distorted his face ran

    through his gleaming eyes down to his hands clenched at his sides. The crowd held its

    breath looking from one man to the other.

    78. In the name of Lumawig, why did you kill the boar? the leader said.

    79. It was there for the hunting, Dayleg said. He had put down the machete on the ground.

    80. For the hunting of the gods, yes, but for us mortals

    81. The gods would no more hunt there than we would hunt in the moon.

    82. Blasphemy! the leader shook his fist at Dayleg.

    83. The grove is not sacred.

    84. Blasphemy! It has always been and will ever be. Lumawig himself consecrated it when

    he came down to earth.

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    85. That is a lie you and the others help to perpetuate. Look at your boar! What is to

    distinguish it from any other boar? Its blood is as filthy.

    86. It is sacred, the leaders anger was mounting.

    87. It is dead, Dayleg said with contempt in his voice.

    88. It is sacred, the crowd, contaminated by the leaders anger repeated.

    89. It is dead! Dayleg shouted. Dead! He picked up the machete and poked it at the

    animals belly to emphasize his words.

    90. The old woman wailed burying her face in her hands. The curse of gods upon us!

    91. Dayleg, the leader shrieked above the womans wailing, I tell you your mother is

    turning in her coffin at the shame you have brought us.

    92. I am no more guilty of killing this boar than you are declaring it acred.

    93. It is sacred! the crowd said.

    94. It is dead, dead! Dayleg said. Only fools would cry over a stinking carcass!

    95. Forthwith he started hacking the boar: the blows thudded on its body as again and again

    the gleaming machete fell on it. The crowd watched in horror, some gasping for breath as

    if their very bodies were being hit by the weapon. The womans wailing at this flagrant

    destruction of gods minion rose and fell with the rise and fall of Daylegs hand.

    96. The demon has seized him.

    97. Woe to our children and our childrens children.

    98. Dayleg, the leader shouted, unable to stop the mans blows. Dayleg! In the name of

    Lumawig, stop it. What are you doing?

    99. Im breaking your lie.

    100. And consigning us all to hell?

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    101. And freeing you from blindness.

    102. Son, stop it! Daylegs father clasped his hands imploringly.

    103. No. The sharpness in Daylegs voice sent an icy shiver down my back. By all

    indications he was mad, for he hacked the boar even as it lay almost an indescribable

    mass of flesh and gore. Sweat and the animals blood that had spurted out covered his

    face and arms that shone as the sun rose and struck them. As I watched him I discovered

    the Dayleg I knew was not even the shadow of this one before me.

    104. Dayleg, stop it! Its not too late. The gods can still forgive. The leader was on

    the verge of tears. As against the crate he leant for support, his bony fingers were black at

    the joints.

    105. No, Dayleg said. Ill show them. He picked up a piece of the boars flesh,

    held it high over his head, and shouted. I curse you!

    106. The crowd moved back terrified as the sacred blood dripped from Daylegs

    fingers and the sacred flesh quivered in his hand.

    107. Son, stop it!

    108. In the name of Lumawig, abandon this madness!

    109. The wrath of gods upon us!

    110. I curse you, the sounds came from the sepulchre of Daylegs throat, by a

    crooked line, a broken line, a right line, a simple line

    111. Son, remember your mother.

    112. by flame, by wind, by mass, by rain, by clay

    113. Lumawig, Ruler of the Sky, the leader said kneeling on the ground and beating

    his breast, forgive your son. He is young. The heat is in his blood.

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    114. by a serpent, by a flying thing, by a creeping thing

    115. He has sacrificed many a cow in Your honor; he has danced till his bones ached

    in Your feast.

    116. The wrath of gods upon us!

    117. Many of the natives had also knelt; the rest, stunned by the horror, sat simply on

    the ground. Dayleg alone stood before the crate, his hand still outstretched, holding the

    boars flesh, stood handsomely tall mouthing his antique incantation while the sun rose

    higher and higher to surround his head with a crown of fierce light.

    118. I curse you by an eye, by a hand, by a foot, by a cross

    119. Look not upon this day as a breach upon Your will, the leader said crying, but

    close Your eyes to the wind.

    120. by a sword, by a scourge, by a flood

    121. The wind brings no message if You wont listen. The sun blinds You not with

    horror. Let Your mind forget this day.

    122. Haada, Mikaded, Rakeben

    123. Lumawig, we pray You forgive Your son. Remove not your love from this

    people.

    124. Rika, Ritalica, Tasarith, Modeca, Rabert!

    125. On the last word Dayleg flung the boars flesh to the ground and overturned the

    crate with a kick that spilled the rest of the carcass onto the earth.

    126. The last pictures I bore with me that day as I left the scene of defilement were of

    Dayleg overturning the crate, his chest and face and hands stained by the sacred blood,

    waving the machete and uttering words I could not catch while the shrieking villagers,

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    afraid Dayleg would turn his passion at them, ran in terror, of the leader of elders pulling

    his white hair, still kneeling in supplication to Lumawig to forgive the man who at that

    very moment was desecrating gods minion: suppliant wetting the ground with his tears,

    of the sun in its apex lighting the chunks of boars flesh in harsh legs of luminance,

    moving because the universe must complete its course.

    127. Three months later, while I was in the City during the semestral vacation, I ran

    into Father Van Noort; he had been on leave from school for a year now on account of his

    heart. I invited him to a cup of coffee in a nearby restaurant. Except for a little paleness

    on his cheeks he looked healthy; I called his attention to this and he said, I ought to be

    healthy. I live in the Orders hospital, you know, and there they treat me like a kid. Diet.

    Exercise. I like everything but their denying me my tobacco. Imagine doing that to a man

    who has all this time subsisted on the weed! I reminded him that it was for his own good

    and he shrugged his shoulders in mock resignation. When I related what Dayleg had done

    to the sacred boar he shook his head; the shadow of sadness passed across his face.

    128. It was bound to happen, he said. Dayleg is what you may call a complex

    person. I dont mean that hes schizophrenic or something, but hes not transparent either.

    Some people you can read like a book, Dayleg you have to decipher.

    129. He seems simple enough, I said.

    130. Yes, but remember simplicity is not transparency. Beneath Daylegs tribal

    accoutrement lies the tension between self and reality, a tension call it paradox if you

    like which is common to persons like him.

    131. When will this tension subside?

    132. I dont know. Who knows? Perhaps when he finds peace. I dont know.

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    133. I dont really know why he did it. Sir, wrote Mario, my best student. His letter

    reached me while I was still on vacation a few days after I met Father Van Noort. I was

    there, Sir, and I cannot describe to you my feelings as i watched him destroy our sacred

    boar. You may not understand it, Sir, you not being one of us, but from our birth we have

    always believed that the grove is only for the gods, that whoever enters it and as much as

    touches a blade of grass in it will be denied eternal happiness. I believe this, Sir, that is

    why I was horrified by Mr.Daylegs action. He did not only bring shame to our village,

    he also made us share his guilt. Sadness has descended on on this village, as you will see,

    Sir, when you come back. Mr. Dayleg has disappeared. It is better that he did not witness

    the rites the elders held for his expulsion. Under our laws, Sir, such acts as Mr. Dayleg

    committed are grievous, so the actor has to be driven out of the tribe to lessen the gods

    wrath on the innocent one who have, nevertheless, been tainted with the guilt by their

    relationship with the sinner. Sir, we have to do a lot of sacrifice to wash away this sin. I

    dont know how this will be possible. The harvest is not good this year. But the best thing

    is for the sinner, in spite of his expulsion, to come back, to show repentance. Only then

    will the gods consider our prayers. But we dont know where he is.

    134. Two years.

    135. I stood up and walked to the window; with my fingers I rubbed off the mist that

    had collected on the glass. I peered outside. The world was a blanket of darkness. These

    two years I had tried to find peace, to re-order my life toward a meaningful goal, but

    things eluded me. An indefinite fear was gnawing my mind.

    136. Anything around here to eat? Roy shouted from the kitchen. I could hear him

    opening and closing drawers.

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    137. Theres a can of beans on the upmost shelf and some meat in the bowl on the

    table. Theres some rice near the stove, I said.

    138. I smoked as I watched him eat. Outside, somewhere in one of those spare, squat

    houses with roof and walls of cogon, I knew, a group of white-haired men was praying to

    the gods. In these two years that Dayleg had been gone they had not stopped their

    supplication. The harvest had been regularly poor, a sure sign of the heavenly displeasure.

    Hes gone beyond, they would say alluding to Dayleg. the gods have turned their

    faces away from us.

    139. There had been no rain for the past three months, whereas before it came sooner

    than the planting season, soaking the terraces and fattening the frogs that croaked in the

    mountain crags. Now the rice plots lay barren like a thousand mouths without blood, and

    planting time was just a week ahead. Only the fog rubbed the soil and tinted it with a

    whiff of wetness that was gone as soon as the fog had lifted.

    140. And you have not seen him since? Roy said after I had told him what happened.

    141. No. I said. I quenched the light of my cigarette in the metal ashtray. But I have

    just received a letter from him.

    142. Does he say where he is now?

    143. No. The letter bears the Citys postmark.

    144. Sounds like a strange fellow to me.

    145. He is. I cant understand him, couldnt understand him myself. I dont think

    anybody here understands him.

    146. Maybe hes an exception to the rule.

    147. The rule?

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    148. I mean in any society or tribe theres bound to be someone whod violate

    traditions and laws. Not that hed do it for the heck of it, but that in him probably a new

    personality is emerging.

    149. I thought of Father Van Noort.

    150. A synthesis, we may say, of the old tribal character and the modern patterns that

    slowly put him in a quandary: he may be alienated entirely from his native roots or he

    may bridge the past with the present.

    151. Im thinking Dayleg is an intelligent man, I said.

    152. Intelligence has nothing to do with it. Why, may I ask, did he do what you said

    he did if he is intelligent? No, its a matter of blood, not of intelligence.

    153. Well, I said, its done. His people are having a hard time appeasing the gods.

    And to top it, rain has not yet come. I dont know how this people will survive a year of

    hunger.

    154. Appeasing the gods by prayers?

    155. Yes. And sacrifices. Tomorrow theyll hold a big one. Killing a cow, you know,

    chanting, dancing.

    156. Thats one thing Id like to see.

    157. Well be there.

    158. We took another shot of whiskey before going to bed.

    159. Early the next morning, while I was boiling some coffee, there was a knock on the

    door, Roy was still curled up in his cot, so I crossed to the living room to see who it was.

    It was a tall dark man in dirty maong trousers and gray shirt, his hair long almost

    touching his shoulders; his beard and moustache covered a large part of his face.

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    160. Yes? I said, not knowing what he wanted.

    161. Then he uttered my name.

    162. Its me, Dayleg, he said.

    163. I stood there in disbelief; Dayleg. Dayleg, I said to myself. A thousand thoughts

    rushed to my brain like a flood.

    164. Its me, Dayleg, he said again when he noticed my hesitation.

    165. I opened the door wide and he stepped inside. I led him to the kitchen just in time

    for me to prevent the coffee from spilling all over the stove.

    166. What happened? Where have you been? I could scarcely conceal my

    excitement.

    167. He sat down by the table on which, so many times before, we had worked till

    midnight making our lessons. He had lost weight his shirt was loose around his

    shoulders and his veins stood out of the skin of his arms.

    168. Nothing, he said. I have been living with a friend in the City.

    169. But why didnt you tell me? I could have helped.

    170. Nobody can help me.

    171. Been working?

    172. I could not though I wanted to.

    173. You could have taught. Your record is excellent.

    174. You dont understand, he said and looked at me with his bloodshot eyes. Its

    not that. The gods.

    175. What? I almost dropped the cup I was holding.

    176. You received my letter?

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    177. I nodded.

    178. Then, he continued, you know what I mean.

    179. Vengeance?

    180. The gods.

    181. You knew about that before, didnt you? Even before we hunted the boar?

    182. Yes. His voice was old, tired, excruciated by a force too strong for me to unlock.

    But I didnt believe it then.

    183. Well, youve come back. Thats the most important thing. Your people will hold

    a sacrifice tonight. Wait till they hear youve come back.

    184. But Im not staying, he said softly.

    185. What? Then why did you come?

    186. To tell you good-bye and to get the things Ive left here.

    187. You know what youre doing, of course.

    188. Thats the only thing I can do. Ill go far enough where no one can touch me.

    189. Perhaps, but your people will suffer in the meantime, as theyve been suffering

    these past years.

    190. They can blame the gods.

    191. Theyre blaming you, yet they pray for your return.

    192. No, I cant stay. I didnt want anyone to know Im here so I came this early.

    193. Where will you go?

    194. Anywhere. Im alone. He stood up. I must go.

    195. Roy was awakened by our conversation. He came into the kitchen.

    196. Roy, this is Dayleg, I said.

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    197. They shook hands. Dayleg turned to me. I must go, he said.

    198. I followed him to the door. I said, Anytime you want to come back

    199. Thanks, he said.

    200. The sacrifice tonight

    201. No, I cant.

    202. His figure was swallowed by the early morning fog before I could say anything

    more.

    203. The sacrifice began three hours after noon. Five men, their necks and arms

    coppery with sweat, dragged a cow down to the village square where a big wooden table

    had been set. The elders had formed a circle around this table and were already praying.

    The sun cast their shadows in jagged patterns across the wooden planks as their voices

    interlaced in supplication, as the cow, being tied now temporarily to an iron stake, gazed

    at the solemn gathering; the fire burned fiercer under the big iron vats and small tin pots

    while the brass gongs were brought out of the chieftains hut and hung on their wooden

    pegs near the avocado trees where the young men would take turns beating them. Small

    boys arrived from the forest bearing in the crook of their arms the firewood and dead

    leaves that would lessen the nights chill.

    204. At sunset, the praying stopped. In single file the elders walked slowly toward the

    cow; they surrounded the animal and, as if somebody had given a signal, knelt before it.

    They uttered some inaudible incantation, their heads bowed, giving the impression that

    they were addressing themselves. Once in a while the leaders voice rose above the

    murmurs of the others. He would stand up, stamp his foot several times, then kneel again.

    Finally, they all stood up their ancient faces yellowish in the flickering firelight silent.

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    The leader raised his right hand. Immediately a barrel-chested muscular man appeared

    from outside the circle. He looked at the leaders eyes and read the message there, for he

    nodded, the leader having said nothing. Quickly he stepped aside to allow the elders to

    pass and return to the table to resume their prayer. Not long afterward the deafening cry

    of the dying cow drowned out the elders voices: it flew above the clatter of pots and

    pans and the whispering of the women as they prepared the boiling water and tended the

    fire; then, all of a sudden, it was gone. A group of men had converged around the cow;

    from where we stood we could see knives flashing in the moonlight.

    205. What are they doing? Roy said.

    206. Cleaning the animal. The entrails will be buried near the sacred grove before the

    cow is roasted, I said.

    207. They had dug a roasting pit, about six feet wide, ten feet long, and three feet deep,

    where live coal was dumped. Two big forking branches of mountain pine were hammered

    into the ground to serve as cradle for the pole that impaled the animal to turn on.

    208. A pity to waste such meat, Roy said.

    209. It wont be wasted. They will eat it after a portion has been properly offered to

    the gods. This is actually a feast, you know, with lots of wine going around.

    210. As the animal was being raised above the pit to roast, the dancing began. The

    clang of brass gongs preceded a group of men and women whose feet bent the grass to

    the strange uneven rhythm, their arms outstretched fluttering in alar animation, who

    formed two long lines. The strange uneven rhythm had a logic to it for the dancers never

    missed a step, never hesitated; the strange uneven rhythm had a logic to it for the dancers

    moved as if synchronizedin sure and easy steps even as a couple swung in between the

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    lines to join them. A native told me once that dancing was not really taught to the

    children the children learned by watching and carrying the rhythm in their heads,

    memorizing it even in sleep, making it a part of their bones. So when they danced they

    danced as though mesmerized, as these dancers now were, eyes glazy in the moving

    firelight. Dance, brothers and sisters, they seemed to say. The gods watch, and the gods

    must be appeased.

    211. We left the dancers and returned to the roasting pit. The cow was now exuding a

    delicious smell as its fat trickled down the burning coal, producing tiny hisses as it

    touched the embers; the skin was golden brown and, as the animal was turned by two

    equally smoke-burnt men while others watched and waited, full of brightness.

    212. As the night deepened, more fires were built; but the elders continued praying, the

    tone of their thaumaturgic throats never wavering nor slowing, while Roy and I sat on a

    boulder behind them to rest for a while. There was little for us to do. We were strangers:

    our lives were not entangled by in these ritualistic complexities. Our world was on the

    other side of the Mountains. Yet I felt I was part of all these for I had stepped into the

    sacred grove and had stalked its sacred occupant. The reality of my guilt had laid a heavy

    hand on my heart, and even now as I heard the primitive music I could not help

    imagining that it was exorcising the demon in me.

    213. My thoughts were interrupted by the noise of a commotion emanating from a

    section of the square. The elders abruptly stopped praying and turned their heads to the

    direction of the dancers. The natives shouted as they pressed forward nearer the avocado

    trees. I looked at Roy. Then we ran. The sounds of gongs grew louder and louder than the

    pounding of my heart against its ribcage as we approached the thick circle of people

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    straining their necks to see the object of the perturbation. We elbowed our way through to

    the center of the crowd. For a while I rubbed my smoke filled eyes for I thought I was

    dreaming, but there, caught in the glare of the bright firelight, was a lone man dancing,

    the ends of his G-string flapping as he moved unerringly to the strange uneven rhythm of

    the gongs while shifting shadows drew myriad patterns on his golden chest, his arms

    elegant in their winging, his feet affirming his thanage of the earth, his long hair and

    loose beard wavelike in the wind while the people whispered, Hes back, Dayleg,

    Dayleg, and the elders caressed the sky with their eyes and gazed at him reduced to a

    thin pathetic remnant of aa man by the mills of the gods, him, the hunter, expressing the

    threads of mountain history that held his muscles and bones in the frenzy of

    autochthonous grace now unleashed purely, and that contorted his face into a mask of

    grave pain until tears came to wash his beard and glimmer in the light, and, as his feet

    stamped the ground in syllables of penance, they commenced carving that portion of the

    cow for the gods he had returned but the gods had a long memory they carved the

    meat while in the circle, wrapped in a spell, he kept on dancing, figure of a man fallen

    and rising again, with his feet and arms and soul declaring his inviolable kinship with all

    that made him what he was and what he would be, there in the circle, oh how he danced.

    214. The next morning I packed my bags and told Roy I was going back to the City

    with him. There were many things I had to do. We could still catch the six-o-clock bus.

    215. DONE