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RICARDO GUSMÃO portfolio 2008

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Page 1: RICARDO GUSMÃO_PORTFOLIO

RICARDO GUSMÃO

portfolio 2008

Page 2: RICARDO GUSMÃO_PORTFOLIO

Ricardo Lopes Gusmão Architecture Student

[email protected]

tel +31 06 26 31 98 04

Groen van Prinstererstraat, 89-A3038 RERotterdam NL

Lycée Pasteur Bilingual , São PauloColégio Santa Cruz, São Paulo – 2001

admission in the Faculty of Architecture and Urbanism of the University of São Paulo – FAUUSP

exchange program with Technische Universiteit Delft – TUDelft, following the classes of the Master of Science 1 and 2 of the Hybrid Building program

‘History of cinema’ in the University of São Paulo.

‘Cinema Novo’ theoretical classes about the brazilian cinema.

filming and editing workshop at FAUUSP

black & white photography and drawing at the Panamericana School of Arts

drawing classes in Prof. Dr. Feres Kfoury’s studio – São Paulo, Brazil

earth construction course, the introduction of the ‘taipa de pilão’ technic, in the University of São Paulo, Brazil, given by Prof. Dr. Reginaldo Luiz Nunes Ronconi and by Architect Paulo Montoro.

bio-architecture course given by the architect Johan van Legen, in TIBÁ (Intuitive Technology and Bio-Architecture) site in Bom Jardim – Rio de Janeiro, Brazil.

alfatecture course, also given by the architect Johan van Legen, in TIBÁ (Rio de Janeiro – Brazil).

Curriculum Vitae

Date of Birth: 08/09/1983 São Paulo - Brazil

Nationality: Brazilian

Scholar Resume

1987 - 981999 - 01

2003

2007

Complementary Formation

2003

2004

2005 - 06

2005

2006

Page 3: RICARDO GUSMÃO_PORTFOLIO

Professional Experience

2005 - 06

2007 - 08

Workshop experience

2004

2005

2007

Languages

Portuguese nativeEnglish fluent (speaking | reading | writing)French fluent (speaking | reading | writing)Spanish advanced (speaking | reading | writing)

Software Skills

Adobe PhotoshopAdobe IlustratorAdobe InDesignAdobe PremiereAutodesk AutoCadDeltaPi plugin for AutoCadAutodesk MayaGoogle SketchUpPanorama MakerMicrosoft Office

Microsoft WindowsMac OS

Internship in the office Barbieri & Gorski Arquitetos Associados, working with land-scape and architecture - São Paulo, Brazil

Internship at dp6 architectuurstudio - Delft, The Netherlands

The city and the river. How to bring back the Tietê river to São Paulo.

The Modern City: Brasília. Analyses of the current problems generated by the modern-ist design; Brasília (during the National Meeting of Architecture Students).

Tucumán: The Industrial City. Analysis of the current situation of Tucumán and pro-posal of new solutions; Tucumán, Argentina (during the Latin American Meeting of Architecture Students).

Parelheiros: The peripheral City. Creating a new urban design for the peripherals areas in São Paulo; São Paulo, Brazil.

Projecting the Tagus City. New solutions to connect the river and the city. With Ter-raventure, Universidades Lusíada and TUDelft; Lisbon, Portugal.

Page 4: RICARDO GUSMÃO_PORTFOLIO

The hospital in Kalyan-durg (a small village in

the region of Anantapur, India) was needing a new

entrance because the rain was getting inside the

atrium.I worked as a volunteer

for the spanish fundation Rural Development Trust

- Fundación Vicente Ferrer, who built the hos-pital and is also in charge

of this construction.

New entrance to Kalyandurg’s Hospital

August 2007 (building in progress)

Page 5: RICARDO GUSMÃO_PORTFOLIO

In order to preserve the openess of the hospital´s entrance, I proposed a new roof that hangs itself at a inverted beam. The pilars are pushed away from the access ramp, leaving space for a generous entrance with a roof fl oating

above it.

This project is a clear reference to Paulo Mendes da Rocha (pritsker awarded in 2006) design for the Praça do Patriarca revitalization in São Pau-lo. He proposted to restaure the old square as it was, and added a new, light structure to cover it. Without touching the ground, the structure is capable of re-organizing the space of the square only by providing shelter, and marking the metro station.

Page 6: RICARDO GUSMÃO_PORTFOLIO

MST - Movimento dos Trabalhadores Sem TerraMouvement of the Rural Workers with no Land

2006 design to FAU-USP, presented at the MST campsite

I chose to work with this ideological movement because I wanted to participate, as an architect, in the construction of a more equal society.

This movement is promoting a very important change to the rural land ownership in Brazil. Demanding that unproduc-tive land from big farmers be passed on to people that need it and can work on it.

The design plays here a very important role: racionalizing the land use and making very clear how the land ownership could be, with a more equal and collective character.

To assure the objectives to be socialy, economically and ecologically responsable, I followed Bill Mollison’s principles of Permaculture. By making the design more harmonic with the climate, the site conditions and the labour available, it is pos-sible to allow nature to do most of the work for us. This organization brings a continu-ous and diversified production throughout the year, with a very low energy consumption.

The objective is to work with the local potantialties and al-lowing them to grow stronger.

Organizing the production areas in strips perpendicular to the private sites emphasize the collective caracter of production and reproduction of the local comunity.

MST - Movimento dos Trabalhadores Sem TerraMouvement of the Rural Workers with no Land

2006 design to FAU-USP, presented at the MST campsite

I chose to work with this ideological movement because I wanted to participate, as an architect, in the construction of a more equal society.

This movement is promoting a very important change to the rural land ownership in Brazil. Demanding that unproduc-tive land from big farmers be passed on to people that need it and can work on it.

The design plays here a very important role: racionalizing the land use and making very clear how the land ownership could be, with a more equal and collective character.

To assure the objectives to be socialy, economically and ecologically responsable, I followed Bill Mollison’s principles of Permaculture. By making the design more harmonic with the climate, the site conditions and the labour available, it is pos-sible to allow nature to do most of the work for us. This organization brings a continu-ous and diversified production throughout the year, with a very low energy consumption.

The objective is to work with the local potantialties and al-lowing them to grow stronger.

Organizing the production areas in strips perpendicular to the private sites emphasize to the private sites emphasize the collective caracter of production and reproduction of the local comunity.

Page 7: RICARDO GUSMÃO_PORTFOLIO

area close to the house and more intensively used

species of plants and animals that require greater care are

located in this area

little maintenance, with not-trimmed vegetation and animals that can be untied.

Does not require any mainte-nance. The structural forest, productive florest throughout the hole year and the river-side vegetation are located

here.

organization of the productive areas in strips - breaking the limits of individual plots

section through the hole camp

organization of the productive areas in strips - breaking the limits of individual plots

section through the hole camp

area close to the house and more intensively used

species of plants and animals that require greater care are

located in this area

little maintenance, with not-trimmed vegetation and animals that can be untied.

Does not require any mainte-nance. The structural forest, productive florest throughout the hole year and the river-side vegetation are located

here.

Page 8: RICARDO GUSMÃO_PORTFOLIO

Projecting Tagus City - Projectar a Cidade do TejoLisboa June 2007

# 11 marvila _ mega[mini]structure

toolbox for squatting big, mean things

# 000000

# 636466

# 9D9FA1

# BCBEC0

# FF3333

# FFFF00

# FFFFFF

# FF0000

Oriente

Cais do Sodre

Sta. Apolonia

Chelas

Xabregas

Rato

Alameda

Aeroporto de Lisboa

Telheiras

Amadora Este

Odivelas

Marques de Pombal

Marvila

Barreiro

Baixo-Chiado

Porto BrandaoTrafaria

Cacilhas Seixa Barreiro

Montijo

M

M

M

M M

TGV M

M

M

M

M

HIGHWAYS

RAILWAY

METRO

FERRY

TRANSPORT NETWORKS

HUBS XL

L

M

Teacher: armando pais do amaral Group Members: ricardo gusmao_duo yuan_n. efe celimli_tanja bergqvist

condition B _ mini meets mega

condition C _ dry dock / HUB

B_ NOISE CARPET_protecting excisting urban structures adding public space

B_ noise carpet_protecting excisting urban structures

A_ open door policy _strategy for establishing public awareness in enclosed space

C_ flowdiffuser_ vertical distributer / diffuser of flows

AB

C

todaycontainerhaborwarhousesno public access

bridge landsdifferentdynamic intro-duced

squat the bridge = flying public islands enter the site, introduce pub-lic awareness

land programs move habor - pub-lic network es-tabllshed

strategy C intensified programme

YOUTH HOSTEL

CAFÈGALLERY

LYNCH WEEKEND

ABC

marvila, a quiet part east in the city

of lisbon, sleeps quiet through dawn,

little does it know what the next day

will bring . . .

generic bridge as seen before_sequence

LISBON TODAY 2 bridges LISBON FUTURE third bridge connecting marvila and barreiro for TGV high speed train new airport - madrid and tram system

new bridge coming to town _ crossing tagus marvilla = new TGV hubcondition A _ private appropriation of the waterfront

A

B

C

N

A public programs

1 hostel2 temporary library3 escalator4 cinema5 sunbath terrace6 gallerie7 bar8 ferry

B recreational programs

1 jogging corridor2 outdoor basketball3 sport facilities4 public lift5 sport venues

C HUB TGV

1 TGV2 regional railway3 metro4 public lift5 mall

Page 9: RICARDO GUSMÃO_PORTFOLIO

Projecting Tagus City - Projectar a Cidade do TejoLisboa June 2007

# 11 marvila _ mega[mini]structure

toolbox for squatting big, mean things

# 000000

# 636466

# 9D9FA1

# BCBEC0

# FF3333

# FFFF00

# FFFFFF

# FF0000

Oriente

Cais do Sodre

Sta. Apolonia

Chelas

Xabregas

Rato

Alameda

Aeroporto de Lisboa

Telheiras

Amadora Este

Odivelas

Marques de Pombal

Marvila

Barreiro

Baixo-Chiado

Porto BrandaoTrafaria

Cacilhas Seixa Barreiro

Montijo

M

M

M

M M

TGV M

M

M

M

M

HIGHWAYS

RAILWAY

METRO

FERRY

TRANSPORT NETWORKS

HUBS XL

L

M

Teacher: armando pais do amaral Group Members: ricardo gusmao_duo yuan_n. efe celimli_tanja bergqvist

condition B _ mini meets mega

condition C _ dry dock / HUB

B_ NOISE CARPET_protecting excisting urban structures adding public space

B_ noise carpet_protecting excisting urban structures

A_ open door policy _strategy for establishing public awareness in enclosed space

C_ flowdiffuser_ vertical distributer / diffuser of flows

AB

C

todaycontainerhaborwarhousesno public access

bridge landsdifferentdynamic intro-duced

squat the bridge = flying public islands enter the site, introduce pub-lic awareness

land programs move habor - pub-lic network es-tabllshed

strategy C intensified programme

YOUTH HOSTEL

CAFÈGALLERY

LYNCH WEEKENDYOUTH LYNCH WEEKEND

ABC

_protecting excisting urban structures

_ vertical distributer / diffuser of flows

move habor - pub-lic network es-tabllshed

marvila, a quiet part east in the city

of lisbon, sleeps quiet through dawn,

little does it know what the next day

will bring . . .

generic bridge as seen before_sequence

LISBON TODAY 2 bridges LISBON FUTURE third bridge connecting marvila and barreiro for TGV high speed train new airport - madrid and tram system

new bridge coming to town _ crossing tagus marvilla = new TGV hubcondition A _ private appropriation of the waterfront

A

B

C

N

A public programs

1 hostel2 temporary library3 escalator4 cinema5 sunbath terrace6 gallerie7 bar8 ferry

B recreational programs

1 jogging corridor2 outdoor basketball3 sport facilities4 public lift5 sport venues

C HUB TGV

1 TGV2 regional railway3 metro4 public lift5 mall

Page 10: RICARDO GUSMÃO_PORTFOLIO

The necessity of the ever faster growing city of São Paulo for more dwellings, resulted in this mixed program for a site in the city center

in order to keep the diversity of the city center, the building will contain:

design to FAU-USP in 2006

300 dowellings - 150 student housing - 150 family housing

2 public theaters - 50 seats

- 200 seats

2000 m² comercial area

library

colective area / equipments

Page 11: RICARDO GUSMÃO_PORTFOLIO

the given pro-gram

a solid block with the public functions on the city’s ground � oor, and a mas-sive housing organization, with little sun, little diversity, little space. BUT WHAT IF...

... the public square is organized vertically, according to its functions and its relation to several city heights. Multiplicating the ground � oor could bring a deeper conection of the citizens to their habitat ...

... the library is added close to the street ...

they spread open, breathe over the city. allowing the sun and the wind to enter to hole build-ing

the dwellings will have to react in order to incorporate these changes

and a library

2 theaters ,

the inhabitants will now have several qualities of space

the vertical públic squares ,

... and then the colective equipments work as a connec-tion node throughout the intire building

the collective facilities ,

... two theaters can give a cul-tural boost to the surround-ings ...

the result is a highly dense building, with a variety of funcitions, and in close tuning with its urban surroundings. the purpose of its architec-ture is to act as a ‘human gatherer’

The idea of a residencial tower with comerce on the base is shadered and the construction assumes a far more im-portant role in the city, an multiple-functional urban equipment.

Page 12: RICARDO GUSMÃO_PORTFOLIO

view of the public space in the middle

height of the building

Page 13: RICARDO GUSMÃO_PORTFOLIO

the two theaters bring a very diferent impression to the spectator.

view from the upper theater, overlooking the city and Oscar Niemeyer`s building, COPAN

the upper one has broad

overview of São Paulo’s

center

in the street level, the theater is based on a Lina Bo Bardi design (sesc pompeia). By

making two facing auditorium, the audience is continuously confronted with themselves

while watching a play.

facades with diferent activities,

spaces

housing

collective functions

theaters/culture

library

public square

comerce

Page 14: RICARDO GUSMÃO_PORTFOLIO
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Cratera de ParelheirosParelheiros: The peripheral City

design to FAU-USP, published in the faculty magazine 1:1000

the city and the crater

the assignment seeked solutions for the consequences of the fast expantion of São Paulo.

São Paulo, one of the largest cities in the world, is expand-ing in a speed far greater then its infrastructre can follow. The mouvement of contraction and expantion that the city goes trough every day, leaves areas where the public domain is un-nable to interviene in a construc-tion of a more coherent urban tissue.

In the very south of the city, is found a very unique geological formation: a crater opened two milions years ago, on the side of the Billings dam, in the verge of the sea mountain chain.

This was the site of the assign-ment, the question of density arose.

Page 16: RICARDO GUSMÃO_PORTFOLIO

the discussion raised itself, shoud we ‘fi x’ the problems of current cities or propose an

ideal city?

why not imagine a new kind of urbanization?

why not think of the cities of the future? as they could be?

Page 17: RICARDO GUSMÃO_PORTFOLIO

‘After a seven days’ march through woodland, the traveler directed towards Baucis cannot

see the city and yet he has arrived. The slender stilts that rise from the ground at a great distance from one another and are lost above the clouds sup-port the city. You climb them with ladders. On the ground the inhabitants rarely show themsellves: having already

everything they need up there, they prefer not to come down. Nothing from the city touches the earth except those long fl amingo legs it rests and,

when the days are sunny, a pierced, angular shadow that

falls on the foliage.

There are three hypotheses about the inhabitants of Bau-cis: that they hate the earth; that they respect it so much they avoid all contact; that they love it as it was before they existed and with spy-

glasses and telescopes aimed downward they never tire

of examining it, leaf by leaf, stone by stone, ant by ant,

comtemplating with facination their own absence.’

CALVINO, Italo

in ‘The Invisible Cities’

Page 18: RICARDO GUSMÃO_PORTFOLIO

upper beams, also used as rails to trans-portation

lower estabilization beams

long pilars

public upper deck

traction cables

struture rings

public lower deck

program fl oors:housing, culture, sport, production

verendhel beams

Page 19: RICARDO GUSMÃO_PORTFOLIO

presentation drawing at

a seminar in FAUUSP

Page 20: RICARDO GUSMÃO_PORTFOLIO

FOOD&

ENERGY

Is it possible to built an increadibly dense mega-structure, that rarely touches the ground?

A modulation was the most practical way to express the need for order.

The mega structure would have 200 x 25 meters wide, with a central spam of 120 meters and 40 meters cantilievers on each side

with this fi xed structure, the space inside gets a great freedom to adapt to diferent

uses :

housing with various densities ...

... cultural and sports equipments ...

and productive infrastructure

A B C D E

Page 21: RICARDO GUSMÃO_PORTFOLIO

FOOD&

ENERGY

FOOD&

ENERGY

these functions can be combined in sev-

eral ways, resulting in a mixed and diversifi ed

urbanism, where nothing touches the ground `ex-cept those long fl amingo

legs`.

housing typologies

A B C D E

this variety can lead to ex-treme density changes, in a very short distance

high density housing

low density housing

Page 22: RICARDO GUSMÃO_PORTFOLIO

s p a a r n e r i v e r

a_

pu

blic sq

uare

;b_

foye

r/th

eate

r;c_co

mm

erce

HO

REC

A;d

_acce

ss to a

pp

artm

en

ts

a

b

c

d

d

c

I focused in the quality of the public space, preserving its democratic nature and giving the basis - space - to a more fertile mix of use, social classes, culture.

In the spring semester 2007 the design assignment was to elaborate a hybrid building. To enhance the quality of the new expantion of Haarlem, this new building should make a dialogue between different functions, diferent spaces and diferent people, the old and the new.

Hybrid Building for the Dutch City _ haarlem

Page 23: RICARDO GUSMÃO_PORTFOLIO

the public route, with diferent scale of spaces, feelings

leading to a generous opan square, that ends in a deck in close contact with the waterfront

Page 24: RICARDO GUSMÃO_PORTFOLIO

FLOOR PLANS1:500

78m²

156m²

156m²

129m² 180m²

84m²

129m²

168m²

Page 25: RICARDO GUSMÃO_PORTFOLIO

Units of dwelling that mingle, and seek sun light. The inter-locking of housing can cause a new kind of neighbourhood, a more respectful one.

1

2

3

4

5

6

7

8

a variety of housing units, bringing a

diversity of social classes to share the

same spaces

HOUSING

Page 26: RICARDO GUSMÃO_PORTFOLIO

FOYER

section through the foyer

section through the outside stage, foywer and underwa-

ter theater

The foyer has to invite the citizens to come in, it has to be a part of the city. With that in mind I proposed an entry to the theater with different relations to the city,

different spatial perception, different cultural activities.

an outside arena, to external activities and marking the entrance to the inside theater

the foyer,a more introspective space. After entering the foyer, one gets light only from above, preparing a frame of

mind to watch a play

Page 27: RICARDO GUSMÃO_PORTFOLIO

view from the foyer

the theater dives in the direction of

the river, making front

with the heavy traffi c street on this side of the site.

from outside, the pedestrian sees the the-

ater emerging from the water

as a water sculpture

Page 28: RICARDO GUSMÃO_PORTFOLIO

27mm oiled larch boarding with 10mm joints acustic mat vapour barrier 100mm wood fibreboard400mm reinforeced concrete 5mm elastomer-bitumen layer150mm polystyrene insulation10mm root resistant bituminous sealing layerextensive planting layer.

1

sliding window, with double glazing

2

3

sandwich construction:30mm horizontal oiled wood strips40mm thermal insulationacustic insulation21mm oiled larch board40mm thermal insulation30mm horizontal oiled wood strips

27mm oiled larch boarding with 10mm joints acustic insulation90mm thermal insulation200mm reinforced concrete floors90mm thermal insulationacustic insulation27 oiled larch boarding

1

2

3

4

precast facade component:100mm concrete120mm compression-resistant thermal insulation120mm reinforced concrete layer

5

27mm oiled larch boarding with 10mm joints acustic insulation200mm reinforced concrete floorsacustic insulation27 oiled larch boarding

6

5

6

fixed window, with double glazing

30mm vertical waterproof wood strip3x 40/60mm battens and counter-battens40mm thermal insulationacustic insulation21mm oiled larch board40mm thermal insulation

7

7

8

8

4

4

6

4

27mm oiled larch boarding with 10mm joints acustic mat vapour barrier 100mm wood fibreboard400mm reinforeced concrete 5mm elastomer-bitumen layer150mm polystyrene insulation10mm root resistant bituminous sealing layerextensive planting layer.

1

sliding window, with double glazing

2

3

sandwich construction:30mm horizontal oiled wood strips40mm thermal insulationacustic insulation21mm oiled larch board40mm thermal insulation30mm horizontal oiled wood strips

27mm oiled larch boarding with 10mm joints acustic insulation90mm thermal insulation200mm reinforced concrete floors90mm thermal insulationacustic insulation27 oiled larch boarding

1

2

3

4

precast facade component:100mm concrete120mm compression-resistant thermal insulation120mm reinforced concrete layer

5

27mm oiled larch boarding with 10mm joints acustic insulation200mm reinforced concrete floorsacustic insulation27 oiled larch boarding

6

5

6

fixed window, with double glazing

30mm vertical waterproof wood strip3x 40/60mm battens and counter-battens40mm thermal insulationacustic insulation21mm oiled larch board40mm thermal insulation

7

7

8

8

4

4

6

4

In order to accomodate a large number of diferent

dwellings in the same build-ing, various facade materials

were used.Each inhabitant can see their house from a distance, giving more individuality within the

same building block.

southwest facade

facade detail, showing dife-rent cladding materials, such as wood and concrete.

Page 29: RICARDO GUSMÃO_PORTFOLIO

detail section

Page 30: RICARDO GUSMÃO_PORTFOLIO

new yacht, bruinisse

All the following images were made during my internship at

DP6 architectuurstudio they include a variety of scales and design fases, from competitions to defi nitief ontwerpen

Page 31: RICARDO GUSMÃO_PORTFOLIO

All the following images were made during my internship at

DP6 architectuurstudio they include a variety of scales and design fases, from competitions to definitief ontwerpen

Page 32: RICARDO GUSMÃO_PORTFOLIO

parkeren

MaccreanorLavington

gevel noord

MaccreanorLavington

gevel west

^ architectuurstudio bv | || 1:200A371 Presikhaaf 2, Arnhem gevelsbouwdeel A511.01.08

parkeren

MaccreanorLavington

gevel noord

MaccreanorLavington

gevel west

^ architectuurstudio bv | || 1:200A371 Presikhaaf 2, Arnhem gevelsbouwdeel A511.01.08

Page 33: RICARDO GUSMÃO_PORTFOLIO

parkeren

MaccreanorLavington

gevel noord

MaccreanorLavington

gevel west

^ architectuurstudio bv | || 1:200A371 Presikhaaf 2, Arnhem gevelsbouwdeel A511.01.08

parkeren

MaccreanorLavington

gevel noord

MaccreanorLavington

gevel west

^ architectuurstudio bv | || 1:200A371 Presikhaaf 2, Arnhem gevelsbouwdeel A511.01.08

Page 34: RICARDO GUSMÃO_PORTFOLIO
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laan van spartaan, amsterdam

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laan van spartaan, amsterdam

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valley center, ede

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gymnastiek

voorziening

peuterspeelzaal

200 m2

kinderopvang

buurthuis

WONINGEN

70 m2

70 m2

120 m2

2x 70 m2

winkel

2008