R HYME S CHEME a pattern or sequence where the rhyme occurs
(Two Tramps in Mud Time : abab cdcd) LABEL RHYME SCHEME:
AABCCDAABCCD AABCCDAABCCD
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LABEL RHYME SCHEME
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R HYTHM The pattern or musical quality produced by the
repetition of stressed and unstressed syllables. Rhythm occurs in
all forms of language, both written and spoken, but is particularly
important in poetry In poetry Rhythm in writing is like the beat in
music. In poetry, rhythm implies that certain words are produced
more force- fully than others, and may be held for longer duration.
Etymology Nerd: The repetition of a pattern of such emphasis is
what produces a "rhythmic effect." The word rhythm comes from the
Greek, meaning "measured motion."
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RHYTHM: In speech, we use rhythm without consciously creating
recognizable patterns. For example, think about the phone Almost
every telephone conversation ends rhythmically, with the
conversants understanding as much by rhythm as by the meaning of
the words, that it is time to hang up. Frequently such
conversations end with Conversant A uttering a five- or
six-syllable line, followed by Conversant B's five to six
syllables, followed by A's two- to four-syllable line, followed by
B's two to four syllables, and so on until the receivers are
cradled. Dont believe me? Welp I gotta go now. Allright, c-ya
later. Yup nice chattin See ya. Take care. Till tomorrow Bubye Welp
I gotta go now. Allright, c-ya later. Yup nice chattin See ya. Take
care. Till tomorrow Bubye
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I N POEMS, AS IN SONGS, A RHYTHM MAY BE OBVIOUS OR MUTED.
Vachel Lindsay's "The Congo" consciously recreates the rhythms of a
tribal dance: Fat black bucks in a wine-barrel room
Barrel-housekings, with feet unstable, Sagged and reeled and
pounded on the table, Pounded on the table, Beat an empty barrel
with the handle of a broom, Hard as they were able Boom, boom,
BOOM, With a silk umbrella and the handle of a broom, Boomlay,
boomlay, boomlay, BOOM.
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W HEN ASKED THE QUESTION - WHAT S THE RHYTHM ? Y OU MIGHT
ANSWER REGARDING RHYME SCHEME, METER (B OTH TYPE AND P ATTERN )
METER Meter: Pattern of stressed and unstressed syllables
established in a line Stressed syllable () is the accented or long
syllable Unstressed (u) is unaccented or short syllable Meter
signifies both TYPE of pattern and NUMBER OF PATTERN
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R HYTHM RHYTHM: the pattern of stressed and unstressed
syllables in a line. POETIC FOOT unit of meter (two or three
syllables) METER: the number and pattern of feet in a line.
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S CANSION Describing the rhythms of poetry by dividing the
lines into feet, marking the locations of stressed and unstressed
syllables, and counting the syllables. Thus, when we describe the
rhythm of a poem, we scan the poem and mark the stresses (/) and
absences of stress (^) and count the number of feet.
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Iambic- two syllable foot with stress on second syllable Below;
delight; a muse A/ book /of /over/ seas/ un/ der/ neath /the/ bough
A /jug / of /wine/ a /loaf/ of /bread /and /though/
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Trochee- a stressed syllable followed by an unstressed syllable
Dou/ ble, / dou / ble/ toil /and/ trou/ble Fire/ burn/ and /caul
/dron /bub/ble
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R EVIEW / P REQUEL In English, the major feet are: iamb (^/) ^
/ ^ / ^ / ^ / ^ / ^ / ^ / The falling out of faithful friends,
renewing is of love trochee (/^) / ^ / ^ / ^ / ^ Double, double
toil and trouble anapest (^^/) ^ ^ / ^ ^ / ^ ^ / I am monarch of
all I survey dactyl (/ ^^)
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Anapest- three syllables with the stress on the last syllable
Cav a lier In ter twine With the sheep in the fold and the cows in
their stalls
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Dactyl: foot contains three syllables with the stress on the
first syllable hap pi ness, mer ri ly, mur mur ing Love a gain
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Iambic and anapestic meters are called rising meters because
their movement rises from unstressed syllable to stressed; trochaic
and dactylic meters are called falling.
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The scansion of this quatrain from Shakespeares Sonnet 73 shows
the following accents and divisions into feet (note the following
words were split: behold, yellow, upon, against, ruin'd):
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A frequently heard metrical description is iambic pentameter: a
line of five iambs. This is a meter especially familiar because it
occurs in all blank verse (such as Shakespeares plays), heroic
couplets, and sonnets. Pentameter is one name for the number of
feet in a line. The commonly used names for line lengths are:
Monometer one foot Dimeter two feet Trimeter three feet Tetrameter
four feet Pentameter five feet Hexameter six feet Heptameter seven
feet Octameter eight feet
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T HE WHY BEHIND THIS SEEMINGLY INTIMIDATING STUFF : Yes, thats
all very lovely, but why do we study rhythm? People have a basic
need for rhythm, or for the effect produced by it, as laboratory
experiments in psychology have demonstrated, and as you can see by
watching a crew of workers digging or hammering, or by listening to
chants and work songs, rhythm gives pleasure and a more emotional
response to the listener or reader because it establishes a pattern
of expectations, and rewards the listener or reader with the
pleasure that comes from having those expectations fulfilled, or
the noted change in a rhythm. (see Dark Knights postulate: if
everything is according to the plan, everybody feels An argument
might be raised against scanning: isnt it too simple to expect that
all language can be divided into neat stressed and unstressed
syllables? Of course it is. There are infinite levels of stress,
from the loudest scream to the faintest whisper. But, the idea in
scanning a poem is not to reproduce the sound of a human voice. To
scan a poem is to make a diagram of the stresses and absence of
stress we find in it. Studying rhythms, scanning, is not just a way
of pointing to syllables; it is also a matter of listening to a
poem and making sense of it. To scan a poem is one way to indicate
how to read it aloud; in order to see where stresses fall, you have
to see the places where the poet wishes to put emphasis. That is
why when scanning a poem you may find yourself suddenly
understanding it. In everyday life, nobody speaks or writes in
perfect iambic rhythm, except at moments: a HAM on RYE and HIT the
MUStard HARD! Poets dont even write in iambic very long, although
when they do, they have chosen iambic because it is the rhythm that
most closely resemble everyday speech.