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International symposium from March 25 th to 28 th 2015 REVOIR PICASSO Pablo Picasso, L’Artiste devant sa toile, 22 mars 1938, MP172, © Succession Picasso, 2015 © RMN-Grand Palais / Gérard Blot

revoir picasso - Musée Picasso Paris€¦ · REVOIR PICASSO Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following

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Page 1: revoir picasso - Musée Picasso Paris€¦ · REVOIR PICASSO Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following

1

International symposium from March 25th to 28th 2015revoir picasso

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Page 2: revoir picasso - Musée Picasso Paris€¦ · REVOIR PICASSO Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following

REVOIR PICASSO

Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following on from this public success, the international symposium « Revoir Picasso » represents an important milestone in the life of the institution, thanks to the contribution of more than sixty speakers.

The purpose will be to foster fresh perspectives on the Picassian production in all its diversity, dealing with themes such as the creative processes, the circulations of artworks, the understanding of Picasso’s work or his relationship with writing and writers.

The whole team of the museum wishes you an excellent symposium, filled with meetings and Picassian discoveries!

Page 3: revoir picasso - Musée Picasso Paris€¦ · REVOIR PICASSO Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following

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8.15am: Welcoming

9.00am: opening

Laurent Le Bon, President of the Musée national Picasso-Paris

Paul Salmona, Director of the Musée d’art et d’histoire du Judaïsme

9.15am: opening conference

John Richardson, art historian and Pablo Picasso’s biographer, New light on Picasso?

10.00am - 12.30pm: About cubism

Moderation by Emilia Philippot, curator, in charge of paintings (1895-1921) and graphic arts, Musée national Picasso-Paris

focus Trevor Stark, PhD, Harvard University, Leonard A. Lauder Fellow, The Metropolitan Museum of Art, New York, The Hope of an Anonymous Art: Picasso, Mallarmé, Papier Collé

focus Hiromi Matsui, art historian, Université Paris-Ouest-La Défense, De l’apprentissage du dessin à la naissance d’une nouvelle représentation du corps humain : la connaissance de l’anatomie artistique et les œuvres proto-cubistes de Pablo Picasso

focus Lewis Kachur, art history professor, Kean University, Picasso’s The Letter (1912) and the Origins of Collage

10.45 - 11.15am: breAk

focus John Finlay, art historian, ‘Notre Avenir est dans l’Air’: Picasso and the Invention of Cubist Construction, 1912-14

focus Elizabeth Cowling, honorary fellow, history of art, Edinburgh College of Art, From Figure to Still Life: Table, guitare et bouteille, 1918-19

focus Grégory Carteaux, PhD in semiotic, Université Paris 8, Picasso et la fabrique de la bouteille

first dAy: creAtive processesAuditorium of the Musée d’art et d’histoire du Judaïsme

WEDNESDAY25th MARCH9am - 5.30pm

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diAlogue Christian Hidaka, artist, Cubism and non-Linearity, with Nathalie Leleu, project manager in charge of heritage and collections, Musée national Picasso-Paris

12.30 - 2.00pm: lunch

2.00 - 5.30pm: About the object

Moderation by Virginie Perdrisot, curator, in charge of sculptures, paintings (1922-1937), the private collection, Musée national Picasso-Paris

2.00 - 3.00pm: round tAble / grAphic Arts

Introduction by Emilia Philippot, curator, in charge of paintings (1895-1921) and graphic arts, Musée national Picasso-Paris

Hugo Daniel, PhD, Université Paris 1 Panthéon-Sorbonne, Picasso, dessin faisant

Rachel Mustalish, conservator, The Sherman Fairchild Center for Conservation of Works on Paper and Photographs, The Metropolitan Museum of Art, New-York, Picasso Drawings: Material Creativity

Emmanuelle Hincelin, conservator of paper artworks, graduated from Inp, and Marie-Christine Enshaian, artist conservator, Picasso/Papier : papiers journaux imprimés et vierge

3.00 - 4.00pm: round tAble / pAintings

Introduction by Emilia Philippot, curator, in charge of paintings (1895-1921) and graphic arts, Musée national Picasso-Paris

Reyes Jimenez, senior conservator, Museu Picasso de Barcelona, Les peintures sous-jacentes, about Casagemas’s portrait (1899-1900)

Ann Hoenigswald, senior conservator of paintings, National Gallery of Art, Washington, Picasso’s Hidden Paintings: Metamorphosis in a Broader Context

Claire Guérin, conservator of paintings for the Fundación Almine y Bernard Ruiz-Picasso para el Arte, and Charlotte Piot, preventive conservator specialist and in curator conservator, Palais Galliera, Picasso et l’alchimie des matériaux

Jean-Louis Andral, chief curator and director of the Musée Picasso d’Antibes, and Francesca Casadio, scientist, The Art Institute of Chicago, Retour d’expérience : l’usage du Ripolin dans les peintures de la collection du Musée Picasso d’Antibes

4.00 - 4.30pm: breAk

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4.30 - 5.30pm: round tAble / sculptures, cerAmics And tApestry

Introduction by Virginie Perdrisot, curator, in charge of sculptures, paintings (1922-1937), the private collection, Musée national Picasso-Paris

Lynda Zycherman, conservator of sculptures, The Museum of Modern Art, New York, Like, yet Unlike: A Technical Study of Picasso’s Verre d’absinthe

Cécile Godefroy, art historian, associated researcher for the Fundación Almine y Bernard Ruiz-Picasso para el Arte, Picasso et la tapisserie

Harald Theil, independant art historian, Un nouveau regard sur les céramiques originales uniques de Pablo Picasso : la relation entre objet et image

Salvador Haro González, professor, Universidad de Málaga, L’œuvre de Picasso comme un tout organique, le cas de la céramique

6.00 - 9.00pm: evening Late-night opening at the Musée d’art et d’histoire du Judaïsme. Free access with your « Revoir Picasso » personal badge

Page 6: revoir picasso - Musée Picasso Paris€¦ · REVOIR PICASSO Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following

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8.30am: Welcoming

9.00am: opening

Philippe Dagen, art history professor, Université Paris 1 Panthéon-Sorbonne, director of the LabEx Art, Création, Patrimoine

9.30am - 12.30pm: the circulAtion of ArtWorks

Moderation by Nathalie Leleu, project manager in charge of collections and heritage, Musée national Picasso-Paris

focus Yaëlle Biro, associated curator for African arts, The Metropolitan Museum of Art, New York, « La racine de l’art moderne » : exposer et juxtaposer Picasso et les arts africains au début du XXe siècle

diAlogue Gérard Conio, professor, Université Nancy 2, La réception de Picasso en Russie, and Tristan Trémeau, history and artistic theories professor, Ecole supérieure des Beaux-Arts de Tours, Picasso et les avant-gardes russes

focus Cécile Debray, curator, in charge of modern Collections, Centre national d’art et de culture Georges Pompidou, Musée national d’art moderne, Le duo Matisse/Picasso : une création des Stein

focus Béatrice Joyeux-Prunel, senior lecturer, École normale supérieure de la rue d’Ulm, Artlas project director, La construction internationale de l’aura de Picasso, 1910-1914. Une approche numérique et cartographique

11.00 - 11.30am: breAk

11.30am - 12.30pm: round tAble / Picasso and his traders

Marianne Le Morvan, founder and director of Archives Berthe Weill, Berthe Weill et Picasso, la petite galeriste et le grand artiste

Vérane Tasseau, art historian, Leonard A. Lauder Fellow, The Metropolitan Museum of Art, New York, Picasso et les ventes Kahnweiler

second dAy: circulAtionsAuditorium of Institut national d’histoire de l’art

THURSDAY26th MARCH

9.00am-5.00pm

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Isabelle Limousin, curator, Paul Rosenberg, marchand de Picasso aux États-Unis

Christel Hollevoet-Force, associate researcher curator, The Metropolitan Museum of Art, New York, Les quatre Picasso de Soler et le stratagème de Kahnweiler

12.30 - 2.00pm: lunch

2.00 - 5.00pm: picAsso As A public And politicAl figure

Moderation by Emilie Bouvard, curator, in charge of paintings (1938-73), research and contemporary art, Musée national Picasso-Paris, and Laure Collignon, senior curator, in charge of the archives, books and documentation department, Musée national Picasso-Paris

focus Philippe Dagen, history of art professor, Université Paris 1 Panthéon-Sorbonne, director of the LabEx Art, Création, Patrimoine, Picasso, nu

focus Laurence Madeline, senior curator, Musée d’art et d’histoire de Genève, Picasso passe à la télé, « une histoire visuelle de Picasso »

2.45 - 3.45pm: round tAble / picAsso on the other side of the iron curtAin

Introduction and moderation by Jérôme Bazin, senior lecturer, Université Paris-Est Créteil Val de Marne

Benoît Buquet, senior lecturer, Université François Rabelais, Tours, Picasso prend l’avion

Constanze Fritzsch, ERC-Starting Grant/DFKG Paris, Picasso à Dresde

Piotr Bernatowicz, art historian, director of Galeria Miejska Arsenał, Poznań, Implementing Communism, Negociating Modernism. Picasso and his Art in the Eastern block

Susan E. Reid, professor of Russian visual culture, University of Sheffield, Picasso and the Thaw in Soviet Art

diAlogue Lene Berg, artist and filmmaker, and Elena Sorokina, curator, À propos de la video “Staline by Picasso”

diAlogue Adel Abdessemed, artist, Who is Afraid of the Big Bad Wolf, in dialogue with Emilie Bouvard, curator, in charge of paintings (1938-73), research and contemporary art, Musée national Picasso-Paris

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9.00am: Welcoming

9.30am - 1.00pm: contemporAry receptions

Moderation by Nathalie Leleu, project manager in charge of collections and heritage, Musée national Picasso-Paris

focus Charlie Miller, lecturer in art history and theory, The University of Manchester, Picasso’s Aura

focus Ann Hindry, art historian, Picasso dans la presse artistique depuis la fin des années 1970

10.15 - 11.00am: round tAble / Guernica, icon And symbol

Jörg Martin Merz, professor, University of Münster, Picasso’s Guernica: Liberation from Militarism

Emilie Bouvard, curator, in charge of paintings (1938-73), reserach and contemporary art, Musée national Picasso-Paris, Guernica dans la Guerre du Vietnam: « a piece of news »(Leon Golub)

Anabelle Ténèze, curator and director of the Musée départemental d’art contemporain de Rochechouart, Guernica, appropriations, réappropriations. Une image plus forte que l’original ?

11.00 - 11.30am: breAk

diAlogue Michael FitzGerald, professor of fine arts, Trinity College, Hartford, Post-Picasso: Contemporary Reactions, avec Pepe Karmel, art history professor, New York University, Orientalism in Reverse: Picasso and the Post-Colonial Predicament

focus Almine Rech, gallery owner, Get rid of Picasso... for doing everything they wished or wanted to do

focus Diana Widmaier-Picasso, art historian, Réflexions et perspectives contemporaines sur la sculpture monumentale de Picasso à partir d’un document d’archives inédit

focus Audrey Norcia, PhD in art history and associated fellow of HiCSA-CPC, Université Paris 1 Panthéon-Sorbonne, Les monstres en parade : Picasso, Fellini et l’Antiquité revisitée

third dAy: fAcing the ArtWorkAuditorium of Grand Palais

FRIDAY27th MARCH

9.30am-6.30pm

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1.00 - 3.00pm: lunch

3.00 - 6.30pm: fAcing the ArtWork, building the look

Moderation by Emilie Bouvard, curator, in charge of paintings (1938-73), reserach and contemporary art, Musée national Picasso-Paris

diAlogue Joachim Pissarro, bershad professor of art history and director of Hunter College Galleries, with Bernard Ruiz-Picasso, Histoires d’Olga : filtre de l’Histoire envers Picasso

focus Maria Stavrinaki, senior lecturer HDR, Université Paris 1 Panthéon-Sorbonne, Les préhistoires de Picasso

focus Yve-Alain Bois, professor, Princeton University, Picasso et l’abstraction

focus Camille Chenais, history of art student, Ecole du Louvre, Picasso, installations, une pour 12 et 12 pour une

4.30 - 5.00pm: breAk

5.00 - 6.30pm: round tAble / reWieW the Works

Lisa Florman, professor and chair history of art department, Ohio State University, Picasso : Revoir Cézanne

Carmen Gimenez, curator, Solomon R. Guggenheim Museum, New York, La Femme au Vase, 1933

Jeremy Melius, professor, assistant at the departement of art and art history, Tufts University, Picasso’s Survival (Woman dressing her hair, 1940)

Didier Ottinger, curator and assistant director, Centre national d’art et de culture Georges Pompidou, Musée national d’art moderne, Les Mousquetaires revus

focus Marie Bonnafé, psychiatrist psychoanalyst, graduated in art sociology (EHESS), Picasso, l’irruption de l’enfance

7.00pm: evening « F for Fake » by Orson Welles, commented projection by Nathalie Leleu, project manager in charge of collections and heritage, Musée national Picasso-Paris and Pierre Moignard, artist

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9.30am: Welcoming

10.00am: opening

Moderation by Laure Collignon, senior curator, in charge of the « archives, books and documentation » department, Musée national Picasso-Paris

10.00 - 11.30am: round tAble / picAsso And the Writers

Annie Cohen-Solal, professor, in charge of the research group “Crossing Boundaries”, CASBS, Stanford University, L’incroyable complexité de la relation entre Pablo Picasso et Gertrude Stein

Laurence des Cars, director of the Musée de l’Orangerie, Paris, Picasso/Apollinaire

Estelle Pietrzyk, curator and director of the Musée d’art moderne et contemporain de Strasbourg, Picasso/Tzara

Marie-Françoise Garion-Roche, manuscript department curator, Bibliothèque historique de la Ville de Paris, Picasso/Cocteau

diAlogue Jacqueline Duhême, painter, with Laure Collignon, senior curator, in charge of the « archives, books and documentation » department, Musée national Picasso-Paris

11.30am - 12.00pm: breAk

focus Stéphane Guégan, curator, Musée d’Orsay, « Il faut tuer l’art moderne ! » : Malraux lecteur de Picasso

focus Claustre Rafart i Planas, curator in charge of graphic arts, Museu Picasso de Barcelona, La relation entre Pablo Picasso et les éditeurs Gustavo Gili de Barcelone. La valeur d’une correspondance unilatérale

12.30 - 1.30pm: round tAble / About the cahier de L’herne, picAsso Writer

Introduction by Androula Michael, contemporary art senior lecturer, Université de Picardie, Les labyrinthes de l’écrit

Albert Bensoussan, professor and writer, D’une langue à l’autre

Ariane Coulondre, senior curator in charge of the collections, Centre national d’art et de culture

fourth dAy: About the WritingAuditorium of Musée national Picasso-Paris

SATURDAY28th MARCH

10.00am - 1.30pm

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Georges Pompidou, Musée national d’art moderne, Du lisible au visible

Peter Read, professor of modern French literature and visual arts, University of Kent, Le « langage cuit » de Picasso

Jean Portante, poet and writer

1.30pm: closing the symposium

Laurent Le Bon, President of the Musée national Picasso-Paris

The international symposium « Revoir Picasso » is organized by the Musée national Picasso-Paris : Violette Andrès, Fanny Benkara, Emilie Bouvard, Laure Collignon, Nathalie Leleu, Alya Nazaraly, Virginie Perdrisot, Emilia Philippot, Jeanne Sudour.

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the musée nAtionAl picAsso-pAris is grAteful to its pAtrons And pArtners

for their generous support

pAtrons

pArtners

Page 13: revoir picasso - Musée Picasso Paris€¦ · REVOIR PICASSO Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following

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prActicAl informAtions

musée d’Art et d’histoire du judAïsme Hôtel de Saint-Aignan

71 rue du Temple

75003 Paris

Access:

Metro: Rambuteau (line 11) or Hôtel de Ville (lines 1 and 11)

RER: Châtelet-Les-Halles

Bus: lines 29, 38, 47, 75

Parking: Pompidou, Beaubourg, Hôtel de Ville, Baudoyer

institut nAtionAl d’histoire de l’Art 2-5 rue de Vivienne

75002 Paris

Access:

Metro: Palais-Royal-Musée du Louvre (lines 1 and 7), Bourse (line 3) or Pyramides (lines 7 and 14)

Bus: lines 29, 39

Parking: place de la Bourse

grAnd pAlAis 3 avenue du Général Eisenhower

Porte A

75008 Paris

Access:

Metro: Franklin-D.-Roosevelt (lines 1 and 9) or Champs-Elysées-Clémenceau (lines 1 and 13)

RER: Invalides (line C)

Bus: lines 28, 42, 52, 63, 72, 73, 80, 83, 93

Parking : Rond-point des Champs-Elysées, Place de la Concorde, Parc François 1er, Alma Georges V, Champs-Elysées Lincoln, Matignon

Page 14: revoir picasso - Musée Picasso Paris€¦ · REVOIR PICASSO Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following

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musée nAtionAl picAsso-pAris

Hôtel Salé

5 rue de Thorigny

75003 Paris

opening hours:

Open from 11.30am to 6.00pm from Tuesday to Friday, and from Saturday to Sunday from 9.30am to 6.00pm (last access at 5.15pm)

Access:

Metro: Saint Paul (line 1), Saint-Sébastien-Froissart (line 8) or Chemin Vert (line 8)

Bus: lines 20, 29, 65, 75, 69, 96

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notes

Page 16: revoir picasso - Musée Picasso Paris€¦ · REVOIR PICASSO Since its reopening on October 25 2014, the Musée national Picasso-Paris has welcomed more than 300.000 visitors. Following

Crédits :© Succession Picasso 2015© RMN-Grand Palais / Gérard Blot© RMN-Grand Palais / Béatrice Hatala© Droits réservés, 2015

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the musée nAtionAl picAsso-pAris invites you on mArch 2016

23rd, 24th And 25th for A symposium About picAsso And the sculpture