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REVIEW – Medieval to Baroque

REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

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Page 1: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

REVIEW – Medieval to Baroque

Page 2: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 1. The approximate dates of the Baroque period are:– A. 1600-1750– B. 1700-1800– C. 1550-1600– D. 1800-1900

Page 3: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 2. The element of Baroque music that reflected composers’ interest in faraway lands is:– A. Chromaticism– B. Diatonicism– C. Nationalism– D. Exoticism

Page 4: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 3. A setting of Gregorian chant with two to four notes per syllable is called:– A. Syllabic– B. Neumatic– C. Melismatic– D. Modal

Page 5: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 4. Vivaldi’s music students at the Conservatorio del’Ospedale della Pieta were:– A. Young men– B. Young women– C. Adult men– D. Both adult men and women

Page 6: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 5. Which composer was a master of late Baroque opera?– A. Handel– B. Mozart– C. Monteverdi– D. Blow

Page 7: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 6. The musical texture that arose around 1000, toward the end of the Romanesque period was:– A. Monophony– B. Polyphony– C. Homophony– D. None of the above

Page 8: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 7. The harpsichord is different from the piano because:– It usually has two keyboards, rather than one– Its strings are plucked, rather than struck– It is not capable of a wide dynamic range– All of the above

Page 9: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 8. The concerto gross usually featured ______________ (how many) movements?

Page 10: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 9. Which is NOT true of Gregorian chant?– A. It is monophonic in texture– B. It is accompanied by triadic harmony– C. It is generally in free-verse rhythm– D. It is generally conjunct in movement

Page 11: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 10. The text of the Kyrie comes from:– A. A poem by Pope Gregory– B. The old Frankish liturgy– C. A Greek prayer for mercy– D. The Old Testament

Page 12: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 11. The Kyrie is in ______________ form.

Page 13: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 12. On which epic poem was Purcell’s opera Dido and Aeneas based?

Page 14: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 13. The earliest type of polyphony was:– A. Plainsong– B. Organum– C. Motet– D. None of the above

Page 15: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 14. The text of an opera is called the _________________________

Page 16: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 15. The song, which doesn’t necessarily advance the plot, and in which the singer “emotes” is called a(n) __________.

Page 17: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 16. How did Handel change the role of the chorus in his oratorios?– A. He decreased its importance– B. He removed it altogether– C. He made it the center of the drama– D. He replaced it with the aria

Page 18: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 17. Name a keyboard instrument that was NOT an important instrument in the Baroque period.

Page 19: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 18. Name a keyboard instrument that WAS important in the Baroque period.

Page 20: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 19. The hymn was invented by ___________________________

Page 21: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 20. The late Renaissance madrigal came to full flower in the music of:– A. Claudio Monteverdi– B. Hildegard of Bingen– C. Guillaume Du Fay– D. Josquin des Prez

Page 22: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 21. In, opera a vocal style that imitates speech and is set freely to a sparse accompaniment is called:– A. Aria– B. Recitative secco– C. Recitative accompagnato– D. Monody

Page 23: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 23. Bach’s Prelude and Fugue in C Minor is from:– A. The Art of Fugue– B. The Musical Offering– C. The Brandenburg Concertos– D. The Well-Tempered Clavier

Page 24: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 24. “Tempered” in Well-Tempered Clavier means what?

Page 25: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 25. The expressive device used by Renaissance composers to musically pictorialize words from the text is called:– A. Word painting– B. A cappella– C. Continuous imitation– D. Isorhythm

Page 26: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 26. The English composer who paved the way for Purcell’s opera was:– A. Claudio Monteverdi– B. John Blow– C. George F. Handel– D. Oliver Cromwell

Page 27: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 27. Who was the French emperor who helped established regulations and laws, and who promoted education although he himself died an illiterate?

Page 28: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 27. What was the genre that had many elements of an opera but lacked costumes and scenery?

Page 29: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 28. A drama that is sung is called:– A. A madrigal– B. An opera– C. A cantata– D. A motet

Page 30: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 29. In a simple four-part harmonization, the chorale tune was most likely put in:– A. The soprano voice– B. The alto voice– C. The tenor voice– D. The bass voice

Page 31: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 30. Which does NOT characterize the suite?A. It contains a series of dance movements– B. Each movement is in a contrasting key– C. Each movement is a dance type derived from a

different country– D. The movements are contrasting in tempo and

character

Page 32: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 31. What is the name of Handel’s most famous oratorio?

Page 33: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 32. What is the most famous chorus from Handel’s Messiah?

Page 34: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 33. A setting of Gregorian chant with one note per syllable is called:– A. Neumatic– B. Syllabic– C. Melismatic– D. Modal

Page 35: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 34. What is a cantus firmus Mass?– A. A mass sung daily– B. A mass containing a Gregorian chant or

popular song in usually the tenor voice– C. A secular song derived from the Mass– D. A mass composed without any preexistent

melody

Page 36: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 35. Which does NOT characterize an oratorio?– A. Elaborate scenery– B. Recitatives– C. Arias– D. Choruses

Page 37: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 36. The portion of the Mass that changes from day to day, dependent on the feast celebrated, is called:– A. The Proper– B. The Ordinary– C. The Liturgy– D. None of the above

Page 38: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 37. The Book that contains the music of the Mass is called:– A. Liber Usualis– B. The Mass Book– C. The Liturgical Book– D. None of the Above

Page 39: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 38. A system of slightly adjusting the tuning of intervals within the octave, thus making it possible to play in every major and minor key, was called:– A. Figured bass– B. Equal temperament– C. Just intonation– D. The doctrine of affections

Page 40: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 39. Bach was the most famous in his day as a performer on the:– A. The harpsichord– B. The organ– C. The piano– D. The clavichord

Page 41: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 40. The greatest native English composer of the Baroque was:– A. George Handel– B. Thomas Morley– C. Henry Purcell– D. Oliver Cromwell

Page 42: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 41. Who is the composer of the Pope Marcellus Mass?– A. Du Fay– B. Josquin– C. Palestrina– D. Machaut

Page 43: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 42. The Baroque witnessed a new style of music, which featured a single vocal melody with accompaniment. This was known as:– A. Monophony– B. Polyphony– C. Melisma– D. Monody

Page 44: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 43. Dido sings her famous lament in Purcell’s opera Dido and Aeneas just prior to:– A. Marrying Aeneas– B. Killing herself– C. Killing Aeneas– D. Leaving with Aeneas

Page 45: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 44. Which of the following was a leader in the Protestant Reformation?– A. Giovanni Pierluigi da Palestrina– B. Martin Luther– C. St. Ignatius Loyola– D. Ascanio Sforza

Page 46: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 45. Vivaldi was know as “the red priest” for:– A. His political affiliations– B. His violent temper– C. His red hair– D. None of these

Page 47: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 46. The portion of the Mass that remains the same in every celebration of the services is called the _________________________.

Page 48: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 47. A vocal work without instrumental accompaniment is said to be performed:– A. A cappella– B. Responsorially– C. Antiphonally– D. Improvisationally

Page 49: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 48. The type of concerto that featured a “big group” vs. a “little group” is called a(n) _____________________________

Page 50: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 49. The most important patron of music in the Middle Ages was:– A. The Roman Catholic Church– B. Charlemagne– C. Leonin– D. Hildegard of Bingen

Page 51: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 50. The artificially created male soprano or alto who dominated opera was known as:– A. The contralto– B. The castrato– C. The camerata– D. The continuo

Page 52: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 51. Bach wrote his sacred cantatas for use in:– A. The Anglican church– B. The Roman Catholic Church– C. The Lutheran Church– D. The Calvanist Church

Page 53: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 52. The orchestral introduction heard at the beginning of an opera is:– A. An ouverture– B. Ritornello– C. Ensemble– D. Recitative

Page 54: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 52. In Vivaldi’s Four Seasons, Spring, the section of music that returns again and again (the A section) is called the:– A. Accompaniment– B. Ritornello– C. Concertino– D. Tutti

Page 55: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 53. Which two instruments would most likely have played the basso continuo in the Baroque era?– A. Bassoon and piano– B. Violin and cello– C. Cello and harpsichord– D. Bassoon and violin

Page 56: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 54. The solo instrument in Vivaldi’s Four Seasons is:– A. The violin– B. The harpsichord– C. The cello– D. The piano

Page 57: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 55. The ________________ contains a subject, answer, and possibly stretto.

Page 58: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 56. ________________ was born in Germany, but spent most of his life in England.

Page 59: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 57. What is the form of the individual movements in a suite?– A. Binary– B. Ternary– C. Sonata– D. Rondo

Page 60: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 58. The Baroque technique of placing numerals, indicating the harmony required, above or below the bass notes, is called:– A. Figured bass– B. Ostinato, or ground bass– C. Equal temperament– D. The doctrine of affections

Page 61: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 59. The fixed song used as a basis for elaborate polyphonic writing in the Renaissance was called:– A. Word painting– B. A cappella– C. A cantus firmus– D. A saltarello

Page 62: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

• 60. How many movements does Bach’s Wachtet Auf have?

Page 63: REVIEW – Medieval to Baroque. 1. The approximate dates of the Baroque period are: – A. 1600-1750 – B. 1700-1800 – C. 1550-1600 – D. 1800-1900

SCAVENGER HUNT QUESTION

• “You get to hear the entire project as Bach envisioned it played in front of you, and it’s a rare occurrence,” Carney says. “It’s just not done very often.”

• This was an article about a recent performance. What was being performed? Where was it performed and by whom?

• WORTH 2 extra points