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Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

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Page 1: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Rethinking Identity in 21st Century New Zealand

Art in Context, October 18, 2007

Page 2: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Critical Theory

Social Science is not simply descriptive

It is aimed at Emancipation and

Amelioration

Page 3: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Two culture in New Zealand Apparently in conflict

However, we are an intermixed group – Māori and Non-Māori

SociallyIntermarriage

Page 4: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Can we truly say Them and Us?

Or are we making false distinctions by talking about

Them and Us in this way?

Page 5: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

• Colonization/Post-colonialism

• Post colonial theory

Third Space • Rethinking Identity and culture

in New Zealand

• Response – changing the discourse

Page 6: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Colonization

• A time period

• An attitude – and consequent actions

Page 7: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Time period

• 1815 – European powers control 35% of the world’s surfaced

• 1914 – they control 85% of the world’s surface

Page 8: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

This situation exists until the end of the second World War

This is the colonizing period

Page 9: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Post WW2

• India – 1947

• Kenya

• The creation of the Middle Eastern countries

• Fiji

• Singapore

Page 10: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Post colonialism traces it’s beginning from the post WW2

period

How to operate in a world freed of the influence of the

colonizers

Page 11: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

New Zealand

• A near-unique situation as the colonizers are still here and

never likely to leave

Page 12: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Can they still be described as colonizers?

I believe they can

Page 13: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Leading members of the dominating culture act like they

have the right to dominate

Leading figures in New Zealand still do not accept Māori culture on its

own terms and expect to be able to operate in Māori situations on the

terms of the dominant culture

Page 14: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

New Liberalism

• Such as the Resource management Act

Have reduced Māori to the status of a lobby group with the right to speak

But whose views can still be discounted, as long as they have exercised their rights to speak.

Page 15: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

So, New Zealand can only be described as post-colonial in

terms of the time period

In terms of the attitudes, and consequent actions, New Zealand is largely still a

colonized country

Page 16: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

I want to suggest that a colonizer is a person, or group, which acts

according to a colonizing narrative

Therefore, to change effect change, we have to change the

discourse and we do that by changing the narratives which

inform that discourse

Page 17: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Third Space

Appears to offer a solution

It looks to people to mediate between the two cultures – in this

case Māori and Pākehā

Page 18: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

A C B

Narrative Narrative?

Page 19: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

No Narrative

No set of “actions to be expected”

People attempting to occupy the Third Space are forced into one

or other major identity

Are you Maori?

Page 20: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007
Page 21: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The Third Space is a continual field of dynamic

social processes

Page 22: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The Third Space, therefore, remains a field in which identities conflict with each other, in which new identities arise, merge, and

on and on.

Page 23: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The Third Space is a field of

contestation and

negotiation

And Social Change

Page 24: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Identity

How we behave towards each other

Page 25: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Identity is claimed

And assigned

Page 26: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The claim is based on a narrative

And a set of

“Actions to be expected”

Page 27: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The assignee might not share the same narrative as the

assigned

The claimant might not share

the same narrative as the audience

Page 28: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Without a shared narrative there is no consensus

around a set of “actions to be expected”

for any given identity

Page 29: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

This disparity leads to the contestation,

negotiation,dispute

and conflict

Page 30: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Meeting procedure

People who can not follow meeting procedure

ie, do not know the set of “actions to be expected”

Are regarded as “dangerously outspoken”

Page 31: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The totalizing effects of the

dominant myth narratives

Page 32: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

SaidOrientalism

Traces the creation of two identites

Orientalist – a person who studies Orientals

Page 33: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Orientals

People who live in the Orient

A disputed Identity – not accepted by the people to whom

it has been assigned

Page 34: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The set of “actions to be expected”

of “orientals” justifies the colonization because “orientals” need

“British Government”

the myth-narrative/ action link

Page 35: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

New Zealand’s narratives

Pākehā

Page 36: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Moriori

Māori

Captain Cook

The Treaty of Waitangi

Page 37: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The set of “actions to be expected”

of Māori justifies the colonization

because Māori need “British Government”

Page 38: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Letter to the editorMaori the conquerors?So the Moriori are an existing race that predates Maori, and now they have a marae. That raises some interesting questions.Should they sue Maori in current courts for eating them?Does this mean that all of the claims Maori have made as tangata whenua are fraudulent claims?Being tauiwi, I do not understand.If Maori defeated these people and chased them to the Chathams, doesn’t this mean that although Mari predate the European, they can no longer claim to be people of the land, but rather, are conquerors of another race?Cliff Wall(Waikato Times, 26/01/2005 p6)

Page 39: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

European Settlement

Hard-working settlers cleared the land and established

“New Zealand”

Gallipoli

“The price of Nationhood”

Oh, By the way, we are proud Maori where there too

Page 40: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Modern New Zealand

Mainstream New Zealand

Page 41: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

National Party Leader Don Brash

Māori are not Mainstream New Zealanders

Helen Clarke’s supporters are not Mainstream New Zealanders

Page 42: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

This narrative is exclusive

It creates an

“Us”

and a

“Them”

Page 43: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Māori Narratives

Page 44: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Māori narratives are Inclusive

Page 45: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Contestation over

narratives

Page 46: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Revision of New Zealand’s historic narrative

James Belich

Anne Salmond

Page 47: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The Third Space is not a concept confined to post-colonial

discourse.

It is a space of social contestation, of negotiation,

dispute

And ultimately it is a space of cntinuous social

Page 48: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Therefore, it is a useful tool to analyse and discuss current cross-cultural interactions

However, it does not offer the longer term solutions as the

Third Space will only remain a field of dispute

Page 49: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Different answer

for New Zealand?

Page 50: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Rethinking Identity and culture

in New Zealand

Page 51: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

We will become one culture

The culture of the British Isle, where most of our ancestors

came from -

Anglo-Saxons

Page 52: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Picts, Jutes, Celts

Romans

Saxons

Normans

Angles

Page 53: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Now we talk about

Anglo-Saxons

Page 54: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

There is a high rate of intermarriage and interaction in New Zealand

between Māori and Pākehā

Page 55: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Can we start talking about one culture now?

How can we do that without going down the colonizer/assimilationist

path?

Page 56: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

There is no “pure culture”

Said

Page 57: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Spectrum

Māori Pākehā

Page 58: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Distinction between class as analysis

and class as reality

Bourdieu

Page 59: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

If you can not show an objective division between classes then

the classes do not exist in reality

If there is a spectrum, then there is no objective distinction

between ethnic cultures in New Zealand

Page 60: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Apply the same concept to ethnicity and culture

If there is a spectrum, then there is no objective distinction

between ethnic cultures in New Zealand

Page 61: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007
Page 62: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

The problem is at the level of ethnicity we conceive of culture as

a unity – one whole

A false conception

Page 63: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007
Page 64: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

There is no pure cultureThey at least over-lap

When does over-lap create a new culture?

Page 65: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

“Culture” is a recognizable “set of actions”

This conception links identity with culture

Links sub-cultures to overall culture

Page 66: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Examples from the

Art World

Page 67: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Effects

Page 68: Rethinking Identity in 21 st Century New Zealand Art in Context, October 18, 2007

Changes the discourse