resume

W RK EXAMPLES As a Graphic Designer

Rachel Huang

WEB SITE1:size: tableThis is a website for Furniture factory,I want to make the front page really attractive, relate to the warming gorgeous house decorating. I use beige as the back ground color, with the picture of different furnitures, I use a big curve across the whole web pages relink to the classical furniture.

WEB DESIGN

WEB SITE 2: Size: table tabloid

WEB SITE 2: size: mobile

The website I made is a website of a university. I think it should be formal and serious, that is the reason I use blue and gray as the main color, the format is more complex and delicate than the original design.

I like the nav I made, especially the icon will 360 degree when you hover it, and it is clean, tide,the construction of the design is preciseness.

WEB SITE 2: Size: table

This is a website of a restaurant, I want to make the website delicate, delicious, and nice looking .When you hover the sub menu. It will show the opening hours of the restaurant.When you click the icon on the right corner. The color will turn into gray.

WEB SITE 3 : Size: table

This is a java code website of talking about the overpopulation problems. The function in this page including auto navagation, show your names automatically. pop out window open, close. Auto scoll pictures, and show the right time of the day.


These two are html 5 and Css3 bird websites I built. It is contain different frames and grid in this websites.



BROCHURE DESIGN

70 DAY BROCHURE

70 DAY BROCHURE

70 DAY BROCHURE

70 DAY BROCHURE

70 DAY BROCHURE

NATIONAL PARK PROJECT





This is a booklet also for the national park. The idea is a hand pick up a child and put it in the green environment, I draw these three different landscapes, to represent the idea downtown environment people could live in, to indicate, if people all devout to the program, what will happened in the future.


BROCHURE DESIGN

previously held senior design positions at Con-crete, Dinnick & Howells and Pentagram London. He has led projects for a broad range of interna-tional clients.

After being a founding partner and creative di-rector of one of Toronto’s leading design-communi-cation firms for 17 years, she devoted herself to design and oversee the transformation.Alex Wigington

Underline StudioMaking Connections

December3:30 pmSaturday

December5:00 pmFriday

December7:30 pmFriday

December5:00 pmSaturday

14

13

13

14Fidel Peña

OxygenSay No to MediocrityPractice Excellence

Bill Douglas

Visual CollisionCoupe Magazine

The Missing52 Pick-up Inc

Bill is the creator and art director a little visual culture magazine called Coupe which has gar-nered worldwide acclaim. he specializes in book and publication design.

Her industry knowledge and results-orientation gives rise to the cre-ation of communication solutions that propel the success of clients’ brands in today’s dynamic mar-ketplace.

Susan McIntee

December 13 & 14

2013Closing

Reception 6:00–9:00

p.m.

The George Brown Alumni Association has organized a

weekend of design past and present.

Learn how Alumni have forged their way successfully through

the world of design.

The School of DeSign 230 RichmonD STReeT eaST (SiDe en-TRance) ToRonTo on, m5a 1P4

The Joy Of Design

Magazine

Her industry knowledge and results-orientation gives rise to the creation of communication solu-tions that propel the success of clients’ brands in today’s dynamic marketplace.

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iday

Dec

ember

13 17:00

Dec

ember

13 19:30

Bill Douglas

Visual Collision

Bill is the creator and art director a little visu-al culture magazine called Coupe which has garnered worldwide acclaim. he specializes in book and publication design.

Coupe

Susan McIntee

52Pick-up Inc The Missing Link

previously held senior design positions at Concrete, Dinnick & Howells and Pentagram London. He has led projects for a broad range of international clients.

Fidel Peña

Say No to Mediocrity

After being a founding partner and creative director of one of Toronto’s leading design-com-munication firms for 17 years, she devoted herself to design and oversee the transforma-tion.

Alex Wigington

Dec

ember

14 15:30

Dec

ember

14 17:0

0

UnderlineStudio

Making Connections

OxygenPractice Excellence

The School of Design 230 Richmond Street East (Side Entrance) Toronto ON, M5A 1P4

This is a design for the joy of type, it is a poster for an invent. The joy is the most important theme of the poster, that is the reason I emphasize the joy in the poster. In order to make the time and location of the poster pop out, I try to put them together in a innovate way. Which make them more subtle, and attractive.

04

1. Pick the Right Tip

Th ere are many calligraphy pen tips for you to choose from. To start out, it’s best to have a fl at tipped nib that is about 1/8” wide (the tip in the top left of this photo). Th is gives you a nice variation in your line work and it’s bold enough to be very diff erent from your normal ballpoint pen. Insert the tip into the pen holder and you’re reader to go!

2. Dipping

Dip the pen gently into the ink until the ink reaches 3/4 up the tip. Too little ink and you’ll run out faster, leading to scratchy lines and constant interruptions. Too much and you’ll overfl ow the tip and cause the ink to drip out in spurts.

3. Play With Strokes

Let’s be honest: starting calligraphy is daunting. So for starters, I just want you to play on the back of your practice paper. Make some big loopy lines andsome straight lines. Practice dipping your pen into the ink. Th ere’s no right or wrong here; you’re just getting the feel of the pen.

4. Th e Basic Downward Stroke

Th ere are only two main strokes in calligraphy: the downward stroke and the curve. So let’s start with the downward stroke! If it feels easier to you, you can draw each of these lines fi rst with your pencil. Th at way you have a line to follow.

5. Th e Basic Curve

Let’s take a look at the Roundhand Script alphabet. As you can see, it’s a nice blend of print and cursive lettering. Th is means that you can either join your letters when you write words or leave them separate. It’s up to you. Th e blue arrows above show the directions of the pen strokes and the numbers below tell you how many strokes make up each letter. We’re going to start with the lowercase alphabet and break it up into two sections: downward stroke letters and curve stroke letters. So let’s start with the downward stroke letters!

Mastering Calligraphy:

How to Write in Roundhand Script

Th e Contemporary Museum of Calligraphy invites you to participate in the 5th International Exhibition of Calligraphy, which is to take place in Moscow from March 12th, 2015 to April 12th, 2015.

To take part in the exhibition, please submit two works: the fi rst one is free of frameworks and the second one should unveil the topic of My

Homeland. Th e size of the works shall be no more than 70 x 46 cm .

Th e works can be executed in any style and technique, but calligraphy is a must.

Up until November 1st, 2014: it is required to provide two application forms and the works’ photos made according to the forms and

technical requirements established by the museum.

Up until December 1st, 2014: it is required to send the original works to the Museum’s address.

In accordance with the information contained in the application forms that you must have completed, the museum’s workers will prepare all necessary documents and will email them to you.

Please note you must print out two copies of the AGREEMENT AND THE RELATED DOCUMENTS ,

sign each document, and enclose to the sent works.

If you submit works without the related documents, the Museum will have to withdraw your works from the exhibition. Th e authors are to pay at their own expense the return of these works

All the terms of application and works’ submission are compulsory! Works will not be accepted if the above mentioned dates have expired!

Th e works are to be kept by the Museum for two years; aft erwards they will be returned to the Authors (owners) within a year.

March 12th – April 12th, 2015Moscow, the Contemporary Museum of Calligraphy

(Advertising)

Page Two: http://en.wikipedia.org/wiki/Calligraphy; http://

www.pinterest.com/; http://www.pinterest.com/pin/252131279114271335/

Page One: http://design.tutsplus.com/articles/mastering-cal-

ligraphy-how-to-write-in-roundhand-script--vec-tor-25652

Page Three: http://www.vectordiary.com/fonts/top-20-most-beau-

tiful-calligraphy-fonts/; http://www.pinterest.com/pin/185280972141325329/

Page Four:http://design.tutsplus.com/articles/mastering-

calligraphy-how-to-write-in-roundhand-script--vector-25652

RESOURCES INDEX:

Exhibition of Calligraphy 5THE

thInternational

“ It’s a set of skills and techniques for

positioning and inscribing words so they

show integrity, harmony, some sort of ancestry,

rhythm and creative re. ”

What is calligraphy really?

Here’s where we scrape off any

dull, half-hearted de nitions

that might be holding your

calligraphy back.

Calligraphy is more than

‘beautiful handwriting’ or

‘ornate lettering techniques

Western calligraphy is recognizable by the use of the Latin script. Th e Latin alphabet appeared about 600 BC, in Rome, and by the fi rst century developed into Roman imperial capitals carved on stones, Rustic capitals painted on walls, and Roman cursive for daily use. In the second and third centuries the uncial lettering style developed. As writing withdrew to monasteries, uncial script was found more suitable for copying the Bible and other religious texts. It was the monasteries which preserved calligraphic traditions during the fourth and fi ft h centuries, when the Roman Empire fell and Europe entered the Dark Ages.

At the height of the Roman Empire, its power reached as far as Great Britain; when the empire fell, its literary infl uence remained. Th e Semi-uncial generated the Irish Semi-uncial, Each region developed its own standards following the main monastery of the region, which are mostly cursive and hardly readable.

Christian churches promoted the development of writing through the prolifi c copying of the Bible,

particularly the New Testament and other sacred texts. Two distinct styles of writing known as uncial and half-uncial developed from a variety of Roman bookhands. Th e 7th-9th centuries in northern Europe were the heyday of Celtic illuminated manuscripts, such as the Book of Durrow, Lindisfarne Gospels and the Book of Kells.

Charlemagne’s devotion to improved scholarship resulted in the recruiting of “a crowd of scribes”, according to Alcuin, the Abbot of York. Alcuin developed the style known as the Caroline or Carolingian minuscule. Th e fi rst manuscript in this hand was the Godescalc Evangelistary — a Gospel book written by the scribe Godescalc.

In the eleventh century, the Caroline evolved into the Gothic script, which was more compact and made it possible to fi t more text on a page. 72 Th e Gothic calligraphy styles becare discovery of old Carolingian texts encour-aged the creation of the humanist minuscule or littera antiqua.

See in page three

Th e history of caligraphy

QuoteTh e history of caligraphy

10 most beatiful caligraphyknow some equipment about caligraphy

INSIDE GUIDE03

Page 01

Page 03

Page 04

Page 02

01

Master CaligraphyTh e 5th international exhibition of caligraphy

c a l i g r a p h y

insight

FROZEN is a typeface based on Myriad Pro, it is named because the ice shape in the right side of the letters. The poster is inspired by the Art Nouveau design, a kind of art form from 1890 –1914. It is a typeface should express the attribute of introvert, neat, cool.

The Designer: Rachel Huang

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PRIME COLORPANTONE 365

COLORPANTONE 299

COLORPANTONE 5145

COLORPANTONE 170

COLORPANTONE 1585

ABCDEFGHIJKLMNOPQRSTUVWXYZ1234567890

ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890

Display typeface: Bauhaus 93

Text typeface: Helvetica

SEVEN PICTOGRAMSN 1

AfricaAustralasia

Indo -Malaya Eurasia

Americas

CanadianDomain

Tundra

SEVEN PICTOGRAMSN 2

Africa Australasia

Indo - Malaya Eurasia

AmericasCanadian

Domain

Tundra

Entrance sign

oak wood laminate

metalplastic

Entrance sign

Tundra

Africa Australasia Indo -Malaya

Eurasia Americas CanadianDomain

Domain Entrance sign

Feeding sign

TIME : 12:30FEEDING

TIME : 12:30FEEDING

TIME : 12:30FEEDING

TIME : 12:30FEEDING

TIME : 12:30FEEDING

Feeding sign

TIME : 12:30FEEDING

TIME : 12:30FEEDING

TIME : 12:30FEEDING

TIME : 12:30FEEDING

Signle direction sign

Zoomobile Bus

Zoomobile Bus

Signle direction sign

GrayBear

Rhino

Hawk

RedPanda

zoomobileBus

Hawk

RedPanda

Rhino

Multi directional sign

Rhino

GrayBear

GrayBear

GrayBear

GrayBear

Rhino

Hawk

RedPanda

Signle direction signMulti directional sign

Rhino

GrayBear

GrayBear

Rhino

Hawk

RedPanda

Rhino

GrayBear

metal

plastic

plastic

Australasia

Americas Pavilion

Eurasia

Kids Zoo

Americas

CanadianDomain

Africa

TundraIndo -Malaya

LEGLENDWashroon

Resturant

Emergency Aid

Picnic tables

Admission & Exit

Indo-Malaya Pavilion

Africa Pavilion

Ginat Panda Viewing

OTHER PROJECTS

A2GRAF 2046Submit To: Denni RusselSubmission Date: 17/02/2015Student, Rachel [email protected] 49599T3

A2-T3_Huang_Rachel05.jpg





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