Representation of Age

After gender and ethnicity, age is the most obvious category under which we file people, and there are a whole range of instant judgements which go along with that categorisation.

Age is the easiest way to categorise someone as "other" than yourself —everyone you meet will be, to some extent, older or younger, a different age than you.

Age Stereotypical Characteristics

Young

Immature, stupid, greedy, lazy, selfish, unfit, obese, violent, callous, gullible, unreliable, careless, self-entitled, never going to achieve anything

Old

Grumpy, out-dated, slow, weak, whining, unable to use technology, unhealthy, miserly, hard-of-hearing, ugly, never go anywhere

Harsh stereotypes cut both ways, against both the old and the young. What do these clips from THE INBETWEENERS say about teenage boys?

While we've come to understand that stereotyping someone according to their gender, or the colour of their skin, is unfair and unacceptable, stereotyping according to age (ageism) is still widespread

Age, like race, is something you can't change about yourself, but people go to great lengths to disguise how old they really are in order to avoid being the victim of age stereotyping. People dress in deliberately youthful clothes, dye grey hair, lie about their age on internet dating sites, diet, and even subject themselves to painful, invasive plastic surgery

It would be horrifying to think that someone took such steps in order to conceal their true race or gender. Given that aging is inevitable and happens to everyone, why are we in such collective denial about the process?

The problem stems, in part, from a youth-obsessed media that insists on worshipping beauty (associated with youth) and devaluing wisdom and experience (associated with age). There seems to be unspoken agreement amongst magazine editors (in print and online) that we prefer to look at images of young, smooth-skinned models in connection with both advertising and editorial copy. This establishes youth as the hegemonic norm

Women seem to be particular victims when it comes to snap judgments about age and "age-appropriate" behaviours, appearance and attitude, damned if they appear to age, damned if they don't. We criticise mature women for going about as mutton dressed as lamb, and young girls for tarting themselves up as jail bait

Film stars who start to show signs of aging in their forties are swooped on with cries of horror by gossip columnists ("Movie star gets wrinkles... and her boobies start to sag" shocker!!)

while those who succumb to the surgeon's knife are written about with equal distaste ("Movie star can't raise eyebrows and her boobies DON'T sag" equal shocker!!!).

Denial brings confusion. How old is old? When can you be considered a grown up? How soon should you start wearing make up? Having sex? When does adolescence begin and end? At the young end, there's a heated debate about the increasing sexualisation of children at a younger and younger age.

Vitorias Sectrets Launches Push Up Bra for 'Tweens'

The identity crisis doesn't end when you leave school or college - traditionally the transition into the adult world. Generation X-ers who refuse to grow up and put away their Star Wars figurines or PlayStations have extended adolescence long into adulthood

Adult women routinely refer to themselves as "girls". Twilight Moms trample their tween daughters in the crowds to get close to Taylor Lautner, while 'Dad Rock' is a father-son bonding experience, perhaps revolving around the GLEE cast covers of Journey classics.

It gets worse. How old do you have to be before you refer to yourself as old? Before you're happy to be referred to by other people as "old"? What's the correct word? Senior? Third Ager? Pensioner? Geezer? Silver Fox?

An obsession with youth and novelty also means that we disregard the lessons of history and devalue experience. Ageism is just as harmful as racism or sexism when it comes to repressing sections of the population.

In the Harry Potter books, Voldemort's quest for immortality via horcruxes, unicorn's blood, the philosopher's stone etc results in his smooth-skinned appearance.

However, his desire to remain unmarked by age is represented as part of his inherent villainy, in direct contrast to Dumbledore's flowing white beard and craggy, lined face.

Dumbledore considers natural death to be a great adventure, and, like Obi-Wan Kenobi before him, is able to advise his young protegé from beyond the grave.

In the world of witches and wizards at least, wrinkles confer wisdom and goodness

Yet it seems that the glorification of youth is even trickling down into fantasy fiction. One of the reasons why our society seems so attracted to vampires is their immortality (and attendant marmoreal complexions). We've evolved the mythology so that vampires are preternaturally beautiful, and forever young.

Because of this, we seem to have stopped caring that underneath they are monsters, we overlook their need for human blood because they are so photogenic.

This means that in our culture we value physical beauty more highly than we value a human soul - a complete reversal of centuries of philosophy and religion

As the baby boomers of the 1950s and 1960s move on towards their 'Third Age', they demand the same consumer comfort they have always done, and also demand the right to see themselves fairly represented on TV and in movies.

It Gets Better

The result is a higher visibility of the over-fifties in traditionally youth-oriented media. Aging movie stars of that generation (step up Sylvester Stallone and Bruce Willis) are unwilling to fade away quietly, and keep pushing for roles. Action movies THE EXPENDABLES and RED packed multiplexes in 2010, despite featuring lead men in their fifties and sixties. The Rolling Stones still strut their stuff on stage. Helen Mirren and Meryl Streep are regularly nominated for awards.

TV has always been kinder to older characters: in the USA CURB YOUR ENTHUSIASM is on Season 8, and David Letterman (born 1947) is still king of late night talk shows. Betty White became the oldest person ever to host Saturday Night Live in May 2010 (aged 78) - and won a Primetime Emmy for her trouble

UK television has always demonstrated an awareness that older characters are just as interesting as younger ones, and the over-fifties form the lynchpins of the major soaps, as well providing the highlights of sitcoms like Grandpa in OUTNUMBERED. Growing old was the central strand of the comedy in sitcoms LAST OF THE SUMMER WINE and ONE FOOT IN THE GRAVE, and saw the characters railing against the expectation that they would sink quietly into oblivion once their working life was done.

One Foot in The Grave - Nippy

As we move further into the twenty-first century, it would be nice to think that we move towards increasing acceptance of all ages for what they are, that we learn to celebrate difference in age as we have learned to celebrate difference in skin color, and that we value all human beings equally without using age or youth as an excuse to dismiss them as irrelevant

Watch the following clip from Monarch of the Glenn- this clip has been previously used in an exam

Answer the question below, with detailed reference to specific examples from the extract only.Discuss the ways in which the extract constructs representations of age using the following:• Camera shots, angles, movement and composition• Editing• Sound• Mise-en-scene

Task

Monarch of The Glenn