Remick Collection Popular Songs w Uke Acc. No 2 (1918)

8/3/2019 Remick Collection Popular Songs w Uke Acc. No 2 (1918)

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~I7QPUl. : . : . ; : : : ' : : : : : : , - : , ' j - . 1



T h e R e m I c k ( o l l e c a o n

rPOPULAR SONGS

.UKuLELEACCOMPANIMENT

\lIth Directions for Pla~ln6

No.2

ARRANGED BY

Z A f l l i MYKON ] ) I C K f O I I D

PRICE 50 CEN TS N ET .

DETROIT J E R O M E H . R E M I C K & C O . N&lYORK



CONTENTS

Directions for Playing the Ukulele

by Zarh Myron Bickford

Along the Way to Waikfki

by Kahn· & Whiting.

Ain't You Coming Back to Dixieland

by Egan & Whiting.

Cherry Blossomby Kahn & Raymond

Down South Everybody's Happy

by Vincent & Paley.

For You A Rose

by Cobb & Edwards.

You're A Great Big Lonesome Baby

by Kahn, Cooke & Whiting.

Some Sunday Morningby Kahn, Egan & Whiting

Somewhere On Broadway

by Murphy & Carroll

Sailin' Away On the Henry Clay

by Kahn & Van Alstyne

Southern Gals

by Yellen & Gumble.

The above Songs are published separately with piano accompaniment,

and may also be had for Band and Orchestra

· 20

· 27

· ;~O

Page

3

(j

8

1 1

17

22

21



D irections for P laying the UkuleleBy Zarh Myron Bickford

TUNING THE UKULELE

(Pronounced 00 - koo -lal/-law

The strings, from the.firs t to the.four thjrIght toJeft),.are_named_B,Esharp, Dand A, and are tuned to the correspon dingletters onthe piano, as illustrated below. This system of naming the strings is knownas the "Dtuning~andis adv.i s ed in

preference.tothe.other tuning,which makes th e.Iowe st.atr ing.Ccand the others correspondingly lower. The Dtunin g

has been adopted by the best writers and teachers as being preferable.

J

To.avci d confusion in the location of notes and the. reading of chords, all notes which are to be made on the fourth string (A )willbewritten anoctave lower than they actually sound, thus always appearing as the lowest notes ofthe chords (when four

notes are used).

The following diagram shows all the notes and their location onthe staff and the fingerboard, as far as the twelfth fret oneach

string.

THE UKULELE FINGERBOARD CHARTNUT FRETS

10 ~ 11 12

ls~ String

0 1 2 3 l 4 5 6 )),).7 "..8. !±.~9 . . ~ . . . .f} I

.- --

B#O 0# D~ D# J < i , E E ~F F# G b G G#Af A A # B ~ B4 1 ' l B D

L II

~Fj j G G#AJ , A A # ~ B 0 0# D~ D D# E E E#F F#

~

•H ; ; E ~ T T E # F F # G I > G# A f, A A # B b B 0 0# I i ! >

EG D

, - . 1 - - - . . _ _ l I _ . h. . H. ! . - . - - - -, . . .b.- I . . ~. . . ft- T ' I ~

TI

G A! > A .

•nft String

3r~ String

A D D # E ~ F # G l> #B o

Where two different notes.are.shown.at one fret itindicates that they sound the same. The small notes represented on tho

fourth string showthe actual pitch, while the lower octave shows the way they will appear onthe staff. In making the notes, the

fingers are placedjust back ofthe frets, touching them, but not reaching over. •

HOLDING THE INSTRUMENT

(The position of the instrument, hands, etc., is shown in the cut on the first page).

The right forearm presses lightly againstthe body of the instrument, sothat it can be held inplace either in the sitting or stand-

ing position.

The neck must rest very lightly against the ball of the left thumb andjust above the thirdjoint of the first finger, the tip of the

rhumb never appearing above the edge of the fingerboard, and inmany cases being placed almost inthe center of the back ofth«

neck. The tips of the fingers must be used in holding down the strings, the joints being well rounded and the nails kept rather

short, to avoid touching the strings.

Since the object of this preliminary matter is merely to explain the ground actually covered inthe songs whichfollow, much

rudimentary matter is necessarily omitted and.it.is taken for granted that those who procure the Folio, either for study or for

pleasure, already have,or can easily obtain the.necessary rudiments covering time values of notes, signatures of keys, the

use of sharps, flats, naturals and the various signs and terms used in musical notation.

Copyright l l10MXVII by .Iero m e H . Remick & 00. N ewY ork& Detro it

International Oopyright Secured



r 1The Chromatic Scale

ard String , II 2nd String II 1st String

7 8 9 10 11 124 5 62 32 a o 1 2 a 4

The Scale ofD

14th I& # ard String 2nd String String 1stString r r r~ ~ J ~ I ~ 1 R E i I r . [ ~ [ ~ 8 10 12 I IFRETS 0 -.O

The chromatic scale progresses by half steps or semi-tones and the above example shows the method of crossing to the next

higher string whenithas been reached, rather than continuing oneither the Dor the Fsharp string.

Inthe Dseale the sharps placed onFandC at the beginning indicate that these two sharps are required in thisscaleor key, con-

sequentlythese letters must always be sharped, no matter inwhat octave they appear.Thesescales are invaluable inlearning the

fingerboard andthe location of the notes and itis suggested that the general rule ofusing the first finger for the first fret, second

finger_forthesecondJret;etc., be followed. In playing the higher notes,itis ofcourse necessary to change the position ofthe hand.

Ageneral rule for picking single notes is touse the thumb forthethird.andfourthstrings, the first finger forthe secondstring

andthe secondfingerforthe first string, although this rule is fre€J_uentlyvaried in actual playing.

FINGERING

Owingtothe peculiar tuning ofthe ukulele and the fact that the notes tobe made onthe fourth string are written an 0ct ave

lowerthan they actua11y sound, in a chord offour notes (the usual form),the highest note will always be found on the first string

(B), the next lower note onthe second string, the third from thetop. onthe third. string and the lowest note on the fourth string.

Inmarking the chords and notes throughout the book, the figures always refer to the left hand fingers andnot to the frets, un-

less they may happen to correspond ..As an illustration of this ,the las t chord shown below, knownas a dimrnished seventh chord,

is made by placing the fourth finger on the high D, the second finger onthe Gsharp, the third finger OilF (naturayand the first

finger ontheB. (This is also the chord which is being takenin the line cut shown at the beginning)

• Itwill be seen that it is necessary to actua11y know the notes and their location inorder tofind a11the chords used in thi s

Folio, some of which are unusual and unfamiliar.

I I

THE STROKES

Although there are several different strokes used for certain effects inplaying the ukulele, these accompaniments have been

confined to the common stroke, made with the first finger only and tothe downward roll or slide.

The right hand is held in avery loose and relaxed condition, as shown inthe cut,the first finger being slightly straightened out

from the others. .

Inmaking the down stroke (awayfrom the body), the nail of the finger brushes the strings lightly, while inthe up strokethefleshy

part only isused.

riis most essential that the arm, wrist and fingers be held perfectly relaxed inorderto produce the best results. T'b e down

strokes are indicated by the sign i1and up strokes by II.The roll is made byusingthe nails ofall four fingers, making a slightturn

ofthe wrist andstraighteningthe fingers slightly. The thumb can also followthe fingers across the strings if desirable.

The ro11willbe indicat ed by the sign f. Throughout the Folio.thestrok es have been marke d atthe beginning 0f each pie ce andwher-

ever any changes occur.

THE PRINCIPAL CHORDS IN COMMON KEYS

Inusing the diagrams orupi cture s ' toillustrat ethese chords, the fact must not be lost sight of that the only sys tern 0f reading

that is recommended isthe note system, the diagrams being used merely to assist the eye and because a certain percentage of

players are familiar with this system. The names ofthe chords are given underneath, but it should be noted that there are many

chords used inthe accompaniments which are not shown beiow, owing to the fact that one ofthe notes (usually the highest) belongs

tothe melody and is not a part of the chord inits usual position. These exceptions must always be worked out according tothe

rule given previously and the exact fingering fo11owed.

The keyofD is given first, since this is the natural key of the instrument andits chords lay most naturally under the fingers.

The keys fo11owing are given in the order of their'naturalness" or congeniality tothe instrument.



O J B minor (relative to D)

]

]

Emin. Amin. B 7tb.

111l1!

Emin.

•Key of 0 A minor (relative to 0)

~ Ii i J ,Ii I I ~ il i s I i i l! I I

Althoughoccasional chords belonging to other keys will be used, it is not deemed nece ssary to illustrate further keys

or scalesin this work.

RIGHT HAND FINGERING

Itis frequently necessaryor advisable toplay either single notes, ortwo or three together, instead ofthe full chord of four

notes, and for this purpose it is necessary to pick the strings with the fingers instead of making the stroke. Two dots in-

dicate the second finger, one dot the first finger and "-t ! ' the thumb. When the strings are picked in this manner, the little

finger should rest lightly on the body ofthe instrument,nearthe sound hole, the thumb extending forward towardthe finger-board. •

IIisbelieved that sufficient examples havebeen given to showthe method offinding the chords, and inthe case ofthose whichhavenot been Il-

lustratedbythe diagrams,itis onlynecessary tolook for the highest note onthe first string, the next onthe second string, the third note fromthetop onthe third string andthe lowest note onthe fourth string. '

Thecompiler makes nopretenttons as toa complete methodof instruction, since this would beoutside the scope ofthework. The matter intr o-

ducedis merely what itis necessary toknow inorder tobe able toplay the various accompaniments. It is suggested that the best andonlycorrect

waytoplay this, oranyother instrument, isbynote, andthat the diagrams be referredto only as a last resort inlocating the various notes and

chords. The names ofthe strings andtheactual location ofthe notes madeoneach string should bememorized andthe chords always read bynote, rather than by name or diagram.



6

ALONG THE WAY TO WAIKIKISONG

Lyric by

GUS KAHN

Music by

RICHARD A. -WHITIXG

ModeratVOICE

VIOLINorl\;lAND,

Ii ~ rt 0 era 0

I~

<r1 r1_

Ij J .I H 1

·· .. - · .~ N i

+ - .+ O· 1~ j .tt- , l'I'

' O~ . O~·: o :i -:O~

UKULELE

f +++

Vamp

II

Far a -way Where the balm-y breez- es

Then I know You will learn to love itr1 1Ir1 n r111r1 r1

Far a-way

If you gor1 II

r1 r1

>- >-

Ii J J ~

I:',

· .

\ It. "<, - r _f' I r F ' r

blow __ -__ Where they sway \Vhile theyplay U- ku- Ie - les sweet and

t

too Eyes a - glQW Voic - es low Sing-ing love songs just for

t - 4 - t u # . . r---:

· · · ·· · · ·· · ·o:i- 1...:.

• :;i :- 4 '- 4 ~ o:i ~. ~ t~ 0 : J ~ . ~ - = l ' i 1 -4 . .o

+ +~ J J + ±

\. .- . _ , r y I I

lo\v Where my heart is I am go - ing And I wish you were go - ing

(you If the world looks blue and drear-y And you long for a place worth

~ J J j. f . . . . ~ '"":I~ - · . . 3

· . . ._ , : t . . . . ~ - . . . . . . . O J . . ~I :1-1 ~:ij .:ij:. o~· ' 0 : J ·o~.

+1

+ +~ J J r t poco rit. 1 J J ~I . · . · -

\. ·

~ r f' f" _ r, Y r

to o If you stray Down that way I II be there to wel-come you __

(while Let me know Let me showYouthat sun- ny sun-kiss'd isle

-4-~~ I""'-:: r-:r1 r1~ r1 r1

~ b" "· · 'U7 - · . · ·· · · • • ·· ·

-~1. ...... - - ...

o~i· ~d~ o :i~ · ~~

t~ 1ii' ' ' - i I - . " ~~.~t~~~:$~~ .6 . . · . t . · . l " . - poco rit.

+Copyright MCMXVII by Jerome H.Remick & Co. New York & Detroit

Per/arming Rif!,-litsReserll"ri . Internationat Copyright Secured



7

REFRAINa temp o

r y

And if you lik r Y hik ..11 eyoucan te wit 1

iI iI " iI iI "

r: r - :

~ II ~fI'

me __ A-Iongthe way to 'Y.:'li-ki - ki __ Wherethe

iI " iI"iI iI .. . .

g ~ . ::!: :::::~:::::::

Il~

·. , ~. . If Y, . , r r

pa~m trees sway-ing Play-ing in the breeze Har i mo; nize with those Ha-wai - ian

iI " iI "J ~ . . .· . ·.

·· ·. . . - - - - ~ ~. .: : - = . = .:: f~ $ y ~ 'J f J04· • 4·4 :j . . . . . . . .~,u

~

. · .. . .~

1 ." Yr Y r I

- - - - - - - - - -I r F '_

me - 0 - dies_ Thats why I yearn to re - turn once more c Iwant to stroll o'erthe gold-en

( f),uiI

-: r- : ~I'Y--- .

· .· . . .

~. s g . : : : i':'--'.: 2'; : i . : i = : i . : i .~ .. t~ ·.:i

. .~.: : : : : : . : 8 : i..

. .o

Ij~ ~ -. ..~

- - - - - - - - -I r p If F "

shore __ Where the sil,

stars.L, And the steel gui tars _ Stole avry -

n _ ~._

~ : ( 1 1 1 tJ .. t $ ~~I $1 ~1~J 'O~ : g: t~0"

f)~ ~ "..----... ..· . ··

~ r , r I I

- - - - - - - - - I W; . ki .ki A d if Ppart of the heart of me__ A-long the way to al- 1- 1__ ·n 1 you ki-IJ.c.

r ; ,u r--: r- : ~ 1 \

· . . . ·· . . ··g ~ n : J 8 ~0 4 .... :i .: : - , i:., i:. ·.~i l' ill --. = , . : : .z g: ... o : i. ·4 1'iI o . . ~. . · . .

Along the Way 2 .



8

AIN'T YOU COMING BACK TO DIXIELAND

. Lyric by

RAYMOND EGAN

SONGMusic by

RICHARD A. WHITING

VOICEVIOLINor MAND.

Moderato

UKULELE

rl ~

t~

il il il>.

fl J, fil

::>- ::>- ::>-::>-0_ ., .

I: . . . .

~ o~ O ~ ) I ; : i : J o~.~ = -1 "1 1 T .' o ~. 8~ o~ g : :

+ ~+ ~ '---' +~~============ · . 1 1 "+1 '+

~ Vao» mpl .1 I. .

' "

~

.·

~ I

I had a let - ter from my Mam-my Down in

There'ssome-thing haunt-ing in that mes-sage "Ain't you

til n / l . r , /I . 1 " 1 il il il-4n / I. n /I .

~J+ 1il • .

:,

:. . ·.. .. . ·~ o~JO~' K ~

.,O ~ · ~t •• ~: • ~g:: :: 1 fT . . . g : : : : : : : l : : : : : l: : : : :

+ p

fl~ t- . l

/ t.•."'~

\ ~ •• •._

I

sun - ny Ten - nes - see And tho' it may sound queer to

)com-ing back once more" That let - ter sounds to me like

Ii il /I . il / I. n nfJ ~

il il n

{

- •:, .

.u ~- J Hb-J -J 8 ::: :: ::: : : : :..,.=

. ~~:: :: 1 t r i0"

_ f L I J t l

' "\

.t.. • - r r I

folks up here 'deed it sounds might-y good to me It says"Theyre

(po - et - ry tho' the spell - ing is might - y poor I sent a

fl IJ til il - - - 4 il

\ - .V ~:: 2 - = E - I 6 f 1 b : : o~ ~. :i6~ '{~'-t o• •

.,o - : J .=i

+ +

fl~ I. . I I

\ ~ I I. .___.

lone - some down in Dix- ie'_'_ And theres a tear in ev - 'ry

)lit - tle note to Dix - ie__ It's just to sort 0' pave the

fl ~il /I . il / I.

( - . • ~ --:. . . .. .

~ 0::: :: ::: :: z q . . · : . . . . . . . : - - " o - : J ~t : -J -J: -I -J: -t 6 H ': : : : : : : : : : : : . : : : : :+

Copyright MCMXVII by Jerome H. Remick & Co. New York & : Detroit

Pert'orminl!" IUe:llts Reserved bderll{di,;,,,,; (/ollilri.!{itt SeCltrl1d



9

poco '!'it r.'\fJ .If 1 r.'\ J. ~.. .

\. . .

~ 1 I r r I I I " I

line __ For theyre call-ing me to Ten-nes- see Itstarts out 'Hon-ey chile of mine L,_

(

way__ Say - ing "Watch for me in 'I'en-nes- see lin com - ing back to hearyou say'_' _

fl .u ./7'. iI r.'\

. . - .-~ 2i .ifj."i~"j ~i fi~ g : : ~:: o '~ o ~ $~ .. o ~ o f t ~ l$ O ~

+ + poco '!'it.+

CHORUSa tempo

I'j .If I. I

·· ·.. r 1 - T T 1 r'"Ain't you com-ing back to Dix- ie - land Where the sweet mag - no-lias

iIII iI II iI iI II iI iI

. I'j .u . a tempo 1\ r-: ~ ~

· · . ·~ · - - - - - -

··

~ o ~ S~ -~ • =i =i o : i ~__ ',~ . ~. =i 0 ; ' : : : : : : : : : : :

I'j .u . I I l- I

/ ~

\ ·.. I I r I '-.__/ T T I r'grow? __ Don't you ever yearn just to re - turn to the land of Old Black

)f1 .If r 4 iI

1 \ iIJ-": P-""!!

~. . . . .

. .~ : : : : : r ~ : : :~ : : o ~ ~~.~ ~ ~~ j~~. ~t:i g : : : : :~l : : : : :

fl .. I l .

f..} I I • 11 '. 'fT

Joe? All the little pick- a-nin-nies seem to miss you Law-dy how Iin long-ing

iI II iI 1 \ iI iI'l .If ~ I " " " " ' :. : ·

t: : : : : : : : : : : : : : : o : i ·g : : : : : : : : : : ::: ~. . ..:i't;.1·-1 t1~ .:; ~: i ' =i =i ·il l = i ·

fl .Ifl-. .

~ I 1 1 - . . I

just to kiss you Dar - lin' your Mam-my s grow-in' old 'Deed I

fl u

:- - :: .

~~. . -I 1 1')1

o~ $ ~ 0 : : 0:;' =i y- t -I: )~ 'H'" . o~. .+ +

Ain't You Coming etc. ~



10

' ) . L I I < . . l l l

I ·\ ~ , I

r I - 1 'T I I

am Hon-ey lambDontyou want to see the cot-ton fields And the su-gar - cane once<

( n »- 4 r " 1 ~

r" 1 n

. .·.. ·o ~ ~

..!::

!:i~ .~• o. $:i~.~f. g : : : : : t : ::. .

f L J , J , cresc. .....--.,l. ·

i~ I I r r I I

more __ And the pret-ty flow - ers grow-ing . 'round the old folks cab-in

' ) J , f " " " " =~ r " 1 r " 1 - 4

. . . ·

: : : : : g i -t-I -I:

: : : : : : : : : : cresco ~ :: ~ : : ~ : : : l : : ~ $ ~ ~

~~~._

r I

door? Dix - ie looks like Heav-en all the while You

i ' ) J , f

r" 1 r" 1f\_- -.. .

~ -I : 1 1 -I : -I -I -I 1 1 -I -I i . . -I H l r l - - : I -I

~~~. l l I. _L

r r I

sho'don'thave to die to go there hon-ey chile_ Ain't you' . ,

back..; toom-ill<

( ~ J , J , - r" 1 r" 1

'" '

~ g : : :: ~ : : ~ : : : : : : f b f 1 : : - : : o~ 0:t1) #~ ~oq1l~ = i+ + +

~ J , J , · _l - - . . . . rr .

·~ I

dear old Dix - ie land" "A' 'till you; - lJ.s.

~ >- >- >-(j J ,f '>_ .... · .-!5 :\.

· ·· ·~ l-j T

..o~· ~g:: : : . : : : : : : : : . : : : : 0 1 1 . o : t 1 :: ~~ ~~::

+ + +

Ain't You Coming etc. 3



CHERRY BLOSSOM1

Lyric by

GUS KAHN

SONG Music by

HARRY RAYMOND

ModeratoVOICE

VIOLIN

or MAND.

fl .u

tJ

1 " ' 1 1 " ' 1 1 " ' 1 I" 'I~ 1 " ' 1 I" 'I~ 1 " ' 1 (5B) .fl ... A_

I"] 1 " ' 14.

~ItJ f2i .. 1~" g~ ::~ : : ~ : : : ' + - - 8~ ~ u . u . " ' ' ' ' : '. ~ . . . . . II' II'

+ + +

UKULELE

f J . . ~ _ amp •/ . .

\-

~ r I I

In the time of Cher - ry Blos-soms

t

When the spring brought Cher-ry Blos-soms

1 " ' 1 A 1 " ' 1 A 1 " ' 1 1 " ' 1 1 " ' 1 i1 A 1 " ' 1 A 1 " ' 11 " ' 1 1 " ' 1

f) ...r.

. . .\ . .~

m . 2-1'; g : : : : . : : : : o'i. 8 : : $ 3~ ;,I p~-I i ~- : : -~ -~

o~ g~ o~ ::+ + +

f) ... . . -

~

~Far in old Ja Sail - boy Iovd- way - pan or

Down be - side the dream - y sea Lone -some lit - tIe

( f) ...1 " ' 1 A 1 " ' 1 A 1 " ' 1 1 " ' 1 A 1 " ' 1 A 1 " ' 1 A 1 " ' 1 A 1 " ' 1 1 " ' I . . . l 1 " ' 1

I" 'I~

~

~-I - s i - I 3 -- o~2 - 1 -I t ..- s ~

- : s- - I - - I

1- t . .. . . -;

+

fJ J . O

.

\ ~ I

herI

gei - sha girl - ie Mak - ing eyes be - hind fan

~

gei - sha girl - ie Sat and wait - ed pa - tient - ly

f J . . . ~ .--

~ 2 " 1 " 1 "'I 2 -1 i o J i~= i = i = i ~ .1 j ~ ~.i i ..t

po co lar gamen i of J . . . - - - - - - - - - - - -

~Soon she learn'd to "I love ~oul1 Soon

., I

sighay she learn d to

For the boy who said "I love you" Thought she would for - get

1 " ' 1 1 " ' 11 " ' 1 1 " ' 1

1 " ' 1 1 " ' 1 1 " ' 1 A 1 " ' 1 A 1 " ' 1 1 " ' 1

fl ...

~~ " 2 11 1 -j j t2i - I i t"2-1 iI -j B - 1 -I .... g : : ~

p o co l ar gameni o

Copyright MCMXVII by Jerome H.Remick & Co. New York & Detroit

Per/arming Rights Reseroed International Oopyright Secured



12

a tem po't~ ~ . ' po co rz .

.~

For the hours ~ pass'd like,I

'Till he said "Good -.I

mo -rnents bye" ButJust a sum -mers day flir- ta - tion But she's dream- ing yet And

~ ~r1 n !

~ ~i . . .: : : : : :: o ~ ql 0 : ; ' . : . . . . .: ;'1 t~ 1 f t ! $3~4--'~

a tem po + 0 + p oco rit.

a tem pofj ~ . .~ - ~

~

t..just be - fore ,., he saild a - way_ she heard

hi, ~1m ten - der - Iy say

in the moan - ing of the sea ... she still hears this mel - 0 - dy

( ~..~n r1~ r1 r1 r1~ r1 - II

~ 2 -1 i l~" -I ~1 - J -14 . . i.. .. ifl'i "iI . . 2

V

"'''

a temp o

CHORUS (N o t to o fa st){.\ { .\ a-.{J ~. . . : . . . •

~

·~ r ",--- :

Just wait for me Lit - t Ie Cher- ry Blos-som _ - A-cross the

(rr. rt-:

(.\r1~ r1 r1~

~ ~.-- ~ ~ P-_

"··

~ '2 1 H~... ~ o : : : : . : : .. : : : : : : : : : : : : : : : : ::~::l~: l : : : : : : ~ : : : d ~P-f

f) ~ I

f.., I . . tr·sea I'll come to woo And when the

fj ~ ~ - ~ ~

t.. ~. . . . . . . . . . - J o J . . d:J. .... t .... -I -I v + . . .ft. -

~ ~ 1

f.., I I I

spring brings cher - ry bIos - soms rare I'll

~ ~, . . . . I"'- , . . . . - ~ I

t.. o ~ ~ ~g:: :l ~ 0 ' : ~ :: t~ : : . : 2 " 1 > 1 1 : : .iii! . . '1 1 '1 1 ~ 'fT r-======+

Cherry Blossom 2



f') ~"

{.\ . (.\

I

\ t.. rYou'llring a ring to you I love you I do always

). ~ J . I .

{.\

r.0(.\

"4

t.. 0 ': ': : ': : ~ .: ~ :.: .: o ~ : ~ ~ . ~ ~ .~ ~.~ . : . . ~ o - : i . - s . . • $ 2t H~ ..f

+

a tem poI

I ') . u . • . . .

\ t..r -

be Just a lit - tle flow - ...er That blooms for

~ ~. ~ r-- - - ~ ~

~ ::~

: : : :~

: : . : . : . : .: : : : : . : .: : :.

.: : : : : . : : : : : : :..

: :a tempo

~-~

'"~

/

\ ~I

me The whole year thru I will

~ n. - ~ - ~ ~

2 '"jI '"jI ~~ - = .= : :iT •~ " 1 1 "jI " 1 1 "'i "'i "'i "jI "iI "iI "'i "'i ~ . . . ~ ~.~

I ') J . I . - - -"

~ I I

cher - ish ev - 'ry hour My Cher-ry BIos - som

I ') ~ - -;; !

,

t.. 3.. ·.. ·....... ~ l' t~·~·~·;:~ :~~~:~ 2t -Ii - t 1·t i lt~ .:i_ o ~ . : : : : : . : · . · ~ ' ~ : : : . :

I 1 2I ') J . I .

{.\ .. .··

t.. I

I love you Just wait for you o.s .r-.

{.\rt-.

I ') .I t - 4._

·· ~~ ~:~tl:.::::: : f = : : : ~i iii 1 f T " 1 1 v s . . . • ~21 ~·1~. ~i

.. ' + + ~ ~ - s+mf

Cherry Blossom S



11. ,

DOWN SOUTH EVERYBODYS HAPPY

Lyric by

NAT VINCENT

SONGMusic by

HERMAN PALEY

ModeratoVOICEVIOLIN

or MAND.

I " J ~

I ~<

I " J ~ I ~

I IW ~.~ $ o ~ ~~ f~

. . - < . . : . . "

04 + - r ..04 " $~~'-'. .

UKULELE

+ + +

~ ~ amp

.~

<

~ ~1 " 1 1 " 1 1 " 1 .

' 1 ~ _ _ _ _ ~

-"""" ' - 1 \

I - .~~

" o ~ $ 0 : : .04..04

.,

0 : : f . J I : : ::04 5 = i o - : J . ~)'li~+ + t. + +

() ~ l- I . . l l

"I- _1

tJ r r . r -I

There~ a steam- er leav-ing for my old home to nightL.

When it comes to dan-ces why there's none will com-pare_1 " 1 1 \ 1 " 1 1 \ 1 " 1 1 " 1 1 \

1"1,.._ 1 " 1 1 " 1( ) J,I

1"1_ ~ --

J~ : : : : :: : : 04 ~ g : : 04 04 g : : g : : : : :: ~ : : /~ : :

: :04. . .

p + ++

fJ ~

"l i I- - ---

\~

lightT

_r I

Where hearts are and its sun - ny and bright_

'Long with the "bear", _ that the folks do down there_

() ; , . ,.._ - -~ - -;

~ 5~ ~ ~ ~ ~~~ ~~ . . : : : : g : : : : : : : :: ::~~ o ~".,

=i+

( ) J,I l k l l

"l

/

\ ~ , rlands 'cross

IThough theyre bus - y fight-ing in the the foam_

) And the fa-mous din - ners that they serve are a treat_

fr ; ~ . . . . . . _

I'""""'"

r---_____t--

~ -~ 8:: :: :: :: ::: o ~ w : : o ~ 04 8 : : : : : : ~ : : : ---:: : : o i 1 : : : :

++

Copyright MCMXVII by Jerome H. Remick & Co. New York & Detroit

Peiformittg Rights Reserued International Copyright Secured



15

'l ~ ..- J Isc . ~

/

\ t. : r r r I ~vee when tb.eirv 'ry things qui - et down home On the Ie -

(Old south-ern .style hard to beat When a South - e:w Iier says

,.....- i1I' l . 1 0 - r-- ! " ' - = ~ r - - . l\- I " - - iiii . . . . . . . . . .

o ~ : ~:i::i ~ t'i-j ·i i

O ~ · . . . L . . . . . . . ~

.: ;

o~~ .

~ . - =~ii'i 1~-4

1 •

+ oresc: +

fJ . 1 0_ . . . . . . . . - - - . . .

·

\ t., r Ithey'll showork is through.,. Hot times you

~

hes your friend_ i1 IIi1~

Hes yours 'till the end

f) . 1 0 Pr-I--- --.i1

1\ r - - . -= -··

~ ~.

~~ ;I ~ = --1t:i"~ ~ 1'~ $j . 1~·"iI ~j o ~ =it~t~ : :i..#

./ +

CHORUSfj , 1 . 1

-l

·t., r r r

{y bo-dysown South ev - hap- - - py

I' l . 1 0 r--i1- -,·

~ ~~ ~~ ~~ ~ = - : : ;j j : :; j j ~ ~~.: ; . . : : ~ ~ :i ~ ~ ~ "i ~ ;i ~ ~4 ...

p-f

,

fl . 1 0 - - - -~ r r I , I I

Down South ev - 'ry ones gay

jf J , I . I 1 \ 1\-1- ,. _-t.,

1 9 : : i: : {~~ : : : : : : ~ :: ~ !. :: :: !. : : :: : : : : ::.:: : :.

I ' l , 1 . 1 - - -I t . , r y r t ,

Shuf - flin' a - long c-- Hum - min' a song -

II' l . 1 0 ~ - - - -

'":

t.,

o . = -= - = - 2 : : i $~ ~ o~ :: i . . : ; ~i -l-I-Ii ~-It:----::I

.~

11~ o~~. .

1 ' ) . 1 0 _ . . . . . . . . - - - . . . _ -- _L I

,

t.,D r and

r

ringr

<anc-mg sing - ing when the ban - jos are - ing

II') ~ ~

- r--

:.,\ ,

t"i i i -j -j iii--j i ill iI $ 0 ' ~ :i ..:;..:;.;J :i-~ o~ o : : ; j j. . . . . . . .+ +

Down South etc.z



16

~.I.O l,

tr r r

biesll their trou - are for - got- - - ten

- r1

r;~ ~ - -I

t., '~:i i~ $ . ~ :i :i :i :i $ :i :i:i~~~~

•~:4i~:i:i:i

f J . I . O ~;

t., I I I

At the close_ of the dayr1

~~ r " \ ~- - - -

~I

t., 2~"~ ~ . ~ $"~~. ~.. ~~ ~ . -t - t -t -t - t -J -t -J -J

fJ ~ I

- - - -..

't.,

Old Aunt Han- nah wear - ihg red ban - da - na

I'j~ - ~

ft., -J - t -I -J -I - t -I -I -I rt $ - 1 - - - 1 -I -t - t -I- ioj "'ill "'ill iI " ' i l l "'ill

r J ~ l

,

.~ r I .

1'1. r r~an - rieroes the cake-walk ill such a state - ly

I'j ~ 1\

-~"

~~I'I i ...I " ' i l l g : : : : : : : : ~ $ : : !::~; "1'1+ o ~ 6 f t : : : : : : : : : : : : : :

+

~~ I ~.

It., r r r

~y bov dys Turn-ing theownSouth ev - hap - - py night

I'j ~r1

~ - - ;

~ ~ o : i f : i $ : ' - . ~ ~ ; ~ 4 4 t: i : i"; .- : : . .: ;- : : - = ..: ; .: :: .: :: ': :: -= .i._ ,.,,; o ~ o:ir--1 1 1 '" '' . . ~ . . . . . . . . .

~

. .~

. .+

I'j ~ I.

2 1'7\I

...-.··

t., rr t

- m- 0 day daylJ. C .

fJ ~ r---, - r----. , . ._ ~ i\

··~ ~

..0; i~::. .

J 8 : : o= i.,

o~. .

! 2 : :,

+ + +Down South etc.a

i



\7

FOR YOU A ROSESONGords by

WILL D. COBBMusic by

GUS EDWARDS

Mod tVOICEVIOLINor MAND.

r;~ era 0

I~

<r , . , ~I') ~ L 1 _.t 2 I , . ,2 I 2 3 4.

~.~ ./' . . I . ~"'U. ~ ff~ - + ~ r T r '1 - r ~ . K : : : : : 1- ( ~

UKULELE

+

VampI') ~ _l

/ .

\ ~ I I I

Sweet-heart with the smil - ing eyes

~

, . , , . , , . , , . , , . , , . , , . , , . , , . , , . , , . , , . , , . , ~ , . , , . , , 2 , . , " ' - 4 , . , , . ,') ~

. .. .~ 2

u_", ... 1 7 1 1 1 1 O l~ 3 -6 ; .; 2 1 i'"il a-i~r-i·-i K I ·r.. J·iFi "-Ill-tp p

r; ~/.

\.

~ ~ - ft·

Sweet-heart with the cheek so fair One thing and

~

, . , A , . , A , . , A , . , A!"'-' ~ ~ -j, f

~ -I1 . i

"iI

~ ~ ~~.~.~~ ~ ~ ~:: : : : : : : : . : . : : : : : : : :: : : : : : : : ; : : . : : : : : : : . : :1 ' 1 _ j , f I

~ I

on - ly one thing in this wide world

~ j , f I'-- ~ - -t.. ~ f f : : . : : : : : : : : : : : ~ ~-i iii 11 11 II lIlI ~. . 'O ~ - = ~ - = . . ~. . . . . . .

I') ~

t..

- - - - - • •can com - pare Sweet-heart with you come clos - er

I'j ~ ~ ~ ~, . , ~

~ . : : : : : . . : . . : . . . . : ~ g . : : : . : : : : : . : : ..::: : : u ~ . .o ~ . . g : : l ' : : : : : : c : : . ' : :: U! ..

o ~• +Copyright MCMXVII by Jerome H.Remick & Co. New York & Detroit

Performing Rights reserved International (Jopyright secured

+



18

I'l .. .

\ ~

do See what I have sought for

~

I'l ~i1~ , . . . . .

I rI

~ 2 - 1 - t . . . . . . . . - J . . . . . . . . - < i f f ° r .L '1 r - 6 t f ~ . : . :+ +

~ . . II

\ " I ' " ' " .

~

See what I have brought for Seewhat I have brought for you

~ ~. Ii1

I

~ 1ftI' 1 , o q j " '- o 1 i .!: ..::~ft~ -<12"1 6 ~ lbi - o ~ :i "''':: o : i :i g ~~ o ~

+CHORUS

I'l ~ f.\ f.\ rt-: I

\·

~ • . . -6 t "4---. -~

)For you a rose __ ' a rose of beau -ty rare A red, red

Ij ~rt-. f.\ rr. i1 i1~i1 i1 - - ~ -

··~ i~-Ig"l fi> l " i 1 8 1 1 ~ : : . : : . : : : : : :i.~ ::::: :::: ~ - J . . . : . ~ . -. . ~ -. - : s -l" -t'i'i'i

P-f

'l ~I

\ ~ ft· 7

( ~.ose for you to wear And as I

~ ~ ~ ~ -g ~ : : : : : : : : : : : : ~-t - - t - - t - . . - . . - - t -. .

~ ~ : : : : : : . : 2 -1 Ui ' " j l

I

f 1 ~ I

\ t.. - 0 1 : . / . . . . . .__________ 0

~

kiss __ each crim -son pet 0 al so I bid it

I'l J , j . ~ I ~ - -~ ~'': ! . : : : : : : : : : : : : - : : : : : : -~ 1 ' -1 -.. '~1 - t - - t 1.. 2 1 T - i

For you a rose 2,



19

I) ~~

\ ~I , 11- I I I

(~.o my love for you to show And tho' some

- ~ -~i . . . . . . - I -I -I f ~. ~ :i -i :i ~- J - 1 , , - 1 - 1 - 1 - 1 "I

I)~I

~

t.. r I

day . you may toss it way.

And tho' some-

( I) . 1 0 1~ - ~ - ~ p-o ~

~ -1 . . . "II ... 1 1 1 i"ll " ' i I i -i i i i "'0 ~ ~~:i - = . . : : : ~ ~~ . . . . : ; :~

. . : ; :. . . ~

. . . .~ . 1 0 1 I

~

~ r r r I., - -, ;

day with arr-other you stray When e'er you

( 1 ) . 1 0 1 ~ - ~ - ~ -~

~~ ~:: : : : : : : ~ ~ .: ~ : : ~ 1 f t :: . = : : : = : : : : : t t : : ~ + +- +

Il_~ I

t.. 4~"'· -go where red red ros - es grow Re-mem- her

, , ~ ~ ~ - -~ ~ " : : = : ~ : : :: : : : : ~ : : : : :: :: 1 ... " " I I i -i . . . " 'i I "II ti

2 I

(';\

\ ~ ~f.', .··

I I R~ I I., -, ;

< me__ Re mem - her me For you a me

( n. ' " " " "~

f':\

' " " " "~

··t.. - ~ ~ :it~ g : : : : i~ 2 - 1 i-I .. J.J JY+ ' "+ + ~. . g : : ~. . ~ .~ ~:~-i

For you a rose 3



20

YOU'RE A GREAT BIG LONESOME BABYSONG

{

GUS KAHNBy CHAS.L.COOKE &

RIQ HARD A. WHITING

~ V ioderatoVOICE

VIOLIN

orMAND.

f J u am p

It..

fl~

i1 n i1 i1 i1 n~ I. .

'" ..t.. ./' . . . o : J . . ~. . . .

t " 1 I f: ' : o " ~ o ~ $~ , + . . + · o : J . ' . . o : J . ' ·l-j~.· o ..

UKULELE

+ + + +

~-~ l I l _ 1 . . J:

~

. · ·· · ·.. 1 m real- ly wor-ried/' -

a - bout you dear-ie You look so sad and blUe __

I wish that you were my lone-some ba - by I'd be so goodand kind __

~

i1 A i1 Ai1 i1 A i1 A i1 A i1 i1

f J u .· · · · ·

.· · ·· · · · ·· · · · · · ·t.. ~:.t! : : • JII ~ 1 1 : : : : - : : lj·"Jjj·ji i· : O : i .:i :i. ~ . . . .. 0 : : ' : : : : : . :, :( :: o - : i .. . · . .

+

. •. .· .· .. ·

: : :~ : : : : ::: u1~ o ~ . ~ :i.

. .- = : :

. .~

ritard

CHORUS'iu,

A A

·· ·t.. - f!"~- . ._ _ _ _ _ _ ; 7 . . _ _ _ _ _ T ' . 1 ' T

Iknowthat you are just a great big lone-some ba - by_You're just ai1 A i1 A rt A i1 A n i1~ n i1-4

i1 A i1 A~-~_

. I ·· · · . . · · . ·· · · . · · ·· · . . · · . ·

.. , 0 . . . . -~.:i :i.• :i. _ :i • :i._ :i :i ...:i 0 " : - $ ~ :O ; i . . . . .P - J

~ ~ A A

\ ~.

· .. .. . ._ _ _ _ _ T . - H~- . .___:;

- - - - - - - - - -1 'T

~ n u

ba - by.c., You would-n't fool me dear no mat - tor how you try For in your

~ ' """: . ·· . ·· · · ·· . . · · · . ·.. g :: r::y : 0 . . . ~ c~ .:i~~ : ~ . _ : i .:;. . . . . c . . . . · 4 ~::: :r~ : _ j : : : ~.

Copyright MCMXVII by Jerome H. Remick & Co. New York & Detroit

Pe1;/,ormingRights Reser-ved International Oopyright Secured



21f) .u .t

I~ ,-- - , " - - ' _ T

eye - I see that "ba - by stare" The one I know was there Whenf) ~

i1 i1 n i1 r r

I . . . ·-

t_.1 1 1 ii :~ :i : 1 ii 1 ii

. : : : ..." .: : : ~ ~ r - ! _ : . : ~~~ sl~': 1., oj . . . . "i! ., $.,~j j:j ~ . . . o ~-i

~ . 1 + I I k ~ l. .. . _ _ . . .

~ - 7 r r r r r r r r I

you were a ba-by A- run-nin' to moth-er when your brother made you cry And now you

' - ' . 1 +i1 " i1

"rt i1 1

~~ 1 1 1 ~i j ., $i . . b t t l ~ : : : : 1'" 11 o. 4 i.~

3

rJ ~ A A

~ ~ want·fl·--...____/

._ _ _ _ _ _ _

- -#______.. ' . 1 1 ' -dsome - one to treat you like a ba - by_- Just like a ba-by I

f n.- - - - : " i1 "

· . . . · ·.\ ~ · . . . . . · ·

4 . 11 11' 1 ii- .:;.:; .: ; .: ; .::::i .:;- . : : : .:; g : : i::~4 ::j. :j .:i.:__:.:j'~~'11 ~ . . . . ~ . . . . ~

rJ~ A A l ~/" . .

~ , 1 1 ' - _ _ _ _ _ _ _ _ . - ' ---...____/ I r I I r fI

may be just the one you think will do I hope that's true __ And if

f) ~i1" i1 " i1~ i1 ~ ~. . . ... .

~ ~ f t . : . : _ : : : : : _ : : _ : c _ : 6 f t ': . : : : : . : .: :.: : 2 ~ J : J '-J : J,t!t.: :_ : _ : : . : '2i .irll .1Irlll

A A,~-.I+ I I A A. . . ·I~

lov - in' does you I'lly r , . . r

good love you like a moth-er would __ 'Cause you're a

'i ~I · . .

· .· .

t_. J ~ ~~ " 1 1 1 ' i·j'"i!.ii iO ~ f~ tfl': ' . I I ! :,: : . : : : :_'

2 _ r . . ,_

you __i1

I know that you_J),S

, You're a great big &c2



22 SOME SUNDAY MORNINGSONGLyric by

GUS KAHNand RAYMOND EGAN

Music by

RICHARD A.\VHITIXG

Moderato

VOICE

1IOLIN

or}'IAND.

UKULELE

fj. . 1 0 1

~

( ) . 1 0 1 I I \,. - -"I I ~I I I

,

~: + !1 i . ' [iTr, 1.0.. "3* "D~ $ ~ J

~ Vamp+ + + + +

f J . .

It) I, I I r r r .. v"--,,,

Weve been___ keep-ing com-pa-ny quite a while _

Old maids I-- have been schooling you right a -long_n II n n nllnllnll

f) .. -"I, , _ . . , ~

" ' " " ". .. ..u .$~~ S~f!~ ~ 2 " 1 o~. . 3 -4 1

"D~ ~~~HH~ pI~~ : :r . : ~I tIt·I·111 1

+ + 0. 2+ p

,I see the

TIleY say thatnnAn n

here

me

Dear

G ee

neigh- bors smile

you're all wrongn

time __ . up-on

f J . . -

\ ~ I I r r . . CI...... •My friends - have been pump-in' me and I know They think me

(My friends - say I'm fool - in' you they don't dream \Ve have a

'i . 1 0 1

n II n~ - , . _

~ $ ~ ~ J ~f!tj- i~lI ~~ . : ~ g l 111111 I I t ~1I iii2 0.

" . 1 0 1I

\.~ . . v . .

~f' ~. . . . . . . _ _ . . . . . .

might - y sJDVi' But III fool em' all yet Y O U BET

) lit - tIe scheme L - That will 0. - pen their eyes \VE'RE WISE_· _n II

( fj J .t ~ ~ - I"'"" -I

~ 0.1 -I I It I 21:::

~ - = . . : :~ i~" .... I d~ ~~H;I I·sgb~:d - 4 1 1 . . -4 12

Copyright MCMXVII by Jerome H. Remick & Co.,New York & DetroitPerforming Rights Reserved International Copyright Secured



23

CHORUS",~ - -

·I~ . . ~ c ' " - : jfG l - r I 1 1 H-

Some Sun - day Morn-ing when the weath-ers fine_ The song birdsn n A n A n

f) ~. 41"'"' 3- 4 , . . . . . .I"'"'

" ' " 'I'"" '

·

·~ ~t II ttl l~f!~ ~~~ ~t I t I

. .II I-I I-1ft o ~.i - . : : : . . ; :- . . . . .

~ -

\ I~ 1 ' 1 ' - : r , ! , 1

Dear_{e just formg - ing and the world in . rhyme L Ive plannd a wed - ding

) f)~ - " ' " ' ~ ,.. I'"" ' , . . - , . . ~

~

n

~ ~1'I'~:~:.igl~:: ~: :: .: :: .: ~'!f~-~-~ i': .:::::: .: gi ~i~I-11 l~f!'::4 ° ··o~ .+ +

rl ~

\ ~ ~ . . "I . . ,~. . .you_· _ 'I 'h e n ew s I s spread - ing that III be there to o with b e ll s o n Dressd up in

~.

n A n A n A n n A n n~ ~ ~ I " ' " " ~ 4- 3-4

.~j'i jo r ( ). . g: + g . : . '+ + ~I·I-I IfI;+ ~~ ~ t . t .~!4 + +

what a bride you'll be_ Sure will en-vy

+fj ~ - - - ~ .

· .~ r . r . r ,. 1 1

wilJhand~sI, ..

me __ The vil-lage jo-ker I sup - pose bothsomebaby clothesSome Sundayn n A n A n n n n A rt A n

f) ~ I ' " " ' : -: ,I .1 - • I In

. ·· ·· · . ·~ . : ~ : : : : : :: : : g l 00 8~ . .2 1 1 . . . . . . . . . . . 2.: . .

')~1 ~I 0 + " ' ++

r:"l------------. 2~+

I'l ~ .··

~ 1 r : r ~ - - - - - - -Morn-ing when the wed-ding bells chime chime o.s.

" ~ I 1 - --"'I I I

··~ ~ + 1 / " r 1 ' 1 ' [ 1 '0 •

.. 3... "o~. .

" '+0

u..··o~. .

t ~t+ + +

Some Sunday Morning 2

+++



24

SOMEWHERE ON BROADWAYSONG

Lyric by

STANLEY MURPHY

Moderato (Not fast)

Music by

HARRY CARROLL

VOICEVIOLIN

o r MAND.

r J l<

~r 1 A r 1

r 1 n r 1 ~ r 1 A r 1 A r 1 ~ r 1I - n r 1 r 1fl lO I I

:. . ",.,

: : c . : : M r r : : jl..~.!-::.f'..

~~'I . . . . . . . • • - I -I :1 1 1 i i o~ 8 : :t ': : : :: : :

:' UKULELE

+

~VampI ' ) ~ I

~In a

fJ lO

1 When theP-

, . . .

I . .. . .~ ~j 1I~ifi~1Ir-jr-jo ~ ~L ....L",L....L""L", 0 : : Ii '& ~

, _8 T I ~ $ : : ~. '!f~ - + • 1 '1 '2 " ': '

O:j .+ + ,. + '+

1 I

I

down In the

bowr In the

I

heart of the

heart of the

quaint I'II~- tle

tired lit - tler 1 r 1

I I

town In a

flowr Wan-derd

!'T

val - ley way

back to it's

\ : .Berk 1"'h' Hills There wild

i!",. Sire a flow-er< hills. once more It was fad - ed and

f I. r 1 A r 1 A r 1 A r 1 A r 1 r 1 ~n A r 1 A r 1

I

\.~

:i~~~o ~ :i ~:i : : = = = = = = = = = = = = o~ :: + ~1'f + l O 1 ~ .:!:~i

+

fJ l< I I

\ u I I.

~il11 I

wi~hI

grew from the bud it knew How a heart long - ing

tworn It was with - era and torn Eer the spring - time of life was

f J lO

~ !~ = -~ ~g~ : : : : ~~ g = = 6 f t :: ~..;::i ~ = - ~~ ~ :i g!1~ lq~" -t. 0....

Copyright MCMXVII by Jerome H. Remick & Co. New York &Detroit

Performing Rights Reser-oed International Copyright Secured



25

I')~ I I I I _L, ~ I I , I I

fills Then it wand-erd a - way from the ones old and

~

o'er Oh you wild lit- 'tle f'lowrs stay at home in your

I') ~ ~ I

~ o ~ ~ = i ~ ~ . ~- o~..i: 6 • • ~ofT~ - = ~ $ o ~ = i = i.

+

rit.I'j J , j . I'l •

l I

"

~ '--" -gray Whohad watchd o'er it day by day__ Andnow they say

bowrs And the lovd ones old and gray __ Nomore will say

iI iI A iI A iI

I'j J , j .

~ r o ~ ~ ~ $~~ i . . . h?; ill " 1 1 1. . . : ;

. . . . = - ~ = i ~ o ~ t : i. '--" .

CHORUSa tempo

.Some

iI

up there on Broad - - way

A mil-lionlowrlit-tIe wild-

1 ' j J , j . I I Icresc.

.~ I

souls a - round her still she's all a - lone We'dlike to tell her that we'd

f) J , j .

iI iI~ iI~JI I

iI

:

~ o ~ .:~~~i::j g - l o~• ~fT -

o = i : : l : : : : l : : : : l : : it iI.. ..

?iill II. cresco+ + .,

+Somewhere on Broadway 2



26

tel .. I L ru: Ia mpo I

\.

~ I - r r r , jo t G . I - . . . . __ .

wel- come_ Our lit -tle prod-i-gal Down home the lit - tle

~

r1 r1~r1 II r1 II r1

fl .. --,

-l"-

t: : ~~ ~.~ ~ ~ ~ ~ ~ . -o ~ .o ~ o ~ ~ ~ o f t = : : : : : j o t : : 2..!: ~

~= - =irit. + + a tempo

fl J,i, t-

song- - birds Seem to sigh and

I ~ ~ ~fl ..

tJ :i ~:~t:i ~[~ :i ~t~t~ ~ l'i~ ~ ~ = ii ~ ~ ~ :i i~ ~ ~ ~ ~ ~ ~ ~

fl · .. .

I~,

I

"w 't find lit - tle val - leyay on you our

r J . .~ I

~I

t: : 9 -1 -I -I -I -t -I -I -I..

g - l -I -t - t - t -t - t i 1 1 -i iI1 2

fl .. I

It-

wild - - - flowr Some - where on Broad -

r J . .~ --

t. : H : : : : : : : : : : : : A f t : : : : : : : : = : ~iI " 1 1 1 " 1 1 i " 1 l l " ' l - i o : i . . : : ; ..!!~..!!~.;0 ~ ~=i i~~=i+

fj J,iII • .

, ~ ··' -",--- _.

way" way"

( n :

. D.S

I I

··tJ :: . . " 'f I' ' :- ..,

1 f t • g : : $1 ' & 7 ; o ~ 0 ' : : l : :f + +

Somewhere on Broadway :3 .

+



SAILIN' AWAY ON THE HENRY CLAY27

SONGLyric by

GUS KAH NMusic by

E GBE RT VAN ALSTYNE

AllegroVOICE

VIOLIN

or MAND.

n I~

It.-

il /I iI /I

< n ~ ilr-- r

II I . U Ii. · ·· ·· ·

t.- f " + +. . . . g : : : : : : : : ~ o . ,---,= i • · -:: Vi i F . ..

~

UKULELE

+ + + +

Ii ~ amp >-

t.- -Down where theI'm tired of

n iI iI i1 /I i1 /I iI___r1~~ .~ D i\ 'I .

··t.- ~:i o~ = i : : L : O~' . . fg: l)!! o : i : ' : ' " l) ~ o :J. ':'" H : : : : : : : : : ' o ~ ~J.

+ +p

+

Ii ~ >- >- >- l

.t.-

and the cot - ton am-..._

- - - in' D~wn whore theane grow -liv - in' up North and a fret - tin' I'm say - ingi1 ,~ i1 /I i1~ rt rt iI iI /I iI /I iI /I

iI /I iI II i1 iI

Ii ~ ~~

t.- ~:: :: ~ ::.~:i. 4 ~:: : : : :t:~

: : : : : : . : : : ~ 21 iii g : : : :

fL~ >- >-./

.

\ t.- I ~ r rin' Good timesld Mis - sis - SIp - pi is flow -

~

up all the tips lYe been get - in' No more

~ ~i1 /I i1 /I

~ -t.- ~t .... i g:: : : 2 - 1 -J i $ i t : - - - : : : J iii -I .. - t ~ ~ . : : ; . : i . ; . : i . ; . ; . : : ;.:j ~ :.:j. ~

( nu

, t- '- .: 1sure am wait - in' for me L '---- That's where

< snow a - blow - in' on me i - I'm goin'

~ n u~ I I

t-~ ..~ .~: : : ; • .;

~ ~ t = 4 i ~ . : i :i :i :i • - 1 i = io!,!, f' T. . • +

Copyright MCMXVII by Jerome H.Remick & Co.New York & Detroit

Performing Rights Reserved International Copyright Secured



28

I'j Jf. l >- _l >-

~ II

Icing - in''--~ this Dress'd

-am to be ; eve -nin' in their best all the

South to my Ten- nes-see ;!--down yon- der You'll see that old B. andn n n

fl ~ 1 1 - ~

t.- o· " ' 1 ' \ '

8 : :: : :i .::~.:: o~ g : : , ~ , : : : : ' o : i . : : : ;

0 : : : : : . : :, : 'o~ 4j

+~ ~ >- >- >-

\ ~

.folks con-gre -gate

Vin' D~wn the lev ee you'll- on -

~ n ~

O . in a min - ute Just watch that smok - er and

~ Ii'"

~ 8~ : : . : : J ' : : - - : . : ::::::: : : : : 2 " 1 -I -I - 1 ' 0 : : .: ~-I ., .. - J . g : : ~

fl ~ >- cresco.

~ find them r it rin' Wait in' for that-wai - -

you'll find me in ,.,c- it You can bet a

I'j j . j o r--- -

~ 2 1 ,-I -I ;1~ - 1 1 1 - 1 - 1 - 1 li-iii i-.-.-i t i i " 1 1 1 1 1 1 " 1 1 " 1 1 1 " 1 1 1 1cresco

~ ~ I f . . f . .

\ t-old Hen - fy Clay To be sail - in' a - way_ down the bay- -

~

week from to -day - I ' l l be right on that old - Hen - ry Clay

I i . ~ .

n -~ ~ e

•> 'J . -~ ~ . . : : ; ' 1 1 ' \ ' i o ~ ~ ' r l 1 ' \ " i o ~ o f + _ : i ~ :: vi ~-I~ r l "'- l - : i . ~ 2 ~ L~ i:i.. o o ~

CHORUSfl ~ >-.

·t-

Sail - in' 'I ~ Sail - in' in the<

a -way_!-- sal - In a-way -q i1 n

fl lo +~F = - 9=r--

fa I,>.

·· ,_ .

' ".

~ v~ ': ~ 1 'T -. . . . _ _ _ _ .

O~ ·'o~ ~ ~ g : : : :~:: .~ : :t :: :: :: : ' - : c ' : : : ' : : : : : . : : ~ : : ~-/+ + ': ++

fl ~ f .. I - >- _?c >-

I

t:: - . . . _V j' T

< moon-light on the Hen - ry Clay I-- Just hear that bar - ber shop quar -

I fl ~ - -= ~

\

t-o ~ 04 o ~ ::~::::~3:::::::: O= i t : i : ~ . ~ f + ' : : : : : : : c : o ~ c . : i : . · ~ ~ f + ' : : l : : ; ' : : : ' :+ + +

Sailin' away &c 2



29

'l~ l I .--..

.I~ r ~ . I r

tet a -har-. rno- lllZ - In' While that coon band is irn -, n n A

~~ I - - - - -I

cf.., ":.; . o ~ o _ , · _ : : ; ; ; ~ ' ' : : : : ' ' : : : : f ' : : : : Y I · J L " f t o : : ~ . i c ' : : : : : ii·J·JL-j.-J" o~ 2~. 2 # ~ 2 ~ . - -~ . .+

'l ~ .--.. l ::> l -

f.., r • .,Slid in' a - long I'd f , a - long- pro - VIS - III - r- g I - III

n n _r,~n~, , ~ .----._

If..,

'--'~ o ~~ . . u~

';" - < - 1 ' 1~~ ~ o~ 0 * 8 : : : : $ : : ~ . : ~ :':lJ - s

+ + + ++

::>I')~ I

/

<c:>

f.., r '-- - - 1ane - Ing . till the break of day - Up on that up - per deck

I')~ ~~ ~ ~I= - ~

I " "~

"")

f.., : : . : . : '. : : : : : : : 0 1 ! i ~.:::::':~ !~.:: : : : : i f f ' i'''''i'i g . : c ~ : : : , : : - i~ t~t::~+

I')~ I

I ._f.., t I, r 1 r

- just' see those dark - ies spoon - Hug and kiss - in' 'neath the

f

, , ~ ~ ~ , . . . . = I"- 1\

-,....-

f.., : : : : : . ~ =i = i = i ~l ~-I ~ - S : : : = : : - I - I f -I -I - s 1~ . . : ::j~~ ! f i ~ :i . .

I')~ I,

I f . . ,Dix - ie Moon Oh boy of joy When you'reo - ceans r--

< n A n A n

~

I') ~ '\ ~ 1 3 1 4 1 I , I I ,U"

l'"'-.. -.f..,

~'I : - 1 i-~. . . ..

+ .j I I g : : ' : : . : : : : : o~ ~ = i 0..+ + '- - - '" + +

2, ~ . 0

.I, f.., r'

l., r

the Hen - ry Clay. Clay.al - III on !J .c.n n

IIj~ Q r1 ~ 1 \ 1 \ '\

"0

') .. .f.., v1J d~ '0 . . o ~ ~ g : : o ~ ~

~ J ~' g : : I: : o ~ J g : : ~::+ + ++

Sailin' away &c 3



30

SOUTHERN GALSSONG Music by

ALBERT GUMBLE

Vi

Lyric by

JACK YELLEN

MdtVOICE

VIOLIN ~rMAND .

UKULELE

Il ~ o era 0 amp

U

II nI

. . ..u I~ O ~:~ ~ ~ - : J . ~ : o ~ 0 : ; ; g . : . ~~-:i.rf '. . . u~ ~ g . : - Y + 0 4 ·:~:t1'3~

JJ (

.f + + ++ +IlH l

" ' "j_ ~

' "~ I '" k

' "J _1

' ". · ·u

I'vejust comeback from the-

And there is one thing Iaouth to - day_,_

< I kind of wish Id have stay'ddown there., It's' not so much that I

f)~ f. . . r ) _" i1 ~

If

I, . . . . _ _ , , _ _

.-· . · · . ·· . . · · . ·.. g :: : : 04 ~O f T • ••

" : i ~ ' . - ~ : ::: : ' : : : : : . : : : o ~ 04 f! il ~0"+ + + +

()~ ~ I

"t t.J ,'-----

I've - - - :r~eike to s~y_· Tho' been most ev - 'ry - where ,.,

need the alr_ But it's true and plain to see i.L Those

'l~ ~i1 i1 i1 i1 i1 i i1 II i1 II

II\_ r\, . .

. .@ c4 • . . . . . . 6~ o~ ~ ~~ ~ : : : : : . , : : ; : = : : : : : ': :. ~ .

.. .f! - l

nev - er seen such gals as they have downlit - tle south-ern gals made a hit with

i1 II i1 f i1 ~ ir-, i1" .

t~_me_

Itseems that each lit - tleAndwhen I march to the

i1;-. -~

" " " ' ".. .Ii."iI " i I : iI '"j i'"i

.'j "iI o . . .~ . ~ : ~ . ~ ·:::~

+- ~

+(}I-t I

.@)

p[achyou·c:> i . .- ,. ,.

be__l_ee.L, s Just as sweet, as a peach canwed- ding tune_ I've got a hunch I'll be march..:i.ng soon_

f)~ ~II n ~ i1 i1

"i1 II~ •. . . . . .

. . . . .u

~ ::"3 :.::::::: : : : : : . : : : : : : : : ~~ ~ . . ii $i~-S: i J: i

+()~ I ~

· . · .f_)

Tho' r can't de-scribe them r I

L't I" r , . t - -ll to you_ e me name you Jus a few__

t i l H

When you see my bride you'll un-der - stand., Why n n stuck on Dix- ie - land_-

n i1~ I

nr-:·· · . .

t.J 1 ""j. .... i. ·j -j i ~ ~ J .+ ~ iF o q H : : : : : . : : : ::'g~ t"j o . ~ .~c~Copyright MCMXYII by Jerome H.Remick &Co. New York &Detroit

Per/orming lUghtsReserved Iuternational CopyrightSecured



1

I. ~

3 1

CHORUSf\~

·· . -

t.. . - : J .U'

" * '" I'r f T - • •There's Ma - - ry down In Ma - ry - land She's mighty pret-ty

fH+ r-= r: --: r-= r r : ' I

. . · .· .· .

·

..: : O f T i i.o~ H ~ : ::~.:: ~ 3 ~ ~ ::::~ ~.~ : : : : : : : :: = = = = :: :p-j +

f)~ ~ I

t ugin-ia

I I I

{- ith '---'And sweet Vir too_ She'll make a It Wl you_

tl~I M M M ~ M II

r-""I L " - = '\ ~. · . · . .: · . :· .

u ~ti oj "J "J I o ~ :i ~U·:;F4' ~ ~~~ : : : : : : : : ~:~ 04 : 4 ~J' ~:4·:i

lH+ l ~

t~ .. .

Y;u'll• "--.__/. ' ,. <c::>

go dip - py 0- ver Mis .eis - sip - pi And the gals named Ca c ro - Iine.L~

~ft

M_r--:

M M i.1

f . "-, . '·0-

u 8 : := =

I : : :: o ~ : : : : : :~: . : : : : 0 :4 " 4 " 4 ~: j: --.__/

f l J + l 1

I ·.. __r

They're flock to - gclh - er And be! Iieve me. they're justbirds ofa feath-er So they<

fl~ M-M r M~ M~ ' " M At '""' ·

·::~ ·:i:4 ~ ip ti -i i i "J 111 "J I o : i ~6tT~3 ~ ~ ~ ~rj "J I i

. t>~ _l.

.1tJ .1

,.- - - - - - -fine Then there's Lu-cy An - na with naugh-ty eyes

MA

A A M

'"M A M A

fl~M'"3'M I

r=M r i.1

Ir-'"-. · . . .. ·· . .

u":i :ic:i:~::i . ~ ~. ~ g : : :: : : : : : : : : : : : : :~: : : : : : : : : : : : : : . ~~ . . . . -J ~

()~

t u · . .~

AndI

p~ach named Georgia!II,

- a who takes the prize

~~ ~.

A'fl~ M ~r-~ r-: M~~ " ' - 4 M

· . . .· . . .

u : :: :: ;--J fJ ·lfJ ~'J .~· . .

• : : ; ; . . .= + : ! : . . : . 4 . .i" i "1I~1II'1II'"JI j . . i·i j.i'1I . i ;""'~:i :i :i

Southern Gals.-3



, .32

{ } 1 + ~ l l I I l

\ ~ So if ; O l i g~t lone-some_ _ _ _ ,

U . I £ . IAnd I'lln-y time_ Come a - cross the Ma-son ix-on lne

< r . ' 1 n r . ' 1 -II r' " 1 r.t n r r n A Ii A

~

f l H ~ f \ . . '\ i ' I . --

~ H ~ : : : : ~ : : : : : : : : : : ~::~ ~ 1 : 'oj "i r- -.___/"'jI iii i i ~"iI~ "i

Il~

\ ~ )I'll~.

~ 0

I I ~ I 2..

,~There'i Gals _~_-+_

Ii~ r~

-in-tro-duce you to those South-ern Gals

1""'1""'-

D.C.

..- - ~ ~ ~ :~:::~~ ~ ~3 t ~~o~:~:i~=-<>t' g : : . ~ . . . v + ~ : :

Patter Ch adl"b)fl~ o r u s ( l ,l 1

. . . . . .~

. .,-I Iovelass-es can-dy I' love pump-kin pie . I Iove=sev - en 'lev - en"and the

Il~ .-

~~~ o ~ g ~ o ~ ~ :: o ~

'l~ l I- --... . . .

!.. tT' • '1 '.,. L

((grav - y In the fry" But Iwant. to tell you what I love t.he best

f)~ Ir n

.

" t "ill "ill ~ o ~ , g : : : : : : : , ~ . , ~ ¥ '-I

( J I - + l k l l l

I · . . . .. .!.. • ••• ,. u

Give me south-ernchick.en and you can have the rest Law-dy how I love 'em Law -dy hear my plea

'l~t~ g : : : : ~ . .- t H~ $ g ~ : ~ ! 1 : : o ~ ~:: i J f t : : ~ o ~()I+ l

· .~

.- • "l <c:»:.,.

•Send a lit - tle south-ern chick-en here to me_ Send one nice and ten-der a

'l~ f\.~ .~ g: o ~ ~'J: ;"'0 ....

~ g : : : : '~

I'll-i l- I .~l a- . {.\ l·

I ~ · . . . . .

nift- y little s~uab kd

.- . ~'b' <J <J

Law - dy kind-ly send me one that's got a J O - A -men(LH r . - . . f - j ' P , , :

Documents

Remick Collection Popular Songs w Uke Acc. No 2 (1918)