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IES College of Architecture Third Year : Landscape Theory Workshop & Studio Monday 7.45am – 12.00noon Course Faculty Ms. Alka Chakervarti Ms. Urmila Rajadhyaksha Ms. Vinita Sapre Ms. Anjali Mody Ms. Shruti Verma Studio ‘A 3A’ : Appreciating the Relationship of the Built form and Land. Exercise A3 : Appreciating the Visual Quality and Potential of a Historic/Iconic Structure. Introduction: Taking your understanding of the relationship still further by studying historical/iconic examples and examine the relationship of the built form with the land it sits on. Particularly built forms in conjunction with each other. It is the intent of this set of exercises to develop the skills required to critically appreciate and analyze buildings in conjunction with the land around it. This, the second in this series, comprises studies of historical/iconic sites known and identified with certain cultures set in varying terrain and the built form existing therein. Learning Objectives: 1. To critically appreciate and understand the design intent of a built form and the land it sits on. In short, students should be able to read their design in its setting. And extend this further with an understanding of how this entire unit sits in the larger context. 2. To develop methodological and analytical tools and a framework for the appraisal of a group of buildings which form components of a larger system. 3. Using the analysis to deduce potential threats and interesting opportunities created by or in spite of the site planning of the historical or iconic structure. 4. To be understand the dynamics of how the insertion of a space into/upon the land and recognize or generate the detailing out of the site development required for this act. Side Quests: 1. To develop narrative abilities that skillfully combines both disciplines into one portfolio. 2. To understand and be able to visualize the large scale of the site through drawings. 3. To develop site sketching skills. 4. To develop observation and perceptual skills Process: Each student is required to generate a site plan to a suitable scale. All sketches and photographs require to be related to this site plan.

Relation of Architecture to the Land

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  • IES College of Architecture

    Third Year : Landscape Theory Workshop & Studio

    Monday 7.45am 12.00noon Course Faculty

    Ms. Alka Chakervarti

    Ms. Urmila Rajadhyaksha

    Ms. Vinita Sapre

    Ms. Anjali Mody

    Ms. Shruti Verma

    Studio A 3A : Appreciating the Relationship of the Built form and Land.

    Exercise A3 : Appreciating the Visual Quality and Potential of a Historic/Iconic Structure.

    Introduction:

    Taking your understanding of the relationship still further by studying historical/iconic examples and

    examine the relationship of the built form with the land it sits on. Particularly built forms in conjunction

    with each other.

    It is the intent of this set of exercises to develop the skills required to critically appreciate and analyze

    buildings in conjunction with the land around it. This, the second in this series, comprises studies of

    historical/iconic sites known and identified with certain cultures set in varying terrain and the built form

    existing therein.

    Learning Objectives:

    1. To critically appreciate and understand the design intent of a built form and the land it sits on. In

    short, students should be able to read their design in its setting. And extend this further with an

    understanding of how this entire unit sits in the larger context.

    2. To develop methodological and analytical tools and a framework for the appraisal of a group of

    buildings which form components of a larger system.

    3. Using the analysis to deduce potential threats and interesting opportunities created by or in

    spite of the site planning of the historical or iconic structure.

    4. To be understand the dynamics of how the insertion of a space into/upon the land and

    recognize or generate the detailing out of the site development required for this act.

    Side Quests:

    1. To develop narrative abilities that skillfully combines both disciplines into one portfolio.

    2. To understand and be able to visualize the large scale of the site through drawings.

    3. To develop site sketching skills.

    4. To develop observation and perceptual skills

    Process:

    Each student is required to generate a site plan to a suitable scale. All sketches and photographs require

    to be related to this site plan.

  • The List of Sites on tour

    1. Humayuns Tomb, New Delhi

    2. India Habitat Centre, Lodi road, New Delhi

    3. Akshardham, New Delhi

    4. Rajghat and Shaktisthal, New Delhi

    5. Taj Mahal, Aga

    6. Fatehpur Sikri

    7. Secretariat, Legislative Assembly and High Court, Chandigarh

    8. Leisure Valley Chandigarh

    9. Nek Chands Rock Garden

    The List of Sites in Mumbai

    1. Chattrapati Shivaji Maharaj Vastu Sangrahalay (Prince of Wales Museum of Western India)

    2. Gateway of India including stretch right upto Radio Club

    3. Marine Drive (NCPA to Walkeshwar)

    4. Vashi Station

    5. J.J.College Campus

    6. IIT Bombay Campus

    7. Carter Road and adjacent Development

    As our exercise relates to the relationship of built form to land along with looking at these as a whole it

    would be pertinent to address each of these spaces following a framework of the following parameters

    and any additional relevant ones.

    Thinking in Terms of the Movement Systems

    Approach: Examine the approach and its design both to the complex as a whole and the individual Built

    form.

    Ascent and Descent: Use of Levels as an intentional design element and the emotive quality of moving

    on them; running on them

    Thinking in Terms of Enclosures (Spatial Qualities)

    Permeable and Semi permeable edges: Vegetation edges have this quality

    Sequences: Putting spaces together

    Convexity and Concavity: Curved forms used in conjunction positive and negativeThinking in Terms of

    Edges

    Meeting the sky: Impacting the skyline; defining the skyline

    Meeting the ground: The way the building rises from the ground. Stability? Awe?

    Thinking in Terms of Landmarks and Orientation Elements

    Points in Space: Reference Points, both Natural and Manmade

    Framing of Views: Does the builtform frame the views of the site or discard or worse negate them?

  • Thinking in Terms of Human Scale

    Relationship to Man: Does the treatment of Elements, Built and Natural recognize the Human as the

    Observer?

    Extra Reading:

    Mughal gardens: sources, places, representations, and prospects

    By James L. Wescoat, Dumbarton Oaks, Arthur M. Sackler Gallery (Smithsonian Institution)

    Crowe,Sylvia ; Shiela Haywood Mughal Gardens of India, Thames & Hudson

    Schedule:

    Week 0 : Presentation of problem

    Week 1: Base Data Marking (Groupwise)

    Week 2: (Groupwise; November 25th

    Mumbai Groups and December 2nd

    Tour Groups) Pin Up

    Presentation of Data; A Maximum of 5 sheets A3 size. Background Studies 1 sheet. Site Data 2-5

    sheets, Listing of Design Intent and its realization 1 sheet

    Format:

    All Scale Drawings to be at suitable scale as prescribed with the North Sign pointing upward. Name, Roll

    Number and Group No. need to be mentioned on the sheets

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