Rek on StrVladimir Ranković - Rekonstrukcije (Narodni muzej, do 10. februara 2015.)uk c i Je Vladimir Rankovic

8/9/2019 Rek on StrVladimir Ranković - Rekonstrukcije (Narodni muzej, do 10. februara 2015.)uk c i Je Vladimir Rankovic

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Vladimir Rankovi}

REKONSTRUKCIJE

RECONSTRUCTIONS

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Galerija Narodnog muzeja Kragujevac / / Gallery of National Museum KragujevackGalerija Narodnog muzeja Kragujevac // Gallery of National Museum Kragujevac

26. decembar 2014 – 12. februar 2015. godine // December 26, 2014 – February 12, 2015

Vladimir Rankovi}

REKONSTRUKCIJE // RECONSTRUCTIONS



Najnoviji umetni~ki projekat Vladimira Rankovi}a, multimedijalnog ume-tnika i nastavnika na FI LUM-u u Kragujevcu, nosi naziv „Rekonstrukcije“,dodajemo – Rekolekcije – Pod-Se}anja – odnosno – Reconstructions –Recollections – zato {to pripadamo generacijama, koje su odrastale, obra-zovale se i formirale svoje svekolike kriterijume – ìvotne, profesionalne,ljudske, na principima transnacionalnosti, multikulturalnosti, koegziste-

ncije, interdisciplinarnosti – zato nam je nekad jednostavnije da sinta -gmom na univerzalnom jeziku izrazimo ta~nije ono {to mislimo i elimo.Sve {to je dosad radio, sve {to smo dosad videli od izvedenih umetni-

~kih zamisli Vladimira Rankovi}a, a u pitanju je umetnik {irokog i visokog,ne samo formalnog, obrazovanja, sve je, dakle, suptilno, ve{to, neizbe`nodeo njegovog, o~igledno, dugoro~nog, mo`da i trajnog, istra ìvanja –konteksta – sociolo{kog, psiholo{kog, emotivnog, artisti~kog, privatnog,verovatno ne ba{ tim redosledom. Ukratko, Makro – Mikro plan!

Za{to kaèmo da Rankovi} osmi{ljava i realizuje svoje umetni~ke pro-jekte (istro{en izraz, ali u ovom slu~aju jedini ta~an) – svaki put premaprostoru gde }e biti izloèn ili predstavljen (kontekst!)? – Zato {to on pro-stor zauzima materijalom, oblikom, plasti~kom temom, prilago|ava gasebi, odnosno, svojoj ideji i potrebi da kaè ono {to eli.

Rankovi} citira: „Uglavnom, verujem da umetnik ni{ta ne stvara, ve}je tu da posloì, prikaè i ukaè na postoje}e, da ne{to uobli~i i eventu -alno ga reformuli{e“.1 On se, dakle, pridràva kreda da iz svakodnevnogìvota preuzima detalje nekih obi~nih stvari – kako sam kaè „mustre“,2

bez estetskog kriterijuma (iako ga ne isklju~uje), slaè, kombinuje, eve -ntualno daje nov smisao, jer, on ih bira na osnovu sentimenta (kontekst,ali, emotivni).

Te detalje – uzorak tapeta, kerami~kih plo~ica, motiva sa zavesa, pre-kriva~a… Rankovi} multiplikuje toliko dok on takav, umnoèn, ne posta-ne nov motiv za sebe. I dok ~itate autorova obja{njenja odakle je koji uzo-rak uzet, iz kog ìvotnog prostora iz pro{losti ili sada{njosti, te „mustre“se ponavljaju do iznemoglosti i do X puta, shvatate polako i za{to ono {tovi vidite kao umnoàvanje – ponavljanje, razvijanje, evoluiranje, autor

obja{njava – „nastaje, nestaje, nastaje, nestaje…“ Tada vam postajejasan emocionalni kontekst u kojem svaki zid galerijskog prostora postajeobjektivan prostor, u njemu je neizbe`na interakcija u kojoj emocionalnoodnosi prevagu nad racionalnim, i za{to to autor naziva delimi~na rekon-strukcija.

Jedan savremeni umetnik kaè da voli da vidi svoj rad kao rezultat ilinus proizvod ili kao ostatak nekih posebnih situacija.3 Upravo tako i Ra-nkovi} svojim radom oìvljava i determini{e neke sekvence iz sopstvenogìvota, koje kroz ovaj rad obnavlja u drugom kontekstu.

Besmisleno je da analiziramo likovni aspekt – „mustra“ je data, zada-ta (industrijski), ali zamisao njene obrade i primene, stavljanja u odre|enikontekst, to je ono {to umetnika intrigira i ~emu je posvetio celokupansvoj umetni~ki anga`man. On od po~etka ra~una na simboli~ku strategi-ju, narativni elementi dopiru iz drugog plana, a opet, na kraju, ne mo è-mo da se otmemo utisku i da je ovo – apstraktni koncept, tako|e!4

Dakle, „Rekonstrukcije“ Vladimira Rankovi}a, kroz njihove segmente– fragmente, moèmo da posmatramo i kao arh eolo{ka otkri}a, kao zna-

kove i bele{ke na li~nom nivou, koje stvaraju sasvim druga~iju, drugudimenziju prostora, a vreme pretvaraju u narativ, grade vezu Ovde i Tamo.

Recollection – Reconstruction, zaista!

1 Anet Mesa e, Re~ za re~, 2006.2 Pattern (engl.) – obrazac, mustra3 Gabriel Orosko: „I like to see my work as the result or a by-product or a

left-over of specific situations.“4 Od najstarijih vremena najosnovniji, skoro geometrijski apstraktni obrasci

smatrani su sna`nim simbolima, posebno simbolima besmrtnosti, jedinstva,ravnoteè.

3

REKONSTRUKCIJE

Tatjana Milosavljevi}

Ireni, ~ija je ku}a, i moj dom, po~etak RekonstrukcijaTo Irena, whose house, my home too, has been the beginning of the Reconstructions



Kat. br. // Cat. No. 14

The latest art project by Vladimir Rankovi}, multimedia artist and lecturerat the Faculty of Philology and Arts at the University of Kragujevac isnamed ''Reconstructions'', and we might add – ''Recollections'', hind-sights, i.e. Reconstructions, Recollections, because we belong to genera-tions raised and educatedon principles of tr ansnationalism, multicultura-lism, co-existence and interdisciplinarity upon which we formed our

criteria both as human beings and as professionals. That is why we some-times find it easier to convey precisely what we mean and want in a single,universal phrase.

This is an artist of not only formal but also vast and versatile erudition.Everything Vladimir Rankovi} has done so far, every ar tistic notion he hasbrought about before us in his works is both subtle and skillful. It is inevita -bly inherent to his obviously long-term, perhaps even permanent researchand social, psychological, emotional, artistic and personal context, alt-hough not necessarily in that order. To put it briefly, both micro and macroplan!

Why do we claim that Rankovi} conceives and carries out his artisticprojects (the phrase is indeed worn out, but in this case the only accurateone) toward that space in which the context is to be exhibited or introdu-ced? Because he conquers the space with his material, form and plastictheme; he bends it to his will, his idea and his need to say what he wants.

Rankovi} quotes: ''Mostly, I believe an artist doesn't create something,but is there to sort through, to show, to point out what already exists, to

put it into form and sometimes reformulate it''. 1 He therefore adheres tohis credo of adopting details – or patterns, as he himself calls them –from everyday life, by applying no aesthetic criterion (though not exclu-ding it, either), he arranges, combines, possibly gives a new meaning,because he singles them out based on his sentiment and (emotional)context, as well.

Rankovi} multiplies the details in question: wallpaper samples, cera-mic tiles, curtain and bed sheet motifs to such an extent that they them-selves become new motifs. And as you are reading the author's explana-tions on where each sample has been taken and from which present orpast living space it originates, as the patterns reoccur to an excessivedegree, up to tenfold, you slowly begin to realize that what you perceive as

multiplication – repetition, development, evolution – is actually what theauthor himself describes as ''perpetual appearing and disappearing''. It isin this way that the emotional context becomes clear, the context in whichevery wall of a gallery becomes an objective space that comes with aninevitable interaction where emotions hold sway over rationality. That iswhy the author calls it ''partial reconstruction''.

One contemporary artist claims to like seeing his work as the result ora by-product or a left-over of a specific situation. 2 That is precisely theway in which Rankovi}, through his work, revives and determines sequen-ces from his own life, which stand before us restored in a different context.

It would be pointless to analyze the visual aspect – the pattern is hereand it is (industrially) set, but when it comes to placing it in a specificcontext, the very thought of processing and applying it is what the authoris intrigued by and he has dedicated the entirety of his artistic efforts tothat. He therefore relies on the symbolic strategy from the outset, whilenarrative elements appear from the background and again in the end wecannot help but think that this too is an abstract context.3

We may therefore regard these ''Reconstructions'' by Vladimir Rankovi}through all their segments/fragments as archeological findings as well,as signs and notes made on a personal level. They create an entirely diffe-rent, alternate dimension of space; they turn time into a narrative and esta-blish a link both Here and There.

Recollection – Reconstruction, indeed!

1 Annette Messager,Word for Word , 20062 Gabriel Orozsco3 The most elementary, almost geometrical abstract patterns have been

regarded, since time immemorial, as powerful symbols especially ofimmortality, unity and equilibrium.

RECONSTRUCTIONS

Tatjana Milosavljevi}









Kat. br. // Cat. No. 6Kat. br. // Cat. No. 5



Kat. br. // Cat. No. 2, 3, 4, 5



Vladimir Rankovi} ro|en je u Kragujevcu 1973. godine. Diplomirao jena Fakultetu primenjenih umetnosti u Beogradu, odsek Primenjena gra-fika, atelje Grafika i knjiga. Student je doktorskih interdisciplinarnih stu-dija Teorija umetnosti i medija na Univerzitetu umetnosti u Beogradu.Docent je za oblast Grafika i grafi~ke tehnike na Filolo{ko-umetni~komfakultetu u Kragujevcu. Realizovao je deset radova u kojima se bavi odno-som subjekta i prostora.

Samostalne izlo`be

„‘Wrap Your Troubles in Dreams’“, slike• Gornji Milanovac, Likovna galerija Kulturnog centra, 2012.

• Nik{i}, Crna Gora, Centar za kulturu, Galerija „Ilija [obaji}“, 2011.„Bauljanje

“,(Predrag Lojanica: „Vaskrsnu}e telo“, slike / VladimirRankovi}: „Presek“, instalacija)

• Beograd, Umetni~ki centar Univerzitetske biblioteke „SvetozarMarkovi}“, 2009.

„Gosti – reprodukcije nepostoje}ih slika“, grafike• [abac, Galerija Kulturnog centra, 2008.

• Portland, Oregon, SAD – Plates to Pixels Online Gallery (VladimirRankovi} / Edvard Bejtman), 2008.

• Kraljevo, Francuska ku}a, 2008.• Novi Sad, Likovni salon Kulturnog centra, 2008.„Tu|i prostori – ‘@ivi li ~ovek od iznutra ka spolja ili od spolja ka

iznutra?’“, instalacija• Beograd, Galerija Doma omladine, 2007.„Tu|i prostori – 12 | 12“, instalacija• Kragujevac, Galerija Studentskog kulturnog centra, 2007.„Me|uprostor“, (Rado{ Antonijevi}: „[ator De~ani M1“, instalacija /

Vladimir Rankovi}: „Kreveti Balkana“, instalacija)•

Smederevo, Galerija Centra za kulturu, Me|unarodni multimedijalnifestival „PatosOFFiranje“, 2007.„Prostori“, crteì• Kraljevo, Francuska ku}a „Jelena Anùjska“, 2006.• Kragujevac, Moderna galerija Narodnog muzeja, 2006.

Nagrade

Bruklin, Njujork, SAD – Muzej kompjuterske umetnosti, Inauguracionaizlo`ba, 2008– Prva nagrada

Kovin, 24. likovni salon, 2006 – Nagrada za grafikuSmederevo, 5. bijenale likovnih i primenjenih umetnosti, 2006– Nagrada

za grafikuBeograd, N. U. „Bra}a Stamenkovi}“, XXIII izlo`ba „Crte` Beograda“,

2003 – Tre}a nagrada

Grupne izlo`be (izbor)

„Der Wanderer, Eho jedne ikone“, BredaPhoto, MOTI (Museum of theImage), Breda, Holandija, 2014.

„Mondijalizacija“, Me|unarodno trijenale digitalne grafike Prix Contraste,Galerie Contraste, Fribur, [vajcarska, 2014.

Prole}na izlo`ba, ULUS, Umetni~ki paviljon „Cvijeta Zuzori}“, Beograd,2014, 2012, 2009.

„Vreme Prostor Umetnost | Zeit Raum Kunst“, autor: Tatjana Milosavljevi},Galerija Narodnog muzeja Kragujevac; Galerie in Theather, Ingol{tat,Nema~ka, 2013.

„11th Lessedra World Print Annual“, Sofija, Bugarska, 2012.Prvo me|unarodno trijenale grafike, ULUS, Umetni~ki paviljon „Cvijeta

Zuzori}“, Beograd, 2011.Me|unarodno bijenale savremene grafike „Iosif Iser“, Muzej umetnostiokruga Prahova, Ploe{ti, Rumunija, 2011, 2009.

„International Digital Show 4“ (online/on-screen izlo`ba), „Nezavisni“,Liverpulski bijenale, Liverpul, Velika Britanija, 2008.

FIFE – Me|unarodni festival eksperimentalnog filma „Carbunari 2007“,Muzej Florean, Karbunari, Rumunija, 2007.

Jesenja izlo`ba 2006, ULUS; Umetni~ki paviljon „Cvijeta Zuzori}“,Beograd, 2006.

Tekstove objavljivao u ~asopisima „Lipar“ i „Koraci“, u „Art Fami“ i „Politi-kinom Zabavniku“, kao i u katalozima samostalnih izlo`bi brojnih umetnika(Simonida Radonji}, Ivan Miladinovi}, Nikola Velicki, Gabrijela Bulatovi},Aleksandar Zari}, Milica Antonijevi}, Ivan Arsenijevi}, Teodora Tasi}, FilipMisita, Katarina Dragutinovi} Roccella, Smiljana Pe{i}, Ivana Flegar…).

„Rekonstrukcije“, katalog

1 „Ku}a baba Slobe i deda @arka, Kragujevac,Srbija, Dr Radosava Marko-vi}a21, nekada Branka Radi~evi}a 17, delimi~na rekonstrukcija (494)“2 „Ku}a Kneèvi}a, Nik{i}, Crna Gora, Voja Samard i}a Crnog 12,

delimi~na rekonstrukcija (494)“3 „Univerzitet umetnosti, Beograd, Srbija, Kosan~i}ev venac 29,

delimi~na rekonstrukcija (494)“4 „Mikin apartman, Krakov, Poljska, Bozego ciała 12, delimi~na

rekonstrukcija (494)“5 „Emin i Mikijev stan, Be~, Austrija, Gersthoffer Straße 47, delimi~na

rekonstrukcija (1)“6 „Igorov, Sanjin, Nik{in, Miljin i Uglje{in stan, Beograd, Srbija, Klare

Cetkin 14, delimi~na rekonstrukcija (23)“

E-mail: [email protected]

1514

Vladimir Rankovi} was born in Kragujevac in 1973. He graduated fromthe Faculty of Applied Arts in Belgrade, Department of Graphic Art, Groupfor Printmaking and Book Design. He is a PhD student in interdisciplinarystudies of Theory of Arts and Media at the University of Arts in Belgrade.He is Assistant Professor at the Faculty of Philology and Arts in Kragujevacfor the specialized field of Printmaking and print techniques. He realized tenworks in which he dealt with the relation between subject and space.

Solo exhibitions

"'Wrap Your Troubles in Dreams'", slike• Gornji Milanovac, Serbia, Cultural Centre Art Gallery, 2012• Nik{i}, Montenegro, Cultural Centre, "Ilija [obaji}" Gallery, 2011"Crawling

", (Predrag Lojanica:

"The Body Will Resurrect

", paintings / Vladimir Rankovi}: "Intersection", installation)

• Belgrade, Serbia, Art Center of University Library “SvetozarMarkovi}”, 2009

"Guests – Reproductions of Nonexistent Paintings", prints• [abac, Serbia, Cultural Centre Gallery, 2008• Kraljevo, Serbia, French House, 2008• Portland, Oregon, USA – Plates to Pixels Online Gallery, (Vladimir

Rankovi} / Edward Bateman), 2008• Novi Sad, Serbia, Plastic Art Salon of the Cultural Centre, 2008"Somebody Else's Spaces – 'Does a Man Live From Within to Without or

From Without to Within?'", installation• Belgrade, Serbia, Youth Cultural Centre Gallery, 2007"Somebody Else's Spaces – 12 | 12", installation• Kragujevac, Serbia, Students Cultural Centre Gallery, 2007"Interspace", (Rado{ Antonijevi}: "Tent De~ani M1", installation / Vladimir

Rankovi}: "The Balkan Beds", installation)•

Smederevo, Serbia, Cultural Centre Gallery, "PatosOFFiranje"International Multimedia Festival, 2007"Spaces", drawings• Kraljevo, Serbia, French House "Helen d'Anjou", 2006• Kragujevac, Serbia, Modern Gallery of National Museum, 2006

Prizes

Brooklyn, New York, USA – MOCA: Museum of Computer Art, InauguralExhibit, 2008 – First Prize

Kovin, Serbia, 24th Art Salon, 2006 – Prize for printSmederevo, Serbia, 5th Biennial of Fine and Applied Arts, 2006 – Prize

for printBeograd, Serbia, N. U. "Bra}a Stamenkovi}", XXIII Exhibition "Drawing of

Belgrade", 2003– Third Prize

Group exhibitions (selection)

"Der Wanderer, Echo of an icon", BredaPhoto, MOTI (Museum of theImage), Breda, Netherlands, 2014

"Mondialisation", International Triennial for Digital Fine Art Printmaking"Prix Contraste", Galerie Contraste, Fribourg, Switzerland, 2014

Spring Exhibition of ULUS (Artists' Association of Serbia), Art Pavilion"Cvijeta Zuzori}", Belgrade, Serbia, 2014, 2012, 2009

"Time Space Art | Zeit Raum Kunst", curator: Tatjana Milosavljevi},Gallery of National Museum Kragujevac, Serbia; Galerie in Theather,Ingolstadt, Germany, 2013

"11th Lessedra World Print Annual", Sofia, Bulgaria, 2012First International Printmaking Triennial of ULUS (Artists’ Association of

Serbia), Art Pavilion "Cvijeta Zuzori}", Belgrade, Serbia, 2011The "Iosif Iser" International Contemporary Engraving Biennial Exhibition,Art Museum of Prahova county, Ploieşti, Romania, 2011, 2009

"International Digital Show 4" (online/on-screen exhibition),"Independents" Liverpool Biennial, Liverpool, United Kingdom, 2008

FIFE – International Experimental Film Festival "Carbunari 2007", FloreanMuseum, Carbunari, Romania, 2007

Autumn Exhibition of ULUS (Artists' Association of Serbia), Ar t Pavilion"Cvijeta Zuzori}", Belgrade, Serbia, 2006

He published texts in the magazines "Lipar" and "Koraci", in "Art Fama"and "Politikin Zabavnik", as well as in the catalogues of solo exhibitions ofnumerous artists (Simonida Radonji}, Ivan Miladinovi}, Aleksandar Zari},Gabrijela Bulatovi}, Milica Antonijevi}, Ivan Arsenijevi}, Teodora Tasi}…).

Reconstructions , catalogue

1 "House of grandma Sloba and grandad @arko, Kragujevac, Serbia,

Dr Radosava Markovi}a 21, formerly Branka Radi~evi}a 17, partialreconstruction (494)"2 "House of Kneèvi} family, Nik{i}, Montenegro, Voja Samardì}a

Crnog 12, partial reconstruction (494)"3 "University of Arts, Belgrade, Serbia, Kosan~i}ev venac 29, partial

reconstruction (494)"4 "Mika's apartment, Kraków, Poland, Bozego ciała 12, partial

reconstruction (494)"5 "Ema's and Miki's flat, Vienna, Austria, Gersthoffer Straße 47, partial

reconstruction (1)"6 "Igor's, Sanja's, Nik{a's, Milja's and Uglje{a's apartment, Belgrade,

Serbia, Klare Cetkin 14, partial reconstruction (23)"

E-mail: [email protected]

• •



Vladimir Rankovi}REKONSTRUKCIJE // RECONSTRUCTIONS

Izdava~ //Published byNarodni muzej Kragujevac //National Museum Kragujevac

Za izdava~a //AuthorisedAleksandar Stamenkovi}

Kustos izlo`be //Curator of the exhibitionTatjana Milosavljevi}

Prevod //Translaton

Milo{ Arsi}Fotografije //PhotographsPredrag Cile Mihajlovi}

Likovno-grafi~ko oblikovanje kataloga // Design of the catalogueVladimir Rankovi}

Tehni~ka pomo} //Technical supportBojan Radovanovi}, Nemanja Radi{i}

[tampa //Printed byNais print, Ni{

Tira //Circulation300

Izlo`bu je pomogao Filolo{ko-umetni~ki fakultet, Kragujevac.

The exhibition is supported by the Faculty of Philology and Arts, Kragujevac.

CIP- Каталогизација у публикацији - Народна библиотека Србије, Београд

75.071.1:929 Ранковић В. (083.824)75(497.11)"20"(083.824)

РАНКОВИЋ, Владимир, 1973-Vladimir Ranković : rekonstrukcije = reconstructions : Galerija Narodnog muzeja,

Kragujevac, 26. decembar 2014 - 12. februar 2015. = Gallery of National Museum,Kragujevac, December 26, 2014 - February 12, 2015 / [kustos izložbe, curator of theexhibition Tatjana Milosavljević ; prevod, translation Miloš Arsić ; fotografije,photographs Predrag Cile Mihajlović]. - Kragujevac : Narodni muzej, 2014(Niš : Nais print). - 16 стр. : reprodukcije ; 24 cm

Uporedo srp. tekst i engl. prevod. - Tekst štampan dvostubačno. - Tiraž 300.- Str. 3: Rekonstrukcije / Tatjana Milosavljević. - Biografski podaci o umetniku.

ISBN 978-86-85647-50-5

a) Ранковић, Владимир (1973-) - Слике - Изложбени каталозиCOBISS.SR-ID 212068108



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Rek on StrVladimir Ranković - Rekonstrukcije (Narodni muzej, do 10. februara 2015.)uk c i Je Vladimir Rankovic