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The reed organ player

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CONTENTS

ALBUM LEAF\ R.Schumann, Op. 68, No. 30

ANDANTE, from an Orpan Sonata . . . . F. Mendelssohn .

ASE'S DEATH Edvard Grieg, Op.40, No. '-J

AT PRAYER, Song Without Words E G. Rathbun . .

BARCAROLLE E. L. Ashford .

BARCAROLLE, from "Tales of Hoffmann" . . . J.Offenbach

CANZONETTA V. Hollaender

CHANSON TRISTE P. I. Tschaikowsky .

CHAPEL MARCH J. L.Battmann .

CONSOLATION, Song Without Words . . . . F. Mendelssohn . . . ,

FUNERAL MARCH, Marche Fimebre . . . . F. Chopin ....INAUGURATION, March J. Frank Frysinger,Op.88,No.1

INSTALLATION MARCH Geo. N. Rockwell.

IN THE CHURCH R I. Tschaikowsky .

JUNE, Barcarolle P. Tschaikowsky, Op. 37, No. 6

KING'S MARCH, THE S. H. Gambrell .

LOHENGRIN BRIDAL CHORUS R.Wagner ....LOVE'S CONFIDING Frederic E. Farrar .

MARCH OF THE PILGRIMS W.Lane Frost .

MARCHE ROMAINE, Marche Pontificale . . . Ch. Gounod ....MELODY IN F A.Rubinstein .

NACHTSTiiCK R.Schumann

NIGHT WATCHMAN'S SONG E.Grieg ....NOCTURNE, "Midsummer Night's Dream" . . , F. Mendelssohn . .

OPENING VOLUNTARY Scotson Clark . . . ,

OUVERTURE VOLUNTARY IN C J. L. Battman, Op.75, No. 13

OUVERTURE VOLUNTARY IN F J. L. Battman, Op.75, No. 14

SEXTF^T, from Lucia di Lammermoor .... G.Donizetti.

SILENT PRAYER, A Th. Kullak .

SONG TO THE EVENING STAR, from Tannhauser . R.Wagner .

SORTIE IN D Th. Salome.

SPRING SONG F.Mendelssohn

TRAUMEREI AND ROMANCE R.Schumann

VALLEY OF REST, Song Without Words . . . F. Mendelssohn

WELY'S CELEBRATED OFFERTOIRE . . . . L.Wely.

WOODLAND CHAPEL, THE HA.Schnecker

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CITY OF hEW YORK

INAUGURATION ^^^^ ^^i .. . MARCH

Maestoso m. m. i^ = lost*RANK FRYSINGER, Op. 88, No. 1

IJ: Copyright 1914 by Theo. Presser Co.''

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I THE NEW YO.RK Prisij.ld;!;»;p,iRi«i,W'y

Clr-;CiJLA"nOiM DEPARTf/.'lINT

MUSIC UKhAtiy. 121 tt^SI »M SI.

British Copyright Secured

^ THE WOODLAND CHAPEL

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SONG TO THE EVENING STAR.Aiidanle M M J.= 4.> from '-TANNHAUSEB" R.WAGNER

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Copyright 1S9B by Theo Presser

THE KING'S MARCH

INTRO.

SYDNEY H.GAMBRELL

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CHAPEL MAKCH.

J. L. BATTMANN.

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IN THE CHURCHModerate M. m. J = 48

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Wely's Celebrated Offertoire.a D. Hewitt. *'

Ip x> Major.Editedby u ^.^.c. .... ip y >iaic

This offertoire should be played with spirit and crlspness and with a rich sonorous quality nf tone. The best selec

tion of stops would be the"'Full Organ" except the <6 ft. tones unless the latter can be used in the bass register alone

to supply the pedal tones of the pipe organ

Moderato.M.M J los.

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In the Trio, the registration must be reduced to such stops as Diapason, Melodia, Flute, and Viola. Shut off Octave Coi!

lers,and all. stops of less than 4 ft. tone At a) small hands may drop the long notes. Give the doudle dots full vai

Copyright. 1899 by Theo.Presser. 2

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OPENING J NTARYAndante m.m.J=72

D. C.

SCOTSON CLARK

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R. SCHUMANN

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CH. GOUNOD43

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32

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Allegro non troppo MM. J = 108P. I. TSCHAIKOWSKY

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34

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BARCAROLLEfrom "TALES OF HOFFMANN"

Moderate m. m. J = 50.^

te#^^S ^ i/^

I

J. OFFENBACHArr. by W. Lewis

7 j^ 7 ? ^;^^^ 2^

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Semp lice m^m. J = 69

ANDANTEfrom an Organ Sonata

F. MENDELSSOHN

39

VALLEY OF RESTSONG WITHOUT WORDS

F. MENDELSSOHN

-W^ # mT ^^-N,8

V'l <l> ^ ^'T 'f-^-^ Isf crei'•esc f PP cresc.

^^ fe: ^ £

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Copyright 1913 by Theo. Presser Co.

86ny\

NIGHT WATCHMAN'S SONG

isMolto andante M. M. * = S4

3

E. GRIEG

^ 3 a-* 2 5, 45

m i ^ g71 ^f=ir_

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*Allegretto grazioso M. M. J. = 63

Y HOLLAENDER

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cantabile

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42 To L.n:

LOVE'S CONFIDINGWEDDING MUSIC FOR PIANO OR ORGAN *

Larghetto con espressione mm. J=48

±m ^3 5 ^^i^ iW0i

FREDERIC EMERSON FARRAR

f^ ftsemprepKuiisstmo

ie' a-^p^3

Iz—z:^i:

351

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15^ 4^;i5_i

^ i p?Jr-f-f-i~f-f-

^ fe^^i^ •^ \f U«(=^

^?f^ This piece will prove an effective orphan mimhi;r ( without pedals ) to be played very softly durinp wedding ceremonies,

using one or two delicate stops.

Copyright 1911 by Theo Presser Co. 2 British Copyripht secured

bk:77"^

^ # :z±5 m S-^^ 5

1>A es ^^^^ m4^ l?p

tj f w

8-

V \?J7lV \y £ h^9- i

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—err

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8-^

:§i:zna)

( *i\ rI

fi^^; ^^ ^- 5>'

_q:TV^

l^i'IXH -o^

v:^

a) On a cabinet organ th.s final passage will be played an octave lower.

44Dedfcnffd fo the Lodgex of jinifrica

INSTALLATION MARCHFOR PIANO OR ORGAN

'is ^^ <* r

Spirited M. M. J = loo

^ '^^-^m ^—3 a- aGEO. NOYES ROCKWELL

^S 1=1P f^^^^ * *

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12

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I

Copyright 1912 by Theo. Press«>. ^o. British Copyright Secured

I

. ^f tl«

5

fa53 2 ^ 1 a 1

4 :^5

^

45

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V%'1>(^ ? ^^ m^m -m

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ci-esc. ^.-

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Ik'-i> J 1,^3f

^^-^

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axiai ^rail

^i ^

* r3 '1

j^a tempo

!^^r

#^ IZi

46 OUVERTURE -VOLUNTARY.Edited by H.D.Hewitt. (IN C,No.l3.)

Andante.MM. Jr 80. (8 ft. stops only.l

J. L .Battmann.

Op.75,No.l3.

Full Organ .

i ^ \ ^ ^ imm 4 fc?; jSiE $f r

^r^ r^ V

t:

m 4 *^2 f

3 "& it=^^e a= x^:±=?=e=^ ^rW: r *

Copyright, I89e,by Theo Presset. S

47

m a).5,iT

* 3

i

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^ ^m g^ i^ ^ gy4 i

1 t* 1=^ fe=t r—-^ i IE? «^»

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£ **=!p^ s ?^t? B ^f

f.

s t=? -S-9-

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Chang-e Solo Stop (or add Flute) —

^p^5

im^^

(s

1^ 5EE

fe=t t4 Mr Mrt=zf **

:tzze

5=t Sl=t

?

I

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[fi:Ste*=^mi

^ C>D

i^

^> 'i"^S^

^«a^^ jT3*JT3

,

m- 4t.

jsr

miReduce organ to

Diapason and Mclodia.

ja) Arrange a Solo Stop for the right hand {Vox Celeste or a stop oTsimilartimbre)!

j|jj

'.with a soft stop in the left hand for the accompaniment '

4H Meiodia and Diapason

m ^M^m2(t> 5

V prfi^ia E^ Z2: a > i^^ *s^^5 Wiac

14itf

:p±

\k.gf ^f?

^I te !>«•

fflym a—

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#-

Full Organ. Reduce.

f TT *

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»•-* wi w?

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^ ^ ^0w

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49

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^Reduce organ for Solo as before.

^

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s

pi

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50

SEXTET PROM LUCIA DI LAMMERMOOR

iW=S

PKI> ^ Pt^i

Larghetto M. m. J = 66

^ ^ 99a '-

/?\

G. DONIZETTIArr. by W. Lewis

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52

fl TRAUMEREIREVERIE

Andante espressivo m. m. J = 58 . R. SCHUMANN

n . i^j-;: , ;^

a temjoo_

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54 ALBUM LEAF*•

•.?••

Adagio M M.»=7iR. SCHUMANN, Op. 68, No. 30

1

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46

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ASE'S DEATHAndante doloroso m. m. J = 50 EDVARD GRIEG, Op. 46, No. 2

pm'M ir-*-

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56 OUVERTURB - VOLUNTARY.(IN F, No.l4.)

Maestoso. m.mJ = ise.J. L.BATTIMANN,Op.75,No.l4.

3^'GOffa.

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=. A^^=S:

m%T - I > i - 1^C-g !

( echo )

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(Sw.)

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(echo)

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r

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P^''P

( Change Solo stopJ^

tft-"^^^s ^

r i•—% ^m t^ 1 1 li i^i

fe r-r r^r-'p-^r-^-t r~Ti?& This composition is also suitable for pipe orgart bi" reed organ with pedais? \vhen so used, the pas-sages in small notes are to be played by the pedalSjCknd the markings in pSi-elili^eses are to be observed,

Copyright, 190S, by Theo .Presser.6 .

57

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