Rediscovering the Trin Shan Sha Chart b w

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J agdish Raj Ratra is B.Com (hons) L.L.BFellow (F.I.I) worked in Insurance Sector(LIC Of India) for 38 years. He has beendedicated to serious study in astrology sincelast few decades. He retired in Feb 1996, hasspecial interest in Jaimini Astrology. HeResearches ona) Why there are 150 nadis in a sign and what is the span of each nadi b) What is their importance and itscontribution in natives age span?

Rediscovering The Trishansha Chart

As Used In N adis By

Jagdish Raj Ratra, India Copy Editor: Yenbeeyes, India

[In our concerted efforts to bring forthunrevealed secrets of predictive astrology weare encouraging our team members to submitwrite ups to us, even if they happen to appear tobe seemingly contrary to the currently accepted norms and meanings. This article is an effort inthat direction, as it not only exposes the unequaldivision of the nadi amshas but possibly thecorrect meaning of the trimshamsas as used in nadis, though different from Varahamihir or inthe current translations of BPHS. We fullybelieve that this will lead to increased use of

Trimshamshas as the one before propounded inthe BPHS has a very limited use especially inthis current social context. Please note that theunequal nadiamshas as well as the sixteendivisions have a bearing on the 60 yearSamvastar cycle in which the natal andmundane predictions can vary. This ofcourse isunder investigation and would be progressivelypresented. SA Editor ]

t any epoc, horoscope is theprojected map of our solar systemspread over a matrix of 12 houses

with 7 physical planets and two virtualplanets (Nodes). It is the birds eye view.For close study of the matrix, we needmagnified view of some special aspectscalled vargas. The rashi chart is the motherchart and 15 sub chart as prescribed by the

Sage Prsshar have the magnifying powersof 2, 3, 4, 7, 9, 10, 12, 16, 20, 24, 27, 30, 40,45,60.

A


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To understand the concept, comparison can be made between watching a cricketmatch at stadium and one at T.V. At stadium with naked eyes we can only see miniaturestature of players but can never know split second run out of player and also subtle swing of ball in the air. With help of close ups videos we can see, split second actions at T.V.

Rasi chart also can be compared with Balance sheet (of natives life ) in its briefestformat. It is supported by large number of schedules giving threadbare details of each entryon assets & liability sides of Balance Sheet. Divisional charts are schedules to the motherchart (Rashi Chart). Sometimes attractive looking Balance Sheet turns out to be defunct ondeep study, while ordinary looking Balance Sheet is full of hidden Reserves. The Divisionalcharts clear the haze.

Degree-wise range & significance of each Sub-chart is as under: -

Sr.No. Name of chart Degree range Significance

1. Rashi 30 Summary of life2. Hora 15 (30/2) material wealth3. Drekkan 10 (30/3) c0-borns4. Tooryansha 7:30 (30/4) fosterness5. Saptansha 4:17 (30/7) progeny6. Navansha 3:20 (30/9) Spouse7. Dashamansha 3:00 (30/10) Status & authority8. Dwadashansha 2:30 (30/12) Parents9. Shodashansha 1:5230 (30/16)Conveyance, comforts

10. Vishamansha 1:30 (30/20) Religious karam11. Chaturvinsha 1:15 (30/24) Academic career12. Bhansha 1:06:40 Strength13. Trishansha 1:00 (30/30) Benefic/malefic personality14. Khavedansha 0:45 (30/40) Shubha influences15. Akshavedansha 0:30 (30/45) Miscellaneous matters16. Shashtiansha 0:30 (30/60)

Sage Prashar has made 4 groups of these Vargas. First of which is SHADVARGA meant formeasuring power and strength of planets and houses without which reliable predictionscannot be given. Shadvarga is basis of Shadbala (six tools of energy measure of planets) usedto select the method of age calculation of each native. We find the selective strength of Lagna, the Sun & the Moon to be used in longevity assessments Amsha Ayu, Pinda Ayuor Naisargik Ayu.

It is unfortunate that accurate casting of Hora and Trishansha have been lost in theantiquity. Any valid chart should have (i) 12 houses (ii) lagna (iii) and all planets. Anydeviation is against the basic teaching of Sage Prashar. In any Sub chart a planet can occupyonly one sign which may be its Exaltation sign, Moolatrikona sign, Own sign or Kendra

sign from Lagna Aroodha. These placements are called shubha vargas.

The Rishi postulates that any planet can get placement in any of the 16 charts. Theseplacements can be Shubha varga or otherwise. If it gets Shubha vargas in all charts of 4


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groups of 16 charts it obtains special status. If in Shada varga group a planet obtains 6 out of 6 shubha vargas, status name is KUNDAL, in groups of 7 charts (Sapta varga) 7 shubhavarga out of 7 gets the name of MUKAT, in Dasha varga (group of 1- charts) 10 out of 10shubh varga gets the name of SHREEDHAM, in Shodasha varga (group of 16 charts) 16 outof 16 shubha varga gets name of SHREEVALABHA. Hence is it very logical to say that allplanets participate in all 16 charts.

In the modern times Format of HORA & TRISHANSHA are against the perceptionof Shri Prashar and are of corrupt format. In the corrupt format Hora do not have 12 houseswhere Aries, Taurus, Gemini, Virgo, Libra, Scorpio, Sagittarius, Capri, Aqua and Pisceshave no chance of becoming Lagan or represent a house while in Trishansha 5 planetsparticipate in 5 unit division of 30 degree. If the casting of these charts is faulty, the Shadbalais incorrect hence the predictions based on that Shadbala are faulty.

Late Dr. B.V.Raman knew about this corruption in 1960s. For reasons best known to

him he did not raise this issue but made a passing reference in his London lecture of 26th

Sep.1970, quoted hereinafter at page 8. Late Shri A.D.Pathak raised this issue vide his 2 articlespublished in Times of Astrology (Delhi) January and February 1995 issues and blamed ShriVaraha mihir for inserting fake Trishansha in the text influenced by Tajak Astrology. Helamented that Mihirs stature in his times was so high and do minant that nobody daredchallenge him rather later writers followed him blindly and meekly.

Shri Varahamihir was court astrologer of King Vikramaditya of Ujjain. He livedabout 2065 years earlier. The corrupt format of Trishansha divided 30 bhava into 5 parts. Forodd rashis 5, 5, 8, 7, 5 belongs to Mars, Saturn, Jupiter, Mercury & Venus. For evenrashis segments are 5, 7, 8, 5, 5 belongs to Venus, Mercury, Jupiter, Saturn, Mars. TheSun and the Moon are totally ignored. Varaha Trishansha deals with sexual violabilitycommitted by the female natives, while Prashars Trishansha deals with positive andnegative traits of a native as per Trishansha of the planet in which he is born. Shri Pathakanalysed trishansha results prescribed by Shri Varaha and found that out of 25 Trishansharesults 13 belonged to females as violators of chastity as if all males are beyond doubt. It is

better that Varahas Trishansha be called a barometer of females sex pleasures.

The pure format of D-30 (Trishansha) can be found in pre-Varaha literature. Insupport we present Verse No. 5750-51 book III of Chandra Kala Nadi which was writtenabout 200 to 300 years before Varaha:-

Rashi of 30, Hora is half of Rashi, Drekkan is 1/3 rd, Navansha is 1/9 th , Dwadashansha is1/12th and Trishansha is 1/30 th part of Rashi.


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TRISHANSHA CHART

Degree

Mesha

Vrishab

Mithun

Katak

Simh

Kanya

Tula

V.chak

Dhanu

Makar

Kumbh

Meena

1 7 11 4 2 6 10 8 12 3 1 5 92 8 12 5 3 7 11 9 1 4 2 6 103 9 1 6 4 8 12 10 2 5 3 7 114 10 2 7 5 9 1 11 3 6 4 8 125 11 3 8 6 10 2 12 4 7 5 9 16 12 4 9 7 11 3 1 5 8 6 10 27 1 5 10 8 12 4 2 6 9 7 11 38 2 6 11 9 1 5 3 7 10 8 12 49 3 7 12 10 2 6 4 8 11 9 1 510 4 8 1 11 3 7 5 9 12 10 2 611 5 9 2 12 4 8 6 10 1 11 3 712 6 10 3 1 5 9 7 11 2 12 4 813 7 11 4 2 6 10 8 12 3 1 5 914 8 12 5 3 7 11 9 1 4 2 6 1015 9 1 6 4 8 12 10 2 5 3 7 1116 10 2 7 5 9 1 11 3 6 4 8 1217 11 3 8 6 10 2 12 4 7 5 9 118 12 4 9 7 11 3 1 5 8 6 10 219 1 5 10 8 12 4 2 6 9 7 11 320 2 6 11 9 1 5 3 7 10 8 12 421 3 7 12 10 2 6 4 8 11 9 1 522 4 8 1 11 3 7 5 9 12 10 2 623 5 9 2 12 4 8 6 10 1 11 3 724 6 10 3 1 5 9 7 11 2 12 4 825 7 11 4 2 6 10 8 12 3 1 5 926 8 12 5 3 7 11 9 1 4 2 6 1027 9 1 6 4 8 12 10 2 5 3 7 1128 10 2 7 5 9 1 11 3 6 4 8 1229 11 3 8 6 10 2 12 4 7 5 9 1

30 12 4 9 7 11 3 1 5 8 6 10 2

Mesha Lagan

(1) Verse No. 1548, Book No I (Chandra Kala Nadi)

Sama nadi is at serial No. 7 under moveable sign.; it has longitude of 1:15;01 to 1:20. Birthis under 2nd degree of Mesha lagan. Referring Trishansha chart under column Mesha against2 we find digit 8 (Vrishchak) belongs to Mars.


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(2) Verse No. 2208 & 2211, Book No. I (C.K.Nadi)

- 2208 2211

Mangla Nadi serial No. 91 (Shri C.S.Patel list) under moveable sign it has longitude of 17:46:41 to 18:00. The birth was under 18th degree of Mesha Lagan. As per Trishanshachart under Mesh column against 18 degree we find digit 12 (Meena) which belongs to Jupiter.

(3) Verse No. 2678 & 2679 (Book I (C.K.Nadi)

- 2678

2679Champaka nadi, serial No. 27, under moveable sign; it has longitude of 5:20: 01 to

5:30. The birth was under 6 th degree of Mesha Lagan. Under Mesha column against 6 entryis digit 12 (Meena) belongs to Trishansha of Jupiter.

Katak Lagan

(4) Verse No. 1795 & 1789 (C.K.Nadi Book I)

1789

Under item No (iii) Nadi is same & Lagan at 6 degrees under column katak against 6 degreeentry is digit 7 (Tula) belonging to Venus.

(5) Verse No. 2913 (C.K.Nadi Book II) Katak Lagan - Pankajansha

Pankaj nadi is at serial No. 149, under moveable Lagan; its longitude is 29:20 to 29:30. Thebirth under 30 th degree of Katak with Meena Navansha. Under column Katak against 30 wefind digit 7 (Tula) belonging to Venus whereas our test says it is Mars Trishansha. This

cannot be true. There appears to be printing mistake because line no. 2 & 3 containcharacteristics of Venus not of Mars. Only Venus Trishansha can be addicted to dance,music, fancy scents and decorative and precious clothes.


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Shadavarga Varga Prakash a book compiled by Shri Mukand Balabh printed by MotilalBanarsi Dass, Varanasi gives trishansha phala of Mars as (page 70)

For Venus trishansha it says (page 71)

(6) Verse No. 2926 (C.K.Nadi Book II)

It is just repeat of Verse No. 2913

Makar Lagan

(7) Verse No. 1338 (C.K.Nadi Book I)

Kanta nadi is at serial No. 32. Under moveable sign its longitude is 6:15:01 to 6:30. Thebirth was under 7 th degree of Makar lagan. Under Makar column against 7 we find digit 7(Tula) ruled by Venus.


Trailokya nadi is at serial No. 74 (of C.S.Patel list) and at 75 (of C.G.Rajan list). Undermoveable sign its longitude is 14:30; 01 to 14:40 & 14:40:01 to 15:00 respectively bothfalling under 15th degree. Under column Makar of Trishansha against 15 we find digit 3(Mithun) belonging to Mercury.

Vrishabha Lagan (Fixed Sign)

(9) Page 65 Astrological Magazine January 1982Shri N.Sundara Rajan, B.A., M.A., F.A. in an article DHRUVA NADI AND

AYANANSHA quoted the following reading of Dhruva Nadi of Satyacharya as under:


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It means as follows in the year Prajapata in the month of katak (July) on 18 th day in

the bright half of the Moon on Wednesday on the night of eleventh lunar day in the 4 th quarter of Jyeshta nakshatra, in yoga of Mahindra and Bhadrakya karan, in Trishansha of Mars & Hora of Mars (!!!) in satvik vela birth takes place after 51 Nadi and quarter (fromsunrise) equal to 21 nadis and 7 th vinadi after sunset. Birth takes place in Taurus Lagan Virgonavansha

Life readings tallies with a native born at night of 31.7.1811 at 2:27 a.m. at Madras,Wednesday. He works out the Niryan position of Lagan at 59:04:54 and ayanansha at2:13:41. Hence sayan Lagan56:51:13, Taurus Lagan at 2651:13, Kanya Navansha covers26:41 to 30:00 of Lagan. Hora covers 16 to 30. Trishansha is stated to be Mars. The exactdegree of birth 1s 27 under column Taurus (Vrishaba) against 27 we find digit 1 (Mesha)governed by mars. In the same article Shri N.S.Rajan praises Dhruva Nadi of Satyacharyaand Sukra Nadi as excellent among nadis. An astounding reference is Hora of Mars while all

modern texts talk about Surya Hora and Chandra Hora, how it is Satyacharya (who livedabout eleven centuries before Christ as per late C.S.Patel in his book Nadi astrology at page39) grants Hora to Mars. We have, argued earlier about distortion of Hora Chart.

(10) Page 889 Astrological Magazine Dec. 1977

Late Dr. B.V.Raman, modern doyen of Astrology in his lecture on 26 th Sep. 1970 atAstrological Lodge-LONDON whose extract as second part was published in 1977 declaredthat Trishansha is 1/30 division of Rashi and gave many examples to bring home the point.

He quoted an extract from Sukra Nadi as:-If the Lagan is Taurus and censor point (Nadi is Kumari Nadi), the native born in

the first part shall be third issue to his parents. He will be born in a big town on the banks of a river in the house of his father, situate in a street running north south and house facing theEAST. The delivery shall be easy.

If the birth is in second part, it will be in a small place in a relatives house in a streetrunning East West and house facing south. He will be 4 th issue to his parents, his elderbrother having died. In either case Trishansha shall be of Venus.

Kumari Nadi is at serial No. 105. For fixed lagan longitude of nadi is 8:53:21 to 9:00,The birth was under 9 th degree of Vrishabha. Against 9 under column Vrishabha, the digitentry is 7 (Tula) ruled by Venus.

Dr. Raman made some wonderful comments on Nadi granthas. He classified Nadisinto 3 groups. (A) Those make predictions on Dwadashansha (B) Those give prediction on(1/30) Trishansha (C) those which predict on Nadi (1/150). Dwadashansha indicates verygeneral pattern of future, Trishansha indicates more specific pattern of future while

Nadiansha gives exact pattern of future. Dr. Raman avoiding naming of individual or groupwho defiled our shastras was bold enough to praise trishansha as complete predictive systemabout traits of native slightly less to Nadi system. He never concurred with 5 unit division


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of Trishansha and everything attached to such division. It is likely the interpretationsections on sub charts under BPHS were eliminated from text by interested parties.

Format of post Varaha trishansha and prediction based on them should be discarded.Any Lagan getting Shubha trishansha gives the native noble and handsome face, mind andadorable qualities and not sexual in discipline. We reproduce here the qualities of nativeborn in Trailokya Nadi in Budha Trishansha (Ver. No. 2719 Book II) & Verse No. 2725 31.

He will be good looking, intelligent, eloquent, be endowed with charming face andeyes, be fortunate, religious, be fond of Superior ascetics and will worship Gods andBrahmins. He will eat limited food, talk within limits, sleep for limited hours. He willconquer his senses, skillful in knowing others thoughts, be fond of ornaments, be evilperson to evils, unk ind to unkind people. He will be skilful in law and philosophy etc.etc.The text is strewn with such instances of benefic trishansha.

Vrishchak Lagan


Gadaa Nadi is at serial No. 86 under fixed Lagan; its longitude is 12:51 ;24 to 13:00. Laganat 13th degree of Vrishcak under column Vrishchak against 13, we find 12 (Meena) belongingto Jupiter.

(12) Verse No. 2349 (C.K.Nadi Bk I)

Sudha Nadi is at serial No. 72. Under fixed Lagan its longitude is 15:33:21 to 15:45 fallingunder 16th degree. Under column Vrishchak against 16 we find digit 3 (Mithun) belonging to

Mercury.

Dhanu Lagan (Dual Sign)

(13) Verse No. 2657 & 2652 (C.K.Nadi Book III)

- 2657

- 2652


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Champaka nadi is at serial No. 27. Under dual sign its longitude is 20:30:01 to 20:37:20 i.e.21st degree. Under column Dhanu of trishansha chart against 21 we find digit 11 (kumbha)governed by Saturn.

Meena Lagan

(14) Verse No. 2405, 06, 2413 (C.K.Nadi Book I)Verse No. 2413 is repetition of VN 2406.

- 2405 - 2406

Vasudha is at serial No I. Under dual sign its longitude is 15:01 to 15:20 i.e. 16th degree.

Under column Meena of trishansha chart against 16th

degree we get 12 (Meena) owned by Jupiter.

(15) Verse No. 2787 & 88 (C.K.Nadi Book II)

- 2787

Suprabha Nadi is at serial No. 78. Under dual lagan its longitude is 0:40:01 to 0:45:00i.e. first degree. Under column Meena against first degree we find digit 9 (Dhanu) ownedby Jupiter.

We have proved the validity of New Trishansha with the help of Nadi longitudesunder 7 laganas Mesha, Vrishabha, Katak, Vrishchak, Dhanu and Meena for whichmaterial could be churned out of Chandrakala nadi. We regret we do not have DhruvaNadi of Satyacharya or Sukranadi in our possession for research and verification of Trishansha under remaining 5 laganas. We request scholars to help dig out realTrishansha.

Much work needs to be done for HORA CHART as well. Dhana yoga, Shri yogasavailable in Mother chart should be got confirmed in a Hora Chart whose present formatis useless and illogical. Hora Chart, first Deputy of Mother Chart (Rashi Chart) amongst15 sub charts should have been developed as a tool of measurement of economic power of a native. Presently only ruins are available of a grand edifice.

Annexure I


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Kachchhapa 123Kadali 135Kala 130Kalashodbhava 141Kalushaa 30Kalushankura 73Kamadhruk 49Kamalaa 31Kamini 140Kandala 137Kanta 32Karalaa 48Karavirani 50Karikara 34Kokila 106Kokila 138Kshamaa 35Kumari 105Kumbhini 15Kundaa 131Kundini 52Kunjarakriti 107Kutila 16

Maadhvi 12Maala 20Maaya 10Madiraa 115Mahamari 75Mahi 29Maitri 116Managhnaa 61Mangala 91Manjuswana 13Manoharaa 11Manshani 125Marut 119Mokshapavarga 94Mudgaraa 25Mudrika 92Mukundaa 132Musalaa 24

Naalaa 68Nadi 71Naga 148


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Nalini 69Navanitaa 96Nigada 99Nimanaa 58Nirmadaa 56Nirmala 70Nishachari 97Nivrutti 98Nutana 87

Paapaa 139Paatalini 147Pankajaa 149Paraa 18Parameswari 150Pasha 26Payaswini 19Prabhaa 17Prahavi 146Prita 112Pritaa 59Priyavardhini 60

Rakshajalaplava 113Raudra 53Raudri 127

Saaraa 100Sama 7Samaa 103Samada 102Sangaraa 143Sangitaa 101Sankari 5Saumya 8Shatawari 145Shatyagnaa 144Shitalaa 57Shiva 128Shivaa 82Shivadaa 81Shivakari 129

Shobanaa 80Shobha 79Shudhaa 93Shulini 126


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Smara 136Snigdhaa 44Sodaraa 45Somalata 90Somvalli 89Sudamritanshu 72Sudhakari 6Sukhadaa 77Sukhadaa 43Sumanohara 88Suprabha 78Suraa 9Surasundari 46Sushitlaa 76Swaahaa 109Swaraa 110

Trailokyamohankari 74

Vaishnavi 2Valayaa 95Varuni 114Vashirna 39Vasudha 1Vibhramaa 42Vikataa 40Viraprasu 142Vishakhya 54Vishanashini 55Vishwa 38Vishwambharaa 104

Annexure II

Sr. No. C.G.Rajan C.S.Patel Moveable Fixed Dual

(Start) 0:00':01" 30:00':00" 15:00':00"1 Vasudha Vasudha (end) 0:30':00" 29:30':00" 15:20':00"2 Vaishnavi Vaishnavi 0:40':00" 29:20':00" 15:30':00"3 Braahmi Braahmi 0:45':00" 29:15':00" 15:33':20"4 Kaalakota Kaalakota 1:00':00" 29:00':00" 15:45':00"5 Sankari Sankari 1:06':40" 28:53':20" 16:00':00"

6 Sadaakari Sudhakari 1:15':00" 28:45':00" 16:15':00"7 Sama Sama 1:20':00" 28:40':00" 16:30':00"8 Saumya Saumya 1:30':00" 28:30':00" 16:40':00"9 Suraa Suraa 1:52':30" 28:17':30" 16:52':30"


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10 Maaya Maaya 2:00':00" 28:00':00" 17:00':00"11 Manoharaa Manoharaa 2:13':20" 27:46':40" 17:08':34"12 Maadhvi Maadhvi 2:15':00" 27:45':00" 17:15':00"13 Manjuswana Manjuswana 2:30':00" 27:30':00" 17:20':00"14 Ghora Ghora 2:40':00" 27:20':00" 17:30':00"15 Kumbhini Kumbhini 3:00':00" 27:00':00" 17:46':40"16 Kutilaa Kutila 3:20':00" 26:40':00" 18:00':00"17 Prabhaa Prabhaa 3:30':00" 26:30':00" 18:30':00"18 Paraa Paraa 3:45':00" 26:15':00" 18:40':00"19 Payaswini Payaswini 4:00':00" 26:00':00" 18:45':00"20 Maala Maala 4:17':08" 25:42':51" 18:53':20"21 Jagati Jagati 4:26':40" 25:33':20" 19:00':00"22 Jarjhara Jarjhara 4:30':00" 25:30':00" 19:20':00"23 Druva Dhruva 4:40':00" 25:20':00" 19:30':00"24 Musalaa Musalaa 5:00':00" 25:00':00" 20:00':00"25 Mudgaraa Mudgaraa 5:15':00" 24:45':00" 20:15':00"26 Pasaa Pasha 5:20':00" 24:40':00" 20:30':00"27 Champakaa Champakaa 5:30':00" 24:30':00" 20:37':20"28 Daamini Damaka 5:33':20" 24:26':40" 20:40':00"29 Mahi Mahi 5:37':30" 24:22':30" 21:00':00"30 Kalusha Kalushaa 6:00':00" 24:00':00" 21:06':40"31 Kamalaa Kamalaa 6:15':00" 23:45':00" 21:15':00"32 Kantha Kanta 6:30':00" 23:30':00" 21:20':00"33 Kaalaa Kaalaa 6:40':00" 23:20':00" 21:25':45"34 Karkaraa Karikara 6:45':08" 23:15':00" 21:30':00"35 Kshamaa Kshamaa 7:00':00" 23:00':00" 21:45':00"36 Durdhuraa Durdharaa 7:20':00" 22:40':00" 22:00':00"37 Durbhagaa Durbhagaa 7:30':00" 22:30':00" 22:13':20"38 Viswa Vishwa 7:46':40" 22:13':20" 22:30':00"39 Visirnaa Vashirna 8:00':00" 22:00':00" 22:40':00"40 Vikataa Vikataa 8:15':00" 21:45':00" 23:00':00"41 Aavilaa Avilaa 8:30':00" 21:30':00" 23:15':00"42 Vidrumaa Vibhramaa 8:34':16" 21:25':45" 23:20':00"

43 Sukhadaa Sukhadaa 8:40':00" 21:20':00" 23:30':00"44 Snigdha Snigdhaa 8:45':00" 21:15':00" 23:45':00"45 Sodaraa Sodaraa 8:53':20" 21:06':40" 24:00':00"46 Sursundari Surasundari 9:00':00" 21:00':00" 24:22':30"47 Suramrithplavini Amrutplavini 9:20':00" 20:40':00" 24:26':40"48 Karalaa Karalaa 9:22':30" 20:37':20" 24:30':00"49 Kamadhuk Kamadhruk 9:30':00" 20:30':00" 24:40':00"50 Karaveerani Karavirani 9:45':00" 20:15':00" 24:45':00"51 Gahvaraa Gahvaraa 10:00':00" 20:00':00" 25:00':00"

52 Kundini Kundini 10:30':00" 19:30':00" 25:20':00"53 Raudra Raudra 10:40':00" 19:20':00" 25:30':00"54 Vishaa Vishakhya 11:00':00" 19:00':00" 25:33':20"55 Vishavinashini Vishanashini 11:06':40" 18:53':20" 25:42':51"


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56 Nirmadaa Nirmadaa 11:15':00" 18:45':00" 26:00':00"57 Seethalaa Shitalaa 11:20':00" 18:40':00" 26:15':00"58 Nimnaa Nimanaa 11:30':00" 18:30':00" 26:30':00"59 Prida(Preeta) Pritaa 12:00':00" 18:00':00" 26:40':00"60 Priyavaasini Priyavardhini 12:13':20" 17:46':40" 27:00':00"61 Managhna Managhnaa 12:30':00" 17:30':00" 27:20':00"62 durbhagaa Durbhagaa 12:40':00" 17:20':00" 27:30':00"63 Chitraa Chitraa 12:45':00" 17:15':00" 27:45':00"64 Chitrini Chitrini 12:51':24" 17:08':34" 27:46':40"65 Chirjeevani Chirjivini 13:00':00" 17:00':00" 28:17':30"66 Virupa Bhupa 13:07':30" 16:52':30" 28:07':30"67 Gadaharaa Gadaharaa 13:20':00" 16:40':00" 28:30':00"68 Naalaa Naalaa 13:30':00" 16:30':00" 28:40':00"69 Nalini Nalini 13:45':00" 16:15':00" 28:45':00"70 Nirmala Nirmala 14:00':00" 16:00':00" 28:53':20"71 Nadi (river) Nadi 14:15':00" 15:45':00" 29:00':00"72 Sadaamritamsukala Sudamritanshu 14:26':40" 15:33':20" 29:15':00"73 Chapalaa Kalushankura 14:30':00" 15:30':00" 29:20':00"74 Saankuraa Trailokyamohankari 14:40':00" 15:20':00" 29:30':00"75 Trailokyamohakari Mahamari 15:00':00" 15:00':00" 30:00':00"76 Mahaamari Sushitlaa 15:20':00" 14:40':00" 0:30':00"77 Suseethala Sukhadaa 15:30':00" 14:30':00" 0:40':00"78 Sumatha Suprabha 15:33':20" 14:26':40" 0:45':00"79 Suprabha Shobha 15:45':00" 14:15':00" 1:00':00"80 Sobhaa Shobanaa 16:00':00" 14:00':00" 1:06':40"81 Sobhana Shivadaa 16:15':00" 13:45':00" 1:15':00"82 Sivadaa Shivaa 16:30':00" 13:30':00" 1:20':00"83 Siva Balaa 16:40':00" 13:20':00" 1:30':00"84 Balaa Jwalaa 16:52':30" 13:07':30" 1:52':30"85 Jwalaa Gada 17:00':00" 13:00':00" 2:00':00"86 Gadaa Gaadhaa 17:08':34" 12:51':24" 2:13':20"87 Gaadaa Nutana 17:15':00" 12:45':00" 2:15':00"88 Nootana Sumanohara 17:20':00" 12:40':00" 2:30':00"

89 Sumanohara Somvalli 17:30':00" 12:30':00" 2:40':00"90 Somavalli Somalata 17:46':40" 12:13':20" 3:00':00"91 Somlatha Mangala 18:00':00" 12:00':00" 3:20':00"92 Mangla Mudrika 18:30':00" 11:30':00" 3:30':00"93 Mudrika Shudhaa 18:40':00" 11:20':00" 3:45':00"94 Sootha Mokshapavarga 18:45':00" 11:15':00" 4:00':00"95 Mokshapvarga Valayaa 18:53':20" 11:06':40" 4:17':08"96 Valayaa Navanitaa 19:00':00" 11:00':00" 4:26':40"97 Navneeta Nishachari 19:20':00" 10:40':00" 4:30':00"

98 Nisakari Nivrutti 19:30':00" 10:30':00" 4:40':00"99 Nivrithi Nigada 20:00':00" 10:00':00" 5:00':00"100 Nigadaa Saaraa 20:15':00" 9:45':00" 5:15':00"101 Saaraa Sangitaa 20:30':00" 9:30':00" 5:20':00"


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102 Sangeeta Samada 20:37':20" 9:22':30" 5:30':00"103 Sumantha Samaa 20:40':00" 9:20':00" 5:33':20"104 Viswambhara Vishwambharaa 21:00':00" 9:00':00" 5:37':30"105 Kumari Kumari 21:06':40" 8:53':20" 6:00':00"106 Kokila Kokila 21:15':00" 8:45':00" 6:15':00"107 Kunjarakrithi Kunjarakriti 21:20':00" 8:40':00" 6:30':00"108 Aindiri Aindra 21:25':45" 8:34':16" 6:40':00"109 Swaahaa Swaahaa 21:30':00" 8:30':00" 6:45':08"110 Swaraa Swaraa 21:45':00" 8:15':00" 7:00':00"111 Vahini Brahmi 22:00':00" 8:00':00" 7:20':00"112 Preethi Prita 22:13':20" 7:46':40" 7:30':00"113 Rakshajala Rakshajalaplava 22:30':00" 7:30':00" 7:46':40"114 Plava Varuni 22:40':00" 7:20':00" 8:00':00"115 Vaaruni Madiraa 23:00':00" 7:00':00" 8:15':00"116 Madiraa Maitri 23:15':00" 6:45':08" 8:30':00"117 Maitri Haarini 23:20':00" 6:40':00" 8:34':16"118 Haarini Harini 23:30':00" 6:30':00" 8:40':00"119 Harini Marut 23:45':00" 6:15':00" 8:45':00"120 Maruth Dhananjaya 24:00':00" 6:00':00" 8:53':20"121 Dhananjaya Dhanakari 24:22':30" 5:37':30" 9:00':00"122 Dhanakari Dhanada 24:26':40" 5:33':20" 9:20':00"123 Dhanada Kachchhapa 24:30':00" 5:30':00" 9:22':30"124 Mricchaya Ambuja 24:40':00" 5:20':00" 9:30':00"125 Ambuja Manshani 24:45':00" 5:15':00" 9:45':00"126 Isaani Shulini 25:00':00" 5:00':00" 10:00':00"127 Thoolini Raudri 25:20':00" 4:40':00" 10:30':00"128 Raudri Shiva 25:30':00" 4:30':00" 10:40':00"129 Sivaa Shivakari 25:33':20" 4:26':40" 11:00':00"130 Sivakari Kala 25:42':51" 4:17':08" 11:06':40"131 Kalaa Kundaa 26:00':00" 4:00':00" 11:15':00"132 Kunda Mukundaa 26:15':00" 3:45':00" 11:20':00"133 Mukunda Bharataa 26:30':00" 3:30':00" 11:30':00"134 Bharatha Hasita 26:40':00" 3:20':00" 12:00':00"

135 Pasitha Kadali 27:00':00" 3:00':00" 12:13':20"136 Kandini Smara 27:20':00" 2:40':00" 12:30':00"137 Smaraa Kandala 27:30':00" 2:30':00" 12:40':00"138 Kunthala Kokila 27:45':00" 2:15':00" 12:45':00"139 Kokila Paapaa 27:46':40" 2:13':20" 12:51':24"140 Paapaa Kamini 28:00':00" 2:00':00" 13:00':00"141 Kaamini Kalashodbhava 28:17':30" 1:52':30" 13:07':30"142 Kalasodbhava Viraprasu 28:30':00" 1:30':00" 13:20':00"143 Viraprasoo Sangaraa 28:40':00" 1:20':00" 13:30':00"

144 Sankara Shatyagnaa 28:45':00" 1:15':00" 13:45':00"145 Sathayoghana Shatawari 28:53':20" 1:06':40" 14:00':00"146 Sadaavari Prahavi 29:00':00" 1:00':00" 14:15':00"147 Brahwi Paatalini 29:15':00" 0:45':00" 14:26':40"


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148 Paatalini Naga 29:20':00" 0:40':00" 14:30':00"149 Pankajaa Pankajaa 29:30':00" 0:30':00" 14:40':00"150 Parameswari Parameswari 30:00':00" 0:00':01" 15:00':00"

(-)Underline under serial number indicate mismatch of namessuggested by both researchers

ANNEXURE III

Extract from (ShadVarga Prakashah)


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Documents

Rediscovering the Trin Shan Sha Chart b w