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August 1, 2012 Breaking the Mold by Writing a Part for Herself By MELENA RYZIK Rashida Jones has a good sense of how directors see her. “I am generally cast as the dependable, affable, loving, friendwifegirlfriend,” she said. As Ann Perkins on the NBC series “Parks and Recreation” Ms. Jones is the voice of reason among her loopier costars Amy Poehler, Nick Offerman and Aziz Ansari. But in her new movie, “Celeste and Jesse Forever,” coming out on Friday, she has the chance to unravel that persona, in wanton fashion. She stars as Celeste, who is in the midst of a lingering divorce from Jesse (Andy Samberg). In her screenwriting debut, Ms. Jones, 36, wrote the comedy with the actor Will McCormack, who plays her buddy on screen; they relied on their own relationships as fodder. (“We dated for like two weeks,” she said, “and then after a slight adjustment, we became friends.”) “Celeste and Jesse,” directed by Lee Toland Krieger, was made in a tight 23 days for less than $1 million. “We did get an offer from a studio at a certain point — for them to reserve the right to cast somebody else if they felt like I wasn’t financially viable,” Ms. Jones said. After some consideration, she said no. “I felt like this was the only opportunity I had to play this kind of part,” she said, “a character that’s maybe less than likable.” Last week she spoke by phone from Los Angeles about relationships, feminism and her writerly ambitions. “My pet peeve and my goal in life is to somehow get an adjective for ‘integrity’ in the dictionary,” she said, going on to explain: “ ‘Truthful’ doesn’t really cover it, or ‘genuine.’ It should be like ‘integritus.’ “ Consider it a campaign. Here are excerpts from the conversation. Q. What made you want to write this now? A. I wanted to write for a long time, but I had a lot of fear because I have friends who are professional writers, and I felt like, they were that and I wasn’t. I had this idea kind of based on people that I knew. They had purgatory relationships they were into for too long or trying to outsmart the pain of breaking up. I asked Will and we made a pact that we would write every day, and if it was terrible, we would throw it in the trash. We wrote in my backyard, on my couch. I have a couch in my backyard because it’s California. Not rubbing it in. MORE IN Fall Fi Than P Read Mor

Rashida Jones’s Writing Debut, ‘Celeste and Jesse Forever’ - NYTimes

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August1,2012BreakingtheMoldbyWritingaPartforHerselfByMELENARYZIKRashidaJoneshasagoodsenseofhowdirectorsseeher.Iamgenerallycastasthedependable,affable,loving,friendwifegirlfriend,shesaid.AsAnnPerkinsontheNBCseriesParksandRecreationMs.JonesisthevoiceofreasonamongherloopiercostarsAmyPoehler,NickOffermanandAzizAnsari.Butinhernewmovie,CelesteandJesseForever,comingoutonFriday,shehasthechancetounravelthatpersona,inwantonfashion.ShestarsasCeleste,whoisinthemidstofalingeringdivorcefromJesse(AndySamberg).Inherscreenwritingdebut,Ms.Jones,36,wrotethecomedywiththeactorWillMcCormack,whoplaysherbuddyonscreentheyreliedontheirownrelationshipsasfodder.(Wedatedforliketwoweeks,shesaid,andthenafteraslightadjustment,webecamefriends.)CelesteandJesse,directedbyLeeTolandKrieger,wasmadeinatight23daysforlessthan$1million.WedidgetanofferfromastudioatacertainpointforthemtoreservetherighttocastsomebodyelseiftheyfeltlikeIwasntfinanciallyviable,Ms.Jonessaid.Aftersomeconsideration,shesaidno.IfeltlikethiswastheonlyopportunityIhadtoplaythiskindofpart,shesaid,acharacterthatsmaybelessthanlikable.LastweekshespokebyphonefromLosAngelesaboutrelationships,feminismandherwriterlyambitions.Mypetpeeveandmygoalinlifeistosomehowgetanadjectiveforintegrityinthedictionary,shesaid,goingontoexplain:Truthfuldoesntreallycoverit,orgenuine.Itshouldbelikeintegritus.Consideritacampaign.Hereareexcerptsfromtheconversation.Q.Whatmadeyouwanttowritethisnow?A.Iwantedtowriteforalongtime,butIhadalotoffearbecauseIhavefriendswhoareprofessionalwriters,andIfeltlike,theywerethatandIwasnt.IhadthisideakindofbasedonpeoplethatIknew.Theyhadpurgatoryrelationshipstheywereintofortoolongortryingtooutsmartthepainofbreakingup.IaskedWillandwemadeapactthatwewouldwriteeveryday,andifitwasterrible,wewouldthrowitinthetrash.Wewroteinmybackyard,onmycouch.IhaveacouchinmybackyardbecauseitsCalifornia.Notrubbingitin.MOREINMOVIESFallFilms:MoreBitterPillsThanPopcornReadMoreQ.Howdidhavingawritingpartnerhelpyou?A.Ithinkthefactthatitwasforbothofusafirstattemptatreallyfinishingascreenplayweweresupportive.Whenyourebyyourself,yourcriticvoiceissolouditsimpossibletogetanythingdone.HeandIhavehadourshareofunhealthyrelationshipswithexes.Itsagenerationalexchangeforprobablywhatwasyourfirstlove50yearsago.Butbecausewedothatdelayedadolescentthing,thisistheversionoffirstlove.Q.Wasittherapeutic,writingthis?A.Very.Iwasforsureexorcisingsomedemons.IwasinalotofpainwhenIwrotethismovielifestuff.Iunderstandhowpeoplesaytheartisticprocessiscathartic.Q.Youwerewritingaroundthetimeoftheeconomicdownturn.Didyouhavetroublegettingfinancing?A.In2009wesoldittoFoxAtomic,asubsidiaryofFox.Wewerelike,Thisissoeasyhowawesome.Andthenamonthlatertheyfolded.AndwesolditagaintoOvertureFilms,andtheyclosedtheirassets.Aboutsixtimesthathappened.Itwasfrustrating,butIreallywantedtomakethefilm.Atacertainpointmyresolvebecamenotthatfunforpeoplearoundme.Q.SinceitsaboutCelesteseparatingfromaman,notabouthersearchingforone,didyouthinkabouthowitfitinthecanonofromanticcomediesoraboutsubvertingthoseconventions?Itseemslikewereseeingmoreofthatonscreen.A.Wetriedtocreateanelementofsurprise:Heshergaybestfriend,buthesnotverygoodatbeinggay.Womenhavebeeninterestingforever.Ivehadsomanywomencomeuptomeandsaytheywerebeingfullyrepresented,thattheyrecomplex,anditsO.K.tobecomplex,anditsO.K.tobeemotionalonemomentandreallypragmaticthenext.Weregoingthroughamajorevolution,andmenhaventhadthesameevolution.Atsomepointweregoingtohavetodosomethingtobringthemalong.Whataretheydoing?Getittogether!Weregoingtohaveanentiregenerationofsmart,stablesuccessfulwomengowithoutmen,becausetheyrejustplayingvideogamesanddatingyoungergirls.Q.ThereistheApatowdudeposseoffilms.DoyoufeellikeyourepartofaladycomedycrewwithpeoplelikeAmy,MayaRudolphandKristenWiig?A.IwilldefinitelyletyousaythatImapartofthatcomedycrew.Amysoneofmyclosestfriends.Forheritsimportantthatourrelationshipontheshowreflectsthepositive,supportivearcthatwomenhaveforeachother.Wedonthaveconversationsaboutwomeninfilmandtelevisionandwhatthatmeansbecause,honestly,youtalkaboutdynamicsandpeopleandthethingsthatinterestus,andthatprobablytranslatesintothethingsthatwewrite.Ithinktheresjustaninherentburdenofbeingaliveandbeingawoman.Nomanwouldeveradmitthat,butIthinkwomenknowit,whichis:Youknowmorethanmen,youknowmorethanmostpeopleyouredealingwitheveryday,andyouknowthatsituptoyoutomakethingsmoveforward,andyougetpaidhalfasmuch,butyoujustdoit.Butitworksout,becauseifyoucanfigureouthowtoharnessthatfemininitytheressomethingwehavethatssomysterioustomenthatifyoucanfigureouthowtousethat,youregoodtogo.Q.Onthatnote,letstalkaboutoneofthefunniestmomentsinthemovie,whenyouandAndytakevegetablesandothersphericalobjectsandhowcanwesayit?getbawdywiththem.A.Pleasure?HaveourwaywithaChapSticktube?WillandI[masturbate]vegetableswhenwewritetogether.Wegotothefarmersmarket,andwetargetinnocentvegetablesandbringthemhomewithus.Wedoitwhenwerebored.Itspathetic.Sowhydontwesharethatwiththeworld?